Is it modern, is it retro? Is it flowing, is it angular? It's all of these and more. Elegant and sophisticated, Joyeux© Script is a multilingual typeface in two weights that is perfect for any project that requires a touch of refinement, from invitations, labels, greeting and wedding cards, packaging, fashion, and logos to book covers and magazines. Includes: uppercase & lowercase regular and bold numbers and punctuation multilingual characters alternates ©2023

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it's simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly face that’s sure to please. Both versions of this font contain complete Latin 1252 and Central European 1250 character sets.

Introducing Rolide – Expanded Sans Serif Contemporary Charm Rolide – Expanded Sans Serif presents a unique blend of contemporary charm with its wide and boxy shape. Versatile Design Solution This font is your versatile design solution, ideal for titles and body text. Its non-bold style strikes a harmonious balance between subtlety and impact. Wide & Expanded Rolide’s wide and expanded characters add a touch of modernity to your projects. They stand out without overwhelming the content. Perfect for Titles and Body Text Whether for titles or body text, Rolide is the perfect choice. It maintains clarity and readability, making your content engaging. Elegance in Simplicity In the world of fonts, Rolide embodies elegance through simplicity. Its clean lines and non-bold form offer a contemporary feel. In Conclusion In conclusion, Rolide – Expanded Sans Serif is the font that marries wide, expanded, and non-bold characters to create a contemporary and versatile design solution. It ensures your titles and body text are engaging, clear, and subtly impactful, appealing to a broad range of readers.

Rusty Forest is a typeface that takes you back to the days of golden design, when travel and adventure were celebrated in striking posters. This font's rustic appearance, created by its brush-style strokes, evokes images of a cabin in the woods, surrounded by the beauty of nature. It's as if you can smell the campfire smoke and hear the rustling of leaves in the wind. This font is perfect for designers looking to add a touch of vintage charm to their projects, whether it be a poster for a national park or a logo for a wilderness-themed brand. Its 1950s-inspired style will transport viewers back in time to a simpler era, where the call of the wild was all one needed to feel free. The Rusty Forest family includes Bold, Italic, Bold Italic, and Regular, offer a range of options to suit different design needs. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Leopoldo Sans is a modern sans serif typeface. He has a small family and its members are: light, regular and bold. Each weight includes small caps, ligatures, and tabular numbers. It could work perfectly in your design, web, editorial and corporate works.

In absence of oil pastels, charcoal, crayons or time, Crayon Hand is a quick fix to happy type setting. It comes in regular and bold. Enjoy! Crayon Hand is extended, containing West European diacritics making it suitable for multilingual environments and publications.

LetterPerfect's version of this distinctive sans serif design is both legible and approachable, and about as bold as a display font can be. Its friendly persona makes it an ideal choice for greeting cards and invitations, or for use with children's reading material.

A bold grotesque typeface in the best traditions of the Star Wars logo. It has clean geometric lines, a humnaist character, it combines a tech feeling with a friendly organic feeling. Will work excellently as a white text on a busy background.

Kaantaa is a bold typeface that draws inspiration from stencil and technical typfaces. It has been thought as a display typeface. You can use it to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one came on the scene sometime in the 1880s.

PhrackSle is a a Fraktur face with a difference: it has a uniform stroke rather than a calligraphic-pen stroke. It comes in four weights: thin, plain, bold, and extrabold. (For a version of the design done with a calligraphic stroke, see PhederFrack.)

In the 1960s it was a popular trend to personalize one’s possessions with your initials. From wallets and handbags to eyeglasses; from luggage to even cars, initial personalization was the fad of the time. The British division of Gulf Oil offered for sale a set of gold metallic stick-on initials for 25 pence, complete with two Gulf logos so the company could get some extra advertising mileage out of the promotion. These extra-wide, bold initials served as the idea model for Personalization JNL, which is available in both regular and oblique versions.

Dirty Sundae is a casual hand drawn typeface with interlocking ligatures. Dirty Sundae comes in four styles: Regular and Condensed plus Regular and Bold version of them both. Dirty Sundae suits great into a film title, as a logotype for a cartoon or an animation film or for a new superhero, as well as in a jazz gig poster, magazine, packaging and branding. It can be easily fit into a vintage or modern context as long as it’s on the cheerful side. Dirty Sundae is equipped with 128 interlocking ligatures that you can access by turning on Discretionary Ligatures in any OpenType savvy program or by fetching them manually from the character window.

Good Monday is a modern calligraphic style script font with a bold and thin touch like the one you get from writing with a brush. This font is traced from the handwriting so it looks very natural. Good Monday is perfect for use in invitation cards, fashion branding, shirt printing, product advertisements, posters, etc. This font has multilingual support, alternates, and ligatures.

Hello! Introducing a Slab Serif font family named Practish. It's a typefaces set that includes 7 weight variations from Bold to Thin. This font has a strict classic shape and diverce characters thickness makes it useful in lots of cases at any sizes, from visit card to billboard. Practish font family has also a multilingual support of west european languages and 13 ligatures.

Spaceland is a narrow display font family with constant counter width and gradually growing stroke over 11 weights with matching obliques. Spaceland is a perfect choice for designs that require extra narrow but legible letters, such as movie posters, health warnings, bold titles etc. It has rich language support, including Cyrillic, as well as numerous OpenType features to customize your design.

SG - WRISTAN font is a display font with bold style. This font has uppercase and lowercase letters. It’s perfect for display design that needs pop, fun, and playful vibes on it. You can try to combine with other fonts and gain more experience in graphic design. Features: Uppercase & Lowercase Number Multilingual Support Punctuation Stay pop and inspiring! Regards, Studio Gulden.

A hand-rendered advertisement for a leather tanner, appearing in a French book from the ’40s, served as inspiration for MVB Bovine. Using its comic sway and slightly exaggerated forms, the typeface delivers bold headlines with a wink and a smile. MVB Bovine is all-caps with a set of discretionary ligatures. It's available in versions with sharp or rounded corners.

Display Magazine is a bold, distinct and assertive serif font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

Grostique is a bold and solemn sans serif font, perfectly suitable for daring projects that need an outstanding appearance. It works best on streetwear designs, logo branding, editorial designs, music posters, modern advertising campaigns, and many more.

Kiara typeface is a typeface designed for informal titles with very expressive letters. It also contains more than 12 variants (Thin, Light, Regular, Bold, Black) as letter alternatives and options such as "Black Shadow-Black Shadow Alternative".

The original OCR B was designed for optical character recognition systems and was therefore monospaced. Designer Alexander Branczyk made a more typographically tuned and fitted version, with both regular and bold weights, and called it OCRBczyk™.

Abdo Screen is a very simple Naskh font for satellite channels, presentations, videos and advertisements. it comes in sixth weights Thin, Light, Regular, Medium, Bold and Black. This font also contains some of Stylistic Sets and Ligatures.

Yakout is an Arabic text face that was developed by Linotype & Machinery in 1956 for hot-metal typesetting. Similar to the typewriter fonts created during this period, it utilises a limited range of letterforms to represent a full Arabic characer set, thus forming a style of type design known as Simplified Arabic. The skilful reshaping of letterforms demanded by the constraints of the original restrictive technology has given Yakout a very dynamic effect, and has helped to produce a design whose overall pattern works particularly well in newspaper setting. Digital technology has enhanced the original design by permitting the introduction of wide characters and some additional letterforms, and by improving the joining of the strong, slightly curved baseline. Yakout is available in two OpenType weights: Yakout Light and Yakout Bold. Both of the fonts include Latin glyphs (from Times Europa Roman and Times Europa Bold, respectively) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. Yakout incorporate the Basic Latin character set and support all languages that use the Arabic script. They include tabular and proportional Arabic, Persian, and Urdu numerals and a set of tabular European (Latin) numerals.

"If you prick me, do I not bleed? If you tickle me do I not laugh? If you poison me do I not DIE? And if you wrong me shall I not REVENGE?" "I am not a TYPEWRITER! I am not a MACHINE! I am -- NOT -- JUST -- a lettering ROBOT! I -- AM -- A -- HUMAN -- BEING!" Having trouble with YOUR lettering artist? LETTERBOT is here to help. Take all the fuss and muss out of dealing with a real person and install this helpful and responsive robotic font. It has no opinions of its own and will assist you in the lettering of your comic without all that tedious human interaction which lettering artists seem to think they're entitled. Designed by John JG Roshell.* *Now obsolete. Features: Four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets. Includes Western & Central European accents and Cyrillic characters.

Looking to make a statement with your design? Bold, memorable projects deserve bold, memorable fonts. Introducing Harliton - A Condensed Font. Offline or online, Harliton makes your brand noticed. Whether you’re making ads, merch, apps, or websites, this font will fit right in. Give it a go and see how a great font transforms your project. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office Keynote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Frank H. Atkinson was a popular Art Nouveau sign painter in Chicago, Illinois. He designed signs for the Cadillac Motor Car Co., Chicago Academy of Fine Arts and the department store Marshall Field. Oddly enough, he even designed signs for other sign painters. In 1908 he published a book, Sign Painting, which sold well. French Plug, a bold, rounded, all-cap design in an American Art Nouveau style from that book. It has a relaxed, easy-going informality that is useful for ads and flyers. It also would have fit very nicely with many French posters of the period.

Here’s an edge-tattered, slightly distorted typeface that was developed from hand stamping using ink. You’ll find it ideal for both display and text situations where legibility is a big concern. This version holds up in very small sizes. Replica Rough SG Regular and Bold are now available in the OpenType format. This OpenType version includes stylistic alternates, discretionary ligatures, small caps, petite caps, ornaments and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Sirichana is a monolinear Thai typeface with Light and Bold weights. The modern design is characterized by its traditional proportions but with almost geometric construction. Originally released by Linotype for digital photocomposition, it is now in OpenType format. This makes it possible to dynamically and precisely position the various levels of superscript and subscript vowel signs and tonal marks. In addition to this, the complete Unicode page range for Thai is covered to ensure flawless conversion between other OpenType fonts using Unicode. The accompanying Latin design matches well in scale and texture and supports most Western European languages making it ideal for setting bilingual texts.

Raniscript started out as an idea for a bold and strongly structured ronde style script with some contemporary touches. As I tinkered with various forms it took on a life of its own. Having an old world feel, it makes me visualize faded shop signs from India written in English. The name comes from a series of colorful vintage matchbook designs advertising the Flying Rani. You'll find Raniscript ideal for packaging, book titles, brochures or anything requiring a robust display treatment. It comes fully loaded for OpenType savvy applications. Three full sets of caps are included. By clicking the Titling button in Illustrator you can type using an all caps set that includes ligatures, case sensitive punctuation and language coverage. Other features include oldstyle figures, Central European language support, fractions, contextual letter substitution, swash characters, and ornaments.

Auriol and Auriol Flowers were designed by Georges Auriol, born Jean Georges Huyot, in the early 20th century. Auriol was a French graphic artist whose work exemplified the art nouveau style of Paris in the late 19th and early 20th centuries. In 1900, Georges Peignot asked Auriol to design fonts for Peignot & Sons. The resulting Auriol font was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. It was re-released by Deberny & Peignot in 1979 with a new bold face, designed by Matthew Carter. These decorative fonts with a brush stroke look are well-suited to display settings.

Attendance is a bold and playful font that can be used for logos, t-shirts, branding and many other projects.

Anthemic is an timeless bolded script font that is incredibly versatile and will look great on any design or craft.

A casual, inline party font. Hubbub is always relaxed and confident in every social situation. comes in regular and bold.

Caseta Sans (Regular and Bold with Italics) completing a family of 3 font families with Caseta Regular and Caseta Slab.

Caseta Slab (Regular and Bold with Italics) completing a family of 3 font families with Caseta Regular and Caseta Sans.

Stratford Bold is a slab serif with sloping serifs on the ascending terminals of b, d, h, k and l.