Scottish typefounders exerted a strong influence on the development of "transitional" typefaces, the bridge from "oldstyle" (Jenson, Garamond) to "modern" (Bodoni, Didot) designs. Scotch Roman designs were first cut by Englishman Richard Austin and cast by the Scottish typefounder Alexander Wilson and Son in Glasgow. Scotch Roman font has wide proportions, short descenders, bracketed serifs, and large, strong capitals. Its subtle charm makes it suitable for any text setting, particularly books and magazines.

Bold Fashion is a heavy slab-serif font of the disco era. Its funk-style design, coupled with soft, rounded serifs, embodies the soul of retro, bringing forth memories of neon lights, bell-bottoms, and roller discos. Each letter is profoundly heavy, yet they prance with a bouncy, comfy rhythm, akin to catchy 70s beats. The swashes adorning the uppercase letters add flair, reminiscent of iconic burger joint signs and groovy vinyl covers.

Melanista Bouncy Script font perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

HotTamale is suitable for display and text. Its large x-height provides excellent legibility at small point sizes. It is bouncy and playful, yet unlike some fonts that are exaggerated or distorted in style, HotTamale is highly refined. Avoid the monotony of repeating glyphs! HotTamale includes OpenType contextual alternates for a random and spontaneous appearance. HotTamale is vivacious, warmhearted, direct, and suitable for packaging, restaurant use, websites, magazines, lively heads, sub-lines, and children’s books.

Finoteca (on English would be Niceteca) is display font for nice people. Why so? Well, by it's design, it's one happy, bouncy font with a lot of charm and positive feeling. Use it on product label, in books for kids, movie posters or as indoor graphic for your restaurant – if will fit anywhere. Available as single weight only – Regular, contains set of stylistic dingbats with interesting faces and persons made out from letter shapes.

Destine is a modern display typeface that has high contrast and hairline serif. The typeface inspired by Didot and Bodoni. Destine typeface has opentype features like stylistic ligatures and stylistic alternate to beautify any design project. This typeface is compatible for branding, logo, book magazine, headline, wedding invitation, and so on. You will get : Destine Regular font with full set of lowercase and uppercase letters, numerals and punctuation, multilingual characters, ligatures & alternates.

Vincenzo is based on a beautiful condensed typeface from the 1920s or earlier; original designer unknown. This is a "Modern" style with fine slab serifs, vertical stress between thick and thins, and high contrast. What is unique about this design is that the triangular serifs (e.g., E, F, L, T, etc.) do not gradually taper as they join the rest of the letter, as would be the case in Bodoni and similar designs. Uppercase only.

"Disco Pang Pang" is the Korean name for Tagada rides. It is a characteristic typeface that is good to use when you want to make use of a unique and bouncy feeling. Light and Extrabold are made with the thickness of normal typefaces, but Left and Right have strange shapes with stroke thicknesses that are biased to one side. Its unique shape can make a strong impression on people. This font contains Korean.

introducing MILKY RAINBOW - Bold and Bouncy Handwritten Font - MILKY RAINBOW is natural handwritten font. come with a bold style, it is very eye-catching. It is great for packaging, branding, quotes, cards, banner, book, cutting, silhouette, social media content, and anything of your craft project. I created some ligatures to make it look so natural. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual - PUA encoded I hope you love it. regards, Abo Daniel Studio

Cattini Script is a casual and organic font, perfect combination between elegance and informality! The OpenType features include standard and contextual alternates, swatches, initial forms and ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. Cattini font can be the option to create headlines, logos and posters for branding and packaging, invitations, greeting cards, magazines and book covers, children's material, fashion, and where you want it.

Lorelei is an exuberant and bouncy script. The ink seems to be slathered onto the surface in a casual and spontaneous manner, making for a flowing and feminine script that is perfect for invitations or greeting cards. The script also contains a large number of OpenType alternates and ligatures to extend the impulsive nature of the lettering. Lorelei is named for a young German maiden that supposedly threw herself into the Rhine.

Soapy is a decorative font family, naturally scented and dermatologically tested. With extended language coverage, Soapy fonts are all-caps with 2 design options for each letter. There are also stylistic alternates with bouncy baselines – simply turn on the feature to instantly put your words to float. Or to dance, depending on your point of view. Stack styles for easily add colors to your compositions. Put a smile in your headline! Get Soapy!

Calmoon is a bouncy handwritten display font. With bold bulb stroke, fun character with a bit of ligatures. To give you an extra creative work. Calmoon font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Calmoon font. Cheers, Maulana Creative

Henrician can claim two sources of inspiration. One of these was a set of beautiful capital letterforms seen on the cover of a 19th century album of engravings. The engravings contained therein depicted lovely examples of half-timbered Tudor architecture and there was a clear 'Tudor' intent behind the letterforms. The second source of inspiration is more conceptual-the title lettering of period films from the 30's to the 60's…think if the opening text when Errol Flynn plays Robin Hood, or think of Richard the Lionheart, or even that great comedy Classic 'Carry on Henry', and it's discussion of Sir Thomas de Cobbler….but we digress! Henrician is a set of eight display and text (but perhaps not Body Text) faces in a 'Tudor Revival' spirit. Like any good revival design they are somehow at home with a wide range period themed design work, covering the medieval until, perhaps, the 18th century, just so long as we're more concerned with fun and appearance than strict historical accuracy. The family will be at home in the realms of advertising, posters, cover design and web design. Try Henrician out today!

Visine FF is a typeface that aims to question the geographical borders that in so many ways can define people's lives. It was developed with the experience of advertising and commercial use in mind. The name Visine can be translated most simply as HEIGHTS. Visine FF was developed out of the necessity to make the most of the space on the visual format. With the tall arches and narrow bodies with exceptional, easy-to-read features, Visine FF aims to complement visual languages in many linguistic regions. Visine FF was developed in the Balkans, where Cyrillic, Latin and Glagolitic were the three historical writing systems used in the former Yugoslavia to denote cultural, ethnic, religious and political identities. Today, the languages of the Western Balkans are so similar that they can easily be called dialects, although they are written in different scripts. This is the result of their coexistence and parallel evolutions, which gave a rise to the common traits. This font family celebrates all the languages and scripts of the Western Balkans and is a labour of love. Love of design, love of language and the human need to communicate across borders, cultures and identities.

Hello, Are you looking for a Christmas font? Do you want of creating something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Christmas Bubble a Bouncy Playful Font Christmas Bubble a Bouncy Playful Font, Inspiring from playful stone style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Christmas Bubble font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Hello, Are you looking for a cartoon/playful font? Do you want of creating something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Comic Stone a Bouncy Playful Font Comic Stone a Bouncy Playful Font, Inspiring from playful stone style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Comic Stone font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Our Bazaruto family was inspired by an old fashioned specimen from “Letters and Lettering” by Carlyle & Oring, but you'll find the inspiration has been greatly expounded upon. What began as an all Capitals specimen has been fleshed out to an extended full character set with many features and variants from the original design. Bazaruto has been an exercise in typographic evolution. The original Art Deco style spawned an Engraved version, then a Bodoni-esque text style, and then a monoline version of that text style (both of the latter complete with Obliques). But after that is when the real interpretations of form began with the development of the Iron fonts, playing off the original specimen having a visual flavor of wrought ironwork in them, and blending that into the Bodoni-esque typestyles. Lastly, a fast and loose hand drawn version of the Iron fonts and an ornaments font were created to add more variety and spunk to the family. The Bazaruto family is a visual grab bag of styles which all have an underlying harmony.

Cotton Club remembers the fonts of the thirties of the last century and the Bodoni, but it does not present graces: it is a sans serif. It has 360 glyphs and is composed of two regular and italic styles. Cotton Club is characterized by a high contrast between thick and thin strokes. The emphasized signs give the font an essential, sharp and elegant look. The Italic style of the Cotton Club refers to handwriting and this is noticeable in the ligatures obtained with kerning. The name of the font, “Cotton Club,” refers to the famous Jazz Club in New York, in Harlem, active in the twenties and thirties, during and after Prohibition. At that time the Bodoni, in its many derivations, was widely used not only in lead composition, but also in neon signs, plaques, posters, as well as in many other applications. Redesigning a new font that brings back to those years wants to be, therefore, a tribute and a reinterpretation of the graphics of that period as well as, it is understood, to the glorious Bodoni. Supported Languages Bulgaro, Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Serbian, Swedish, Turkish. Vincenzo Crisafulli font designer Vincenzo Crisafulli graduated from the Faculty of Architecture in Palermo and works as a graphic designer. He has been designing fonts since 1996 and has published with T26 (Type-Foundry, digital foundry in Chicago-California USA): Crisafulli, Chocolat, LST, Luminaria, and Stitching; with MyFonts: Rétrospectif, Bella Copy, Jasmin and Noahs Ark.

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

That tie you wore in the 1990'ies...the one from the 1980'ies...perhaps even the one from the 1970'ies...could look obnoxious today - or maybe ... it's super fashionable these days! :) This Obnoxious Tie is a mix of upper- and lowercase ... well, that goes for the "lowercase" - the uppercase is uppercase, just as usual!

Fox Journey is your versatile companion, ready to enhance a wide range of projects. Whether you’re working on blog posts, branding materials, advertisements, invitations, greeting cards, planners, photo albums, decorations, or anything else your creative heart desires, this font has you covered. Try Fox Journey today and experience the magic of handwritten simplicity, sans serif style.

Samosata NF is based on Lucian Bernhard’s eponymous Gothic, but it employs all of the alternate characters seldom seen today. The result is an elegant, classical typeface with subtle Art Deco shadings. Available in two weights, all versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Hey guys! Today I want to present to you with Kamaboko decorative display font, this fun font is a perfect choice if you want to give your design a playful and childish look. This is a cute font that would be perfect for the cutest cards, posters, flyers, calendar, packaging, T-shirts, invitations and so much more!

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

A strong, heavy font that really packs a punch. Muscleman is there when your design needs a little extra lift. Originally created for a poster project, the font juiced up and grew quickly into the large fat size it is today. It works well for logos, posters, and t-shirt designs and has a slight deco look.

Introducing Akerley, a vintage-inspired textured sans serif font that's perfect for apparel, branding, titles, and headlines. This striking font combines a gritty, handcrafted texture with excellent legibility, making it a versatile choice for your creative projects. Akerley offers a full character set with multilingual support. Elevate your work with the bold and captivating charm of Akerley today!

Introducing Peach Chery - A Display Serif Font With Alternates by Look minus today Peach Chery - Is a display and elegant serif font that is perfect for adding a touch of sophistication to your designs. Its sleek and stylish look makes it suitable for a variety of applications, including branding, advertising, and editorial design. Thanks &Happy Designing!

A decorative font with descending tails on the capital letters. The design is based on a popular typeface from the 1880s, mainly used for personal names on title-pages, advertisements and stationery. Today, you can use it e.g. on book and album covers, invitation cards, restaurant menus and concert programs to give a fin-de-siècle impression.

Petrol Stencil is a new creation of Naghi Naghashian. Petrol Stencil is designed for technical use. it is the first Arabic Stencil typeface known until today for stamping on packing crate, sacks and vehicles. This typeface offers a fine balance between calligraphic tradition and the sans serif aesthetic common in Latin typography. Petrol Stencil supports Arabic, Persian, and Urdu.

Perfect Delight 1992 It's the font that turns ordinary into extraordinary. Let the font transport you to a world where the past and present coexist harmoniously. It's more than a font; it's an experience waiting to be explored. Try it today and embark on a creative journey that marries the best of retro aesthetics with contemporary readability.

Anastia Buttery is an elegant handwritten font with a unique that look clean and modern. This font come with unique ligature style that give you a sleek, elegant look for your logos, business card, wedding invitations, quotes, advertisements, and more. Let's create something beautiful today with this. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Toshna is a classic garaldic typeface family offering three real optical type sizes. The Display weight for titles and headlines is kept very tall, thin and graceful. The Book weight for body text is drawn essentially wider, more round with robust, bold details. The punctuations and accents strictly serve the demands of body text. They are substantially bigger and more readable. Despite the fact that the width is running economically, the user notes the fonts ‘big face, that qualifies for eye friendly long texts.

Introduction Funky Gloom is a Fancy and modern font with a Blackletter style, special for your Display or Body text Design, which puts a bold on your projects and will inspire you to create something unique or modern look design. Funky Gloom will help you to create special and touching typographical designs for your Display or Body text project, it is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. Funky Gloom Features: Ligatures Alternate Multi-language Punctuation

JT Symington was inspired by the classic serif typefaces of the 20th century. Its well defined serifs make it well suited to headlines as well as large chunks of body copy.

A tall, warm and friendly handwritten typeface with a simple structure and low contrast. Works well for both display and body text. It has a serif version as well - Liniga Serif.

Cloister was designed in 1914 by Morris F. Benton. The characters of the Cloister font family have a small body and are suitable for texts where economy of space is desired.

Linger Serif is a tall and friendly handwritten typeface with a simple structure and low contrast. It is the serif version of Liniga. Works well for both display and body text.

Stitch it up is a bold sans-serif cross-stitch font. It is intended for headings, advertisements and signs rather than continuous body text. It has multilingual support for all European languages.