Fucha is a typography inspired by the Art Nouveau movement, and by the lettering of Alphonse Mucha's posters. Fucha is a decorative display font in the Art Nouveau style that originated over a century ago. The style showcases in its elaborate, lightweight curves a bold approach to organic lines and luxurious decor. A complete repertoire of Latin Extended-A characters is contained in the font. Supporting 219 Latin languages, which are spoken in different 212 countries.

Setsuko finds its origins on the ancient Silk Road, a network of trade routes crossing the continent of Asia, named for the Chinese silk trade which began in the Han Dynasty more than two thousand years ago. Originally designed to brand and package products celebrating the charm and mystery of the Ancient East, the characters in Setsuko are intended to express admiration and respect, not stereotyping or parody hoping to leave room for a designer's creativity and personal interpretation.

Sometimes you need things organised in a neat way. Organic Tuesday has that, but also a will to break free at the same time. Years ago I was at a restaurant where the menu was handwritten with a clumsy, but characteristic and charming, monospaced font. I must have focused so much on these letters that I can’t recall what I actually ate. But what I do remember is that it was a Tuesday, and the restaurant was organic!

Lachrymose is a word that stems from ‘lacrima’, the Latin word for tear. It means ‘tearful’, or ‘given to weeping’. Now, before y’all think I am depressed or so - I am not. I just like the sound of this word and the way it is written. All I needed to do was to build a font for it! Lachrymose is a handmade brush font. I used my fantastic Chinese ink and a cheap brush to create the glyphs. Lachrymose is a display font, so use it for anything display-ish.

Vegetability: “The quality or state of being vegetable”. Yes, I know: it’s kinda weird, but I quite like the name of this font! I am trying to become a vegetarian (I am a ‘flexitarian’ right now) and I was trying to find a good veggie recipe for dinner, when this name crossed my mind. Vegetability is a handwritten font with a dash of roughness, a splash of attitude and a pinch of class. Comes with a whole bunch of diacritics and double letter ligatures for the lower case letters.

A script font of broad nib style, both plain and engraved.

Mountain is a digital revival and extension of Teutonia, an old metal typeface released by the Roos & Junge type foundry (Offenbach am Main, Germany) in 1902. Teutonia’s design was popular during both the Art Nouveau and the Constructivist eras, where similar letterforms could be seen as far away as the Soviet Union. Although it slipped under the radar during the 1930s and 40s, this style feels extremely contemporary today. Mountain’s underlying geometric feeling is reminiscent of pixels and grids, suiting it for application with music and art, as well as history. Yet this typeface is not as static as it seems at first glance; playful diagonals—like those seen on the capitals D, L, P, and W—enliven the otherwise stern horizontal and vertical motion. Teutonia was a simple upper and lowercase display type. Mountain adds upon these by adding small caps and obliqued italic companions, rounding out this typographic toolkit.

Blind is a braille font for both braille keyboards and standard keyboards.

Whimsical, hand-drawn connected cursive handwriting in both striped and solid versions.

“Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.

At VetteLetters we like food but we also appreciate our drinks. Yes, of the non-alcoholic kind as well. Like milk. Contrary to what Arnold Schwartzenegger once said, Milk is not just for babies. It contains a whole lot of stuff that is genuinely good for you. Like proteins, carbohydrates, minerals (calcium a.o.) and many vitamins. One time visiting The Hague, Donald DBXL spotted a tile tableau on a brick wall, advertising a dairy factory called ‘De Sierkan’. Yellow sans serif letters on a bright blue background, dating back to the late 19th century, immediately grabbed DBXL’s attention. Especially because the tableau showed both regular and bold letters with some lovely peculiarities here and there. De Sierkan appeared to have been a milk factory solely operating in The Hague from 1879 until 1961. A number of these wall adverts are still to be seen in The Hague streets today. Photos were taken for later reference. Later is now, the lettering has been digitized, missing characters added, and VLNL Melk sees the light of day. VLNL Melk is an all-caps geometric display sans serif family of three weights, Regular, Bold and Black. The basic shape of the letters is a rectangle with rounded corners, leaving a sturdy no-nonsense look and feel. It has a distinct historic aura, but with both feet in this digital day and age. It can equally well be used for the logo of a hipster coffee place, as the cover of a historic novel. Actually, VLNL Melk kan be applied in a wide range of designs like logos, posters, flyers, book covers and magazine headlines.

In B-movie awesomeness, Air began as Grotesk vs. Grotesque. I was trying to unify the prevailing traits of German and English Grotes(que/k)s in order to make something different but familiar. I am NOT trying to reinvent Helvetica (snore), so get that out of your system. From the onset, I intended this typeface to be a true workhorse that offers infinite options and flexibility for the user. At its core, it is the maturation of the Aaux Next skeleton I developed years ago. I worked out Aaux Next to settle my issues and love for Akzidenz. With Aaux Next, I strove to be mechanical, cold and unforgiving with it. I was single, young, cocky and it fit. Now I'm married, kids, dog and have found that I've turned into a big softy. When I look at Aaux Next (and have for the past few years) I see another typeface trying to eek out. I wanted it to avoid the trappings of robotic sans, quick tricks and compromises. The typeface’s DNA needed to be drawn and not just generated on a screen — so I set aside a year. I love type. I love working with type. I hate when my options for a slanted complement is only oblique or italic. I set out to produce both to balance usage — there are more than enough reasons to prepare both and I want the user to feel free to consciously choose (and have the option to choose) the appropriate typeface for print, web, etc. That flexibility was central to my decision-making process. The Oblique is immediate and aggressive. The Italic was redrawn at a less severe angle with far more movement and, as a result, is far more congenial when paired with the Uprights. Condensed and Compressed. Yep, why not? I know I would use them. There are nine weights currently available. The logical progression of weights and the intended flexibility demanded I explore a number of light weights and their potential uses — this has produced a number of ‘light without being too light’ options that really work based on the size. The result is a robust 81-font superfamily that is functional, professional, and highly legible without compromising its personality. Pair that with over 900 characters per font that includes ligatures, discretionary ligatures, stylistic alternates, fractions, proportional/tabular lining and proportional/tabular oldstyle figures, numerators, denominators, ordinals, superiors, inferiors, small caps, case-sensitive functionality and extensive language support and you have a versatile superfamily well-suited for any project.

Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style. This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.

'Lenbach' is a revival which was inspired by a late-19th century German font design. It comes with both Western and Central European characters, as well as Baltic, Romanian and Turkish characters. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.

Overview: Pixel perfect design. 1 style included. Works on PC & Mac Perfect for both printing and screen display. Usage: Luruh light font family is perfect for both printing and screen display, and is most suitable for modern design, technology, sci-fi, futuristic style, flat design and web design.

Discovered within the pages of a turn-of-the-Twentieth-Century specimen book of the Società Nebiolo of Turin, Italy, was this little gem, which shows both antique and Art Nouveau influences. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

A couple of weeks ago, I found my ink well, which I thought I had lost. I decided (there and then) to create a bunch of inky brush fonts, which resulted in Dirrrty and Scrawny Cat. And now, needless to say, Garden Bed. It is named after a strophe from one of my favorite Soundgarden songs: Just Like Suicide. Garden Bed is a hand made didone-ish font, with a very irregular baseline, some interesting glyphs and a secret garden filled with diacritics.

SF Saggar is an Arabic typeface for Print and screen. Inspired by an alphabet written by the calligrapher and artist Mohamed Said Al-Saggar 40 years ago to simplify Arabic printing. Saggar is from Naskh style and contains 3 weights: Regular, bold and black. SF Saggar is a simple and little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Some years ago I designed Chalfont as a sans face. All the characters have a top heavy look when viewed straight on, however, as most type is read at an angle with the top further away than the bottom, this top heavy look is diminished. Chalfont Roman, although re-drawn with some alterations, is still basically the same face but with a top left serif giving more emphasis to the top heavy characteristics. I have also added a set of non ranging numerals.

Cutlass was just for fun. A year ago or so [2009, maybe], someone on typophile showed a scan of the word "Ciruelo". I liked it. Those were the only letters I had and no one ever came up with the name of the original font that I saw. It doesn't matter as I went far afield as I designed, as usual. It's just a swashbuckling bit of fun. OpenType 476 Glyphs from my usual set minus the superior and inferior figures. Enjoy!

Inovasi Sans "Inovasi Sans is the youngest brother of Clinto Geometric sans font family by Faldykudo, released a few months ago. Inovasi is constructed based on geometric principles, emphasizing simplicity and modernity. The font comes with comprehensive multilingual support, offering more than 300 languages. Notably, Inovasi Sans features a distinctive characteristic in its lowercase 'a', offering 8 alternate characters. Additionally, each lowercase letter from 'a' to 'z' has stylistic alternates, providing a unique look and feel for a modern and futuristic impression."

When looking for a neutral typeface with no historic reminders, we always end up with notorious designs made about 60 years ago. It’s a part of the whole Trivia type system. To our surprise, there are still people who can’t distinguish three basic latin type categories. The present font family has been created for them. A simple typographic Trivia: three ways to look at printed word, three fonts to design anything from business card to a billboard, three tunes for endless variations.

A long time ago, I used to work in a Pundak near the Dead Sea. It was a typical halfway restaurant slash gas station and you could order the usual dishes: fries, schnitzel, salad. Of course, this typeface has nothing to do with that Pundak; I just thought about the time I spent there when I created it. Pundak font is an all caps contoured affair. Ideal for packaging (not just Schnitzels…), headlines and posters. It comes with all the diacritics.

Two Cents Plain JNL is a simple sans design for titling, sign work, display ads and so forth. The name is derived from the way folks in the Northeast used to ask for a glass of seltzer water at restaurants and soda fountains decades ago: "Give me a two cents plain." It was always cheaper to order plain seltzer than to have flavored syrup added, and this was especially true in the years during the Great Depression when every penny made a difference.

Screentext JNL is a serif bitmap font for both digital and print applications.

This elegant extended script can be used for both formal and casual situations.

Wesley SRF is another of the Ray Larabie originals provided to Stella Roberts Fonts. This stylized sanserif has a clean look for both text and display puposes. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The movie poster for the 1936 film “Dodsworth” had its title hand lettered in a thin Art Deco sans serif with a mix of both stylized and squared characters. Expanding on this unusual lettering combination, the final results became Drama Deco JNL, which is available in both regular and oblique versions.

Hand lettering from the title credits for the 1950 film “All about Eve” were the inspiration for Evening Event JNL, which is available in both regular and oblique versions. The font’s name is an (unintended) double-homage to the film’s title, for the first part of both words include “Eve”.

Ridtype Pro is a custom font for our brand, and later this font will work in all roles in the type of brand we use. both in units of typography, printing, and type texting. This font is equipped with a modern semi-classic category type, so this font can work in all lines of business, both for supporters of implementation in modern and classic business. This font has been designed as best as possible, both in terms of letter design and the type of weight that is made to be compatible in all roles.

The PIXymbols™Mejicana fonts are designed to create both single color, and two-color titles. The fonts are designed for use in creating menus for Mexican restaurants, notices of festive occasions with a Mexican theme, promotion of Mexican folk crafts, and of travel to Mexico. Each font package includes both TrueType and PostScript versions, and is available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer.

The PIXymbols™Baby Blocks font is designed to create both single color, and two-color titles or initials. Each package includes a document showing the full character set with key codes. The font package includes both TrueType and PostScript versions, and is available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer. The font offers opportunities for various color treatments, with either single or double characters.

In both chunky and tilted/3D versions, this font gives a dose of fun!

I am somewhat of a bargain hunter. Not at all cost, mind you, but I like a discount! Having said that, I guess I am not a true bargain hunter, because I only buy stuff I need; not because it is a bargain. I also refuse to buy fake items or products that are unsustainably produced. Bargain Hunter is a font I made with a cheap pencil (a bargain!) and my trusted Chinese Ink (environment friendly). It comes with a set of alternates and all the accents you need. And at this price, it is a genuine bargain!

My wife was watching ‘Memoirs Of A Geisha’ the other day, and I am going to take my son Sam to see Japan in May this year, so when I started drawing out the glyphs for this font, the name was already chosen! Tokyo Geisha is a handmade brush font. I made it with Chinese ink and one of the Chinese brushes my late father in law gave me. Tokyo Geisha is a font with speed and a certain flamboyance. It comes with extensive language support and a cool .notdef glyph. I am sure you will put it to good use! Arigato Kozaimasu!

I bought a pineapple the other day, because my kids really like pineapples. Ok, ok, it may not sound like something special to you - but keep in mind that pineapples in Holland are an expensive fruit. We mostly get the canned ones (which I don’t like too much). Anyway, when I was slicing up the pineapple, I thought I should name a font after this bizarre, but tasty, fruit. And so I did. Pineapple Daydream is a handmade serif. I am not sure how to classify it, but I am sure you’ll figure that out. Comes with a plantation of diacritics.

Alles Kaputt means ‘everything’s broken’ in German. I always wonder why my stuff breaks so easily, especially my mobile phones (I have had 7 in the last two years). Maybe I am careless, but I believe that there is a more or less scientific explanation that chaos and destruction are far easier than harmony and creation. I am no scientist, so don’t take my word for it! Alles Kaputt is a nice script font. I made it with a felt tip pen I borrowed from the kids. Use it for texts on product packaging, book covers and websites. Or, whatever you fancy!

Rayna is a simply beautiful handwritten font that is suitable for scrapbooking, notes to friends, and stylish logos. It is both elegant and versatile, including both Latin and Cyrillic alphabets with support for most European languages. This delicate typeface's swooping curls and sweet lines are the perfect addition to your handwritten font collection!

Brush Off JNL is based on the hand-lettered title from the cover of the 1955 sheet music of "Love is A Many Splendored Thing". The unique, artistic and somewhat eccentric letter shapes are both reminiscent of show card lettering and calligraphy. The design is available in both regular and oblique versions.

A high quality hand rendered pencil script that includes a variety of contextual alternates to ensure the best handwritten look. Frank Reaction works brilliantly when used for both display and body copy and it is available for both print and web application. Use Frank Reaction to give your work personality and life.