Getone is an exotic font, based on the Sereno font made by the same designer. It has a modern touch which makes it to stand out, all the glyphs are designed "out of the box" to combine each other in harmonious way. Getone is coming in ten styles : thin, ultra light, light, regular, bold and italics. Is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design.

Hello Aluyeaholics! Introducing Salks, the Typeface That Brings Joy to Your Designs! Salks is a playful and joyful display typeface that will add a touch of happiness to your creative projects. With Salks' 140+ playful ligatures, four weight options, quick access features, and careful attention to detail, you'll have the perfect tool to instantly uplift any project and unlock unlimited creative possibilities. Experience the happiness that Salks brings to your creative world with this delightful display typeface that guarantees smiles all around.

Gopher Mono is a reverse contrast, monospace sans serif typeface ranging in weight from thin to black with italics. The design provides a unique look to the monospaced genre by using a contrast where the vertical strokes are a little thinner with horizontal strokes thicker. While monospaced fonts are typically used for smaller body text, the slightly unusual quirks of a reverse contrast design make it interesting enough to also use for display treatments so style and function are blended.

My kids like to read Donald Duck magazine. They have boxes full of old editions that we bought second hand. Most of the comics are well-used, but there are some in near mint condition. I thought it would be nice to create a font that mimics the lettering found in comics. Mint condition is a very nice, very friendly handmade comic book font that comes with extensive language support (including Vietnamese and Cyrillic), plus two sets of alternate glyphs.

Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in headlines. Stem Text is fully compatible with Stem , so the styles of Stem can be used as display styles together with Stem Text in text setting. Design -- Alexandra Korolkova with the assistance of Maria Selezeneva and Isabella Chaeva. Released by ParaType in 2015.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. Each letters of PAG Transformacio go into a rectangular box. When we type words with this font, we feel like putting building blocks or stamping the paper delightfully. It is a fundamental pleasure of typography. PAG Transformacio will be the best solution for posters, titles and anywhere you need retrospective lettering.

Archopada is a modern, humanist, strong statement typeface with clean lines. Inspired by classic geometric and fun typefaces. This font perfect for adding a title to your portfolio or website, magazine, branding, id card or you can use for body text in long paragraph. This set includes 6 weight humanist with oblique. If you need fun taste, We also prepared rounded style plus 6 weight and oblique style. Archopada consists of upper and lowercase, numerals, ligatures plus some stylistic alternative characters.

Toony Line is a comic font that feels like a delightful throwback to the golden age of cartoons. Funny and loony, the font channels playful tunes while its sharp, sans-serif characters dance on the page with a joy reminiscent of our favorite animated classics. There's a hint of Mickey's magic, a dash of Disney dreaminess, and the unapologetic boldness of comic strips and street art. But what sets Toony Line apart is its intricate overlapping effect, made possible by sophisticated OpenType.

The BD Roylac typeface has its roots in some lowercase glyphs drawn by Jacques Loison in 1972. Some of these characters are included in the use of stylistic alternates. Filed under a retro-futuristic design the font separates two filled shapes by a thin and curvy line; sometimes following to the path leaning readability and sometimes interfere with it. The font is dedicated to the BD fanboy Monsieur «Eric de Broche des Combes» aka «Roy La Combe» to his fiftieth anniversary.

Magazine Grotesque is a sans-serif font specially designed for headlines and titles. Its unique features make it different from the traditional Grotesk typefaces. For example, outstroke extending beyond body in 'a' and 'e' letters or closed aperture in 'c', creating an unusual rhythm. Magazine Grotesque is the perfect choice for logos, titles, headlines and short blocks of text. As you would expect from Latinotype, this face comes with a standard set of 487 characters that support over 200 Latin-based languages.

Sick to death of buying an entire dingbat font just for the ONE symbol you really want? Are you a closet Goth? Do you think Halloween should be a national holiday? If so, then you need Crania, the all skull font. No poorly drawn bats, no gay pumpkins, no goofy looking Frankenstein monsters or grinning mummies, no lame-ass puns carved into headstones... JUST SKULLS. Crania contains 52 different skulls and a PDF guide so you know what the hell you're doing.

ZT Voltra is a stylish and charismatic serif type family that brings modern and vintage feels that allow you to make a visual journey from thinnest body slab to a very thick expanded display serif. ZT Voltra works in modern digital interfaces on mobile and web platforms also suitable in humanist serif touch for prints and any design projects. Twelve weights with seven expanded widths cover everything from an airy thin to a good looking heavyweight and support for 100+ languages.

Casthago is a transitional, humanist serif typeface family, comes with some contrast in the stroke and medium curve braketed serif that creates a very classic and traditional feel. Casthago designed for body text, creating a steady and readable rhythm, made for immersive reading. Some Character comes with alternate style 'a,h,m,n' that inspirated by Carolingian manuscript that was popular in medieval European period. Casthago consists of 16 styles from Extralight to black including italic styles and 2 variable fonts addition.

Tahiti Sans is a playful, all caps display sans available in 2 versions. At first glance it appears to be the offspring of a rather uniform font and a wacky one. The variations of letterforms as well as random angles are minimal. They’re tall by nature so squeezing text into tight spaces should be easy. Characters are slightly jumbled in a childlike manner and misaligned with varying degrees of spacing. Use it for youth sports, social media, toy packaging or advertising.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

In mid 2001, P22 was approached by a Daniel Garrison, a Classics scholar at Northwestern University about possibly digitizing a long lost "Garamond" typeface. This font was used by Johannes Herbst (a.k.a. Ioannes Oporinus) in 1543 to publish Andreas Vesalius' "On the Fabric of the Human Body" (De humani corporis fabrica) in Basel. The story of the development of this font takes a few twists and almost becomes forgotten itself over time.Forteen years later it is available to the public.

Micheliya has a font script that is provided with great tenderness to be presented with a variety of stunning character models. Micheliya combines a new design that features free, warm, modern features. taste. The diversity of weights provides a variety of choices that will help you find the best design colors for your project. Lighter weights are perfect for heavier body text ideal for high impact headers. Alternative styles available provide different characters that give your logo or business card a unique display.

Heirloom grew from an interest of soft and friendly forms from the 1970s, with respect to the time's chill vibes and natural earthy roots. Its refined approachable characteristics allow it to be very readable carry a modern relaxed attitude. Available in 3 weights: Light, Regular and Bold. Any weight can be used as a display type, logotype and/or headlines, and lighter weights would work in bodies of text. The font pairs well with natural, historical or vintage graphic elements.

Machine Killer Font is a modern Blackletter style font that is perfect for your Display or Body text designs. It adds a bold touch to your projects and will inspire you to create something unique and modern. Funky Gloom Font is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, and album covers, and it is perfect for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, and album covers.

Bloery is a neo grotesque font modified with extended proportion. Comes with a modern look, this font suitable for display and body text. Bloery is a good choice for editorial design, branding, app design and web design. Comes with 7 weights from Thin to Bold with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 540+ glyphs supporting all western, eastern and central european languages (over 200 languages supported).

Meutas is a sans serif font family which geometric and humanist make a blend. Make it more attractive and dynamic. Meutas is designed for display and body text. Maximizes thickness while maintaining balance in each form. This makes it especially suitable for all kinds of creative projects. Meutas comes with 10 weights and a matching oblique, making it 20 styles. Some alternative glyphs will be an attractive choice. Makes every project you work on easier, and will certainly be awesome!

MT Crisiant is a new, minimalistic, elegant, and professional font. This font is suitable for making, titles, taglines, logos, and products to be printed. MT Crisiant is a sans serif typeface that is a blend of geometric and humanist. Make it more interesting and dynamic. MT Crisiant is designed for display and body text. Maximizes thickness while maintaining balance in each shape. This makes it perfect for all kinds of creative projects. The MT Crisiant comes with 18 weights and tilts to match.

It’s stronger than the Thing AND the Hulk! It can bench press 500 pound gorillas and send them scurrying into the corner. RIPPED BAM BOOM is a font that can tear through the alphabet faster than you can say “A to Z” and will work your chest, shoulders and triceps and help YOUR characters gain upper-body strength and muscle mass! Features alternate uppercase characters, Western & Central Europe, Vietnamese & Cyrillic support, Crossbar I Technology™ and 18 Chinese Sound Effects

Marble is part of Asterisk Type Collection by URW Type Foundry. Marble is a modern sans serif with a distinct character and comes in 108 styles plus Variable Fonts. It grew from the desire to create full bodied letters in contrast to the economy of most sans serif faces. Designed for corporate and publishing use it is rounded and approachable, its three styles (Condensed, Normal and Wide) range from slender elegance to warmth and playfulness without ever being informal. Designed by Alessia Mazzarella and Vaibhav Singh, Marble derives its character from the generous roundness of the x-heights which is balanced by the striking horizontal or vertical cuts to the terminals. The result is a readable font that encourages the eye to move from one shape to the next and that offers a range of possibilities for digital and print. The Marble family has nine weights in Latin for each variant. Eminently versatile, it’s ideal for establishing hierarchies of information with a wealth of choices for headlines, subheadings, captions and body copy styles that are all in harmony with each other. The Wide style allows headlines to be set with width and presence.

BRONKEY Typeface is a sans serif font that has a bold, sporty feel to it. It comes in several styles, including regular, italic, outline, square, and rough, providing a versatile range of options for designers. The font has a high body, making it stand out when used in large sizes, such as for headlines or titles. It contains 700 glyphs, including ligatures and alternates, allowing for greater flexibility and creativity in designing. Additionally, it supports PUA codes and is multilingual, making it accessible to a broad range of users. Overall, BRONKEY Typeface is an excellent choice for those looking for a modern, bold font with a range of styles and features. Its sporty feel and high body make it a great choice for projects related to sports, fitness, or any project that requires a dynamic, attention-grabbing font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

A brighter slab n’ sans in 18 styles Referred to as Egyptian’s in the early years of the nineteenth century, today slab serifs are primarily used in display sizes but seldom used in body text. With Mislab, Xavier Dupré has designed a brighter and more legible slab serif than most. Mislab aptly combines the strength of a slab serif with the lightness of a sans serif. Bold and thick serifs make for strong impact in display uses while performing extremely well under the most stressful body text conditions. A slight cursive feel adds spice to the text while its delicate rounded rectangular structure is naturally adapted to screen displays. The capitals have fully assumed serifs while the lowercases have more discreet versions. Notable features include sanserif endings on the lowercase a, c, e & s, inducing fluidity and enhanced readability. This highly versatile typeface brings clarity to headlines. Mislab will provide foolproof stability to your layouts. Mislab, a new design by Xavier Dupré Type Directors Club 2014 Tokyo TDC 2014 Communication Arts Typography Awards 2014 Club des directeurs artistiques, 45e palmarès Slanted: Contemporary Typefaces #25

Monggirella script font is a pretty calligraphic script font with flourishes, that will look gorgeous on all your designs, wedding invitations, love stories, branding materials, logos, business and wedding cards, calligraphy Insta quotes elegant fashion sketches, calligraphy love monograms and much more. Monggirella script font contains the Cyrillic glyphs too. Monggirella script font contains a full set of uppercase and lowercase letters and can be used to create a handwritten calligraphy look. Some letters include the flourishes and you can receive them by typing numbers after letters. Please use the glyphs map to choose the letters with flourishes Multilingual Support for 31 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. Cyrillic glyphs support for Russian, Belorussian, Bulgarian, and Ukrainian languages. (Does font support more Cyrillic languages just type a message in the text box below and see if all characters you’ll need are there.) Please note, sometimes the text box may not display the flourishes, but they are definitely available! :)

SoftMaker revives John Schaedler’s popular Tabasco typeface with this release. SoftMaker’s Tabasco comes in regular and bold styles, and the famous bi-line variant (sometimes called “Paprika”) is also available again under the name Tabasco Twin.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes contained in TessieMiscellaneous are Escher-like tessellations. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane. Simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble animals including horses, goats, rabbits, fish, frogs, and other vertebrates. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble flying birds. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)