Folsom JNL is one of the many stencil fonts Jeff Levine has recreated from original sources. This particular design was modeled from a kit made by the Meyercord Company of Chicago. In the original, some of the letters were solid rather than stencil forms, but Jeff gave all of the letters the traditional treatment for continuity.

Attention Seeker does seek attention: it looks like a stencil font, and it sort of is, but it wasn’t made with stencils. It was made with a brush and ink on paper - just like that! Use Attention Seeker for your revolutionary posters, your books, your products or your posters, I am sure the end result will make heads turn.

Raker is a science fiction-inspired geometric sans serif text typeface family with a humanist influence and solid spacing/kerning. Regular, Display, stencil, and display stencils versions are included. Think NASA. Think the Space Race. Think Geometric. Think “works with text, too.” Detailed spacing, Western and Eastern European language support, and automated ligatures. Think hidden glyphs.

Introducing Thelma Classic Sans Serif Font , created by Lettercorner Studio. Thelma is a traditional font for the classic sans serif type. A simple font, with a thin size, adds an elegant and classy impression. This typeface is perfect for an elegant logo, branding, travel promotion, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What’s included? :: Regular :: Uppercase & Lowercase :: Number & Punctuation :: Multilingual Support :: Works on PC & Mac

Diversa is a typeface that takes a very different path from the most fonts, both in terms of appearance and usability. Diversa is a single typeface with 9 fonts within, containing 2760 glyphs*, divide in 9 stylistic sets, but the main difference is that all the glyphs are kerned with each other, which means you can swap glyphs between stylistic sets and keep them properly kerned - unbracketed serifs, bracketed serifs, engraved, stencil, sans, slab, baroque, stencil sans, stencil slab and a stylistic set that mixes them all in a rotative feature. Diversa: Because uniformity sucks! *requires applications which have Open Type access/features.

On February 15, 1926, the Display Material Company of St. Paul Minnesota patented a sign making outfit consisting of a series of stencils in various sizes and styles, paints, brushes, instructions for use and all stored inside a convenient wooden case. Sold to any business in need of making many signs at low cost, this versatile stencil set enabled many a merchant to produce posters, show cards and price tags for pennies over what a commercial sign shop would charge. Floorwalker JNL is the digital version of one of these stencil fonts, solidified into a pre-Art Deco-era typeface.

The life of Molière is a story of struggle, hard work, domestic unhappiness, death and burial in obscurity and almost in shame. Molière left behind a body of work that not only changed the face of French classical comedy, but has also come to influence the work of other dramatists from around the world. Despite his own preference for tragedy, which he had tried to further with the Illustre Théâtre, Molière became famous for his farces, which were generally in one act and performed after the tragedy. Both the comic and the serious drama were powerfully affected by the work of Molière, not only in his own age and country but everywhere and up to the present time. Didot is a name given to a group of typefaces named after the famous French printing and type producing family. The classification is known as modern, or Didone. The typeface we know today was based on a collection of related types developed in the period 1784–1811. Firmin Didot cut the letters, and cast them as type in Paris. Along with Giambattista Bodoni of Italy, Firmin Didot is credited with establishing the use of the "Modern" classification of typefaces. The types that Didot used are characterized by extreme contrast in thick strokes and thin strokes, by the use of hairline serifs and by the vertical stress of the letters. As in the extreme contrasts of the literature of Molière, in Didione's typefaces, thick and thin strokes, straight and curved, are the most relevant characteristic for an era marked by the changes.

Stencil typefaces are popular because they are striking and decorative, and their associations - whether Utility, Travel, Vernacular, etc - are evocative. Anostencil is developed from, but not exactly like, our Ano typeface. Ano’s geometric skeleton, tweaked a bit, allows for a level of abstraction while retaining legibility. Some of Ano’s characters, such as the a, e, f and r, have been amended to make clearer, more graphic shapes when the stencil design has been applied. Different application of the stencil gaps in the letters make functional but decorative and expressive linear forms. This is particularly evident in Anostencil’s extended character set which features codified, semi abstract shapes. So the stencil design in Anostencil has been applied in not necessarily the most logical or immediate way, but in a way that makes each letter a striking and graphic shape.

A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s. Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.

Lettering Guide JNL from Jeff Levine further continues his series of stencil fonts made from original sources.

Brutal is a not stencil calligraphic typeface designed in light, regular and bold. language: all latin glyphs

We want to create a different feel for the stencil font style. Usually stencil fonts are synonymous with military, retro and bold characters, but here we created the Cellga font with an elegant and attractive stencil style for a modern design, combined with a subtle swash. In addition to swash in the Cellga font, there are also many alternative character shapes and unique Discreationary ligatures. So the Cellga font is very worthy of being a font collection on your computer for projects with a unique and charming elegant concept. Sans Serif typefaces such as "Cellga" are very easy to apply to any design, especially those with an elegant, modern and classic, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "Cellga"contains 623 glyphs with many unique and interesting alternative options. In addition to the regular font, there is also an italic version of the Cellga font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Say Hello to Swily Bright. Trendy, classy & modern style serif font for your fancy projects. Elegant, fashion and classic style on Swily Bright font will be great for any branding project. With 2 style Regular and Italic, alternates and ligatures will help you to create unique letters

Adagietto is a musical term and means: ‘fairly slow’. I wasn’t in a rush to create this font, so the name kind of suits! Adagietto is a classic font, ideally suited for posters, book covers and product packaging - and just about everything that needs a classy look.

Introducing Oleragie, a classic modern serif with an aesthetic look inspired by the Egyptian and middle east atmosphere. Perfect for those who need a touch of elegance, stylish, classy, beautifully thin, and modernity for their design. Complete with ligatures alternates regular italic icon kerning multilingual support

A stencil font you won't find anywhere else of limited glyph characters at the rock bottom price. Enjoy!

An all-caps font with blackout lettering perfect for stencils. Use alternating caps and lowercase for bouncy lettering.

Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display and Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post’s founder, Stilson Hutchins

Yuli is my daughter - she was born on February 13th, 2014. I named this font after her, because there are some similarities. Both are bouncy and happy, playful and quirky, funny and happy - and above all: cute and cuddly. Yuli font was loosely based on Bodoni and Spumoni - two typefaces I like a lot. Yuli speaks a lot of languages.

Fractura ND is a stencil typeface designed by José María Cerezo. It includes, in addition to four fonts of different weights, an outline font, a pair of fonts to make bicolor sets and a dripped font. A geometric sans serif that, with the particularity of being a stencil, provides personality and wide compositional possibilities. Fractura is a Trademark of BauerTypes SL

Alphabet Agency proudly presents Unsanctioned; a distressed stencil font. The font has been designed in a bold stencil font style with an awesome distressed effect that gives the font a rugged look. Unsanctioned font is great for use in war, crime, urban and combat sports related themes. The font contains capital and alternative capital letters, numbers, punctuation and basic Latin international characters.

Introducing military label font named Militarist. This font has a cyrillic and multilungual characters support (check out all available characters on previews). The font family has eight styles: Regular, Stencil, Lines, Texture, Texture FX, Rough, Stencil Rough and Lines Rough. This font will look good on any military or serious styled designs like a poster, T-shirt, label, logo, etc.

Do It Again is a new stencil based rounded sans serif with great language support, designed by Thomas Averin.

Trooper JNL joins a large collection of stencil fonts from Jeff Levine, and features a bold sans serif design.

Stockroom JNL is the companion sans serif stencil font to Delivered JNL. Bolder and wider, it commands more attention.

Magic Sparkle is an elegant display font designed with magical twist to create a classy feeling. It perfectly represents a classic yet modern style. This font is perfect for elegant logo design, packaging or invitation cards. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Retra is unusual serif high-contrast font family in Bodonian style. Some elements has not classical forms, so the font looks interesting and unusual. It is suitable for headlines and some texts. Font family Retra has as bright a display font style and a relaxed textual font styles, and sans-serif font styles. There are many OpenType features, also all the 104 European languages and all Slavic languages. Retra also has an alternative set of Slavic natural lowercase. Text, typed Retra, of course, attracts attention. Overall, Retra leaves a memorable and attractive experience.

Bohemian Modern slab stencil display font Black–Out is a result of three things: the need for a distinctive ultra-black display typeface, an admiration for slab-serifs and Clarendons, and the love of systematic stencil type. Fusing all the desires together resulted in Black–Out. What was the inspiration for designing the font? Slab serifs + Clarendons + systematic stencil type = Black-Out! What are its main characteristics and features? It is a massive chunk of type, contemporary in nature while also harking back to the sun-drenched Modernism of California of the 1970s. Usage recommendations: Display type for use in materials that are meant to evoke a range of emotions.

Castillem is a trendy handwritten font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. It will add elegance and class to any of your design projects.

Centang is a trendy handwritten font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. It will add elegance and class to any of your design projects.

The Futura Black font, related to the Futura font family is boldly geometric and has detached strokes suggesting stencil lettering.

One of the most unusual sets of antique stencils spotted for sale online comprises a set of twenty-four classic logos of early 20th Century automobile companies. For whatever purpose that is now lost to time, these stencils represented the logos of many of America's finest auto manufacturers; most now just historical memories. The logos were painstakingly redrawn, maintaining the distinctive look of the hand made cutting, although it was an exacting process - some of the images were taken at an angle, and a bit of artistic license had to be used as a compensatory factor. It is to be noted that any and all of the logos presented in this font are the intellectual property of the companies, successors or assignees that may still hold the rights to these symbols. No endorsements by such corporate entities are either expressed or implied. Additionally, it is advised that any use of these logos be restricted to historical or hobby purposes, and they should not be used in a way that would construe any authorized reproduction of the logos in a commercial fashion.

Marvello a classy elegant stencil serif font is perfect for any project. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!