Introducing Naishila. This new font family includes a caps and script. Naishila is a lovely and sweet font duo with a dancing baseline. You will receive the regular font (not dancing) while the script comes with stylistic sets and ligatures. Like my other fonts, Naishila is made to meet the growing market of design today. This font is suitable for use in design styles such as watercolor, minimalist, flat, modern design, etc. With this font duo, you can very easily combine. Surely you can make something perfect for your design. Naishila will look gorgeous on cards, mugs, quotes, posters, shopping bags, logo's, t-shirts, branding, book covers, birthday invitations, greeting cards, and all your other lovely projects.

ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the punchcutter John Handy. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth-century rationalism and neoclassicism. ITC New Baskerville is a late 20th-century interpretation of Baskerville’s style, designed by John Quaranda. It makes an excellent and very readable text face; its sharp, high-contrast forms make it suitable for elegant advertising settings as well. ITC New Baskerville® font field guide including best practices, font pairings and alternatives.

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings ( Revla Sans and Revla Serif ) with a touch more chunk. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It’s shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but it’s a belter!), and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

Mayhome Script is a beautiful and classy script based on manual calligraphy ink on a paper. This fnt has many swashes that allows you to create beautiful lettering instantly. it has many stylistic set alternates that you can choose from. The character of this typeface is bouncy with natural stroke which is make it looks naturally handwritten. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Dante was designed by Giovanni Mardersteig. Mardersteig started work on Dante after the Second World War when printing at the Officina Bodoni returned to full production. He drew on his experience of using Monotype Bembo and Centaur to design a new book face with an italic which worked harmoniously with the roman. Originally hand-cut by Charles Malin, Dante was adapted for mechanical composition by Monotype in 1957. The new digital font version has been re drawn, by Monotype's Ron Carpenter, free from any restrictions imposed by hot metal technology. The Dante font family was issued in 1993 in a range of three weights with a set of titling capitals. Dante is a beautiful book face which can also be used to good effect in magazines, periodicals etc. Dante® font field guide including best practices, font pairings and alternatives.

The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one's desire for eccentricity, just like tea with bromine. It would, however, be wrong to consider Bodoni as the originator of this - vertically shaded - trend in type face production. In his Manual we can also find type faces with a slanted axis of shade, picturesque italics and a number of normal, more human type faces. It remains a mystery why his name is connected only with one of his many works. Genre's basic design is fairly light in colour, which is why it looks good in illustrated magazines and short texts and directly calls for graphically striking, contrasting headings. It shows off beautifully next to photographs, on diplomas and on printed materials connected with a person's death.

Muthya is a handmade font with a bouncy baseline - the characters go up and down like a dancer. Muthya has a very unique style of calligraphy, it is very suitable for use in the work of modern design. Font features: - Standard ligatures - Discretionary ligatures - Swash Alternates - Stylistic Alternates - Stylistic sets - Private Unicode Area Font Files included: - Muthya OTF Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all european languages that are based on latin alphabet Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

From the dainty light weight through to the striking UltraBold, Otama raises the bar to a new level of dangerous sophistication. Although easily classified alongside Modern typefaces such as Didot and Bodoni, Otama was purposely developed with minimum reference to these two visual heavy weights. In search of something more than a mere historical revival, Otama instead draws proportional reference from popular 20th century Transitional and Garalde typefaces with visual inspiration coming from calligraphic studies. Many characteristics from Tim Donaldson’s 2010 display face Pyes Pa were directly passed on in execution of Otama — The shoelaced k, e and a being the most obvious examples of this family relation. Refined over 2 years with well over 8,000 characters over 28 styles, Otama certainly deserves its place as a comprehensive and versatile typeface in any designer’s font library.

This family was inspired by the sets of fonts used in 1543 by Michael Isengrin, printer in Basel (Germany) to print the splendid New Kreüterbuch...(New herbal...), with numerous nice pictures, the masterpiece of Leonhart Fuchs, father of the modern botany. It is a Schwabacher pattern, with three different sets of fonts, small (± 4mm for the upper case) in the main text, larger for titles (± 8mm for the upper case) and large Initials or lettrines (five lines of main text). This font contains standard ligatures and German historical ligatures (German double s, long s, tz, ch,...) and diacritics (special umlaut "e superscript" and "∞" unstead of dieresis with letters a, o and u,) naturally, we have added numerous letters lacking in the original to permit a contemporary use of the font. It can be used in complement with 1538 Schwabacher or/and 1534 Fraktur.

Marla Griselda is a Beautiful and classy script based on manual calligraphy ink on a paper. This fnt has many swashes that allows you to create beautiful lettering instantly. it has many stylistic set alternates that you can choose from. The character of this typeface is bouncy with natural stroke which is make it looks naturally handwritten. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Shandy is a cheerful, free-spirited font that dances jauntily along an undulating baseline. Like Gene Kelly merrily cavorting through that rain-soaked street, in the famous dance scene from Singin’ in the Rain. Curiously, it’s got the liveliness of a bouncy brush script, with some elements of a robust Copperplate-style script, that appear to have been defined by a funhouse carnival mirror. In order to promote variety, no two letters are identical within most occurrences of typical lowercase double-letter pairings (bb, dd, ee, ll, nn, oo, tt, etc.) To enhance your typography, Shandy features many automatic OpenType ligatures, beginning and terminal lowercase forms and Stylistic Alternates for letters E, M and N which are accessible in OpenType-capable applications. Suitable for Branding, Logos, Product Packaging, T-shirts, Magazine headlines, Fashion Glossies, and Food Advertising to name a few arenas.

I am happy to introduce my new handwritten script font Sweet Tooth. This font is bouncy and cheerful. It will look perfect for branding, package and menu design. Hand-drawn script font Sweet Tooth contains 2 sets of uppercase and 3 sets of lowercase letters and a big set of ligatures helping to imitate handwriting. Multilingual support is included. No special software is required to use Sweet Tooth font, it is PUA encoded. For designers who do have OpenType capable software: you can access alternates by turning on 'Ligatures' buttons on in Photoshop's Character panel or via any software with a glyphs panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape. Features: 2 sets of Uppercase 3 sets of Lowercase Numerals & Punctuation Ligatures Multilingual support I hope you love it and if you have any question, feel free to contact me! Thanks! Lena (instagram @almaz_dolzhe)

Dionisio, a CastleType original, takes its inspiration from one of the overlooked treasures of the CastleType library: Ransahoff. The latter is extremely condensed and very elegant. I particularly like its hairline slab serifs and cross-bars. I decided to use it as a starting point for a new design, but to make the proportions more classic and to make it more sensuous with gentler curves and bracketed cross-bar serifs. The result is very Bodoni-like, but less extreme and more contemporary looking. Meanwhile, Dionisio maintains a hint of Ransahoff with condensed letterforms and very fine serifs. Dionisio brings together the best of both, making it the perfect choice where a slender, sophisticated typeface is needed. Dionisio is available in two widths: normal and condensed, five fonts each. Includes an extensive character set and OpenType features.

Brown Hunter Inspired by the design style of the 1830s, the elegant Victorian style design is full of charming sharp curves. Designs with a classic Victorian style from the cruel era, people always use it for redesigning needs or creating new designs. The Brown Hunter typeface is designed in an elegant Victorian style which contains many font characters which when combined will make an attractive design and of course very cool. Included in the download package are: Brown Hunter Vic, which is a classic Victorian serif style and contains swash and alternatives, there are two types of Brown Hunter Vic, the standard one and the hold one, which contains ornaments on the inside of the body. Brown Hunter Script is an elegant street writing style made with spontaneous and sharp brush strokes giving a bold impression. Brown Hunter Dis is a Serif display style font that is intended for subtitles in designs, besides this font has 13 families from thin to heavy. Brown Hunter Black is a font with a charming black letter style and is still comfortable to read when used for body text in a classic Victorian style. This font also has 13 families from thin to heavy so it can be used for headers or body text. Brown Hunter Ornament is a font made with a unique orament shape in the classic Victorian style, besides that there are also border frames, animal vectors, silhouette logos, flowers and many more. With 4 styles and 30 different fonts, the Brown Hunter typeface when combined will create a cool design and a Victorian concept. By collecting Brown Hunter Typeface you can easily create classic, Victorian and elegant themed designs. Brown Hunter is perfect for designing vodka labels, beer, pomade, logo tattoos, book covers, t-shirts and so on.

Icarus - Serif Font Family - Multilingual - 4 Style With its modern vintage look, Icarus font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large titles, classic styles to modern and bold styles. It is very suitable for books and magazines, editorials, titles, websites, logos, branding, advertising and more. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Spoon is a fresh and contemporary sans-serif that can be used in wide range of project. Its skeleton of letterform is geometrically-based and minimal but the body was designed with a touch of humanistic outlines as though they were handwritten. This not only make the font clean, legible and functional, but also make it possible to give natural, friendly and soft impressions. Spoon comes in seven weights with matching italics and includes diacritics for most European in each weight.

Old Paris Nouveau is based on letterpress stylings of modern roman alphabets from the 1920s. Adapting the nouveau sensibility to the digital age required several conventions, including several alternate glyphs for specific individual letterforms as well as creating consistent stem weights and x-heights for more effective body copy. The inherent charm of Old Paris lies in its variation in form and style -- and yet the uniformity. Organic simplicity and elegance underscore the strength and utility inherent in the family of fonts.

A practical font family with 4 weights for all your day to day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface with rounded endings that provides a unique softness appearance without losing legibility. The Pro version is an excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. Best used with apps that support right to left Hebrew text, like Adobe InDesign CC or MS Word.

I have a lot of options to choose from, and it's hard to decide. For example, if I use "Thin" for the body text, I might make the title slightly larger and use "ExLight," and for the headings, I could use "Regular" or something similar. I could also stick to one font weight, like "Light," and differentiate the text using various sizes. This font is designed for enjoying the process of "indecisiveness," so please feel free to wander and deliberate extensively.

Hexi is a modern style serif font. It has 9 thicknesses (Thin to Black) to provide more support when designing and also Oblique version to give your texts more different or contrast. Have bold serifs to reduce the pixel effect on digital devices. Minimized the nodes in each design to keep the glyphs bodies clean. Give the extrema point on each curve, it will make Hexi look smooth and neat. There are several subpackage options for you to save even more.

Groches is a contemporary typeface. The typeface can span from a refined vintage feel to an industrial futuristic vibe. Forged from geometric and technical styles with wide characters, make this font type so strong and bold. Comes in two different styles, clean and rusty it brings a vintage touch to any creative project and elevates contemporary editorial layouts. Groches very suitable to use for headlines, sign, display, and logotype, or take it for a spin with short-form body copy.

Developed from condensed san serif families of the 90’s to 00’s, Morl brings together the distinctive features of the time but presented in a simpler design. Its potential is increased with Original, Sans, and Rounded options which offer varied moods. Suitable for publications, web and product designs, Morl can fit either headlines or body. It’s also effectively supported in various devices. The family comes in 10 weights, making it available to use for your required tasks in 60 styles.

Karolina is a calligraphic serif font. It is inspired by Edward Johnstons (1872–1944) calligraphy and the foundational hand (which was based on the carolingian letters and therefore the name Karolina). The Uppercase letters are based on the perfect proportioned roman capitals. Karolina is a classic and clean typeface with smooth shapes that will give an elegant touch to your projects. It is suitable for formal use and works well both for headlines and as body text in smaller sizes.

A practical font family with 11 weights for all your needs: headlines, body text, signage etc. This font family is a working horse with high legibility at small sizes. OpenType Pro Excellent support for Niqqud. All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, etc and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: tinyurl.com/2fbkuy95

Kefago is an elegant and stylish serif typeface. It's sharp and light edges, that creates beautiful typographic adjacency. The font is perfect for text quotes and other design graphic projects such as wedding invitation card, Magazine Header and body text, flyer header and even logo text. Kefago features: Uppercase and lowercase glyph Numeral and punctuation Multilingual support Ligatures and alternates Thankyou for picking this font. if you have question, send me a message and i'am gladly to answer. regard, Grontype

Golemi Display is a reverse-contrast fat face font inspired by the Caslon Italian specimen from 1821. It is intentionally designed to keep its wood type feel—the overall chunky body with rounded junctures to imitate the old look. However, compared to its prototype, Golemi is redrawn to have smoother shapes with a modern look. Golemi Display is suitable for large applications, such as headlines for editorial design, branding, webpages, and environmental design. It is currently a single styled typeface disposed for extension.

Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts such as Bebas Neue SemiRounded and Bebas Neue Rounded. Bebas Neue Pro has lowercases and Italics. When you need more impact for titling, please try Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

Circonia is a simple font, with a soft touch on serifs. It has clean lines and friendly shape, making it perfect for informal communication such as childrens' books, funny flyers and leaflets or food menus. It is suited both for headlines and a (larger) body copy. It has more than 300 glyphs with full western and eastern support and also basic math support. Check out the gallery page for the font info PDF with detailed info https://www.myfonts.com/fonts/8av/circonia/gallery.html

Saffran is a project of Erasmo Ciufo and Alessio D’Ellena. Saffran is a clear sans-serif with big x-height, short ascenders and descenders, that works well both for headlines and main bodies of text. The objective of the design is to improve readability of small size texts, by clearing the junctions and enlightening the structure of each letter as a consequence. The broken junctions, inspired from the hebrew alphabet, turn into spiky endings that connect to the flat sides only under 7pt.

Mohn is a sans serif font that draws inspiration from the Bauhaus movement, characterized by its geometric shapes and neo-grotesque elements. With its clear and legible forms, Mohn works as a body copy font, or blow it up larger for headlines to really see its gently rounded corner details which bring a personal and contemporary touch to any design project. Available in 7 weights with italics for each, a variety of accented glyphs, ligatures, and extra stylistic alts on select letters.

Introducing Cristaloak - a rough monoline script font. This font has a rough shape in the body of the font, different from monoline fonts in general. The rough shape of this font will make the retro/vintage feel more visible. Cristaloak is perfect for vintage design, badge, logos, t-shirt, poster, branding, packaging, signage, book cover and so much more! Come with opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Midan, designed in 2005 by Kameel Hawa, director of Almohtaraf Assaudi, is a modern Arabic typeface based on simplified Naskh with a slightly modulated stroke treatment. It is suited for text settings, especially in brochures and magazines. It is characterized by a large body height and open counters and as such can be used in small sizes. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Introducing new typeface - Porosya. Porosya has multilingual support includes cyrillic. Many ligatures make your typography most variable. Porosya Typeface was inspired by ethnic slavonic style which combining classic typography with awesome features bring classic touch on this culture. It works well with normal size text and for large displays or short words. You may combine uppercase and smallcase in the text body, as alternates symbols. The Porosya typeface is suitable for : product packaging, labeling, logo, classic shop, ethnic shop, titles, etc

Rasmi font It is a font for print and the web. Especially for coordinating university and school books, scientific research, exams, government and corporate correspondence, and coordinating financial, judicial, and diplomatic documents. The Rasmi font family includes four weights: thick for headlines, bold for subheadings, medium for body text, and thin for footnotes and explanations. The font supports Arabic, Latin, Persian, Urdu, and Kurdish languages. The graphic designer can use Rasmi variable font to reach wider options in working with the text.

Gopher Mono is a reverse contrast, monospace sans serif typeface ranging in weight from thin to black with italics. The design provides a unique look to the monospaced genre by using a contrast where the vertical strokes are a little thinner with horizontal strokes thicker. While monospaced fonts are typically used for smaller body text, the slightly unusual quirks of a reverse contrast design make it interesting enough to also use for display treatments so style and function are blended.

Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in headlines. Stem Text is fully compatible with Stem , so the styles of Stem can be used as display styles together with Stem Text in text setting. Design -- Alexandra Korolkova with the assistance of Maria Selezeneva and Isabella Chaeva. Released by ParaType in 2015.

Archopada is a modern, humanist, strong statement typeface with clean lines. Inspired by classic geometric and fun typefaces. This font perfect for adding a title to your portfolio or website, magazine, branding, id card or you can use for body text in long paragraph. This set includes 6 weight humanist with oblique. If you need fun taste, We also prepared rounded style plus 6 weight and oblique style. Archopada consists of upper and lowercase, numerals, ligatures plus some stylistic alternative characters.

Magazine Grotesque is a sans-serif font specially designed for headlines and titles. Its unique features make it different from the traditional Grotesk typefaces. For example, outstroke extending beyond body in 'a' and 'e' letters or closed aperture in 'c', creating an unusual rhythm. Magazine Grotesque is the perfect choice for logos, titles, headlines and short blocks of text. As you would expect from Latinotype, this face comes with a standard set of 487 characters that support over 200 Latin-based languages.

ZT Voltra is a stylish and charismatic serif type family that brings modern and vintage feels that allow you to make a visual journey from thinnest body slab to a very thick expanded display serif. ZT Voltra works in modern digital interfaces on mobile and web platforms also suitable in humanist serif touch for prints and any design projects. Twelve weights with seven expanded widths cover everything from an airy thin to a good looking heavyweight and support for 100+ languages.

Casthago is a transitional, humanist serif typeface family, comes with some contrast in the stroke and medium curve braketed serif that creates a very classic and traditional feel. Casthago designed for body text, creating a steady and readable rhythm, made for immersive reading. Some Character comes with alternate style 'a,h,m,n' that inspirated by Carolingian manuscript that was popular in medieval European period. Casthago consists of 16 styles from Extralight to black including italic styles and 2 variable fonts addition.