Majordomo font is a font that was based on a vintage unnamed alphabet I found in an old font book. I traced it and added serifs and weight. Majordomo is a person who speaks, makes arrangements, or takes charge for another. Typically, the term refers to the highest (major) person of a household (domo) staff, one who acts on behalf of the (often absent) owner of a typically large residence.

Vaston is textured brush font, featuring a contemporary approach to design, and a handmade, natural irregular baseline. It is also equipped with alternatives and ligatures. Suitable for use in title design as well as apparel, invitations, books tittle, stationery design, quotes, branding, logos, greeting card, t-shirt, packaging design, poster and more. Vaston includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation.

Gloriana is based on hand lettered titles from an old fairy tale book. The illustrator isn't credited, and we had to create and modify a lot of characters, but we preserved the interesting personality of the original lettering. In creating Gloriana the popularity of Folkard was kept very much in mind, so it has some of the same features, including special flourished characters accessed with the option/alt key.

Ragilone brush font, featuring a contemporary approach to design, and a handmade, natural irregular baseline. It is also equipped with alternatives and ligatures. Suitable for use in title design as well as apparel, invitations, books tittle, stationery design, quotes, branding, logos, greeting card, t-shirt, packaging design, poster and more. Ragilone Brush includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation.

Introducing Al Zaina, a font with Arabic style, inspired by classical Latin handwriting and Arabic calligraphy art. Fonts designed with a touch of arabic style are very suitable for use in your various projects, product packaging, magazine covers, book covers, flayer backgrounds, beauty products, boutiques, and are used for writing at Islamic annual events. Equipped with alternate, and swash makes it easy for you to explore your design.

Little King Owl is a simple and interesting handwritten font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards and every other design which needs of a art. Add it to your creative ideas and notice how it makes them stand out!

Birdinaire | A Modern Calligraphy Font Birdinaire is a modern calligraphy font with highly slanted yet legible forms. It has a variety of ligatures and alternate letters that contribute to its originality and flow. With its textured dry brush look, Birdinaire emphasizes its handmade authentic qualities. FEATURES - Uppercase and Lowercase Letters - Numerals and Punctuation - Ligatures and Alternates - Terminal Forms - Arrows - Multilingual Character Set

Thuressia Script is casual and pretty with lots of swashes. It can used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Thuressia Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Thuressia Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help!

Belgiana Script is elegant calligraphy font. This font is casual and pretty with swashes. It can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Belgiana Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Belgiana Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks & Happy Designing!

Molandika Script is elegant calligraphy font, designed to convey elegance and style. It is slender, feminine and friendly, This font is casual and pretty with swashes. Can used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and more. Molandika Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator : https://www.youtube.com/watch?v=XzwjMkbB-wQ Molandika Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop : https://www.youtube.com/watch?v=Go9vacoYmBw

Bentara Script is a calligraphy font that comes with beautiful alternative characters. Calligraphy of copper plate with handlettering style. Designed to convey stylish elegance. Bentara Script attracts like a typeface that is soft and luxurious, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is very suitable to be applied to all kinds of formal items such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Bentara Script including multiple language support. With OpenType features with stylistic alternates, ligatures and swash characters, that allows you to mix and match pairs of letters to fit your design To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). If you need help or advice, please contact me by e-mail: alphabento.16@gmail.com Thank you, Alpha Bento

I'm present to you, new retro serif called Qilky! Qilky is a stylish font It has both modern and retro look - clear, modern and fun. Helps to create layout design in 60s or 70s design projects. Perfect for branding, weddings, social media, product design, stationery and advertising - Qilky is versatile enough to add that classic element to just about any project where a special touch of class is required. This font have more than 50 unique alternate and ligature that to give your logo,business card and another project to a unique vintage look. I hope you have a blast using Qilky. Thanks for use this font ~ Khaiuns

Ever since I first designed Ellida in 2005, that elaborate script in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer, I wanted to add a very high contrast cut to the family. I finally did so. But the result looks so much different to Ellida that I had to give it another name, hence "Eloise". Eloise should actually be written with a 'i' that has double dots, but that would be difficult for international use. Eloise is a beautiful first name not only for French girls. Pronounce: Ay-low-eese. If I would have had a daughter, I would have called her "Eloise" (with double dots!). But instead I have two phantastic sons, so I never got the chance to use it. Actually one of my sons discovered it on his little boys sand shovel, it was called Eloise. Your decorative designer with a heart for sand shovels Gert Wiescher

Yerk is another modern Y2K inspired font. This retro font comes in 3 styles regular italic and slanted. Its bold weight, squared-off letters with slightly rounded corners make it perfect for adding big impact and a bit of personality to your design. It is perfect for logos, branding, magazines, Instagram, and whatever project you are looking for.

Amike is a natural handwritten font, simulating a very neat, clean handwriting. It works well both as mixed case and all caps. It includes alternates for most characters, that can be used for a random mix using the Contextual Alternates Opentype feature to create a natural written look. It supports a wide character set, including most European languages & Vietnamese.

Vintage & chic, nostalgic & super elegant, modern & art deco! French Voyager is a brand new nostalgic serif font revival that brings all these and even more. It is perfect for logos & quotes, posters & branding, website headlines, newsletters & more! It includes over 60 ligatures and some chic alternate letters, so you can combine it to get the look you want!

“Brushfire” is a playful font with a handbrush texture, featuring rough edges and uneven strokes for a rustic and organic look. It adds a bold and edgy feel to any project and creates a sense of depth and dimension with its textured appearance. The font is both legible and expressive, making it perfect for a variety of design projects.

I often experiment with different shadow techniques. One day I accidentally scaled, instead of repositioning, some black text behind the white copy on top and noticed something very different and interesting happen. It was an intriguing effect. It took some clever handiwork to make it work properly across the entire alphabet. And behold, Eclipse was born.

Kinda Sweet is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Meilleur is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Busted Soul is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Diplomat Serif is a modern serif typeface with Didone characteristics, quite useful for intense editorial jobs. Its open character shapes, low contrast and discreet serifs enhance legibility and provide a fresh, clean and contemporary look. Its matching sans-serif version Diplomat Sans was designed to complement it for demanding publishing and corporate applications. Supports Latin and Greek.

Introducing Slothy Jelly! A fun font for everyone. Slothy Jelly is a cute handwritten font that has fun and happy characteristics. This font is authentically handwritten with the marker pen for a consistent look. This font also has alternates so you can mix and match the letters and make it more fun! For some extra hand-drawn cuteness, this font is also thrown in a bonus font with symbols like emojis, hearts, underlines, arrows, and circles - and drawn with the same pen to perfectly go with the writing. So it will help to make your design more cute and happy. This font is suitable for branding, posters, children's books, magazines and others. Your download will contain the following fonts such as Slothy Jelly Regular - a pretty and cute handwritten including a set of uppercase, lowercase, alternates, ligatures and multilingual support. Slothy Jelly Symbols - a dingbat font of many hand-drawn elements These fonts will work in any program, but please note that the alternates and ligatures of the font can only be accessed on software that supports OpenType features. Thank you for your purchase! Hope you enjoy this font

Looking for a typeface that’s as unique as your personality? Look no further than Sui Generis, the rounded square sans-serif that’s unlike any other. With its technical letterforms and boxy curves, Sui Generis has an industrial character that’s all its own. It’s the kind of typeface that demands attention, without ever feeling pushy or obnoxious. In fact, its understated charm is part of what makes it so special. But don’t let its quirky personality fool you—Sui Generis is as practical as it is unique. With four weights, two widths, italics, and an outline style, it’s incredibly versatile and perfect for any project that requires a touch of character. So if you’re tired of bland, run-of-the-mill typefaces that all look the same, give Sui Generis a try. Its square letterforms and distinctive voice will make your design stand out from the crowd, and leave a lasting impression on anyone who sees it. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Developer-friendly The studio has developed a wide array of weights for FS Untitled – 12 in all, in roman and italic – with the intention of meeting every on-screen need. All recognisably part of a family, each weight brings a different edge or personality to headline or body copy. There’s more. Type on screen has a tendency to fill in or blow so for each weight, there’s the choice of two marginally different versions, allowing designers and developers to go up or down a touch in weight. They’re free to use the font at any size on any background colour without fear of causing optical obstacles. And to make life even easier for developers, the 12 weight pairs have each been designated with a number from 100 (Thin) to 750 (Bold), corresponding to the system used to denote font weight in CSS code. Selecting a weight is always light work. Easy on the pixels ‘It’s a digital-first world,’ says Jason Smith, ‘and I wanted to make something that was really functional for digital brands’. FS Untitled was made for modern screens. Its shapes and proportions, x-height and cap height were modelled around the pixel grids of even low-resolution displays. So there are no angles in the A, V and W, just gently curving strokes that fit, not fight, with the pixels, and reduce the dependency on font hinting. Forms are simplified and modular – there are no spurs on the r or d, for example – and the space between the dot of the i and its stem is larger than usual. The result is a clearer, more legible typeface – functional but with bags of character. Screen beginnings FS Untitled got its start on the box. Its roots lie in Fontsmith’s creation of the typeface for Channel 4’s rebrand in 2005: the classic, quirky, edgy C4 headline font, with its rounded square shapes (inspired by the classic cartoon TV shape of a squidgy rectangle), and a toned-down version for use in text, captions and content graphics. The studio has built on the characteristics that made the original face so pixel-friendly: its blend of almost-flat horizontals and verticals with just enough openness and curve at the corners to keep the font looking friendly. The curves of the o, c and e are classic Fontsmith – typical of the dedication its designers puts into sculpting letterforms. Look out for… FS Untitled wouldn’t be a Fontsmith typeface if it didn’t have its quirks, some warranted, some wanton. There’s the rounded junction at the base of the E, for example, and the strong, solid contours of the punctuation marks and numerals. Notice, too, the distinctive, open shape of the A, V, W, X and Y, created by strokes that start off straight before curving into their diagonal path. Some would call the look bow-legged; we’d call it big-hearted.

Developer-friendly The studio has developed a wide array of weights for FS Untitled – 12 in all, in roman and italic – with the intention of meeting every on-screen need. All recognisably part of a family, each weight brings a different edge or personality to headline or body copy. There’s more. Type on screen has a tendency to fill in or blow so for each weight, there’s the choice of two marginally different versions, allowing designers and developers to go up or down a touch in weight. They’re free to use the font at any size on any background colour without fear of causing optical obstacles. And to make life even easier for developers, the 12 weight pairs have each been designated with a number from 100 (Thin) to 750 (Bold), corresponding to the system used to denote font weight in CSS code. Selecting a weight is always light work. Easy on the pixels ‘It’s a digital-first world,’ says Jason Smith, ‘and I wanted to make something that was really functional for digital brands’. FS Untitled was made for modern screens. Its shapes and proportions, x-height and cap height were modelled around the pixel grids of even low-resolution displays. So there are no angles in the A, V and W, just gently curving strokes that fit, not fight, with the pixels, and reduce the dependency on font hinting. Forms are simplified and modular – there are no spurs on the r or d, for example – and the space between the dot of the i and its stem is larger than usual. The result is a clearer, more legible typeface – functional but with bags of character. Screen beginnings FS Untitled got its start on the box. Its roots lie in Fontsmith’s creation of the typeface for Channel 4’s rebrand in 2005: the classic, quirky, edgy C4 headline font, with its rounded square shapes (inspired by the classic cartoon TV shape of a squidgy rectangle), and a toned-down version for use in text, captions and content graphics. The studio has built on the characteristics that made the original face so pixel-friendly: its blend of almost-flat horizontals and verticals with just enough openness and curve at the corners to keep the font looking friendly. The curves of the o, c and e are classic Fontsmith – typical of the dedication its designers puts into sculpting letterforms. Look out for… FS Untitled wouldn’t be a Fontsmith typeface if it didn’t have its quirks, some warranted, some wanton. There’s the rounded junction at the base of the E, for example, and the strong, solid contours of the punctuation marks and numerals. Notice, too, the distinctive, open shape of the A, V, W, X and Y, created by strokes that start off straight before curving into their diagonal path. Some would call the look bow-legged; we’d call it big-hearted.

Meet The Glamz, a brand new auto-chic font. Designed to fulfil your trend-catching things with the edgy style and undeniable artsy look. Perfectly fit for your fashion branding stuff, handwriting logo, inspirational quote poster, oh well you name it.

Odeon is the kind of font you would have seen on theatre or concert posters around the turn of the twentieth century. It is based on Art Nouveau sign lettering and has a heavy, playful look that's hard to miss.

Blink Urgent - Modern Bold Serif Font is a stylish font It has both modern and retro look. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more.

Protonema is inspired by a strong and sharp motivational spirit to always look positively for achieving goals. It is suitable for any sports and related theme for widely range of usage. Such as logos, branding, magazine, label and many more

Stencilvania JNL is one of the growing number of stencil fonts based on original source material by Jeff Levine. In this case, a "solid letter" stencil from years ago was modified to give it the classic stencil look of broken lines.

Coldera is a sans serif typeface deliberately modified to make it look beautiful, attractive and modern, available in uppercase, lowercase, ligature and alternative letters. Coldera is suitable for business brands, brochures, posters, magazines, comics, t-shirts, banners and many others.

Candy Shop is a vintage decorative font. It has a classic elegant look, perfect for food packaging and label design. Additional curly swashes can help you to create a unique lettering compositions. Five additional swashes can be found in "Glyphs" panel.

This is my roughly handprinted typewrite-ish font. It has all the cool and classic moves of the traditional typewriter look, but with a more rough attitude due to the contextual alternates (which offer 6 different versions of each letter!)

Margin Notes font offers a natural handwriting look. It had imperfect, organic curves and off set lines that imitate natural hand written writing. Give this handwriting font a try with note-taking, organization or even a back to school poster.

Demian is the work of Dutch designer Jan Van Dijk. It is an informal script font whose capitals should serve as initials to the word settings of the lower case letters. Demian has the spontaneous, flowing look of true handwriting.

Introducing Al Nevrada Font. It's a display typeface with sharp serif forms. If you want to stand out then this is the font for you. It’s a chic and luxurious serif font with a contemporary feel. Use it to add a bold flavor to any design! It’s ready and perfectly fit for your logo designs, headlines, music projects & social media posts, event posters, brand imagery, product packaging, quotes, merchandising, etc. Features : OpenType features ( ligature, alternate ) Easy to use, you can use combination like a.2 e.2 etc Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works in Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual support

Here’s a workman-like collection of border elements gleaned from the specimen books of various American manufacturers of woodtype from around 1840 to 1885. Refer to the PDF guides for detailed, yet simple, instructions for constructing various border patterns, all with Victorian grace and charm.

Here's a handy-dandy collection of border elements gleaned from the specimen books of various manufacturers of woodtype from around 1840 to 1885. Refer to the PDF guide for detailed, yet simple, instructions for constructing sixteen different border patterns, all with Victorian grace and charm.