The Flinscher family contains twenty display typefaces, in weights that vary from light to black, and widths that extend from condensed to expanded. The family’s design inspiration traces its roots to the early portion of the twentieth century. In essence, it is a calligraphic script typeface family with blackletter influences. The letter forms are decorative and distinctive, yet clear and easy to read, and in use set up a regular rhythm that leads the eye from character to character. The Flinscher typefaces are well suited to design work that needs to combine formality with fun. Just the thing for a certificate or a book cover!

Thunder Inferno is a gothic black metal typeface with sharp serifs. Rooted in the aesthetics of heavy metal and the occult, this typeface is a harbinger of darkness and intensity. Evocative of Halloween and gothic grandeur, Thunder Inferno also captures a march toward darkness. It serves as a rebellious voice for skate culture and alternative lifestyles. Crafted exclusively in uppercase, this font is a growl in typographic form, a visual cacophony that grabs your attention and refuses to let go. Capitalize the first and last letters of any word for symmetrical heavy metal style. Example: Heavy metaL Enclose any word in < > ( ) [ ] { } to give it wings. Example: [HawkstylE]

Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Glitzier-A Calligraphy Font A beautifully handcrafted calligraphy font that’ll make your guests sing and elevate your projects! Every swash, stroke, and curve was created to entice happiness and elegance. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Swashes Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading from Natha Studio

Arthur Baker's display script Sassafras, designed in 1995, is based on the natural inline effect created when writing with a split-metal nibbed pen. Black and white are nicely balanced, giving this calligraphic face a remarkably smooth appearance. The regular and italic versions of Sassafras include two alternate faces: one with long, tall ascenders and regular-length descenders, and one with shortened ascenders and descenders that allow it to fit where its companion might not. In both, the ascenders increase in width as they move upward, while the descenders taper to a fine point. This variety of form makes Sassafras a very flexible choice for display work.

Bauhaus Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it. Made for TV The weights of fonts for TV sometimes have to be adjusted so as not to “blow” on-screen. FS Dillon was originally drawn for the on-screen presentation branding of Film Four, whose primary colour was red. Black type on a red background looks heavier than white, so Dillon needed two weights that would allow white and black type to be used together, looking balanced and equal. Type design is an organic process. Years after developing FS Dillon, we revisited it, redrawing elements and adding italics to maintain consistency. Olympic You don’t get a much higher confirmation of the functional fitness of a typeface than to have it selected to guide visitors around an Olympic complex. FS Dillon was selected as the font for signage at some of the key venues at the London 2012 Olympic Park, helping to get spectators, athletes and officials from all over the world to their seats and starting blocks on time.

TT Tunnels useful links: Specimen | Graphic presentation | Customization options TT Tunnels is a modular font family with narrow proportions and a large number of pronounced visual compensators. In the basic version of the typeface, all glyphs have simple chopped shapes, created according to the usual geometric principles. In the alternative version of TT Tunnels, which becomes available when you turn on OpenType feature stylistic alternates or stylistic set 1, the typeface comes to life and turns into a stylized ductal gothic grotesque, in which the design of glyph forms is created based on the pen movements. Despite the fact that TT Tunnels was created as a display typeface for use in short inscriptions and titles, it works very interestingly in the body text, adding a small touch of archaics. This is especially evident in the Bold and Black faces, when the rhythm and thickness of the strokes create a dense set, covering the paper with a solid, dense pattern. The density and style of such a set conceptually refers us to the old Gothic texture and the Old Slavonic script. In addition to a larger number of alternates for lowercase letters, the typeface features an alternate for number 2, an alternate slashed zero, many ligatures, and other useful OpenType features (ordn, frac, sinf, sups, numr, dnom, case, tnum, onum, pnum, liga, salt, ss01, zero). The TT Tunnels includes five faces: Thin, Light, Regular, Bold, Black.

Et Cetera is a beautiful, hand-lettered script. It abounds in OpenType features such as terminal swashes and ligatures and is best used with OpenType savvy software with the “standard ligatures” and “contextual alternates” features turned ON. Et Cetera is comprehensive and vigorous. Most letters in the font are connected, but, as in typical handwriting fonts, not all are connected. Most characters have a consistent shape within the font, but not all. Some characters in Et Cetera are sensitive to their position in the text and change depending on the adjoining characters. This contributes to the casual and relaxed style of Et Cetera; not allowing the features of the font to get between the reader and the message. A wealth of OpenType features lie beneath the mellow exterior of Et Cetera. These Open Type features make few demands on the user which makes for a versatile script font that requires no expertise from the user, performs well at larger sizes, and remains legible even when setting copy at very small sizes. Et Cetera comes in three styles, Black, Regular & Line. Et Cetera Black is dramatic and bold, making a powerful statement. Et Cetera Regular is elegant and romantic, perfect for wedding stationery and clothing brands. Et Cetera Line is delicate and feminine, portraying a smooth, flowing effect. Et Cetera is a breezy, light, yet expressive font that is perfect for titling work, product packaging and romantic stationery.

This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...]" Author Symphorien Champion, unknown printer. There were three sorts of initials family, but only one complete and clear, except a very few characters. The printer used some letters to represent others, as V, turned over to make a A, D to make a Q, M for E, So, the reconstruction was a little less difficult. Thorn, Eth, L slash and O slash were also added. The original font's letters was only drawn in white on a black background only, but it was tempting to propose a negative version in black on white. A few letters have multiple appearance, but only the A was clear enough to be reproduced. It can be used as variously as web-site titles, posters and flyer design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font supports strong enlargements revealing its fine details and remaining very smart. Its original medieval height is about one inch equivalent to about three to four lines of characters. This font may be used with all our blackletter fonts, but as well with "1543 Humane Jenson", "1557 Italic" and "1742 Civilite", without any fear about anachronism.

The new OpenType font Shrub feels like a printed, textural typestyle, influenced by the great slab-serif fonts of the 20th century and organic, messy effects of old Xerox copiers. You might call this one a “multi-messter font” because it not only comes grainy and coarse, but also features a special stylistic alphabet set to add extra schmutz as you see fit. Users of Adobe’s Creative Suite applications can access this feature as either “Stylistic Set #1” in InDesign or “Stylistic Alternates” in Illustrator. The extra blotches can be turned on or off as you see fit. Put a little organic texture mixed with old-school legibility to make you flyers and other designs look like they were really printed! Shrub speaks with a compelling, grounded personality in a voice that’s easy to read.

In today's typographic landscape, few would still consider Bodoni to have a "modern" feel, but there was once a time when it's vertical axis and thinned horizontal strokes were considered radical. Volterra—inspired by the forms of Bodoni—finishes what Bodoni started and eliminates the horizontal stroke altogether, breathing an elegant new energy into a 200-year-old classic. Named for the artist hired to paint loincloths over Michelangelo's "Last Judgement" when nudity in religious art was condemned, Volterra acknowledges that it is no easy feat picking up where a master left off. Volterra takes what has grown to feel traditional and transforms it into a delicate mixture of classic and modern, with razor-edged serifs and ultra-sharp strokes. Strictly a display face, the larger Volterra is used, the better it looks.

Introducing Easy Breezy, a font that effortlessly transports you to a bygone era of carefree charm and nostalgic beauty. Inspired by the retro styles of the past, this vintage gem captures the essence of a relaxed and laid-back vibe. Its flowing letterforms and playful curves breathe life into your designs, exuding a sense of whimsy and joy. With Easy Breezy, your projects will radiate a delightful vintage aura, whether you're designing invitations, branding materials, or signage. Let this font whisk you away to a world of sunny days, gentle breezes, and endless possibilities. Embrace the effortless beauty of Easy Breezy and create designs that capture the heart with their timeless appeal. Experience the nostalgia, embrace the freedom, and let your creativity soar with Easy Breezy at your fingertips.

Wondiletta – Lovely Craft font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Kfontz is a display font that simulates the appearance of typewritten text. Each letter in Kfontz has been carefully designed to resemble the effect you get with a typewriter. This effect adds a sense of nostalgia to the text, as if it were from a bygone era, adding an authentic charm to the designs. Kfontz retains its varied and extravagant style, giving the text a lightness and a certain nonchalance. Remastered in 2023.

Introducing Fredy Youth - Multilingual Handwritten Font. The characters of this handwritten font exude a subtle charm, maintaining a delicate balance between sophistication and simplicity. Each letter is carefully crafted with a light touch, capturing the essence of handwritten notes while maintaining a modern and refined aesthetic. The absence of unnecessary embellishments allows the font to convey a sense of clarity and purity, making it a versatile choice for a wide range of design projects.

Here’s a collection of border elements taken from the pages of nineteenth and early twentieth century type specimen books of various American foundries. Download the PDF provided for each font for simple guides to constructing various borders. All characters have identical widths, so use spaces between left and right-side elements. For best results, set solid (no extra leading) and use flush left, flush right or center justification to assure proper alignment.

Kiddie Love is a lovely display font that radiates charm. It features gorgeous hearts in each letter which give it an incredibly romantic feel. this font suitable for valentine day poster, logo, t shirt, event banner and etc. you can use this font for any design, apparel, kids logo, logo type, with many swash for make your design awesome. feature : Kiddie Love Uppercase Kiddie Love Number and Punctuation Kiddie Love Multilingual Kiddie Love Swash

Luckily, I am not allergic to waffles - but a guy named Ethan Tremblay is...and if you know the story about that guy, you know the name of this font is from! What can I say? A handmade font full of quirkiness and a rough outline. Comes in both Regular (outline) and Solid. Use both versions as they are, or combine them. I've added 4 different versions of each lowercase letter and multilingual support!

Introducing, Burgundy - Curly Sans Serif with a bunch of alternates! Burgundy is a sans serif based typeface that have curly and elegant looks with a bunch of alternates that will make your presentation or logo even more stunning and stand out! This font is so fit for wedding invitation or celebrations. Burgundy also support Multi Language and already PUA Encoded! Features Uppercase & Lowercase Number & Symbol Multi language Alternates for each characters PUA Encoded

RoseMask is a capvitating combination font with three distinct style that seamlessly complement each other. The uppercase style featured elegant serif for a timeless appeal, the lowercase style offers a playful monoline approach, and the alternates presented in a bubbly gravity font, infuse creativity and dynamism. Mix and macth this versalite font effortlessly transitions between elegance and playfulness, making it a must have for diverse design project, from branding to editorial layout.

Handpainted font with attitude! An attitude which will help you when designing posters, packaging, headline, invitations and alike, that needs that authentic brush-look! I haven't got the count of how many pieces of paper I used to make this font. It was a lot! Comes with “contextual alternates” which means that the font has 6 different version of each letter. These different versions cycle as you type, and makes the font look more realistic!

True Gore is an all-caps display font with two bloody options for each letter and numeral. A horrific pick for your dreadful designs, you bet. Just perfect for book and album covers, packaging, t-shirts, apparel, Halloween imagery, anything where you want that horror, disgusting look. Give it a go! Hey, and what about that cool complementary font shown in the posters? It's Runcible, also by PintassilgoPrints, worth checking it out too!

Montelova font with a Lovely Script perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Embrace the timeless charm of the "Young Fighter" Font Family, a carefully crafted vintage display typeface that brings a touch of nostalgia to your designs. This versatile font family features 6 unique styles, each designed to capture the essence of classic typography while adding a modern twist. With a seamless blend of serif, display, sans serif, and dingbat ornament options, the "Young Fighter" Font Family offers unparalleled versatility for your creative projects.

The Beautyline is a modern monoline typeface. Like the font name, this font is made of beautiful lines with additional lines in some characters which makes this font more beautiful. It’s perfect for branding, logos, wedding designs, social media posts, advertisements, invitations, stationery and any projects. The Beautyline comes with uppercase, lowercase, numerals, punctuation and many variations on each character, including OpenType alternates and common ligatures to let you customize your designs.

Austten is a bold connected script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Austten comes with uppercase, lowercase, numerals, accents (Multilingual characters), punctuations and so many variations on each characters include opentype alternates, common ligatures and also additional swash to let you customise your designs.

Askale - Victorian Vintage Display Font. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. Bold serifs and more swash on each character make this font even more unique. This font is very suitable to be applied, especially to logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type. advertising purposes.

Articulated is a sans serif font with a focus on soft, rounded corners. The concept is that the Capital letters have the characteristics of lowercase letters, in order to create unique experiences. Articulated is a perfect choice for headlines, unique branding, logo design, posters, marketing, banners, logotype, user interface and editorial design. Handcrafted by Laurens Art Ramsenthaler, each weight supports most Central European & Eastern European languages. A total of 298 glyphs are included.

Standie Bold is inspired by Inspired by the 90's playful cartoon & comic books. This font comes in Regular and Italic. Each letter is modified so that the distance, width, and weight can give the beauty of the alternates given. This font can be used for modern and vintage designs and also can be easily paired with some graphic elements (Illustration, Photography) this font is perfect for, Logotype, Branding, Title, and Packaging.

Ostent is a font family which is inspired by the early Din-Type fonts. In particular, Din 1451. This is reflected in Ostents simple and uncomplicated design, which results in creating a good sense of legibility. Each of the three weights have been carefully designed to work in conjunction with one another, or individually, complimenting other typefaces. Ostent can be used across a wide range of design mediums (both print and screen).

German type designer Martin Wunderlich created this sans FontFont in 1993. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for editorial and publishing and logo, branding and creative industries. FF Wunderlich provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Now here's a font that won't spoil anything! It's my ALL CAPS brush font with slightly uneven and quirky lines. Just enough to make font look lively and fresh, but not overdoing it. Every letter has 7 different versions, which automatically cycles as you type - and I have added an extra SMALL CAPS for each letter. Exchange every letter here and there with SMALL CAPS, and you will get an even more authentic result!

German type designer Yanone created this FontFont in 2013. The family has 3 weights and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Antithesis provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Introducing, Sirens - Bold Sans with Alternates! Sirens a casual and modern sans. The special things is this font comes with alternates in each lowercase! Every alphabet have alternates up to 3 kinds! This font fits in any project. Strong for your headline. You can use it for a tittle, logo, quotes, or become a pairing in any font. This font also support multi language! Also already PUA Encoded. Caps only Fonts. Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿ

Celdum, a modern geometric type family, constructed from a rectangular grid. Smooth, precise curves meet horizontal and vertical lines to create a monoline design with no apparent contrast. Each letter shape has unique subtleties creating a purposeful type family suited to text and branding scenarios within mobile applications, video games and other interactive software. Details include six weights with italics, 460 characters, five variations of numerals, manually edited kerning and Opentype features.

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

GMBH SANS The architectural sans-serif in sharp junctions silhouette. Designed as a display typeface for headline sizes. Typeface maintains it's unique identity even in all lowercase letters due to 21 degrees slanted stems (vertical strokes of letters). Variable typefaces provides subtle gradation of 6 weights. Each weight retains the same character width (except character i and l). Typeface supports: Latin characters with diacritical marks; Cyrillic characters (Ukrainian, Russian); Hebrew; Contains additional monetary symbols (₿Ξ₴₹₪)

Ashley Southine is a handwritten script font that offers an elegant and personal touch to every character. Inspired by handcrafted strokes, this font presents a natural handwritten feel that is both warm and inviting. Each letter showcases uniqueness in every curve and stroke, creating a relaxed yet refined atmosphere. Ideal for design projects seeking a personal touch, such as wedding invitations, greeting cards, brand logos, and other design elements requiring a warm and elegant ambiance.

Oceanside Sans is a display typeface produced in 2022 by Bepop Font Foundry. This typeface was born out of a month-long trip to the Bahamas. The scenery, both natural and architectural, was stunning, yet restrained. Each settlement featured its own flavor of beautiful hand-painted signs promoting local businesses - fresh fish & Conch, liquor, ice, gifts, and more. Oceanside pays homage to the visual vernacular of the islands we visited during our stay.

Cristal is a modern typeface inspired in the cuts of a bevel effect. Its lines build each letter as a cutted gem giving an unique elegant aspect. It comes in two weights to be used at different sizes and has positive and negative versions. Also has a solid version that allows compose more legible texts. Cristal Dingbats and Cristal Frames are two essential complements to obtain a great typographic system of 15 fonts.

Mavblis fonts have playful and fancy look, which may recall that seen in fifties ads. The look, which is quite bold may well allow for using this font in titles, packaging, or catchphrases. There are also some ligatures and alternates encoded, so you are not stuck with one look in case you require to add some variety to your text. There are over 900 characters in each font, and many languages are served.