Houschka Rounded is the companion family to Houschka Pro, featuring CE, Baltic, Turkish & Cyrillic language support plus small caps, stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded may be a softer & cuter sans serif than her big sister but she's equally versatile.

Auster Rounded is a based on our First sans serif font Auster . The structure is based on reversed contrast, with a rounded corner. We recommend Auster Rounded, for branding, magazines, logos, ads, banner etc More About Opentype Features: https://bit.ly/opentype-rsz

Neon Rounded is a rounded monoline typeface inspired by retro neon light bulbs often used in signage. Neon bulbs were first seen back in 1910 in Paris. They later became popular in 1930s New York, especially on Broadway and the Las Vegas strip. Although Neon Rounded was designed with eye-catching signs in mind, its possible usage is vast. Clothing brands, road signs, logos and advertising. The heavier weights lend themselves to children's books and toys, while the lighter weights provide a more modern, futuristic feel. The typeface contains lower and uppercases in five weights: Light, Regular, Medium, Semi-bold and Bold. There are also alternatives for most letters and all numbers. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

About this font family Round Foundational is a beautifully drawn hand lettering font made digital and captured in a typeface for anyone to use. It is one of the basic styles of calligraphy that students should learn and is perfect for creating beautiful greetings cards, wedding invitations, certificates and official looking documents. Features 1 weight based on a four nib width Multi language support Ligatures to improve style Capital spacing to help create original look Alternative characters that allow customisation To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. Released August 2022

Estandar Rounded is a retro and vintage wayfinding sans serif font, inspired by old signals in central park and Europe. It is a Condensed sans with their tall x-height. The family has 6 Weights, italics and dingbats. It is an extension of Estandar font.

Stallman Round is a Display font family containing 98 Fonts (Regular, Oblique). It's a perfect font for titles There are also 6 OpenType features (Numerator; Denominator; Fraction; Case Sensitive; Ordinals; Access All Alternates)

Amelia Rounded is a geometric sans that keeps the softness of humanistic strokes. The combination of contrasting styles makes Amelia Rounded an ideal choice for both body and display text. The different styles included in the Amelia Rounded family offer flexibility and variation for your projects, either for a formal or a relaxed look, thanks to the Up version.

Labyrinthus Rounded is a multiline decorative font that works very well for identity logos, posters and 3D-works. It continues the tradition of the precedent Labyrinthus but with a softer rounded impact. It's interesting to note that with it it's possible to play with the multiline concept to create endless overlapping geometric creations.

Seconda Round is a contemporary, legible, and versatile typeface. It is the round companion of Seconda. Unlike Seconda Soft, which has moderate rounding — the edges of Seconda Round’s characters are fully rounded. The Seconda Round family has been enriched by a collection of Outline and Shadow fonts, each with its own Fill font. Combine an Outline or Shadow font with its Fill font in an application that uses layers, to create a two-color version of the Outline or Shadow font. Seconda Round has 32 styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. The Outline, Shadow, and Fill fonts are not suitable for small size texts. The Fill fonts are only to be used in combination with their Outline or Shadow font. Seconda Round can be combined with any other member of the Seconda superfamily, extending the wealth of design options the Seconda superfamily offers. Seconda Round is well suited for graphic design, editorial design, and corporate identity design. Seconda Round’s Outline and Shadow fonts will add flair to any design project. For more information about Seconda Round, download the PDF Specimen Manual.

Lumier Rounded is rounded version of our Lumier family.

Originally commissioned in 1979 as a new corporate typeface for Volkswagen AG, the VAG Rounded™ family’s geometric sans letterforms feature distinct rounded terminals, imparting the design with a friendly, approachable demeanor. With its design led by Gerry Barney, the VAG Rounded family remained in use for Volkswagen AG’s unified, worldwide automobile marketing for over a decade. The design was released for public use in 1989, and was bundled with many desktop publishing software titles available at the time. This opened the door for millions of computer users to work with the VAG Rounded type family. Available in four weights—from thin to black the VAG Rounded family is an apt choice for logo design, identity systems, or any application where a typographic warmth is desired. For contrast in voice, consider pairing the design with a more reserved serif typeface, or a sans serif with narrow styles, such as those found in the Alternate Gothic, Trade Gothic, or FF DIN type families.

Bloxed Rounded was originally designed for a new Manchester band called Datadiva. Unfortunately they split up before the face was completed. Well, their loss is your gain.

Lina round is an Arabic typeface from Lina type family, it has an expressive character with its round and friendly shapes. It's Round, legible, Clear, Flexible, Simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina round was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina round consists of 7-weight versions from thin to bold.

Mariné Rounded is a geometric sans, but with the softness of humanistic strokes. Its mild contrast and multiple different styles allow Mariné to work well both as a text and display typeface. It also includes an Up version and calligraphic features adding a touch of informality.

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Rounded is a modern sans serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Trakya Rounded is softer and rounder than it's sibling Trakya Sans. They're both ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Rounded provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Rounded 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Rounded" comes in 5 weights and italics and has the company of "Trakya Rounded Alt" that also comes in 5 weights and italics for a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures are easily accessible in all graphic programs. Trakya Rounded is the perfect font for web use. Enjoy using it.

Balcon is condensed sans family designed to be your first web font choice. Contains 5 weights: Light, Regular, Bold, ExtraBold and Black, it fits perfect into any project, from editorial editions to packages, labels, posters. If you're looking for "sharp" version of this family, feel free to check Balcon sans family.

Dexa Round is the round cornered version of the Dexa Pro superfamily. It has 18 fonts with thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It supports all the Latin languages as well as the Cyrillic ones. OpenType features: small caps, caps to small caps, alternates, old style figures, tabular lining, old style tabular lining, language localizations, ligatures, superscript, subscript, numerators, denominators, fractions, historical forms.

Hello! Introducing Quartell - modern display typeface family. Font looks amazing as alone words and as full text blocks. Also it good for bright captions and unforgettable logos It have supporting for many languages as: Czech, Danish and Norwegian, Deutsch, English, Espanol, French, Italiano, Magyar, Nederlands, Polish, Portuguese, Finnish, Swedish, Turkish, Russian and other based on extended latin. Thank you for purchasing and happy designing :)

Introducing our new product the name Nautica Rounded Geometric Sans Serif Family Font Family comes with 9 different weights. Modern Sans Serif font that beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

a complete family of Bodoni style inspired typeface

Bozon™ is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use. Bozon™ family consists of 10 weights with corresponding italic styles, that give total of 20 styles. Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

PT Adonis™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original typeface, its characters have slightly oblong proportions, with rounded serifs and generally soft letterforms. The face is both space-saving and quite legible in small sizes. For use in text and display typography.

Moony combines edgyness with softness and was made to look elegantly strong. The typeface is great for big headlines and impressive titles. Yet a reduced sans serif font, Moony brings it own character with it. With eight styles in different weights you can easily combine it with other typefaces, like scripts. Use Moony to bring a statement in neutral designs.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

Modny is a simple and elegant sans serif family with high contrast strokes. By its characteristics, Modny is gentle, smooth and geometric at the same time, neutral to blend into every project. Comes in five weights with tall x-height, file stylistic sets, bunch of ligatures, initials and terminal forms, containing more than 600 glyphs for all Latin languages support. Special addition is an Inline version made out from Bold weight, to increase the effect of decorative elements in each letter.

Bodine is a bold and geometric looking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! What's Included? Uppercase & Lowercase Numbers & Punctuation Alternate & Ligature Multilingual Support PUA Encoded

Wood Type Bodoni JNL is a variant of the popular ultra bold version of the classic Bodoni design, with variants in character widths and shapes. Based on a vintage set of wood type, the "hairline" strokes of the 4 and 8 have been made ever-so-slightly thicker in spots to add a modest amount of additional contrast.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Always intrigued by Bodoni's original work, I was set out—back in 2000—to examine his work and study Manuale Tipografico, one of the greatest specimen books ever printed. Issued in 1818 at Parma, Italy by Bodoni's widow, the two-volume work shows an impressive array of 142 roman alphabets and some foreign ones such as Greek and Cyrillic. After a careful examination of all characters, I decided to create a typeface based on the distinct script capitals presented in the book. Matching lowercase italics were later selected and designed to complete the series. Since my intention was not to create simply a digital version of Bodoni's work, this typeface was designed with connected characters and capitals with extra calligraphic elements. The result was released in 2002 and published in our award-winning catalog/book IDEA/Trendsetting Typography vol.1. Later in 2005 we revived a large number of ornaments and borders (credit goes to designer George Lygas). All this work was left behind till recently when it was revisited to create a complete 'Pro' family. Several new uppercase and lowercase glyphs were designed in order to create a distinct typeface, which is based on Bodoni but yet it stands out on its own. The new version also takes care of conflicts between neigbouring letters, something that was not included in the first version. Bodoni Script Pro is a 3-weight superfamily. It supports 10 special opentype features including 'contextual alternates' as well as support for both Latin and Greek. Each font comes with 725 glyphs including a large number of alternates as well as 144 ornaments. Furthermore, when you purchase the whole package you get a bonus font which contains 120 frame parts. These parts, when put together, create some truly amazing borders. -Panos Vassiliou

Bodoni Classic Bold Ornate is another puzzlestone in my ever growing Bodoni Classic family. This time the letters are ornated within the limits of the letter, this keeps the classic form of the typeface intact and still gives it ample decoration. Please use this font only sparingly to decorate text or use it as initials only. Your Bodonimaniac, Gert Wiescher

Old Bodoni Wide JNL is based on examples of this classic Bodoni design and contains the quirks and imperfections one might find within a wood type font.

Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.

Bodoni Classic Deco Two, like the original Bodoni Classic Deco, breaks all rules. Giambattista Bodoni himself would probably hate me for doing it; he was a real purist. The whole idea of the Bodoni typeface is no embellishments and here I go and decorate those nice clear letters. Shame on me! But I find this is a very nice and useful typeface for all kinds of cards and certificates. So I just did it for all of you out there that are not born purists, and want a little embellishment to their lives. And to make things worse, I added a small caps cut. I even decorated the numbers. This Bodoni is the condensed version!!! Enjoy! Yours, still breaking all the rules, Gert Wiescher