Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface’s display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

By the arrangement of single triangles Tri-Font gets a folded, handmade, geometric and modern effect. Tri-Font is perfectly suitable for use in anything from guidance systems to signage and was made for optimal readability both on screen and in print. The font family consists of a total of 350 glyphs and contains the font styles Triangle // Outline // Body. In Deutsch Die Tri-Font bekommt durch die Anordnung einzelner Dreiecke eine gefaltete, handwerkliche, geometrische und moderne Wirkung. Tri-Font eignet sich wunderbar für den Einsatz in Leit- und Orientierungssystemen. In der Displayanwendung wie auch im Printbereich ist sie angenehm zu lesen. Die Schriftfamilie besteht insgesamt aus 350 Glyphs und beinhaltet die Schriftschnitte Triangle // Outline // Body.

Four years of development imbue Neue June with its uniquely crafted high x-height, enabling designers to literally and figuratively elevate layout designs. In today’s highly competitive brand marketplace, readability across communication platforms and memorability go hand in hand towards target audience retention. Neue June comes in six weights, from elegant thin to full-bodied emphatic bold, plus italics. You’ll find a robust selection of highly refined multilingual glyphs. In addition to a suite of ligatures, there are a number of extra characters, such as the estimated symbol, the number sign, and directional arrows. When the creative direction calls for sophisticated and memorable tactics—leverage the versatile 385 glyph count for big messages and easily consumable body copy.

Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface's display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

Holgada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a geometric sans serif typeface with refined rounded endings that provide a soft and friendly appearance. Its generic shapes make it suitable for any kind of project, text length and size. Thanks to its clear legibility, it can be used in long body texts in very small sizes, in big size headlines and everything in between. The rounded endings not only provide a particular softness when used in body text, but also a distinctive touch when used in display situations such as logos and headlines. Holgada consists of 12 styles, each containing small caps and glyph coverage for several languages.

Diaconia Old Style is a new rendition of my workhorse body copy font that I originally designed to use for the body copy of "Printing in a Digital World." I became increasingly upset with the lack of lowercase numbers and true small caps. Diaconia started life as a modification of one of the Dutch Bible fonts I traced. It has changed a lot since then (although I have a hard time telling how much because I have lost the original). The plain and italic work especially well when used in very large sizes as display faces. The other four variants (small caps, heavy, heavy italic, and black) are designed for use in book production. Because I format all my own books, I was able to design fonts that met my needs exactly: lowercase numbers, SMALL CAPS font, Mac Command, Option, and Control symbols, ballot box in the section slot, and several other special characters. DiaconiaPro is the OpenType family of my body copy workhorse. This is the first font family I ever created: classic, elegant, easy to read. 583 characters: small caps, oldstyle figures, numerators, denominators, lining figures, accents and a lot more.

An exquisite neutral body copy and memorable modern headline font – all under one pixel-perfect font family. Live Grotesk is no ordinary font, in fact it's two fonts in one, seamlessly working together. When big messaging requires a charismatic headline font to activate layout designs, amplify attention, and delight audiences with brand retention – turn on "FM," Live Grotesk's headline font. When you need a body copy font that is space-efficient, a highly refined neutral with a high x-height to help with readability, particularly on screens – Live Grotesk is for you. Stylish simplicity and neutrality are key components of the signature body copy look. This is why Live Grotesk is a uniquely crafted modern font for today's modern creatives. With a variety of weights, from light to bold, you'll also enjoy the robust offering of multilingual glyphs, plus a handful of extras like the estimated symbol, directional arrows, and helpful UX characters. When the creative direction calls for memorable, approachable, and consumable typography, consider Live Grotesk to elevate your marketing tactics. It's a font alive with versatility, that's why it's called Live Grotesk.

At first glance, Quigley might look like any ordinary font. Take a closer look. Quigley is reminiscent of an art deco font with a "twist", having unusual and amusing character shapes. Ideal for signage and as display type, but works nicely for body text as well.

This font was specifically created for my husband. He teaches 5th grade and wanted a font that was legible enough for students to read but still playful enough to add a touch of whimsy to his classroom. Legible enough for body text but fun enough for titles.

A tasty typeface inspired by the classic ads poster with a funny touch of handmade strokes. Ideal for food ads with a traditional feeling. Its tiny body is great for use on packaging as a secondary font, to fill descriptions or, editorial design in short bullet text.

The Tape Back family comes in three weights. Each are monoline in weight and have a modern yet slightly quirky appearance. It is informal but has some stability with its linear forms. The slant backwards makes it unique, and it displays well even for body text.

Inventory JNL is based on a "solid letter" stencil where you trace the body of the letter and fill in the top and bottom connecting lines to each character. This is another font in Jeff Levine's series of digital designs based on classic lettering stencil guides.

Characterized by its quirky counter spaces, Opera is named after the font’s letter “O”, resembling the open mouth of an opera singer. The 3 weights plus italics can be used individually or together for a variety of applications including magazine body texts or a striking headline.

Little Bossque is a modern sans serif family. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines

Introducing Triorange, a retro display font with rounded and smooth corner. Comes with 3 weight : Regular, Medium, and Bold. Simple letter form make this font looks nice either in body text or headline. Perfect for logo, branding, surface design, editorial design, and so many design needs.

Stick out a mile with the Mysteria typeface and catch everyone's eye. Using a mix of its two weights helps to create stunning messages. Mysteria’s one-of-a-kind eccentric design of a display face can easily be combined with the matching body text family Gerlach Sans.

Mineola got tired of being like all the other serifed fonts, got some hip body art, and moved to the cool part of town. But every so often, when no one's watching, Mineola puts on a light blue oxford shirt and listens to top 40 radio.

Fonce Sans Pro is a mono-weight, Swiss-style typeface with influences from great typefaces like Din, Helvetica, Interstate, and Trade Gothic. Its form is unique and sophisticated with an unmistakable Dutch style. It’s subtle and enjoyable, and works beautifully in both display and body copy.

Kab has a big impact, is very legible and at the same time has plenty of details that makes it really unique. Perfect for headers and display, it also can be used at smaller sizes and even as a body text with great results. Complete character set.

La Carte Pen is a paper textured version of the popular La Carte font. Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but easy-to-read script that sets as well in body copy as it does in headlines.

Michael Script - a casual handwritten style font with a range of ligatures, opentype stylistic ends, decorative swashes, perfect for any awesome projects that need handwriting taste. Suggested for logos, titles, body texts, branding, invitations and also when used along other fonts with strong and bold styles.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

Inspired by many Blackletter styles, ID Gotira Blackletter is a contemporary take of the historic Blackletter, also sometimes referred to as Old English. Modern, versatile, while not losing it's classic touch, it's also equipped with multi-language support and works best for headlines, body text, branding, packaging and posters.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

This is the "Starslang Phat" font, which is similar to the original "Starslang" font featuring starring vowels. The evolved font design has a heavier weighted text body and rounded contours. The result is a font that has a warm, natural, and curvy feel; with a fun urban impression.

Ningrat is a mix of classic with modern serif font family. It’s weight cover regular. The black weight of Ningrat Display font offers very strong impression. As a great choice for title and headers, it pairs well with most of the popular sans serif fonts for body text.

Mocktaile Typeface is a modern & luxury serif . It's soft curves mixed with high contrast glyphs lend it self to both feminine qualities. Great in layout design for quotes or body copy, and will be unique to the use of the fashion typography, logo design. And also multilingual support.

Hulpy is a relaxed font that won’t judge you. It was created with a combination of stocky rounded verticals and tapering curves. It could probably be used in comic strips or fun and happy headlines, but it also has enough regularity to be used in unpretentious body copy.

Praying Mantis is a typeface designed by Tomass Gavars. The design was inspired by the praying mantis insect. The shapes of the mantis head, forelegs and body are represented in each glyph. Each font consists of 226 characters - including numbers and punctuation. Praying Mantis has Latin character set support.

Halfway between nineteenth century display wood letters and the American grotesk sans-serif of the early twentieth, we can find Ultramarina, a display font for use in large body headlines, which show its power of attraction to quality food, the country’s legume, and gentlemen with a mustache and apron.

Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!

BoRock is a handcrafted font that comes in two pigheaded styles, inspired by the rock music scene. You can use BoRock instead of the usual neat serif fonts. BoRock Grunge is a rough crispy serif font, excellently suited for use in both display and body text. The BoRock Slick is what the name implies, a more smooth serif font, ideal for use in body text, but also suitable for titles and headings. You can use BoRock Grunge and BoRock Slick for magazines, advertising, T-shirts, posters and so on. By activating Discretionary Ligatures and typing _1 to _9 and *1 to *8 you can get your hands on some nifty bonus symbols. So get creative with BoRock and the stage is yours.

Introducing Minimalist VONESA – a new nostalgic serif revival that will blow your mind. I've started looking at classic serifs with a narrow 80's & 90's range, and wanted to make the perfect one for you too! VONESA Minimalist is a beautiful nostalgic upper and lower case typography that looks amazing in upper and lower case settings as Display, Logo and body text. One thing to note about VONESA Minimalist is that the letter spacing is intentionally set for clean readability if you want to use it for body types, so I recommend setting the spacing a bit tighter for display use (around -20 to -40 should be!). Thanks for watching, and come and say hello on Instagram! https://www.instagram.com/mordex.studio/ ~Mordex.Studio

Simpliciter Sans is a typeface based on the lettering used in the 20th century on technical drawings, either written by free hand or using templates. The lettering was made with a round pen, therefore all lines got rounded ends. All lines had the same thickness in uppercase, lowercase and small caps. The upright style was used on construction drawings and the italic style on machine drawings. The backslant style was used on maps for names of water bodies — seas, lakes, rivers etc. — and for water depth. Simpliciter Sans is primarily intended for texts on drawings, diagrams, charts and maps, but it can also be used for signs and labels. It also works surprisingly well as a body type in smaller sizes.

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

Oliver Serif, clean, contemporary and sophisticated. It is available in 3 distinctive weights-Regular, Bold and Ultra with matching italics. Oliver Serif is a fine choice for a variety of uses ranging from body text to bold dynamic headlines and branding applications. A perfect choice for both digital and print.

Lila Pro has all the advantages of OpenType technology that allows a variety of combinations: standard ligatures, contextual alternates, discretional ligatures, word ending and tails. Specially designed for creating logos for products and packaging, this font can also be used as body text for its good legibility and accurate kerning.

A happy, friendly hand printed font for many uses. Works as a display or body copy font. Great for that letter home to Mom or when you need a casual look. It can also be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

A full-featured typeface that simulates old newspaper text from the 1700s, Broadsheet gives you all the “long s” ligatures you could ever dream of. Wonderfully authentic in either display type or long blocks of body copy. Includes a couple of printer’s flourishes. (Based on antique publications from 1728 and 1776.)

Lieur is a minimalist, geometric, sans serif font suitable for logos, label designs, or even just plain body text. It comes with 2 styles, Normal and Italic, and includes Light, Regular, Medium, Bold, and Black weights to give you great possibility to harmonize the look and feel of your text.