Linotype Animalia is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by German artist Johannes Plass and is full of surprises. It is like a walk through the zoo, where the j is a shark chasing a small fish and the K is a moose gazing at the sky. Linotype Animalia is intended exclusively for use in headlines with large point sizes.

Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version, all three weights have the same metrics, making it easier to use them together. Have a look at the Terrorista Specimen.

Brialak is classic sans serif fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

The Beaverist belongs to the group of handwritten fonts and is inspired by the culture of small and cute villages located far from big cities, almost as a part of nature. Beaverist does not have the pompousness of calligraphic fonts, but it has the warmth and softness of natural forms that we rarely meet in our hectic life. So if you want a simple and easy-to-read handwritten font, don't hesitate, the Beaverist font is your choice.

Phonk is a bold and wide sans serif. It's great for logos, packaging, posters, advertising and other tasks requiring strong and bold typography. The font family contains the following 4 styles: Regular, Regular Italic, Contrast, Contrast Italic. Contrast styles are characterized by increased readability in small font sizes. Phonk has very wide language support (80+ languages). The font includes Latin and Cyrillic scripts. I recommend you check out the new and improved version of this font! Phonk Sans

Bollek is unique fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Husr necian is luxury serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Kelluhan is a vintage typeface with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Mukoji is unique elegant font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

The SF Handwriting font family is designed for educational and printing purposes. It is a carefully crafted font that supports Arabic, Latin, Persian, and Urdu. The font is characterized by its clarity, ease of reading, and visual appeal. It is also convenient to use in small sizes. The SF Handwriting font family includes three weights: Regular, Bold, and Black. The Dotted style is designed with a straight background for printing and overwriting by children or other users.

Historical elegance finds its place in the digital era with Reliquaire AOE. Reliquaire AOE is the historical revival and elaboration of the "Memorial" typeface created by Boston Type Foundry in January of 1881. What began as a basic character set of Capitals, lowercase, numerals, and a small handful of punctuation characters has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set. History has found new life.

Hello Malike is beautiful serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

A dramatic contrast between thick and thin strokes, “ball” shapes at stroke terminals, and straight hairline serifs are main Evuschka characteristics. In this font, the x-height is specifically accentuated in relation to body height. In spite of its extreme geometrical shape, Evuschka exudes fairytale romance. Belonging to decorative type fonts, it is best suited for headlines, titles, and small amounts of text in large sizes. Evuschka was selected for TDC Certificate of Typographic Excellence 2017.

Youtesh is vintage retro fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Pawirot is display font style with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Menco was inspired by the lettering of engineering, found on blueprints, mechanical drawings, stencils and templates. The family has 5 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as small text. Menco provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It also comes with tabular lining and proportional lining figures.

Salin is a modern sans serif font family with a geometric and humanist touch. Salin has totally 20 fonts with 10 weights and their appropriate italics. It contains rich opentype features. Includes extended language support, fractions, table figures, arrows, ligatures and more for each weight. Ideal for corporate identity, poster, brochure, orientation signs, and all kinds of graphic design works. “Salin News" and "Salin News Italic” are specially made for long paragraph texts which are written with small sizes.

Matrike is vintage fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Mistont is beautiful serif fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Vokrad is modern vintage font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Riemish is blackletter font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Carlos Winkow designed Reporter in 1938 for the Wagner foundry. The strokes of this interesting script have the texture of dry brushwritten letters. The alignment is slightly irregular, giving it a spontaneous feeling. Reporter No. 2 is a slightly simplified version of the original Reporter, without the numerous small white strokes inside its stems, which gave the original a scribbly effect. The font is bold and informal. It works well in signs, posters, and other display uses.

A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.

Apothecary is a modern stylish font duo that includes a sweet flowing script font and a typewriter font made from an authentic typewriting. Combine both fonts to create beautiful logos and branding. Design professional apothecary and botanical labels and packaging or make elegant wedding invitations. Includes: Apothecary regular: a script flowy monoline font Apothecary typewriter: an antique typewriter font perfect for small texts, taglines or info Lowercase and uppercase characters Numerals, alternates and ligatures. Language support

Hello Hoeask is display fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Calgera, is a typeface designed by Teuku Riski Firmana. Calgera is a contemporary serif typeface with a distinctive look. Calgera creates an unique character, with different stylistic sets you can change the feel of your design from more organic to more standard. with 9 weights ranging from Thin to Black. This is an elegant font, with beautiful and harmonious alternate, which makes it ideal for use in magazines, in the fashion industry, branding, logo design, dynamic packaging and countless other projects. When starting this project, we wanted to try to draw a modern serif with the precisely verified shapes and detailed elaboration of each character, making your text look great both on paper and on the screens. Calgera in numbers: • 108 styles and 1 variable fonts • 843 glyphs and 441 characters in each style • Support for more than 48+ languages • 27 OpenType features in each style • Amazing Manual TrueType Hinting • 4 variable exes (Weight, Width, Slant, Contrast) Useful OpenType features: Access All Alternates, Historical Forms, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Fractions, Oldstyle Figures, Ordinals, Numerators, Small Capitals, Discretionary Ligatures, Standard Ligatures, Small Capitals From Capitals, Case-Sensitive Forms, Denominators, Scientific Inferiors, Subscript, Superscript, Kerning. Calgera language support: Acehnese, Afrikaans, Albanian, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmål, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu, Tagalog, Serbian, Zazaki, West Frisian, Breton, Gagauz, Scottish Gaelic, Northern Sami, Esperanto, Latin.

Introducing Chainprinter, the typeface that channels the raw power of vintage computing. This all-caps font takes inspiration from the mighty chainprinter—a machine that printed at breakneck speeds, slicing through paper at the speed of a chainsaw. It was a marvel of 1960s technology, and now you can capture its unique texture with this stunning typeface. Incorporate Chainprinter into your next project and transport your audience back to the early days of computing. Use it to create posters, flyers, or even business cards that pay homage to the pioneers of computing history. And if you need a cleaner, more modern version, check out Typodermic’s Linefeed—the perfect complement to Chainprinter’s raw style. So why settle for boring, generic fonts when you can tap into the raw power of Chainprinter? Try it today and experience the thrill of vintage computing in every letter. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Proudly present Straight Forward - Mixed Type, created by ikiiko. Straight Forward is a mixed sans serif font type, with wide to condensed characters. Straight Forward has 3 alternative letter shapes that have been mixed and can be played by changing the alternate types. This font is available in 2 types of color for Uppercase and outline for Lowercase. This type is very suitable for making a streetwear brand, poster or magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? All Caps Glyphs 2 Styles (Color & Outline) Number & Punctuation 3 Type Alternates + Bonus Ligature Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain the same lowercase, alternates, and ligatures – the difference is in the capitals. By mixing both fonts you can create a variety of unique logos. Aloha Scripts Casual can be set in all caps for greater emphasis on captions. Both fonts contains over 100 alternate characters, as well as an assortment of ligatures, swashes and underlines. With over a year and a half in development, Aloha is bound to please. Great for logo design, signs, posters, culinary food packaging and so much more. Aloha!

Jackbird is a display typeface, perfect for making your designs stand out among the crowd. The font is versatile and can be used in a variety of designs, from branding materials to social media graphics. It's perfect for creating logos, headlines, posters, and more. This all-caps font is designed to be bold and attention-grabbing, ensuring that your message is communicated loud and clear. The typeface comes with OpenType Stylistic Alternatives feature giving you the option to add some unique characters which can be transformed into wonderful monograms. Please see the examples shown above to get an idea of the capability of this typeface. Jackbird comes with extended language support including Western European, Central European, and South-Eastern European character sets (total of 273 glyphs).

Omerta Font Family - is a classic style sans serif typeface making it one of the most memorable caps fonts on the market. This versatile font can be used for logos, mastheads, pull quotes & monograms showing both feminine and masculine qualities.Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) FONT FAMILY: regular style italic style stripes style stripes italic style Stripes style is not outline!!! This is a developed style of the letter that goes from contour to line, which gives a certain rare style that makes you pay attention to yourself. Features : UpperCase & Lowercase Numerals & Punctuations Multilingualcharacters(AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)

Publicity Gothic is an all caps advertising typeface published by SoftMaker.

A drop cap ornamental font. Pro version includes the Basic one.

An all-caps swash font great for Headlines, rustic fun design.

“Trisula Street” sounds like an intriguing font choice for graffiti-inspired designs. Monoline graffiti fonts often feature a balanced and flowing style that adds an artistic and urban touch to various projects. Given its complexity, it can be particularly suitable for streetwear designs, car decals, product packaging, and more.

Freethinker is an irregular brush script with a hipster look and feel. This brush font benefits from OpenType features such as ligatures (and their alternates), stylistic alternates, design elements. The font can be used in branding, greeting cards design, packaging design, webdesign and publishing. It is fully unicode mapped.

Rumbler is a typeface inspired by old school car lettering, while trying to push it in a unique direction. Reflecting the limitations and constraints of shaped metal, the letter forms twist and contort to create a readable font that can evoke motion and speed, strength, and a retro feel.

Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three areas may seem initially to result in an unusual formula, but the distinct and flamboyant style of Art Nouveau and the Arts and Crafts style combined with the more strict rules of a sans serif transfer well into a beautiful and very usable blend of these individually eccentric forms. The resulting font retains the Art Nouveau and Craftsman style flavors, which shine through the typeface despite its geometric base. One of the font’s defining characteristics is the unique terminators of its C, G and S. This face’s texture and rhythm also moves well in longer texts. These and other features give Ashemore a restrained bohemian vibe that seems particularly appropriate for a coffee house or an art gallery. The Ashemore family has a full range of six weights from thin to black and includes condensed and extended options for a total of 36 fonts. The typeface also includes some unique OpenType alternates that make the superfamily even more versatile. Ashemore is equipped for complex professional typography, including alternates, small caps and many alternate characters. The face also has a number of numeral sets, including tabular figures, fractions, old-style, lining figures and superiors and inferiors. OpenType-capable applications such as Quark or the Adobe Suite can take full advantage of automatic ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Ashemore also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Ashemore supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Ashemore was designed by Jeremy Dooley with production assistance from Lucas Azevedo and Marcelo Magalhaes. Kerning assistance from iKern.

Sancoale Softened is the new rounded companion to Sancoale. While the original Sancoale is crisp and defined, its delicate forms also lend themselves well to a lighter, more rounded version. The stems of Sancoale Softened are blunted, and its corners have been carefully rounded, avoiding the “sausage” look seen with some rounded fonts. This blend of definition and delicacy makes the Sancoale Superfamily versatile and appropriate for a variety of applications. The design minimizes the characters to their essence, leaving a default set of simple characters without notches or spurs. However, the typeface family’s slightly technological feel still appears friendly and approachable to the reader. It’s slightly condensed proportions and tall x-height also make the design readable at a wide range of sizes, which works especially well for web pages. These softer letterforms give Softened its unique, futuristic look--great for distinguishing your text or display. There are six weights with true italics. All insigne fonts are fully loaded with OpenType features. Sancoale Softened is also equipped for complex professional typography, including alternates with stems, small caps and plenty of alts, including “normalized” capitals and lowercase letters. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The Sancoale family also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Sancoale Softened supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Sancoale Softened continues with Sancoale’s successfully simple, geometric and legible structure. With its suitability for a wide range of uses, the Sancoale superfamily is a very economical and versatile addition to any designer’s font collection.

The Brazzari Pro AOE is an unusual but fun geometric typestyle design. It is the historical revival and elaboration of the "Bizarre" typeface created by MacKellar, Smiths, & Jordan Co. in 1884. What began as a basic character set of Capitals, lowercase, numerals, and a small handful of punctuation characters has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set, all with a smallcaps and Caps to Smallcap set to match. Definitely a niché use typeface, however, it has some great appeal. The letterforms of Brazarri Pro AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs. WHAT'S INCLUDED: Enable the Stylistic Alternates feature for standardized letterforms without the extensions. Extensive language support. Invocation has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, and expand on their character sets to enable them to be used more widely than their limited originals. A lot of incredible historical typestyles created as wood or metal type with bare bones character sets have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.