10,000 search results (0.024 seconds)
  1. Pacotille - 100% free
  2. Bandit - Unknown license
  3. Paramount - Unknown license
  4. Heather - Unknown license
  5. Caliph - Unknown license
  6. Bazooka - Unknown license
  7. Scribble - Unknown license
  8. See - Unknown license
  9. MacHumaine - Unknown license
  10. Jester - Unknown license
  11. Sherwood - Unknown license
  12. Ogilvie - Unknown license
  13. Carrick - Unknown license
  14. CharlieChan - Unknown license
  15. Batmos - Unknown license
  16. Fillmore - Unknown license
  17. Blue - Unknown license
  18. Buccaneer - Unknown license
  19. Stylus - Unknown license
  20. Tejaratchi - Unknown license
  21. Standout - Unknown license
  22. PixelScreen - Unknown license
  23. Cue - Unknown license
  24. Ariosto - Unknown license
  25. Trooklern - Unknown license
  26. Serpent - Unknown license
  27. Bloomington - Unknown license
  28. Satanick - Unknown license
  29. StageCoach - Unknown license
  30. Architext - Unknown license
  31. Tubular - Unknown license
  32. Mercedes - Unknown license
  33. Arabian - Unknown license
  34. Kelmscott - Unknown license
  35. Blavicke Capitals - Unknown license
  36. Handy Cut by Los Andes, $34.00
    Handy Cut is an experimental project inspired by paper cutting only using fingers, designed by Paty Bean from south Chilean farm. It includes dingbats and alternate characters to play with in expressive and irregular short texts.
  37. Monoid - 100% free
  38. LT Marathon - 100% free
  39. Arctic - Unknown license
  40. Arzachel by CAST, $45.00
    Arzachel is a humanistic sanserif with a big x-height and a specific organic look. Its design is scientifically sharp and efficient in small type sizes as well as rugged and dramatic in headlines. Arzachel’s essential feeling comes from several features: all the letters are slightly sloped, stem terminations are flared at the top, and the terminals in letters a, c, e, f… are widening with the inside parts completely flat. The stroke contrast is low in the regular weight while it increases in the black; finally the capitals have an inscriptional flavor. Despite being a sanserif (thus a product of recent typography) Arzachel’s roots stretch back to the Renaissance tradition: Olocco took inspiration from some of the early and rather weird types cut in Venice in the 15th century. Arzachel was conceived during Olocco’s MA in Reading to provide a companion for his Zenon for use in small type sizes. But instead of expanding the Zenon family with optical sizes, the designer decided on a sans with its own personality rather than a sanserif version of Zenon with chopped-off serifs.
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