JH Tania 2x is geometric typeface, including a double stripe & a black weights. It has a modern design ideal for logos / branding and titles..

Belynos, a simple and elegant didone. Plus a bit of triangular! Font family contains from Light to Black and suitable italic for various designs.

Unicase wide slab-serif with numerous alternatives and decorative elements. In Ribbon styles kerning for black ribbons released as Discretionary Ligatures. Lets do wide!

Gemline is an Art Deco inspired display font featuring Inline and Black weights with 2 fill options for adding colorful effects quickly and easily.

Originally issued as Marggraff Bold Script by the Dresden foundry of A.G. Vorm Brüder Butter. Minor variations were given to a few letters to even the color.

Another variant to the ever-popular Art Deco sans lettering with solid centers (no counters) was found in the hand-lettered title on the cover of the 1933 song "There's A Ring around the Moon". This became the basis for the digital typeface Moonlit Walk JNL, available in both regular and oblique versions.

The source of inspiration for MFC Heathcliff Monogram is a crudely hand drawn vintage monogram transfer depicting a wider format diamond monogram. We revised numerous letters for better clarity and a more vintage industrial vibe. MFC Heathcliff Monogram is capable of traditional two and three letter format monograms, as well as gapped and hugging framing options for each. Numerals 1-9 and 0 on the keyboard for the 2 letter framing options typed before the letters, and use the shift key on the numerals for the 3 letter framing options type before the letters. It's just that easy. Looking for an MC in one of the letter slots? Just type mc on either side of MC in the middle to get it. Otherwise, just type a lowercase, a Capital, and then a lowercase to build your monogram. As one of the most popular shape based formats for monogramming since the beginning, it must be true that diamonds are forever.

Compliments was inspired by a few hand-lettered words on a 1930s brochure by Western Union entitled “The Yellow Blank is Correct for Every Social Need.” It is now available in OpenType format with contextual alternates for a better script effect.

Shabaq is a heavy, ultra black Arabic font. It is suitable for 'Display' and large print use cases, especially billboards and advertisement. It also performs well as a title and header font. Shabaq is a geometrical font based on the charactristics of the traditional Naskh typeface with a perfectly fresh and modern appearance. Shabaq is super-black, dazzles the eyes of the beholder and leaves them deeply influenced. Shabaq supports Arabic, Persian and Kurdish languages.

Umidus font - Trippy wavy liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shit or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! ------------------- You will receive: - 3 OTF files (3 font styles: plane black, transparent outline, black with highlights) - ATTENTION! font comes WITHOUT any photos, textures, or effects.

A pair of scissors and a bunch of papers; that is the foundation of Paper Cuts. It’s available in two different styles, Paper Cuts and Paper Cuts Black. The black version was the first stage in the progress and Paper Cuts is the second one where the negative space appears. Also, you get Paper Cuts Ornaments for free. It dilates your possibilities further. Buy them separately or in a “Nice Price” family set.

Designed by Olivier Gourvat in 2014, Filson Pro is a new geometric sans serif family with versatility in mind. With its 575 glyphs and its round aspect, this typeface covers all kind of graphic and web design projects. This font family contains 16 fonts from Thin to Black with a professional range of Opentype functions such as pro kerning,lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms and f-ligatures. For better typographic control, Filson Pro also includes Opentype class kerning with thousands of kerning pairs.

Soul Skull ist a special Version of my Font „Soul“ (soul ultra black). For a long Time i want to make a Font like this. Before FL6 that was impossible. I know it is a big File Size for a Font with all the Graphics but i need a Font like this for a Halloween Projekt. And so i did it myself. I hope you like it as i do! At this time i will say Thank you for FontLab 6 It is so much better than V5. I love this App :)

This is a new barely modulated, slightly narrow, sans serif font family. It has eight styles: thin, thin italic, regular, italic, bold, bold italic, black, & black italic grouped into two 4-font families: Amico Thin with the Bold; and Amico with the Black. Amico has the standard feature set developed at the end of 2007. It has many OpenType features and 654 character/glyphs: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters, ordinal numbers (1st-infinity): lining and oldstyle), and so on. It is designed for text use in body copy. However, Amico really shines as the choice for heads & subheads when using Amitale or Brinar for the text family.

Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand composition font in 1922 by Barnhart Brothers & Spindler of Chicago and later spread by ATF. Cooper Black is an extra bold face based on Cooper Old Style. Bitstream Cooper is an old style face with rounded serifs and tilted back ovals. For use both in text (normal weights) and in advertising and display typography (heavy weights). Cyrillic version was developed for ParaType in 2000 by Manvel Shmavonyan and based on TM Oswald face of TypeMarket, 1996, by Victoria Grigorenko.

Gently, newly released by ZooFont, is a sans serif typeface that harmoniously combines straight lines and curves in a clean form. The stable form, which has its origins in handwriting, and the look of analog sensibility are enough to inspire confidence. Gently has a total of 9 weights, so it can be used freely anywhere, from body text to headlines. In addition, the height of the letters is economically calculated to achieve a reasonable line spacing, ensuring comfortable readability in various digital media. A cool breeze blows, a soft smile spreads across your lips, When I'm with you, the love in my heart seems to awaken. Your sweet whispering voice makes my heart flutter. Gently has the following features: 9 weights (from Ultra light to Ultra Black) extended latin 450+ glyphs fixed width numbers The Latin extension offers more than 130 languages with extensive multilingual Latin support for Western, Central, and Southeastern Europe.

WizarMagi Script is a font design with a variety of fantasy and magic styles. The font features a unique customization for each uppercase letter, and a magical glitter style for the lowercase letters. It has accentuation in both uppercase and lowercase. Can be used for a variety of designs, limited only by your creativity.

Jazm is an Arabetic typeface design with connected glyphs. Jazm was the earliest, pre-Islamic, script style of the modern Arabic script, before branching into Kufi and Naskh styles. The initial script had a lot less, position-dependent shapes and ligatures, and was not strictly connected. It occasionally included minuscule dots to distinguish identical shapes. This font family design is a modern visualization by the designer of the historical Jazm letter shapes following the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Jazm employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Jazm typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Jazm is available in regular, bold, black, and corresponding italic (slated to the left) styles.

A bold spur serif design found within the pages of the 1934 French lettering instruction book “L'Art du Tracé Rationnel de la Lettre” provided the inspiration for Railway Depot JNL, which is available in both regular and oblique versions.

Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!

Bessington is a quirky rough uppercase display font, each character hand drawn using rich black ink on a soft paper giving it a beautifully ragged look.

For Halloween season, we thought we'd better trundle out a nice, crude prehistoric font to meet the growing need. Paleos features many different versions of almost every character so you can give it the natural variety of lettering hand-carved by a troglodyte.

A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Kardinal is a sans serif humanistic type family. The family has 16 weights, ranging from Thin to Black with extra drawn italics and small caps versions. The Kardinal type family is ideally suites for small text, books and magazines, branding, posters, as well as web and screen design, headlines and more. Kardinal comes in 16 styles with extended language support. All weights contain standard ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The construction of characters combines clean grotesque style and calligraphic features with humanist fragrance. Out standing for the designs are the small serifs. They are giving the letters movement and freshness, as well as contribute to a better readability in different volume texts and including lots of details that give it a unique personality. The Regular and Medium weights are perfect for body text while the italic give an interesting texture to the text. The range of styles give a good flexibility to this family. The fonts are carefully hinted and perfect for digital use.

CFF Corporaet is a corporate brand typeface that comes in 5 sans serif weights; Light, Regular, SemiBold, Bold & Black. Its character is warm, friendly, humane, clear and soft. The humanistic design style is rooted in the cursive style of handwriting, clearly visible in letters such as the e, f, g and y. The spurless letters round it off. Striking characters, such as the z, and small quirky details make it both a corporate and a friendly typeface. The proportions of each character are carefully constructed in such a way that they're balanced and create an even colour in text. That’s why it works extremely well with long body copy. Making it a hero for magazines and editorial design challenges. The Corporaet fonts can be applied in large sizes for print or web, bringing out the refined details that give the fonts its distinctive personality.

Grrr is a headstrong modular display typeface with a large amount of alternative glyphs. It consists of eight weights ranging from Thin to Black. A variable font is also available. The typeface is designed on a modular grid and it proudly ignores the rules of optical compensations: the horizontal and vertical strokes have identical thickness, and round and triangular letters have no overshoots at all! All these peculiarities are making the typeface usable at sizes from 21pt and larger in print and approximately from 24px on non-retina screens. Grrr is especially good at extremely large sizes. The typeface includes three stylistic sets with even more bizarre letterforms. These sets activate a cyclic pseudorandom substitution of letters from a range of alternates — the letterforms keep changing as you type! The typeface was designed by Dmitry Goloub and Alexandra Korolkova and released by Paratype in 2019.

Thought, with its versatile five styles, is ideal for contemporary display work. It has style, flair, legibility, and interesting, flowing letter shapes. The Family: -- REGULAR - of medium weight - clear and legible; -- BLACK - for bolder statements and best readabilty; -- LINEAR 25 - light weight, mono width line -- LINEAR 45 - medium weight, mono width line -- ZEST - variable line, casual, exaggerated appearance Use a combination of styles for product branding, book covers, invitations, greeting cards. Thought has not been designed to be used in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Thought contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in most European languages.

Wholecar is a train graffiti typeface. The letters are fun and friendly, with a happy personality and cartoonish quirkiness. A street style, Wholecar is drawn and created by Mans Greback, and is the perfect combination of cool and childish typography. This hip-hop styled comic typeface family comes in eight styles: Black, Inline, Invert, Regular and White. Additionally, the Wholecar Color, consisting of Noir, Pink and Silver, specifically created for Photoshop and Illustrator. Use characters [ ] { } ¤ # _ for train parts fitting the letters. Examples: [¤#¤_¤_¤#¤] [¤Graffiti¤] The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters. Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses. This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from the 1950s and early 1960s.

Arbour Soft is the cheeky version of it's big brother, Arbour. The soft version creates a smooth finish that flows perfectly across screens and print. Arbour Soft comes in 7 weights, from a delicate extra-light to a soft, strong black, with matching soft italics for each upright. The soft black weights are perfect for your new brand or article headlines, and the light weights are great for calling out text. The mid weights are perfect for longer texts.

Knip, in Dutch, means ‘cut’. You can tell by the glyphs that I made this font by cutting out the shapes from black paper, gluing it onto white paper and photographing the result so I could digitalise it! I don’t make too many cut out fonts, as it is a lot of work and it often leads to nothing. Besides that, I depend on the paper supply from my kids and they happened to have black paper this time!

The motivation for Jackipur was: to achieve more openness and thus more clarity. That's why I created more clarity in the structure of the letters in order to avoid formal ambiguities that arise especially with small degrees. I found it important to open up the round letters so that they are straight and horizontal along the center and baselines so that the eye can connect the letters directly and quickly. A simple font, but neither plain nor without elegance.

Munderic Godas Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more. How to easily create Death metal & Black Metal logo from font : https://youtu.be/scdtMQUVWXI Features : - All Caps - numbers & punctuation - Alternate - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Benua font family, a sleek and modern sans serif font designed with unique curved details at the letters a, d, l, m, n, p, and r. These details give the font a distinctive look and feel, creating a cohesive and harmonious design. Closed apertures and generous spacing of the font provide excellent legibility, making it an ideal choice for both print and digital media. Benua also features small caps, which add a touch of elegance and sophistication to any design project. The font comes in 9 weights, from "Thin" to "Black," each equipped with its own italic version, allowing for a range of emphasis and flexibility in design.

Pilfnof contains: - 394 glyphs which include: Basic Latin, Latin Extended - A, Latin 1 - Supplement and General Punctuation. - 4 weights: Light, Regular, Bold and Black Pilfnof is a reverse contrast serif font family. Purpose of the project was to design a standing out modern serif which revolves around reverse contrast. Width of strokes is fully reversed. Weight, width and contrast are regular while x-height is high. It contains uppercase and lowercase letters and lining figures. Pilfnof is perfect for use in Branding and Publications. It can be used both for text as well as headings and titles. Heavy weights are ideal for headlines while light weights are suitable for body text.

Segaon Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Marons is my first font release of 2020. I created Marons from the initial sketch to the digital process and until it was released it took less than 2 months after I launched Black Quality. Marons is an elegant font that I combined from script and serif fonts, thus creating a unique and bold impression. Each Marons letter also has an additional alternate glyph and many variations of swash options, so you can use this font to create logo designs, header texts, t-shirt designs, YouTube cover texts, wedding designs, and others. With its many glyphs, Marons is indeed worthy of being called a collection of fonts in early 2020.