Biotic is a dual-personality 18 style typeface which features two distinct design approaches that can be initiated with the flick of a switch. The natural design approach uses conventional forms for a geometric sans but when you switch to the engineered approach some key glyphs become squared to create an edgy approach in an instant. The characters that change are f, i, j, k, l, t and y, along with all punctuation and accents which switch to the square approach. Biotic covers extended latin and basic Cyrillic languages and includes many opentype features such as stylistic sets & alternates, two sets of arrows, circled & old-style numbers, along with case sensitive punctuation and much more.

Songs of the early 1900s were anything but the status quo in topic or style. Excessively long titles, novelty tunes and "foreign themes" permeated the piles of sheet music in the local music shops. 1916's "Oh How She Could Yacki Hacki Wicki Wacki Woo (That's Love in Honolu)" covered a number of these quirks within one publication. This Hawaiian-tinged song evoked the mysterious ways of the South Seas islands, despite the abridging of Honolulu to "Honolu". Nonetheless, the hand lettered title of this particular piece of sheet music featured an Art Nouveau-influenced bold block letter with rounded corners. It's now available digitally as Smooth Sailing JNL, in both regular and oblique versions.

Ragtag is an adventurous display font that’s fun, graphic and loud. The font features three irreverent, geometric variations for each letterform, plus a few extra goodies like eñes and diacritics so it’s ready to use En Español. Ragtag creates harmonies from the fully interchangeable collection of letters. Each letter is unique and designed so it composes beautifully with all others — but can also stand on its own as an accent piece or as part of a design. Ragtag is inspired by the scattered crew of makers and designers from design studio In-House International--a fully remote creative home based in Austin, TX. The design of Ragtag was led by Alexander Wright and digitized by Rodrigo Fuenzalida.

In 2009, Corradine Fonts released one of its most successful projects: Mussica, an experimental and hybrid typeface that explore the exaggeration of ascenders and descenders in a high contrast style. Now, around eight years later, we are proud to introduce Mussica Italic, which surpass the original version in quality and quantity of ornamental possibilities while try to maintain its proportions and looking. Mussica Italic is programmed to obtain a smart replacement of swashes, endings and ligatures using the Open Type features, but you can also explore manually its wide range of alternatives to get the best graphic result according to your requirements. Mussica Italic supports most of Western and Central European languages.

Pidgeotto is a script font with a nice, smooth flow. The basic letters are simple but modified with stylistics to make them look more attractive, there are many alternatives to make it happen. Great for logos, titles, t-shirts, packages, and anywhere else you need this kind of lined, legible script font. Pidgeotto Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : OTF/ TTF/ WOFF Web Fonts Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don't know, but our Layfort is a strong contender. It's a contrasted sans-serif typeface with old-style proportions: varying letter widths create a more vivid texture than your usual contemporary sans, and the true italics are narrower than the uprights. Layfort is elegant enough for fashion, art, and luxury; yet sufficiently sincere for serious business. And at 16 styles & 750 glyphs, it's ready for complex typographic demands (try the round dots at SS09). Let your designs fly!

The concept for ‘Scroll’ came to me fully formed when setting out to design a bold display typeface. The premise for this was to base the letter-forms on a rolled strip of paper. A simple enough idea in principle but one I hadn't seen before. After working out the basic characters I set about completing the full effect I was after. This was achieved by applying a suitably incised line following the curve at each turning point to convey the important three-dimensional aspects of a scroll. Although the phonetic name personifying the font was there as a working title from the outset, I didn't commit to it fully until everything was completely resolved.

Based on 10th century Carolingian scripts, Silentium Pro sparkles with a quiet but ebullient sense of the human hand. As a multi-featured Adobe Originals OpenType family, Silentium includes myriad alternate forms, ligatures, and titling characters that add an air of tasteful liveliness to contemporary graphic design and typography. Designed by Yugoslavian calligrapher and type designer Jovica Veljović, Silentium works well in both display sizes and text setting as small as 8 points. Silentium is the Latin word for silence, a discipline commonly practiced in the medieval European monasteries and court scriptoria where the Carolingian script flourished. Now, more than ten centuries later, Silentium Pro brings the fluid energy of their work to contemporary design and typography.

Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. White Block-A Display Font White Block is a bold display font with a modern look. This display font is perfect for anything adventurous, and direct. Designed primarily as a captivating font that easy to read but still stylish, A real head-turner for your presentation, designs, branding, quotes, invitation, website illustrations, and much more. Our font always includes Multilingual Options to make your branding globally acceptable. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Introducing assox Typeface. This font is inspired by the design styles of the 70s. The style is funny, groovy, classic, not serious but has aesthetic and unique value, besides that the assox font is very easy to remember and becomes the image of a design. assox is very good for being your font collection because this font is very unique and easy to apply to any media that has a design concept that is not so serious, groovy, classic, funny and unique. Besides that, it can be used for the design of t-shirts, posters, sign boards, and social media needs. Features: A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Multilingual

Toothpaste Two is a reworking of Toothpaste . The new font has all the features of the original Toothpaste, but is now even crazier, with the line twisting and turning over and under itself, making a tangled string of text bordering on the edge of legibility. As in Toothpaste, every letter and number connects and there are numerous contextual alternates and ligatures to keep it all running smoothly. This is a fun, decorative font. It would look good on kids' websites, scrapbooks, party invitations and the like. It works best in brighter colors on darker backgrounds, which give the characters a neon light quality. Also, try it with a stroke for a cool cartoony effect.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

1913 Typewriter Carbon is the bold version of GLC foundry's 1913 Typewriter. It is available in two styles: Normal, and Underlined (Bold). It is a complete alphabetic font. It is used as variously as web-site titles, posters design or books editing. It may be preferable, if possible, when printing, to choose a pale color - dark grey instead of heavy black, for exemple - to give a good appearance, just like the real one, and still benefit from the full details. With inkjet printers, it may be used the economic or draft option with a good result too. The old typewriter characters size is 11 or 12 points, but this font supports easily enlargement.

Childish but heavyweight! A rounded bubbly heavy font that was designed for texts related to kids and children. With its melted and soft forms, it brings delight and makes your letters to be pleasant to be read. Apadana font support Persian, Arabic and also Basic Latin. A joyful choice for all the designers and creatives. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Accia Flare is an elegant glyphic typeface with large x-height and low contrast. Its subtle curviness will create a tender but notable image in packaging applications. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Flare is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Our Sante Pro is a script of vintage origins with modern flair. This script embodies holiday and special event celebrations in its styling while exuding a confidence and carefree attitude. It makes a bold statement in any design. This script is loaded with extra features - truly giving Sante Pro lots to celebrate! Opentype features include: - Swash Capitals - Initial and Final forms of Lowercase letters via Contextual Swash Alternates. - Full set of Inferiors and Superiors for limitless fractions. - Oldstyle figures. - Ordinals. - Borders & Flourishing Ornaments. But there's still more! The Sante Initials font uses specially designed flourishes to follow the forms of Swash capitals to create a unique and fanciful look. See the PDF guidebook for Sante Initials for more information.

Introducing Classicismo - Gentleman Type, created by ikiiko. Classicismo is inspired by typography of classic motorcycle brand. The letters are bold serif fonts with a classic swashes type. This font has a characteristic serif font that is firm and sturdy but still has flexibility. This typeface is perfect for an vintage vehicle logo, motorcycle enthusiast, manly product, magazine cover, poster & flyer design for automotive event, and also good for vintage product, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashes Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Patron is a modern, mono-linear, sans-serif font family with large x-height and softened edges containing 12 fonts. This typeface was born as a corporate font design for non-profit sector and today it is available for public. At the moment Patron is offered as a PostScript-flavored OTF, but its construction is tuned to display well on screen as well. Works on a TrueType version with individual glyph hinting are being carried out. In addition, Patron has alternative family (Patron Alt) with enhanced personality, suitable mainly for headlines. Patron is graduation work of Matěj Hlaváček at AAAD in Prague, Studio Of Typography. Supervised by František Štorm, Tomáš Brousil and Karel Haloun.

There are thousands of pieces of vintage sheet music available for collectors and curiosity seekers. Prior to the 1930s, a large percentage of them had wonderfully hand-lettered titles on the covers, but gradually there was a shift by music publishers to utilizing metal type for the bulk of their output. Normally set in an all-caps format, certain type faces reappeared in growing frequency and familiarity. Composer JNL is one such example of a “workhorse” font, and has been re-drawn and reinterpreted by Jeff Levine Fonts in both regular and oblique versions. It is based on the design "Glamour", released by Lanston Monotype in 1948; which in turn was based on "Corvinus", designed by Imre Reiner.

Piercing is part of a series of typographic experiments from the young Swiss designer Michael Parson. In the Piercing family, which contains three separate weights, Parson has successfully transformed the movements of points and lines into a fabulous display of alphabets. But you can use Piercing as your key to the techno scene: these letters, made up of fine lines terminated by dots, virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. Piercing is one of ten experiments in constructed letter design that Parson has included in the Take Type 5 collection from Linotype GmbH."

Introducing Neufreit, the younger brother of Creo but softer and finer proportion with sharper apex & vertex. It comes in 9 weights with matching italic styles, starting from ExtraLight to Heavy as the heaviest weight. This family is equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Tabular Figures, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 500+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Neufreit will be suitable for many creative projects. This distinctive typeface that will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more.

Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 205 family comprises of six weights, and is closely related to Kaleko 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kaleko 205, where they are single-storey in Kaleko 105.

Rotato Sans is a geometric sans-serif typeface that brings a fresh, modern look to any design. This minimalist but distinctive font is defined by its crisp composition and symmetrical elements — designed for optimal legibility at all sizes. Available in three different weights, Rotato leaves an understated impression of elegance & futurism! Currently available in three standard weights (more coming soon): Rotato Sans Bold – Strong and futuristic Rotato Sans Regular – Clean and crisp Rotato Sans Light – Elegant and modern FEATURES Three (3) Font Weights + Italics Numbers & Punctuation Special Characters Rotato Sans is a dynamic font that works great across various applications: from branding & logos to technology & fashion — whether in a giant heading, or paragraphs of body text.

LoveDuets is a family of two novelty fonts that have letters on hearts. There are at least five other font families on myfonts that have have letters on hearts but LoveDuets differs from them because it uses the OpenType feature of Contextual Alternatives (calt) to put two letters on each heart, one on the left side and a second on the right side. The two styles in the family can be used in layers to increase color possibilities. The brace characters have empty half hearts that can be used to replace spaces or to complete hearts at ends of lines. LoveDuets can be used when hearts are appropriate such as for Valentines Day, anniversaries, and weddings.

The Bitstream version of Caslon Bold of the American Type Founders, 1905. Based on William Caslon I’s first English Old Style typefaces of 1725. Caslon modeled his designs based on late 17th century Dutch types, but his artistic skills enabled him to improve those models, bringing a variety of forms and subtlety of details. Strokes in Caslon fonts are somewhat heavier than in earlier Old Style fonts, serifs are thicker and a bit stubby. Italic letters have uneven slope. A text set in Caslon looks legible and aesthetically appealing. Caslon is a favorite font of English printers for setting of classical literature. Cyrillic version was developed for ParaType in 2002 by Isay Slutsker and Manvel Shmavonyan.

Kairos is equal parts traditional and digital. Inspired by 19th century wood type fonts called Grecians, it’s an octagonal slab serif at its core. The serif detailing makes it radiate in headlines, with the square serifs driving its performance in text. The 51 weights and widths—all with small caps—offer a flexible and usable contemporary palette of styles perfect for branding, advertising and packaging. Kairos is stout, but has energy. It often looks athletic, industrial, and stern, while the subtle rounded features can also give it a gentlemanly and gracious demeanor. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended.

Footloose was a work in progress when its original designer, my friend and colleague Bob Alonso, passed away. Back then just 14 lowercase letters were designed so far. Several years have since gone by, but lately I took on the task of developing Bob’s design into a full-fledged font. The distinctive style of his supplied letterforms provided much inspiration. In blocks of short text there is a dynamic that communicates much verve and vigor, owing in part to gracefully curving lines and high contrast of stroke weight. I guess you could say that this project has been a sort of “passing on of the baton”; and I trust that Bob would have been pleased with the outcome.

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. Burdigala Sans is especially well suited for on-screen usage such as in apps and pdf documents. It is also ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. Check out its sibling, the Burdigala Semi Serif version. The expanded versions, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Wedding monograms is a font family in elegant historical style. This family of two character monograms was inspired by “Course of women's needlework” published in 1887. You’ll get the set includes Wide and Narrow capitals, so you can make your own monogram, by combining letters you want. --- Please note, you should use graphic applications such as Adobe Illustrator or Photoshop, but not Microsoft Word. All you need is put Narrow initial on the top of Wide. You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

The Vtg Stencil DIN fonts were developed to made the most common stencil type of Germany available in digital type. Of course there are several, slightly different stencil designs from different manufactures in circulation, but all share the typical design of DIN type. » pdf specimen « Vtg Stencil DIN comes in many styles – Regular, Alt, Fabric, Halftone and Rough. The Alt style features older designs of letter “a” and figures “6” and “9”. Fabric, Halftone and Rough styles have an eroded, weathered look using up to four glyph variations of each letter. For an random effect an glyph rotator is programmed into the fonts opentype-code and applied by typing in opentype-savvy application.

Introducing our new product "Drillos" Inspired by the shape of a balloon which has rounded curves so that the font looks elastic and feels soft. Which has a thick volume in each character of the letter. There are lots of script fonts that have character, but this time the font that I created this time is no less interesting and unique. The function of this font is very suitable for use as branding, posters, logos, packaging, labels and other design needs. So this font is one solution that is quite capable for the needs of designers to complete a project. Uppercase & Lowercase, Numeral, Punctuation, Miltilingual, Swash Thanks so much Happy creating! Cheers! Hanief - Hanzel Space

At home we love bananas: the kids take them to school for ‘snack time’, they’re healthy and they look pretty as well! Republica Banana is a pun on the term Banana Republic, which was coined by American author O. Henry in 1901. In economics, a Banana Republic is a country that is run as a private commercial enterprise for the exclusive profit of the ruling class. Of course I can point out a few countries that fit this description, but let’s not get into that. Republica Banana is a very nice, hand painted brush font. It comes with double letter ligatures for the lower case and a lot of diacritics for you to play with.

Puggu is ideal for headlines or posters where slightly unusual or unrefined type is required, though paragraphs of text are quite readable. The font includes 57 ligatures of fairly common letter combinations (such as at, ee, ss, tt, Ar, RD,) with alternative letter-shapes used, to give some random variations and avoid having too many repeat letters looking identical. (The full list is included with the zip-file.) And there's a wide range of accented characters giving compatability with many European languages. The zip contains OTF and TTF versions - only install one version of a font on the same machine, either the OTF or TTF, but not both as that could cause various conflicts and erratic behaviour.

Meta Link is Sans Serif inspired by future techno and sport great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo types with font. Meta Link have 4 weight fonts with italic style also has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Meta Link can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Karmaline is a six-weight sans serif font family with a unique and expressive design. This font has some intriguing special features such as subtly tapered topheavy vertical strokes and selected wedge-shaped horizontal strokes. It is evocative of designs from Switzerland, Germany, and the Netherlands in the period spanning 1900 – 1930, but with thoroughly modern features like high legibility at small sizes, even inter-character weight and flow, and a high x-height. You'll find Karmaline's semi-condensed width to be useful for both strong headlines and for comfortable copyfitting in narrow column widths. This font also works very well when adding layered shadow and highlight effects, and is a great choice for logos.

Cartes has a bit of a strange origin story, as far as fonts go. It’s a combination of ideas from 1920’s advertising and hand-painted letters from the 1500s. The typeface was designed to flow with elegance and speed yet retain a sense of the handmade. The serifs flow with indentations implying movement and terminate with inky globules that lend your copy a sense of gravitas. This typeface can be used for headlines, short texts, posters, logos, headlines, headlines in big sizes or just as easily for ad text. At large sizes, pen strokes can be seen that give the typeface a touch of humanity and vigor. At smaller sizes the type is still unique, but readable.

Other guys may imitate him, but the original is still the greatest! Get in with the In Crowd and check out the font created by Mister Fontastic for Dave Gibbons Original Graphic Novel, The, ah, The Originals. Yes, Dave Gibbons now comes in lower case, it's not just what he does when he gets back from the off license. Be sure and pick up The Originals from Amazon -- now available in paperback, and probably still available as a hard case, much like Dave. After the crack about the case of beer above, I'm guessing you'll find me with a broken spine in the remainder pile. See the family related to Dave Gibbons Lower: Dave Gibbons Journal & Dave Gibbons .

Aksen is a humanist sans-serif typeface that draws influence from Roger Excoffon’s Antique Olive. Its design is formed by the rounded, curving letters found in ancient Greek and Roman inscriptions but is implemented with a contemporary and pragmatic approach. This typeface comes in 56 styles consisting of four widths and seven weights, each with matching italics. Also available in variable font format, Aksen Variable boasts three variable axes: width, weight and italic. These axes open up a plethora of stylistic choices making this typeface highly adaptable. Aksen is a versatile typeface that seamlessly blends contemporary humanistic aesthetics with a touch of historical sophistication, making it a perfect fit for a wide range of design applications.

Say hello to Naughty Monster, a hand made font that has many interrelated characters. Naughty Monster has an OpenType features that will automatically change each character into ligatures, so they can become unique characters. Naughty Monster has 2 different styles including Regular and Rounded. This is made to give a choice of each style. Naughty Monster has a strict style, but still gives a cheerful impression, making it very easy to read and apply in all design projects such as poster designs, clothing, logos, quotes, album covers, books, business cards, product designs, and many more design projects. Naughty Monster has its own charm when used. We made this font look funny, easy to remember, and easy to use.

Core Circus Rough is a textured version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic Rough (Slab-Serif version of Core Circus Rough) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.