"BRONEX Pro Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 494 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "BRONEX Pro Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "BRONEX Pro Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look.

"VTF League" is a fully-kerned, hard working, 14-font athletic block display family. Its letterforms feature a synthesis of heavy verticals and lighter horizontals that create a steady visual rhythm, and chiseled terminals to help establish a competitive personality. Although developed for sports branding and similar projects, "VTF League" was inspired by the harmonized mix of sturdy, industrialized, no-nonsense typefaces and the brand uniqueness of local distilleries around Eastern Tennessee during a week-long moonshine tour in February 2018. As of July 2019, "VTF League" has been redeveloped to include a complete alphabet of uppercase, lowercase, and small cap alternates with 7 weights and oblique style variants for each. Enjoy!

Introducing Neufreit, the younger brother of Creo but softer and finer proportion with sharper apex & vertex. It comes in 9 weights with matching italic styles, starting from ExtraLight to Heavy as the heaviest weight. This family is equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Tabular Figures, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 500+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Neufreit will be suitable for many creative projects. This distinctive typeface that will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more.

Varese is a geometric and modular typeface inspired by early 1900s European posters. It is heavy and excellent for display or large body text. The design of this font explores the boundaries between unity and variety in a playful rhythmic dance. Varese will give your content a warm, nostalgic, robust, and friendly tone. The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form. The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not. Varese Soft has a sibling, Varese.

A companion to Springsteel (sans), this serif typeface is intended for longer text blocks and smaller sizes. Like the sans-serif, it has unusual construction using curves on the outside and straight lines inside characters, giving it quite an expressive and warm feel. It contains small caps and old-style figures, as well as superior/inferior figures and common fractions and mathematical symbols. It supports Western plus Nordic, Eastern European and Turkish languages. Excellent spacing and extensive kerning (over 2800 pairs) provided by Igino Marini/iKern. The free fonts in the Springsteel Serif Extreme family (thin and heavy weights) should only be used as display typefaces, at large size and short text blocks.

Apricosa – A beautiful bold serif with vintage swashes, alternate letters and ligatures. Apricosa is a delightful, modern take on a vintage font. Packed with plenty of alternates and ligatures to really bring it to life! Create stunning designs that are truly unique to your brand. Vary between a light and heavy vintage look based on how many letters you alter. Due to its large selection of alternate letters and ligatures, Apricosa is very versatile, covering a wide range of project types, from unique branding, to bold magazine design, to vintage wedding invitations, and so much more. FEATURES Uppercase alphabet Lowercase alphabet 41 alternate glyphs 36 ligatures big range of numbers, symbols & punctuation comprehensive language support

Sana Sans is a humanist functional typeface with a modern feel. It is intended to be a face well-suited for multiple purposes, especially in publishing. Sana Sans looks perfectly legible and clean in long texts, and neat and simple in headlines. Thanks to its versatility, this font is also ideal for both screen and print usage. Sana Sans consists of 32 styles and 8 weights—ranging from Thin to Heavy—italics, small caps and an alternative family. The alternative family offers slight variants in many glyphs, some of which include the lowercase a, e, l, q, y and uppercase G, L, and Q. Sana Sans was designed by Felipe Sanzana, under the supervision of Latinotype Team.

HWT Brylski is a typeface by Nick Sherman, named for retired wood type cutter Norb Brylski and designed to be cut as wood type at the Hamilton Wood Type & Printing Museum. This font is the digital counterpart to the wood type made as part of the Hamilton Legacy Project . It incorporates several themes that were common in 19th-century type design, including split tuscan serifs with angled mansard-style sides, heavy weight placement at the top and bottom of letters (traditionally referred to as French or Italian/Italienne, regardless of any actual relation to those countries), and an extended overall width. This digital version contains over 400 glyphs for full European language coverage.

Merge Pro is a soft family of sans, available in 2 weights with character sets for Cyrillic and Greek. Readable at small sizes, it sets open and wide. At display sizes, the softness makes for a friendlier, more casual alternative to other rounded sans.

Chromota is a modern sans-serif typeface with asymmetric glyph design. The family consists of 2 styles, a regular and a rounded, each with matching italics. It contains an extended Latin glyphs set and a basic Cyrillic set. Chromota is great for logos, branding, headlines.

American type designer Jim Parkinson created this display FontFont in 1996. The family contains 2 weights and is ideally suited for advertising and packaging, film and tv, editorial and publishing as well as poster and billboards. It comes with proportional lining and proportional oldstyle figures.

British type designer James Closs created this display FontFont in 1994. The family contains 2 weights and is ideally suited for film and tv and poster and billboards. FF InnerCity provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

TRIPOCA is a Handcraft Vintage inspired typeface with tropical summer vibes, come with 2 family style ( Regular, Slant ) Plus FREE Illustrations & Borders which is perfect for your designs that want a rough style, modern vintage, tropical, summer and carefully crafted for all graphic design needs.

German type designer Klaus-Dieter Lettau created this display FontFont in 1995. The family contains 2 weights and is ideally suited for music and nightlife. FF Voodoo provides advanced typographical support with features such as ligatures. It comes with proportional oldstyle and proportional lining figures.

Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "

Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "

Is a font with groovy retro style. With distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : 1. Uppercase & Lowercase 2. Multilingual support 3. Number 4. Symbol 5. Punctuation 6. Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Is a elegant serif font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : 1. Uppercase & Lowercase 2. Multilingual support 3. Number 4. Symbol 5. Punctuation 6. Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Meyer Two captures the early Hollywood flavor and nostalgia of silent-film intertitles. From 1922 through 1928, Mergenthaler Linotype cut five fonts to Louis B. Meyer’s personal specifications. Meyer Two, drawn in 1926, curiously combines Cleland’s ATF Della Robbia capitals of 1902 with lowercase and figures from ATF Post Monotone No. 2, also from the same period. Meyer Two was revived, with a Condensed added, by David Berlow; FB 1994

It’s cherry season, so I bought 2 kilos of cherries at the local cherry farm. The cherries I bought had been in a cooling cell, so they were quite cold. As I was eating them, the name for this new font popped up! Chilly Cherry is a handmade serif. It’s a little wobbly, a little off-center, but it will surely put a smile on the cherry lips of your customers.

Wildflower Blossom modern serif Wildflower Blossom is a unique serif font with a modern touch. With its elegant and slim letter shapes, it offers a distinctive and captivating beauty. Available in 2 styles, regular and italic, it provides options to customize and tailor your design project to your needs. Use Wildflower Blossom to add a professional impression to your design and make it more appealing to your audience.

Ondise is a curvy and warm hand-lettered calligraphy script with a natural, dancing baseline. This Opentype font was created with a pointed pen & ink, and includes six different ampersands as well as a swash feature that automatically substitutes beginning & end of word letters. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new ‘and’.

La vie en Flower is a very feminine and beautiful font with a vintage dressing that is perfect for every project of your design. With "La vie en Flower" you get: Uppercase, lowercase, 2.numeral, punctuation & Symbol multi language support ligatures ss01 ss02 Need help? Please don't hesitate to drop me an email at asep.rendi16@gmail.com if you have any issues. Comments & likes are also very appreciated! :) Enjoy!

Kelpie is a hand-drawn typeface based on informal writing and includes 2 styles: regular and monoline. It is a full of energy font with the irregular look and slightly scrawled letterforms with long ascenders and descenders. Kelpie can look casual, open and friendly or even add an eerie undertone to your text. It is recommended to use for display titles and small amount of text, words or short phrases.

Is a comic display font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. 1. Uppercase & Lowercase 2. Multilingual support 3. Number 4. Symbol 5. Punctuation 6. Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Qidung Swara is a heritage typeface. Inspired by Aksara Jawa, character that has its own uniqueness and privilege. Qidung Swara was created to support use in all designs, such as branding, magazines, advertising brochures, music album covers and other uses. Qidung Swara also support multilingual language. Available in 2 styles: Regular and Italic. Grab this exclusive and awesome font fast. Don't miss it. Any question? Jusk Ask. Free update Thank You

"Roaring Jungle - Retro Font" attractive curved style with inspired box edges from stone-style writing that is guaranteed to add traction because this unique shape is perfect for vintage and poster designs as well as for your logo design, brand image, retro poster, handwritten quote, product packaging , merchandise and more equipped with 2 forms, namely regular and rough and multilinguang support don't hesitate to give me a message thank you

There are two “personalities” in this font. Jacques’ persona comes to life when typing in all lowercase letters. And Gilles’: when using all uppercase. And the best part is Jacques and Gilles were made for each other. J&G features 300+ glyphs including terminal letters, alternates, ordinals, roman numerals (I,V,X) and 2 sets of ornaments - 1 outline & 1 solid so you can create a cool, modern painted effect.

Wizard Illusion is a halloween display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation 6.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). I really hope you enjoy it.

Introducing Trivenia, a display typeface inspired by such an amazing *Baldur Type Specimen". It has a modern shape with a classic touch on its curves. Comes with 2 styles, regular and inked for you to be more creative in your project. Perfect for most any aspect of graphic design, from logo to layout designs. Check the display images for the list of included glyphs and how this font can be used.

Birdy is bold display font. Comes with 2 styles, regular and script. Great for heading, logotype, branding, packaging design, poster design, website/display, editorial, headline, advertising, and more. Whats Include? Opentype support Multilingual support PUA encoded Features: Uppercase, lowercase, numerals, punctuations, alternates, ligatures, and swashes. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

WallAxe Typeface is the first commercial typeface from illusletra Co. A Victorian font with a classic, elegant, vintage, luxury, and clean feel. It comes in 2 styles, inline and bold. Released since 2018. FEATURES Standard Ligature Stylistic Alternate Fraction, Numerator, Denominator Number Styles, Lining Figures, Old Style Ordinals Multi-lingual Characters WallAxe Typeface is suitable for various purposes like logotypes, signage, labels, posters, titles, letterhead, book covers and more. Thank you!

In Sidewalker we can see pieces of OCR-A, letters and of other fonts; letters pressed over metallic supports with too much ink and then redesigned on a computer. Reminiscent of how different materials in Burri or Rauchenberg's paintings are used. Some numbers have the same shape of some letters (J=2, 6=G=9, I=1=l ...) and many pieces of letters are copied into others. Very experimental...

New Eurostile! A redesigned Eurostile font, Astor font, was created inspired of one of most used fonts in the world. Idea was to make new, contemporary design of old Eurostile font which was created 1962. by designer Aldo Novarese. Main characteristics and features of Astor font are: beautiful design and contemporary font. May be used like display font, cargo font, OCR font. Most of glyphs have same thickness and high modularity in combining 2 or more glyphs. Good for architect’s projects, labeling, making environmental typography installations, for use of some interior or exterior designs, furniture designs etc.

Boldest Enough, modern and mystical bold display typeface. Inspired by the mystical vibe from animation horror movie for kids. It gives you fear, curiosity, and amazement at the same time. Coming with 160+ stunning and super easy to use alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.3 h.5 etc so you don't need special software. To get results like the preview just type B.4ol.9d.2es.2t.2 E.4n.5ough.7

Hamerslag is an ultra-condensed serif type family with uncomplicated, regular appearance, large x-height, relatively high contrast and modern glyphs shapes. Available in four styles, contain fraction- and scientific numerals, standard ligatures, currency symbols, proportional and tabular lining figures. Its wide character set support 200 Latin-script languages, 50 Cyrillic-script languages and 190+ romanizations/transliterations, e.g. The United Nations romanizations, Chinese official romanization (Hanyu Pinyin), BGN/PCGN (United States Board on Geographic Names and the Permanent Committee on Geographical Names for British Official Use), American Library Association / Library of Congress romanizations and others. The OpenType PostScript CFF (.otf) and OpenType TrueType TTF (.ttf) support encodings: Windows 1250 Latin 2 (Eastern European), Windows 1251 Cyrillic, Windows 1252 Latin 1 (ANSI), Windows 1254 Turkish, Windows 1257 Baltic, ISO 8859-1 Latin 1 (Western), ISO 8859-2 Latin 2 (Central Europe), ISO 8859-3 Latin 3 (Turkish, Maltese, Esperanto), ISO 8859-4 Latin 4 (Baltic), ISO 8859-5 Cyrillic, ISO 8859-9 Latin 5 (Turkish), ISO 8859-10 Latin 6 (Scandinavian), ISO 8859-13 Latin 7 (Baltic 2), ISO 8859-14 Latin 8 (Celtic), ISO 8859-15 Latin 9, ISO 8859-16 Latin 10, Macintosh Character Set (US Roman). Supported OpenType features: Acces All Alternates, Capital Spacing, Case-Sensitive Forms, Denominators, Fractions, Glyph Composition/Decomposition, Historical Forms, Kerning, Localized Forms, Numerators, Ordinals, Proportional Figures, Scientific Inferiors, Slashed Zero, Standard Ligatures, Stylistic Alternates, Subscript, Superscript, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Say hello to **Serendipity** - A font that you were meant to find, and is now destined to be with you :) An elegant cousin of Saturday Script, Serendipity is a lovingly handwritten brush script , with an air of grace and flamboyancy. **Serendipity** is special in that one word can be written in a million different ways - thanks to the large selection of extra letters that it has built in. It comes with 2 sets of alternate lowercase letters, a set of alternate uppercase letters as well as a set of double letter ligatures - all for you to play with, and make your words look exactly how you need them to look. Perfect for Type-based creations, branding, websites, merchandise, packaging, quotes, invites, greetings and so much more, Serendipity will take you where you need to be. The brush script comes in 2 variants - Regular, and Wide each with its own unique feel.

Maligea Beautiful is my new elegant serif font that will give your projects a touch of luxury and style. It’s perfect for logotypes, branding, monograms and wedding invitations, blog headlines, and more. Browse through all the previews and get as inspired as I was when creating this font. -2 Type Font Supported Languages: Armenian, Baltic, Central/Eastern Europe, Cyrillic, Elymaic, English, Ethiopic, Georgian, Old Hungarian, Romanian, Southeast Asia, Western Europe Please contact us if you have any questions, we are happy to help you!

Lumios Brush is a new addition to the Lumios Extended Font Family. It was written with Pilot Brush Pen on a glossy paper (which allows a really smooth brush movements) and then carefully digitized. Just like Lumios Marker, its Brush sibling has multilingual (including basic cyrillic) support. The font also benefits from 2- and 3-letter ligatures (again, multilingual), stylistic alternates and swashes, underlines, arrows and a few symbols. If you already own Lumios Design Elements, you can used them with the Lumuis Brush font.