8,305 search results (0.085 seconds)
  1. ChrisMaster is an intriguing typeface crafted by the talented team at Gilar Studio, which showcases a blend of creativity and precision in its design. This font stands out for its unique personality,...
  2. Mexcellent, a vibrant and retro-inspired font designed by Ray Larabie, transports its audience straight into the heart of the late 20th century's burgeoning pop culture with a particular nod to the n...
  3. The Albertino font, crafted by the talented Davide Ardissone, is a remarkable work of typographic art that beautifully marries elegance with functionality. At its core, Albertino embodies a modern se...
  4. Racer, created by the visionary designer onezero, is a font that embodies dynamism, speed, and elegance. Its design is inspired by the high-speed world of racing, capturing the essence of motion and ...
  5. The "id-asobi_LightOT" font, meticulously crafted by Inoue Masaru, stands as a sublime example of typographic art that elegantly balances playfulness with sophistication. It is an embodiment of moder...
  6. The Duvall font, crafted by the talented Paul Lloyd Fonts, is a distinctive typeface that captures the essence of historical elegance and intricate detail often found in the typography of earlier cen...
  7. The KR Heartalicious font, designed by Kat Rakos, stands as an embodiment of playfulness and affection, masterfully woven into a font design. This distinctive typeface captures the whimsy and warmth ...
  8. Ah, Fleurs de Liane by Chloe - if fonts were a garden, this one would be the enchantingly mysterious path that leads you through a whimsical wonderland of floral elegance and handwritten charm. Conce...
  9. Gothic Birthday Cake, a creation by the remarkably talented Bill Roach, encapsulates the essence of celebration intertwined with an intriguing gothic aesthetic. This font stands out due to its distin...
  10. Ingleby Regular is part of the Ingleby typeface family, designed by David Engelby, a typeface designer who brings a detail-oriented and thoughtful approach to his creations. This particular font, Ing...
  11. Uechi is an intriguing font, born out of collaboration and creativity. Created by American composer and typographer David Rakowski, Uechi is not just a typeface but a reflection of an artistic journe...
  12. "Quick End Jerk" is a distinctive font designed by the talented Vic Fieger, a name well-recognized in the font design industry for creating a variety of unique and eye-catching typefaces. This partic...
  13. Juvelo is a distinguished typeface crafted by the adept type designer Barry Schwartz. It stands out as a testament to Schwartz's commitment to producing fonts that not only serve practical purposes b...
  14. The Prayh font, crafted by the talented Niclas Hjelm, is a remarkable testament to the fusion of traditional calligraphic styles with contemporary design sensibilities. This font stands out due to it...
  15. Mariposa, as envisioned by its creator, Chloe, is a font that captures the essence of transformation and grace, much like its namesake - the butterfly (Mariposa in Spanish). This typeface is meticulo...
  16. Oh, let me take you on a little journey through the cosmos of typography, where the star of our expedition is none other than the Voyager Grotesque! Dreamt up and meticulously crafted by the talented...
  17. Sappy Mugs by Ray Larabie is a delightful and whimsically spirited font that immediately brings a smile to your face, much like the comforting warmth of your favorite coffee mug on a cool morning. Cr...
  18. Jasper BRK, designed by AEnigma, stands as a distinct and versatile typeface that captures the attention of both designers and viewers alike. This font belongs to the unique family of fonts created b...
  19. Imagine if a font went to the gym, skipped every workout except leg day, and then treated every day like a carb-loading day. Meet Fat Legs, the font that took "thick thighs save lives" as a personal ...
  20. Ah, Monster Paparazzi! Imagine for a moment, deep in the wild underbrush of creativity, lurks a font so captivating that it could only be dubbed Monster Paparazzi. Crafted by the illustrious duo, Kev...
  21. The Smargana typeface is a distinctive font characterized by its unique blend of tradition and modernity. With its origin steeped in a rich typographic tradition, Smargana offers a contemporary twist...
  22. SF Willamette, created by ShyFoundry, is a typeface that carries a seamless blend of traditional character with a modern twist. At its core, SF Willamette is profoundly versatile, crafted meticulousl...
  23. Starbats, created by the talented Dieter Schumacher, is a captivating display font that stands out for its unique approach to typeface design. Unlike conventional fonts that prioritize letters and nu...
  24. Ah, diving into the fun world of fonts, aren't we? Alright, let me introduce you to the whimsical world of the "Poke" font, crafted by the talented Ray Larabie. This particular font is like the bubbl...
  25. Allow me to introduce you to the enchanting world of Dreamspeak, a font that could charm the socks off a centipede - not that they wear any, but let's not get bogged down by the details. Dreamspeak i...
  26. TeamSpirit is a distinct and visually engaging font designed by the talented Nick Curtis, who is noted for his ability to inject a vibrant character into his typographic creations. TeamSpirit is no e...
  27. Manta is a highly versatile and visually captivating font that draws its inspiration from the grace and fluidity found in the natural world, particularly the manta ray's elegant movements through the...
  28. As of my last update, there isn't specific information available about a font named "Newlyn." It's possible that you may be referring to a font designed by or associated with Newlyn, a type foundry o...
  29. As of my last update in April 2023, "Clawless" is not a widely recognized or standard font available in major font libraries or typographic resources. However, crafting a conceptual description for a...
  30. Bubbleboy is a charming, lively font that seems to burst with cheerful energy and playful charm, evoking the whimsy of childhood bubble letters yet refined enough for both personal and professional p...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. LT Oksana - Personal use only
  33. Shafira by Gatype,
  34. Choujun is not just a font; it's an immersive experience in typographical form, designed to bridge the gap between traditional calligraphy and contemporary digital expression. Named after the Chinese...
  35. CMSquish, a font designed by Charly Masci, stands out as a distinctive, playful, and versatile typeface that brings a unique flair to any creative project. Imagine the letters as if they've been gent...
  36. The "CrazyZoo" font, imagined as a spirited creation by an artist named Chloe, is a vibrant and captivating typeface that instantly transports its viewer into a whimsical world of imagination and cre...
  37. As of the last update to my knowledge in April 2023, "ALPHA" could either refer to a specific font design in use or be a hypothetical example due to the vast number of fonts available worldwide. Assu...
  38. Unfortunately, I can't give a detailed, current description of the "Motorcade" font by Ray Larabie, as my latest update was in April 2023 and I might not have the latest details on this specific font...
  39. Font aficionados and design enthusiasts will find it a pleasure to explore "DesignPartsOne" by the seasoned and inventive type designer, Manfred Klein. This distinctive font is less about letters and...
  40. As of my last update in early 2023, there might not be a widely recognized or specific font called "Naz" that has achieved significant prominence or notoriety in the fields of typography or graphic d...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing