Introducing a creative font named No rules. It's a very unique typeface with modern experimental shapes. It includes five different styles for letters and numbers. No rules font can help you to create an unexpected texture and graphical rythm. Each next letter will be automatically switched to another variation using OpenType contextual alternates feature. Using capital or lower first letters will make a different looking words. Also letters set can be changed using stylistic alternates feature. Please note: Only english alphabet and numbers have five glyphs variations. Multilingual characters have only two of them for capital and lower case letters.

Lumen Script is a contemporary monoline script display face. Combining the loops and swashes from the fanciest of hand painted scripts, with the consistencies of shape and form from the most regimented of sans, Lumen Script is a fresh and unique take on the ever popular script typeface. To get the most out of Lumen Script, make sure you have Contextual Alternates and Standard Ligatures turned on in your Opentype menu. Lumen Script also has a set of small caps, designed to sit comfortably alongside the standard letters, allowing you to change your tone without changing typeface. Lumen Script is also versed in multiple languages, with many accented characters included.

Delfino Script is a cool, connecting script that can appear both retro and contemporary. Curved on the outsides of strokes, and jagged inside, the forms look like an abstraction of strips of tape, folding and flowing, or even marker pen style lettering. This script is not created by any pen though - its forms are constructed, not painted. Typographic features like ink traps add sparkle to the text. OpenType features include ligatures, contextual alternates (for more realistic connections) and stylistic sets. Stylistic Set 1 changes certain upper case letters into forms more suited for all caps setting, although they can also be used freely with the lower case. Set 2 changes the r into a less scripty form and set 3 adds a connecting tail to the q. Delfino Script would find itself at home in cookery books, fashion blogs, vintage car magazines and set large and proud on expanses of concrete, or, most likely, whatever you might have in mind for it! Delfina Script is practically identical to Delfino save for round tittles, periods and any other dot shaped glyph components. Strangely for such a little change, it does seem to give the face a different character.

Based on Element by Max Bittrof, Stamm takes the next step in adaptation to modern environment. Using it's own construction logic it makes the design far more consistent and considerably expands the character set, supporting hundreds of languages, including Vietnamese and extended Cyrillic. Generous amount of OpenType features allows various localization options, automatic fractions, super- and subscripts, oldstyle and tabular figures, small caps and ligatures to suit almost every need. There are 15 Stylistic Sets available to customize the font (some of them duplicate locl-features in case they're not supported by applications): ss01 (Traditional glyphs): changes modern shapes used by default to old-style forms; ss02 (Alternate historical glyphs): changes the shape of several characters to a more obscure historical form; ss03 (Catalan middle dot): replaces middle dot between two l's by Catalan variant for better spacing; ss04 (German ligatures): activates historical ch, ck and tz ligatures used in German blackletter typesetting; ss05 (Dutch IJ-acute): replaces j after i-acute with j-acute; ss06 (Marshallese cedilla): replaces commas under certain letters with cedillas; ss07 (Romanian/Moldovan comma): changes cedilla-glyphs to comma-glyphs; ss08 (Turkish i): replaces regular i with dotted Turkish variant; ss09 (Cyrillic alternates): changes several Cyrillic glyphs to alternate variants; ss10 (Bulgarian Cyrillic): activates Bulgarian shapes; ss11 (Serbo-Macedonian Cyrillic): activates Serbo-Macedonian shapes; ss12 (Double-story a): replaces default glyph with it's double-story variant; ss13 (Alternate asterisk): replaces default asterisk with 5-pointed shape; ss14 (Enclosed figures): replaces standard figures with enclosed variants; ss15 (Slashed zero): replaces default zero with slashed variant.

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named New Car Tag JNL, which is available in both regular and oblique versions (for those who want a more sporty look). Some people prefer a rounded 'zero' to differentiate between the regular zero and the letter 'O'. You can find this alternate character located on both the solid bar and broken bar glyphs.

Wakame is a friendly, playful, all uppercase font for book cover, display, packaging, poster, or whatever you can imagine. Each letter has three variations, which are automatically changed, when repeated. Hey, not only when side-by-side, but also if there are up to ten characters in between. Spice up your font menu with Wakame and stabenfonts!

Antara script is a calligraphy font that comes with very beautiful changing characters, a type of classic decorative copper script with a modern touch, designed with high detail to present an elegant style. Antara Script is attractive because the typeface is smooth, clean, feminine, sensual, glamorous, simple, and very easy to read because there are many luxurious letter connections.

Guzzles is a very legible font and has that great ‘unevenish’ look - making it a great typeface for packaging and books, and practically everything that has to with organic and creative projects. I have added 4 slightly different versions of each letter, and they automatically changes as you type - and of course there is a strong multilingual support

Gobble gobble gobble! The Gobbler font was drawn with a leaky pen on a napkin at the Modern Cafe in Northeast Minneapolis while the designer, Mister Chank Diesel, was waiting for some pot roast. “Apple cobbler drippings on the napkin add more character to the strokes of each letter,” says Chank. This font was originally named Modern Napkin, a free font released in 1997. Chank completed the character set, fixed some curves, and cleaned up some of the apple cobbler to make a more elegant font in 1999. Gobbler works great for either text or display purposes.

Authentic copy of the original, with a couple of minor changes to the caps, making them fit better. Although made for the American market by an American typefounder, we found this font in a York, England printshop when we went on a second visit to the famous DeLittle Wood Type factory.

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

Designed by Gennady Fridman and released by ParaType in 2008. Hub represents so called block letter handwriting style, which becomes more and more usual and nowadays replaces traditional cursive handwriting. One of the reasons for these changes is an often requirement in official forms to write in block letters. Some forms contain even stricter rule – to write in capital letters. Hub was designed to meet these requirements and includes small caps instead of lower case letters. It’s recommended for use in advertising and display typography and especially when you need to show a sample of properly filled bureaucratic form.

Sasmitha is a Modern Script font that comes with a very beautiful character change, a classic copper decorative script font with a modern touch, designed with great detail to present an elegant style. Sasmitha is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections.I also offer a number of decent stylistic alternatives for some of the letters. Thank You

Benghane Mastugan is a Modern Script font that comes with a very beautiful character change, a classic copper decorative script font with a modern touch, designed with great detail to present an elegant style. Benghane Mastugan is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections.I also offer a number of decent stylistic alternatives for some of the letters. Thank You

CoreGungseo is a Korean calligraphy font. We considered the change of stroke thickness and the power & speed of brushes when designing this calligraphy font. This font has the beauty of spaces by proper balance among individual letter forms. Both horizontal and vertical writing are acceptable to use. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese. We suggest to use for books, cards, displays and so on.

Halender Script is an Elegant script font that comes with very beautiful character changes, a type of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. Halender script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. Thank You

Rosselina is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Every lowercase letter has at least two variations. To get the alternate glyph just add "+" before the letter in any OpenType savvy application or manually choose the character from Glyph Palette. When you type uppercase letters they will change to Small Caps. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Follow your design needs with Presto Script font. It’s a script typeface which has contextual alternates for additional authenticity as open type feature. If you want to manually change letters in your headline or short text, stylistic alternates are available through glyph panel (you need to disable contextual alternates option). Really very easy to use! The font is perfect for quotes, wedding branding, headings, social media texts, blogs and much more. The font has Latin multilingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations.

All has been said, unless words change their meanings and meanings their words.

Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design. Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications. Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.

In the spirit of the old days, before water sparkled and before typefaces were known as fonts, Chank is proud to introduce Chippewa Falls the font. This font comes with fancy swirly uppercase letters and stout small caps for lowercase, as well as a heart-warming story. Chank rescued this former custom font from an abandoned design proposal. He gave it some TLC and before long a retro typeface emerged, with lettering worthy of good old fashioned sleigh rides and candy canes. Enjoy this font as you would a cup of hot cocoa next to a potbelly stove on a snowy day.

Evil Spin is inspired by some old horror poster. It has this eerie feeling to it, which leaves you with terror...no matter what you write!!! I've made 4 different versions of each letter, and they automatically changes as you type. And that goes for every layer if Evil Spin - mix and match the layers for even more creepy effects!

Sponge Bear is a playful heavy display font, this unique font is suitable for various designs that require thick text and designs with funny, cheerful, happy, spirit, adventure themes. The stylistics of the Sponge Bear font will change the vertical position of the letters randomly, this will make the series of words more unique and interesting. Have fun creating with Sponge Bear.

Technobaby is a funky futuristic font done with modular letterforms. This typeface arose from playing around with the basic rounded rectangle shape. Jason wanted to see how many different letters he could create by simply changing the locations of the slots cut into the rectangles. Overall it lends the font a very cohesive and unique look. Get your "mod" on with Technobaby!

Kong Gulerod is handmade, yet digitally remastered. I did my best to keep the whimsical and childlike looks, and keep the legibility. Use Kong Gulerod for massive amounts of text or for product labelling, maybe even educational materials for kids or creative minds. I have added 4 different versions of each lowercase letter, and they automatically change as you type!

Sumergible Script is a striking font that simulates it has been written with a dry pointed brush on textured paper. Its purpose is to decorate and accompany photos, illustrations and textures by letters designed with a generous horizontal spacing between lowercase which reinforces the idea of hurriedly and interrupted cursive calligraphy. In that sense it is spontaneous and useful to form vibrant words and sentences, shining short messages on book covers, posters and other graphic design media. Sumergible Script has new alternative letter forms that are activated with OpenType features creating hierarchy changes in writing. With Swash for example, you can change the character case with metric and similar proportions. With Titling it becomes even more expressive capitalization. Other OpenType features are: Fractions and Superscript. In short, Sumergible Script is designed to mix and match words and short phrases with a vital and expressive handwritten feel.

Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.

A characteristic of the Minea font family is the achievement of the calligraphic handwriting effect. In addition to basic, simple letter forms, it contains a large number of additional stylistic alternatives and ligatures that, by combining and changing without repetition, give the effect of calligraphic writing. Some of these characters can be changed by automatically turning on a particular OpenType function, when ligatures replace the combination of letters that are part of them, the letter is replaced by a certain alternative when found in a given context, and capital letters are replaced with decorative initials. Letter swap functions can be used in all programs that support OpenType programming. Minea is an attractive font that is sleek, clean, feminine, sensual, glamorous, simple and very easy to read. The Minea font family, based on original calligraphic sketches, contains a total of six weights. Thin, regular and medium weights have ligatures and alternate letter shapes, which help make the syllable look like an authentic calligraphic print. Semi-bold, bold, and black weights contain only basic letter shapes. The font family contains Latin and Cyrillic. Includes Russian and Serbian alternative letter forms. The family of calligraphic fonts Minea can be used on various occasions, and is intended for use in print and online. Can be used in the realization of certain tasks, unusual advertisements, packaging and invitations, diplomas ... as well as for all purposes where this type of letter is needed.

Fady Lingers is a mispronunciation of that famous Italian cookie - nevertheless, there is nothing awkward or wrong with the font! It is handmade using a thin marker, leaving an uneven edge. I did spend some time cleaning up each letter, but was carefully observant to keep the original handmade and organic look. I've added 4 slightly different versions of each lowercase letter. and they automatically changes as you type - a really great way to make your design stand out as organic and lively!

Inspired from 60's and 70's script lettering, bringing a smile and a dose of nostalgia to the daily lives. Where you get to relive the far out culture of the 60’s and 70’s! The era of groovy was all about music, festivals, where icons were created, epic stories were told, and culture was changed forever. The Gv. time came with opentype features such stylistic alternates and others, its help you to make great lettering, also support multilanguage.

Like a lovechild of American Typewriter and Cooper Black, typewritten in melted chocolate, this is Margot. A bold single weight display typeface in roman and italic styles, Margot is boisterous but cuddly; warm but impactful. Margot comes fully loaded with a bunch of esoteric dingbats (grouped in the ornament feature), four figure styles (proportional- and tabular- lining, and proportional- and tabular- oldstyle), a spattering of swash capitals (K, Q and R), stylistic alternates and one discretionary gi ligature in the Roman. Stylistic alternates are split into stylistic sets thus: SS01 - alternate forms for ampersand and asterisk, and # changes to an attractive numero symbol. SS02 - in the Roman, a and g change to single storey versions; in the italic, the ae digraph changes to a less ambiguous double storey version. SS03 - the lining figure 3 gets changed to its alternate form. SS04 - the lining figure 4 gets changed to its alternate form. Margot is perfect for friendly headlines, logos, T-shirts (I love New York, perhaps?), food packaging and videogame apps. Margot gets its name from my equally boisterous and cuddly cat. Enjoy!

Useful links: Using the variable font in Illustrator Working with a variable font in Photoshop TT Frantz is an experimental variable font, distinguished by its slimness and lightness. The variation in the font affects the change in the height of the mean line - by moving the axis adjustment slider you can easily raise or lower the mean line of the font. In TT Frantz, you can find small references to the art deco aesthetics, which are expressed in significantly lowered or, conversely, heightened waist of the letters. In addition, depending on the position of the axis adjustment slider, the closedness of the aperture changes for some letters. In order to preserve the main feature of the font—the change in the height of the main line—we made lowercase characters as tall as uppercase ones, but at the same time we kept small kerns. An interesting fact is that in Cyrillic letters з с а е, the variability of the aperture follows a different scenario in comparison with their Latin sisters. When working on TT Frantz, we tried to make it so that when changing the variability, the width of the characters would not change, and the font would remain monospaced. And in order to avoid holes in the set, we made contextual alternates and several ligatures. Frantz consists of 470 glyphs, and in addition to broad language support (Latin and Cyrillic) it can offer standard and old-style figures, including their tubular versions, as well as ligatures. Important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/ But do not despair—even if you do not have access to the necessary software, you still have the opportunity to use TT Frantz in your projects. Especially for you, we have prepared three separate non-variable styles (Frantz A, Frantz B, Frantz C), each of which is responsible for a certain location of the mean line of the font and where this line is already fixed in a certain position (high, medium and low).

Chank created Zsazsa Galore as a fresh alternative to Mister Frisky, another jerky, hypercaffeinated interpretation of the traditional roman alphabet. The difference this time is that the new font has no descenders. Every letter comes to rest hard on the baseline. It sits there firmly rooted with branches wiggling around in the air. It was released as the Chank Font of the Month in October 1999 and it was named after Zsa Zsa Gabor because she is beautiful.

I love honey - as a dessert or just as a quick snack. I didn’t really like it as a kid, but I guess that is just a result of people changes taste as time goes. I also love letters and notes - and that I also loved as a kid! And the Honey Burst font is a tribute to people to likes to take notes, and those who likes their letters being legible, but not focusing on height, width and position according to the other letters. I’ve added 7 slightly different versions of each letter, which leaves your text quite random and lovely organic - go ahead and type those notes! :)

I came across an old book called ‘Studio Handbook Letter And Design For Artists And Advertisers’ by Samuel Welo. Samuel Welo was an American advertising calligrapher, typographer and lettering artist, who was most active during the roaring twenties. Lenox Avenue is my version of a set of letters in that book. It was handmade (just like Welo had done). I only had an ABC/abc to work with, so I designed all the remaining glyphs myself. I changed some of the original (and quite quirky) letters to a more contemporary form. The font is named Lenox Avenue, once home of the famous Savoy Ballroom. Comes with all the bells & whistles.

Ultra Condensed is a three-font family with a full character set. Ultra Condensed is a remastering of Tall Skinny Condensed from 1999 which continues to be a favorite. While similar, the fonts are not interchangeable. Shapes of some letters have changed, kerning and spacing are different. Tall Skinny Condensed does not have a full character set. Ultra Condensed Lettered is a hand lettered version of the hard edged Ultra Condensed. Ultra Condensed Line also hand lettered, is a thinner version of Ultra Condensed Lettered. These three fonts work well together or with a non condensed font, great for headlines at a large size. Works well for lots of copy in a small space.

To be independent or to be dependent? The formula “one plus one is one” is here essential for this to work. The different cases, upper and lower is dependent on one another. To give us clarity they have to work together, to be like one the upper and lower cases must work together. Expedition One works best in InDesign or equivalent software. How to use it: write your text in lower case, copy the text frame and ”Paste in Place”, change your lower case text to upper case (you do that under top menu->type->change case). Change colour if you want to and maybe change the blending mode in the effects window to “multiply” makes it even more sparkling. On numbers and ampersand for example, you have to use the glyph window in InDesign to find their second half.