The famous lettering “Capital Trajana” (inscription at the bottom of the column that bears its name erected in the year114 A.D.) is usually identified as the classic example that defines Imperial Capital forms. However, much earlier, there were already countless examples of Greco-Roman epigraphy of excellent execution, as evidenced by the monumental inscriptions from year 2 b.C. sculpted in the Portico di Gaio e Lucio Cesari in front of the facade of the Basilica Emilia, in the Roman Forum, erected by Augustus, dedicated to his two grandchildren for propaganda and dynastic needs. It has been more than two thousand years and the forms of these letters are still part of our daily life, product of their qualities of readability and beauty. It is probably the added semantic value that have made them an icon full of symbolism that expresses majesty, monumentality, order and universal power. Numerous authors, calligraphers and designers have studied this legacy such as Giovanni Francesco Cresci, Edward Catich, L.C. Evetts, Armando Petrucci, Carol Twombly, John Stevens, Claude Mediavilla, just to name a few. Marcus Traianus font is a fitted version of the two models mentioned, which is accompanied by Small Caps, lowercase (carolingas) and a set of numbers (Indo-Arabics) in addition to the Romans figures and diacritics for Central European languages Marcus Traianus is presented in two weight: Regular, Italic, Bold and ExtraBold.

Over the years, I've used Impact a lot. But, not because I liked it—rather because it was the only font I could find with the bulk I needed for a given title or whatever. I finally decided to make my own. It was originally built off Librum Sans Bold, but I quickly made a mask of Impact for the widths, bumped the x-height way up, made the horizontals much heavier, and on and on. You know how it is when you start designing. The result is a black sans with the bulk of Impact and much more interesting character shapes. I suspect I'll use it a lot. My hope is that you like it as much as I do. Have fun!

Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars, automotive, American, Detroit, Art Deco, 1940, 1950, 1960, vintage, retro, classic and old machines. Can be expandable using underscore for connect words or expanding between letters space.

Are you looking to make your headlines more eye-catching? If so, then this Largest Display Typeface is perfect for you! This typeface style stands out from the crowd, making it ideal for grabbing attention. Whether you're looking to make a statement on a poster, logo, card, website, social media or even just overlay text, this Largest Fonts is a great choice. With its bold and heavy look, it will give your headlines the added pop they need. https://youtu.be/5x84ygKnLjg7 You can easily customize the typeface with ligature and alternative characters. And if you're worried about legibility, don't be - the large typeface is designed to be easy to read from a distance. It's the perfect way to make your headlines stand out and show off your creativity. So don't be afraid to go big and make your headlines more attention-grabbing with our Largest Fonts! Thank you for looking.

Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby. Geogrotesque has been conceived to be used as a display typeface in publications or intermediate length texts, most of all the Thin and Ultralight weights which were meant to be used in big sizes. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details see the PDF. Related: Geogrotesque Stencil, Geogrotesque Condensed, Geogrotesque Expanded, Geogrotesque Slab and Geogrotesque Sharp.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Aure Nox inspires the chill whimsy of a haunted forest. The roughhewn forms of this decorative, sans-serif font engage the reader with a subtext of rakish charm. Surprisingly legible, Nox adds a bit of rebelious sass to text and titles, and a daring stance to astrological expressions and chartwheels. Nox is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Though Nox stands well on its own as a text font, the more traditional sans-serif forms of Aure Jane pair well as an innocuous foil to Nox's brazen presence. Give Aure Nox a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Rounded is a modern sans serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Trakya Rounded is softer and rounder than it's sibling Trakya Sans. They're both ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Rounded provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Rounded 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Rounded" comes in 5 weights and italics and has the company of "Trakya Rounded Alt" that also comes in 5 weights and italics for a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures are easily accessible in all graphic programs. Trakya Rounded is the perfect font for web use. Enjoy using it.

Looking for a typeface that embodies both grit and grandeur? Look no further than Lerku. This crispy font takes its inspiration from the timeless classic Bold Antique by Morris Fuller Benton, but it adds a grungy edge that’s perfect for today’s contemporary designs. With letter pair ligatures that help break up the monotony of repeating characters, Lerku is perfect for OpenType-savvy applications that demand a bit of variation. Whether you’re designing a website, a logo, or a marketing campaign, Lerku will give your message a bold, authoritative voice that’s sure to make an impact. So if you want to add a touch of vintage charm to your design, while still keeping it fresh and modern, Lerku is the perfect choice. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Agafia handwriting script is based on the hand of Agafia Karpovna Lykova - the last member of the Old Believer family lived like an hermit in the Khakass taiga. The face is developed for the new book on the history of Lykov's family by Lev Cherepanov. It's built in OpenType format with a contextual substitution of letterforms and specific ligatures. Designer - Gennady Fridman. Released by ParaType in 2009.

KT Higer is a display font inspired by old design archives. This font Designed by Wahyu Ichsan Fauzi & Fikri Maulana Ikhfa. they focused develop Higer to a Display Headline font. This font have total 381 Glyphs and the families is still under development to be super family typeface. This font suitable with your projects such as poster, user interface, magazine, logo, apparel design, etc.

Introducing Tailgates, a script font that exudes a robust and inviting charm. This typeface showcases a substantial weight, offering your text a bold and captivating presence. Tailgates is characterized by its rounded letterforms, contributing to a friendly and approachable aesthetic. With consistent proportions and a relatively high contrast, it achieves a dynamic and eye-catching design. What sets Tailgates apart are the captivating swinging ends that adorn select letters. These elegant flourishes add a sense of whimsy and grace to your text, creating a visual experience that is both lively and engaging. The combination of round shapes and these decorative elements adds a unique touch to your designs. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Tailgates fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Khatt tries to mimic the concept behind the meaning of the Arabic word Khatt: a straight horizontal line. The word Khatt is also the word for calligraphy in the Arabic language. Even though Khatt is a cursive style font it offers clearly distinguished and visually unified letter shapes in every position of a word. Khatt supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with five weights, regular, medium, bold, light, and ultra-light. Each weight has normal and left-slanted “italic” styles. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Khatt includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Katts’s soft-vowel diacritic marks (harakat) are positioned with most of them appearing on similar lower or upper positions to emphasize they are not part of letters.

Respondent is a flowing and handwritten font. Drawn, created and published by Mans Greback in 2021, this script family has a genuine and empathic personality, while being wild and vivid. Respondent can be used in a product or company logo, or in any digital design where you want the appearance of true, released handwriting. Originally inspired by the lettering on the cover of GTA Vice City, over the design process is has evolved to a very diverse typeface that can be used in a wide variety of contexts, much more than a Grand Theft Auto font. The Respondent Family is provided in five weights: Thin, Light, Medium, Bold and Black The different styles supplies a flexibility in both character and size. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

NaNa Arabic is a new creation of Naghi Naghashian. It was developed in 2012/2013 on the basis of specific research and analysis of Arabic characters and definition of their structure. This innovation is a contribution to the modernisation of Arabic typography, giving the font design of Arabic letters real typographic arrangement and providing greater typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. NaNa Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. The NaNa Arabic Font Family is available in four weights: Thin, Light, Regular and Bold. The design of this font family is inspired by two classic scripts: Kufic and Naskh. The quasi-geometric character of Kofic melds with the calligraphic grace of Naskh, which was invented by Iben Moghleh, an Iranian savant of the ninth century. He lived in Baghdad and was assassinated at the instigation of an Abbasid caliph. He was a polymath and a renowned scholar. I dedicate the design of this font family to the memory of this great man.

Almighton is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Almighton comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.

Hickory is the revival of an old unnamed font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths & Jordan and James Conner's Sons. By the year 1900 this font disappeared from the major type foundries, now with the digital age of type we're proud to revive this old classic font that hasn't been used in over one hundred years. The original font was only available as an uppercase with punctuation and an ampersand. Today the character set has been updated to include a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Three fill fonts have been created for the Hickory font making it easier for you to add different colors, textures and patterns to the letters. You will need an application that works in layers such as Adobe Photoshop or Illustrator in order to use the fill fonts, some fill fonts may look good as a stand alone font, the Hickory fill fonts however do not look good used apart from the Hickory main font. I hope you enjoy this old font as much as I did making it.

Basuto is a sans serif typeface that is characterized by its unusual shapes in the counters. It was originally created in 1927 by Stephenson Blake. After International TypeFounders, Inc. acquired exclusive rights to the Stephenson Blake Collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) created a digital revival in 1997. Basuto is an unusual yet highly legible typeface with upturned counters and crossbars. It brings a fresh, quirky feel to any project.

Inspired by old engraving and tombstones in the Synagogue in the Jewish quarter in Krakow. This font contains lots of ligatures (well supported by Adobe Apps).

StoneWash is a funky, grunge font, with a monumental marble finish. The font combines an “old as the hills grunge” look with IN YOUR FACE, modern lines. It has a look of very old, washed out denim, about to disintegrate. StoneWash has all of the grunge characteristics: -- it’s dirty and corroded -- it’s coarse & broken -- it’s rough & pitted It also has the characteristics of an African style font: -- it’s ethnic -- it’s irregular -- it’s primitive -- it’s rustic -- it’s vibrant Use StoneWash for a great variety of applications: -- think advertisements - think flyers - think graffiti art - think posters - think magazine pages. You have to have StoneWash.

Tomato Ketchup is a bold vintage style serif font with a nonchalant charm and sturdy confidence in. Tomato Ketchup has a recognizable flavor and a reminiscence of familiar warm nostalgic feeling. The font is equipped with Contextual, Swash, Stylistic and Titling alternates as well as Discretionary Ligatures and even more extra alternates. Tomato Ketchup is a great typeface for contemporary graphic design with that certain feeling of familiarity and friendliness.

Misstho is casual modern script font. With bold contrast stroke, fun character. To give you an extra creative work. Misstho font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Misstho font. Cheers, Maulana Creative

Southride is a quirky fun casual handwritten font. With wavy bold stroke, fun character. To give you an extra creative work. Southride font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Southride font. Cheers, Maulana Creative

Introducing, Gilded Majestic- a high contrast bold script with a touch of quirky looks. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Obcecada Sans & Serif are two geometric digital typefaces in regular and bold versions, very condensed and thin with a rounded finish on the horns and joints with a modern style. They include the Cyrillic and Greek alphabet. These fonts are the result of my obstinacy for very condensed fonts, in this case I have inclined to a very fine proportion with short ascending and descending that gives them elegance decó.

Hello Everyone, Introduce our new collection, Keawneta - Authentic Display - Bold Display With 15 Ligatures, Inspired from Modern logos of brands that have very strong characteristics, very suitable for posters, t-shirt, packaging, branding, logotype and more. Keawneta font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

NATRON is rounded and condensed sans serif typeface, designed for tight-fitting text. Supports Latin and Cyrillic codepages for Western, East and Central European, and Baltic countries. The NATRON family has two weights, medium and bold, and a collection of thematic adapted pictograms (for food product packaging and textile industry). This typeface has been designed for all type of visual communication projects and especially for labels and packaging and accompanying declarations.

Epidemic is a bold display font that is simple and unique looking.This customizable font will look great on a variety of design ideas such as Christmas themes,valentines, posters, invitations, weddings, branding projects, social media posts, magazines, book covers and more.This will add a fun and friendly touch to any of your projects.This font is PUA encoded which means you can access all the glyphs and sweeps easily.

Homela is a bold script font that is simple and unique looking. This customizable font will look great on a variety of design ideas such as Christmas themes, valentines, posters, invitations, weddings, branding projects, social media posts, magazines, book covers and more! This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all the glyphs and sweeps easily.

Wild Creatures is a bold brush font, in three variations: regular, jumpy and jumpier. The jumpy and jumpier versions of the font include contextual alternates OpenType feature to give the font a bouncy and bouncier baseline. Wild Creatures also includes an all caps feature and a swash dingbat font, perfect to decorate your lettering designs. Use Wild Creatures in all your modern designs, such as quotes, branding, postcards.

Bold and angular. SbB Powertrain's glyphs are constructed from simple shapes. All straight edges and lots of right angles, but surprisingly friendly. A wide range of weights and widths make Powertrain perfect for branding projects, posters, logos or any project where you need maximum flexibility. Ten weights and five widths Small caps Stylistic alternatives Opentype figure styles Complete version includes a variable typeface with three axes: weight, width and slant.

Bazoka font is a display style that mimics the look of hand-drawn graffiti lettering. The letters are rounded and bubbly in shape, with a bold appearance. This style is perfect for informal or urban-themed designs, such as posters, flyers, and street art. Overall, graffiti bubble font is a fun and energetic way to add personality to your design. and this font include 3 styles regular, outline and extrude.

Tapas is a delicious multi type family with a little something for everyone's tastes and needs. The family consists of four distinct members that share same traits but communicate different aspects. Together they’ll create a bold and effortless mix of various flavors and accents. Naturally, the fonts can be used individually too. Use the Tapas type family in packaging, branding or editorial – wherever some delicious flavors are needed.

Introducing " Gyro Serif Display ", Gyro Serif Display is designed with a conical stem to create a unique style and easy to read. Which are all equipped with plenty of language support and open type features. Gyro Serif Display was made to function especially well at large sizes. Gyro Serif Display is a very versatile font, covering a wide variety of projects, from bold magazine imagery, to branding, poster design, and more.

Vintage sheet music for the song "Just Once for All Time" (from the United Artists release "Congress Dances") provided the bold sans that served as the model for Dance Number JNL. This 1932 film was the English language version of the German comedy "Der Kongrefl tanzt" The movie's plot is based around the Congress of Vienna. There, an Austrian commoner is mistakenly thought to be the Tsar of Russia.

Novelty songs and their often crazy or extra-long titles were all the rage at the beginning of the 20th century. A piece of sheet music for the 1920 song "When Chu-Ching-San weds Paddy McCann" had the title hand lettered in an unusually bold form of Asian-inspired lettering. This has been recreated digitally as the type font named for the song - Chu Ching San JNL.

RealFat is a typeface that has been started with the intention to create a very squared bold font with a futuristic look and feel. The squared shapes also refer to the architecture of big city buildings with small windows. This font fits perfect on modern posters, flyers and other artwork or pixel based work. Most characters have the same width and height and are perfect 'building-blocks' for typographic compositions.