Hidrogent is a sans Serif font family, which has a condensed and explicit character with 6 variants, namely; Hidrogent Extra Light Ultra Condensed Hidrogent Regular Ultra Condensed Hidrogent Medium Ultra Condensed Hidrogent Extra Bold Ultra Condensed Hidrogent Black Ultra Condensed Hidrogent Extra Black Ultra Condensed Hidrogent gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Hidrogent is a versatile typography filled with the character you want. with Marston you work. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Loft is a typeface family of extremes: from the extra compressed Hairline to the extra wide Mammoth. Paris-based designer Julien Janiszewski’s aim was to create a type family based on a strict hierarchy — a suite that would provide graphic designers with a tool to create systematic solutions. Its design was inspired by 19th-century wood type as well as the sign saying “DÉFENSE D'AFFICHER” (Post No Bills) that is ubiquitous in France. Loft comes in seven weights with matching italics. Interestingly, counter widths remain the same across all weights. As weights increase, the characters extend by building stroke thickness outside the counter. Loft is space-efficient in lighter weights while making an increasingly stronger statement as the designs become heavier. The Loft typeface family is distinctive, versatile, and always intriguing.

ZT Mota is a bold and elegant typeface. It has a temperamental character but is more flexible towards various stylistic designs, reflecting more in its graphics the transitional stage between classical serifs of varying proportions, leaning towards the stylized types of Roman culture. All the ZT Mota styles are based on the same core but with a completely different expression which is to have an extra large x-height and bold so that the font looks bold as if the writing on the font was actually carved out of stone, perfect for an efficient choice for use of distinguishable displays such as headlines, packaging, magazines, posters, and advertisements, among others. I hope you have fun using ZT Mota Thanks for using this font ~ Khaiuns X zelowtype

Introducing Tooth & Nail; a rustic & hearty hand-painted dry brush font, designed to work in both all-caps as well as lowercase. It also includes a bonus vector pack, featuring 24 elements designed to boost your text and reaffirm it's hand-made style. With rough bold strokes and high quality textures throughout, Tooth & Nail is the perfect workhorse font for product packaging, promotional messages, handwritten quotes, home decor and branding projects. Tooth & Nail is reliable and familiar, like meeting someone for the first time and feeling like you've been reunited with an old friend. Tooth & Nail consists of 2 styles: 1. Tooth & Nail • A handwritten brush font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Tooth & Nail Alt • This is a second version of Tooth & Nail, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

The Obla font family is a modern serif typeface accompanied by appropriate italic in seven weights. Sketches of letters were drawn manually, using thick marker for creating shape and pencil for finishing details. Calligraphic origin of shapes is revealed beneath strained curves drawn on computer. All of the weights were carefully adjusted to each other. Obla is equipped with some basic OpenType features and supports Cyrillic and Latin script. Using Obla in small sizes is very convenient, because of its large x-height, and Obla is a very readable typeface. It seduces the reader with its vivacious character. The typeface is also suitable for usage in large sizes. The best choice for headlines is using the heaviest (Black) and the lightest (Thin) weight. There are two smaller family packages in offer: Obla Basic Set contains Regular, Italic, Bold and Bold Italic, while Obla Light Set contains Light, Light Italic, SemiBold and SemiBold Italic. These two sets are the most appropriate for working with small text. Other weights can be bought separately, or within the whole family. Obla is an awarded typeface. It got Special Mention in Cyrillic Typefaces category in Granshan 2016 competition and it was chosen as a Merit Winner in Print’s Typography and Lettering Awards competition. At that time, before publishing, the typeface was named Petra.

Zennor is the work of British designer Phill Grimshaw, a bold italic brush script with slick, dashing letterforms with an almost globular quality. Its uppercase can be used alone or as initials with a strong, authoritative lowercase. Zennor is an ideal choice for work requiring a casual yet confident look.

Inspired by classic art, the cocomate font is the epitome of beauty and strong authenticity that is embodied in the art of typography. made with the characteristic variations of italic contrast and bold size in the letters. suitable for use in graphic designs such as logos, labels, packaging and others.

Ethem is a semi-geometric typeface, ideal for posters and flyers. Provides three weights: light, regular, and bold without leaving out the italics of each. The Ethem font family provides six typefaces. If you need a strong, prominent or dominant typeface in your project, Ethem font is the ideal typeface.

Inspired by Typoart’s Minima, Tablica which comes in three styles - Regular, Italic, Bold - fills ideally narrow columns, charts and tables. Since all numerals are monospaced, you can sum up all numbers of a table. Though this is a condensed sans serif family, it offers a high legibility even in small degrees.

Designed in six styles from Regular to Bold including Italics and Obliques, Pedigree covers a large range of editorial and advertising applications. Suggesting it’s usage is really up to the designers’ expertise whether it be used for web or print media. Try using the MyFonts “Preview Pedigree as a webfont”.

Breaknight is a bold, italic style display font, with a futuristic twist keeping the simplicity and unique shape. Breaknight can be used in various projects, such as product branding, logos, apparel greeting cards, sneakers, billboards, video graph, magazines, sports, and many others. give it a try you will definitely find more,....

Bastonello is designed for a wide range of uses. It can be used for logos, business cards, websites, newspapers and many other graphic designs. This font has a nice feel and can be used everywhere, it is just awesome. It is available in light, regular and bold weights with corresponding italics.

Rataczak is a stiff, awkward serifed font that was inspired by similar fonts from the 19th century. It is legible as a text font but not graceful. In addition to plain, italic, bold, bolditalic, extrabold, condensed, and condenseditalic styles, there is a striped style and a font of swash capitals.