This font is big on 2 things: Class & Quirk. Inspired by hand-scripted menus. This modern hand-calligraphy font isn't just for one or two-word logos. Designed to make a statement when used in large amounts. Great in large & small doses alike. Slightly irregular texture for that perfect hand-lettering touch on the page. Beautiful Duo for your next event or project! Multilingual support.

Diogenes is an elegant and crisp text typeface. While the skeletons of the individual characters are distinct and strong, the serifs are fine and sharp. This is especially true for the capitals with their comparatively strong horizontal strokes. The graceful appearance of Diogenes makes it an ideal choice for books, newspapers, and magazines, both at small text sizes and display sizes. See also this minisite.

A handwritten font with long conections and small aperture and counter, a graceful and fresh rhythm to catch the eye attention. This script family is based on italian “bella scrittura”. The letterforms have been careful designed to grant this typeface with an effortless sense. Check the Opentype features window and discover an extended set of swashes to help you to give emphasis to the message.

Designed for ParaType in 1999-2003 by Manvel Shmavonyan. This is a low-contrast serif typeface with large x-height and small square cove serifs. For use for text and display typography. Due to its open letterforms and big number of styles the face is a good companion to open humanist Sans. Hybrid design was awarded special prize at Kyrillitsa'99 international type design competition.

Magdalene is a classically designed sans-serif face for the 21st century. It's designed to offer clear and immediately legible lettering for signage and poster use which still has a touch of character and elegance about it. Magdalene is also ideal for the display of web pages and legible text on small LCD panels. Use Magdalene to combine traditional design attributes with modern technology.

Magedon Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more.

This is a font to build an Hebrew Bible (Tanach) or any Hebrew prayer book. This is a variable font with 5 styles! Hebrew Esther Tanach Variable has all Unicode Hebrew marks and others like ShevaNa, Dagesh Chazak, Qamats Katan, and Cholam Chaser. This font has a complex and exclusive Programmation of Opentype features. This font is very good to read even in small texts

Brohan Black is a monospaced font: each character has the width of the piece of paper from which it was cut with a pair of scissors. The loss is minimal, as the counters are as small as possible while still retaining maximum legibilty. To save ink, print negative. Recommended for cement companies, post-industrial record sleeves and heavy poetry. Also great for temporary signage.

Woodtype wizard Rob Roy Kelly identified the inspiration for this typeface in his 100 Wood Type Alphabets simply as "No. 154". Funky, chunky, round and robust, it’s clearly a barrel of fun. Named after a small town in Central Texas, which just happens to be the home of Dell Computer. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Elmcourt is a clear and simple display slab-serif typeface family. It's offered in two weights and regular and italic forms. An extensive range of opentype features are included in all typefaces, including small capitals, ligatures, and old-style numerals. It's an ideal family for bold headlines and eye catching poster work. The simplicity of its outlines make it ideal for carved and cutout work.

Equa is a font based on strict grid rules. The name "Equa" comes from the equal widths of the vertical strokes, inner spaces and counters and spaces between glyphs. Its geometric construction gives it a technical look with an art deco sensibility. A system of three "weight-widths" based various sized grids gives flexibility in uses, from large condensed headlines to small blocks of text.

Joane Pro is a new typeface based on Joane (2018). This project has its roots in French typography from the 16th century, Dutch models from the 17th century, and English typography from the 18th century. The result is a high-contrast typeface with sharp features which provides an organic texture. Joane Pro is a contemporary typeface with 79 styles that work in display and small sizes.

Display Hatched is ideal for posters with an industrial theme and is designed as a complement to Greater Albion’s “Singwriter Standard” typeface. All glyphs are diagonally shaded giving just a delicate touch of ‘industrial edge’ which is so ‘on trend’ at the moment. Display Hatched includes small capitals and title forms, as well as three forms of numerals. Bring a little industrial grit to your next project!

FeggoliteMono is a decorative, monospaced typeface family with a small x-height and long descenders. Two styles (plain and bold but renamed in 2020 as light and regular) were created in 1994 and revised in 2010. In 2020 a bolder bold was added along with italics versions for each of the three weights. The design was an attempt to create a decorative typewriter font.

German type designer Ole Schäfer created this display FontFont in 1995. The family has 6 weights, ranging from Regular to Bold and is ideally suited for film and tv, editorial and publishing as well as poster and billboards. FF Scribble provides advanced typographical support with features such as ligatures, small capitals, and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Dutch type designer Erik van Blokland created this script FontFont in 1990. The font is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Erikrighthand provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional oldstyle and tabular oldstyle figures.

Another filter effect version of Adhesive Serif Letters JNL (of which the original design was modeled after some vintage gummed letters used for signage) and is called Shattered Dreams JNL. This variant has jagged edges all around and is kind of reminiscent of shapes you could make with a small magnet and iron filings. Shattered Dreams JNL is available in both regular and oblique versions.

An elegant display face influenced by Aldine oldstyle letterforms, Miranda Pro brings the early successful Tim Rolands font Miranda into the OpenType era. Miranda Pro now includes numerous extended ligatures, alternate forms, small capitals and support for a wider range of languages. Use it as a companion display for classic text fonts or on its own as a refined but stylish messenger for all sorts of projects.

Fighting American and all around Superman Ed McGuinness joins our Masters of Comic Book Art with a font inspired by his gamma ray saturated handwriting! Ed is officially a friend of Comicraft and a big smile in Hulk form! Now a small slice of this Jolly Green Giant is available as an alphabet waiting for puny humans to arrange in words of no more than two syllables.

Hello! Introducing an original bold font with crashed letters. A unique feature of "Ruined Dreams" font is few variations for each English letter which creates more natural broken effect. Using OpenType feature (contextual alternates) each next letter will be replaced automatically. Note: Multilingual characters has only 2 variants for capital and small letters. Please make sure that OpenType features in your app are supported & enabled.

Monoplan is a versatile monospaced sans serif typeface. Minimal shapes and straight sides are definitive features of the typeface. Tables, headers, code blocks, signages or other small informative texts are the standard places where Monoplan shines. Different alternatives such as square dots, alternate /a /y /6 /9, coverage of 94 Latin languages, various Opentype features, and 5 styles expand the usage area of ​​Monoplan.

Our most up-to-date Futura adapted to the new times. Its peculiarity lies in the curved endings of three of its letters (“j”, “l” and “t”), which gives the typeface a more dynamic and modern look, making it easier to visualize on small and low-resolution screens. The original designs of these characters are also included. Futura is a Trademark of BauerTypes SL

Quebra is an extend display sans-serif font family with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

DubTone is simple sans serif font with a halftone texture from an old newspaper scan on an old flatbed scanner. This font was created for a movie poster in 2003 and then finally converted to a font in 2012. Each of the characters were individually designed with care to make sure that in small or large sizes it remained readable with a unique texture.

Another addition to the Whiz-Bang Woodtype series, this offering is patterned after a typeface issued by the old Boston firm of Baker & Greele in 1826. Named after a small town in Texas just a hop, skip and a jump from the Red River and Arkansas. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

A timeless serif with a distinctly contemporary attitude. The Senhan font family makes a statement with confidence. Defined by sexy, sharp, angular contours when used in headline and display scenarios, this family of 5 weights and italics is a real eye-catcher. But with a tall’ish x-height for legibility, and a medium contrast, Senhan is a workhorse at small sizes and in lengthy blocks of copy.

Eight years after the initial release of Brandon Grotesque , the typeface has grown into a font family of 48 styles, including a version for small sizes and a space saving condensed version. This type family was completely drawn from scratch with the look and feel of the original normal-width version. Today, Brandon supports at least 116 languages, from Latin based languages to Greek and Cyrillic.

Introducing a vintage look label font named "Biker Whiskey". Typeface contains small letters, capital letters (several of them have alternates), numbers and punctuation characters. Biker Whiskey font have two styles - clean and rough. Each of styles have layered effects with texture and shadow, for preview of styles look at screenshot. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Elkysis is a striking, contemporary slab serif type family of six weights designed for use in titles, headlines or branding. With a distinctive look, this family aims to provide a unique voice for small passages of text yet remains surprising legible in smaller point sizes. With a full extended latin language support and a Variable family, Elkysis aims to provide a creative and striking solution.

Kithan is a font that provides three weights and three compressed from semi-fine to bold, while the compressed have a reduced contrast creating a tall and soft look. Bold font sizes allow letterforms to be appreciated, with the same restraint and focus. Creates a smooth texture for small font sizes and long reads. Kithan's theme is inspired by the Mexican currency of the year 2000.

CCS Sofiera is a New Luxury Vintage font that is both elegant and unique with smooth curves and tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. CCS Sofiera is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Satari Display is a fancy, bold font with multilingual support. This is a very versatile font that works well in both large and small sizes. Satari Display is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, invitations or any project you're working on. WHAT'S INCLUDED? . Uppercase & lowercase . Numbers, punctuation . Big Style Binders & Alternatives . Multilingual support.

Monalesa is a New Vintage font that is both elegant and unique with smooth curves and beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Monalesa is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

The Legal typeface family grew out a sans serif project that Hellmut G. Bomm began in the 1970s (his HGB Grotesk). This refined, industrial type family is well suited for short amounts of text, headlines, corporate identity and logo design. In small sizes, the typeface works like many other sans serifs, but with better differentiation between characters. The Legal family includes oldstyle figures and true italics.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Dime Box is bold and boxy, and creates an interesting visual flow with its notched serifs. Named after a small town in Texas. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Merganser is a Typeface intended for text and copy and was inspired to serve the avid community of Birders. Birders and birding material historically have a lot to say. Merganser serves that tendency because its designed legible at small scales. The Natural world also inspires the slightly humanist strokes of Merganser. Merganser was created as part of the Type@Cooper winter certificate in Type Design.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

Queensila is a comely styled serif font with beautiful ligatures, lots of custom alternative glyphs, and multilingual support. This is a very versatile font that works well in large and small sizes. Queensila is a perfect fit for your project and lets you create beautiful designs, headlines, posters, logos, badges, t-shirts and more. It's also best used for posts, logos, posters, certificates, labels and more.

The hand lettering found on a small catalog sheet for decorative decals from the 1930s-1940s era was the perfect source material for Crestview Six JNL. Handmade typefaces or signage from past decades offer a wonderfully humanistic change from the perfectly-crafted designs of printer's type (or digital type in the modern era). The font's name comes from the old alpha-numerical phone exchanges of the past.

Ambergate is a new typeface family redolent of the late 19th and early 20th centuries. It’s a display family of four small capitals roman faces, incised and elaborated with filigree scrollwork. The four typefaces which comprise the family recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage and book covers.