DoodleBat Journal Doodles includes several boxes perfect for writing down a secret journals entry or scribbling down a favorite quote or idea.

Peterlon is an intricate and highly ornamental set of decorative initials, mixing Victorian style in the decorative boxes with classic chancery capitals.

ITC Serengeti is a font of narrow, high reaching capital letters designed by Bob Alonso in 1996. In the form of small caps, the letters combine to make words. This font is at the same time modern and nostalgic, with letters like N and M being reminiscent of those on posters in the 1920s. One can also interpret this small caps alphabet as one influenced by the Jugendstil. ITC Serengeti should be used only for headlines and display in point sizes of 18 or larger.

Magazin ST is powerful but delicate. What fascinated me seeing, a couple of letters, in Bob Roy Kelly's book (American Wood Type:1828-1900) were the little squares in the corners that represent a glow from lighting coming from below and from the right. Such ambiguity excited me and I thought that today with digital resources it wouldn't take long to do it. Seeing it working is excellent. Look In the posters what it is for and the effects it produces, including the sensation of relief.- L.S.

RendtPhysic. Exactly what’s needed for your next starship lettering job. RendtPhysic is designed to be used in conjunction with RiptCure also from DooleyType.

Kerb is a contemporary sans serif font created with wide letterforms and subtle bowed vertical strokes. Fantastic font for logotype and headline use.

Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld's controversial relaunch of Marvel's CAPTAIN AMERICA.

Authentic rendering of the original font called Vanden Houten from the Keystone Foundry in Phaladelphia. Very popular among job printers of the early twentieth century.

Happy Trails is a font that is based on the lettering (all upper case) used on most Trailways buses from 1936 through the very early 1960s. It also has a newly created set of lower case letters which never existed before. The font was tweaked and digitized by Bob Alonso & John Bomparte. Happy Trails has not only the flavor of the early Trailways buses but also a folksy, Western feel to it, and it’s even a bit silly or goofy, a fun font that has a variety of uses.

The extravagant Odin was designed by Bob Newman in 1972. Its figures display constructed basic forms and when set into words, the typeface builds closely set lines. The strong serifs catch the reader's eye and draws it horizontally across the page. The forms of the capital letters are particularly distinctive. In the upper third, the stroke beginnings seem to form a roof over the body of the letter, fragmented by a fine white line that lends them independence and dominance. Odin is best used for headlines in display point sizes.

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

Art Student JNL is a limited character set font inspired by hand lettering found on the box for a learn-to-draw set from the 1950s.

I designed this font a few years ago to address a direct problem. My work demanded small paragraphs of text to be screenprinted in a varsity font style. The house varsity was rather uneven and created small blobs of ink at sharp angles when printed. I designed Beau's Varsity to address both of these problems. The new font eliminated the blobbing, and I like to think my original design is a step up in evenness from the other options.

Precursors to Torrone, the fonts are found among the type experiments of Art Deco artists in 1930’s Europe. Fonts of this type with chunky, geometry-driven lower case letters combined with somewhat flamboyant, brush-influenced upper case can be found in the logotypes for Mignon Chocolate Factory in Germany and Baci bon-bons still in use today by Italy’s Perugina Candies. Torrone includes alternate lower case characters and full Central European glyph sets with over 550 characters included!

In Shipment JNL is modeled after lettering made from an industrial stencil cutting machine - generally used for marking shipping and inventory information on boxes. Limited character set.

Font to prepare both solved and unsolved crossword puzzles for printing, easily and efficiently. The numbering of unsolved puzzle boxes involves a simple 1, 2, 3, technique.

This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

Here's a good old Victorian job printing font. Faithful to the original issued by Barnhart Bros. & Spindler about 1880. Nothing wildly decorative about it, yet it clearly looks old.

An unconecting script face that closely resembles hand written with a fountainpen. It was expressly designed for informal applications such as invitations, notations, side boxes and hand written personal cards.

Bonaventure is a Roman display family full of the spirit of the Art Nouveau era, and joins our popular related group of families which also includes Bonning, Bonnington and BonaVia. Three weights are offered, including a shadowed black form, in a choice of three widths: regular, condensed and Expanded. It's the ideal family for signage with a period feel, as well as for posters, headings and certificates. A combination of Bonaventure with Bonning and its other related faces will bring a harmonious design ethos to any project.

I was working on an unrelated job with curls and wondered how I could apply them to a font. Well, here it is, all pair-kerned. A little silly but fun.

Lovely Kids is a playful font that specially crafted for children, Boys, Kindergarten, Birthday, Kid, Cartoon, and Comic purposes. The Lovely Kids cheerful font contains Modern, Elegant, Creative, Professional and Unique Concept.

Stencil™ was designed by Gerry Powell for American Type Founders in 1938. It's a faithful imitation of a stenciled alphabet, much like those used on boxes and crates, with rounded edges and thick main strokes. The font is composed of capital letters and figures; there is no lowercase. Use Stencil™ for graphic designs that call for a rough-and-ready look, a military look, or even to create real stencils for signs and marking boxes or luggage. Alexei Chekulaev made a Cyrillic version of Stencil™ in 1997.

I used to be a frequent flyer; as a tour guide I often had 6 to 10 international flights per year. At the time I didn’t even think about the consequences of flying, as I loved my job and the job was all about travel. Now, with the planet in deplorable state, I try to keep flying to an utter minimum. I guess you call it ’shame of flying’… Frequent Flyer font is a nice, eroded, all caps font. It comes with multilingual support, so you may come across it during your travels.

Farmland JNL is an unusual Western version of Cornfield JNL. The shape of the original letters (inspired by a 1950s popcorn box) create a new variation on the lettering of the Old West.

Named in honor of the great bossa nova artist, Benjor is a fat display meant for headlines, attention-grabbing displays and even Brazilian record covers! Striking and eye pleasing, it's simply que bom!

An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.