Combine, designed by Carlos Fabian Camargo G, is powerful and attractive, multi-layered chromatic type family that consists of 12 fonts, typographically grouped in two logics: “Script and Caps”, so that they could be colored separately or in group. Both designed with contrasting optical techniques and combinable at the same time. The unforgettable central idea of Combine was inspired by unique types of speedball letters designed by ancient artists in Canadian posters of shows and fairs in 1930. This is why its Typographical tools work independently or in group, resulting in highly polished designs that need fonts with coupled effusiveness. Their combined resources offer guaranteed distinguishing letters with shadow effects and worn, in order to help enhance their expressiveness. Combine is excellent in any project on paper or screen as it has more than 2100 glyphs and features of OpenType distributed strategically in fonts easy to use. SEE BELOW THE MAIN ADVANTAGES: • Combine Script & Shadow: It offers incredible case sensitive fluency and eloquence drawn with vertical cursive letters with ornamental non-stop excitement and complementation. It also has a variety of significant upward and downward, alternative strokes combined with its vintage ties that also give authenticity to their designs. • Combine Caps 1,2,3 & Shadow1,2: Guarantees you a colorful horizontal area of narrow case with 2 types of shadows, sound and other shade with diagonal stripes. Its geometric uniformity gives a friendly, open and subtle character by Typographic and special resources and visual properties coloring layers separately or in groups. In addition, its 2 layers of skeletal illuminations, adding internal lines and simultaneously contributing to play perfect confrontation and contrast with their geometric ideas and aesthetics for special attention. • Combine Words & Shadow: It can be used to design a perfect tone in each one of the 50 slogans written diagonally, making a brilliant feeling suggestive seductive style. Compatibility and flexibility works by monoline thin cursive strokes ideal for featured items with and without shade. Combine was selected at the Bienal Tipos Latinos 2016

Introducing Superclarendon, a typeface that’s as bold and powerful as its mid-19th Century inspiration. Its chunky slab serifs and subtly squared letterforms give it a timeless appeal that’s sure to make your designs stand out. But Superclarendon isn’t just a nod to the past—it’s a contemporary take on the classic Clarendon that retains all of its booming voice. Superclarendon’s austere curls and sturdy terminals give it a solid construction that’s sure to make an impact. Its squarish, superelliptical curves give it a modern feel that’s perfect for today’s designs. Whether you’re creating a poster, a brochure, or a website, Superclarendon is the typeface that will make your message loud and clear. And with four weights, italics, and old-style (lowercase) numerals, Superclarendon gives you all the tools you need to create stunning designs. So if you’re looking for a typeface that’s as powerful as it is versatile, look no further than Superclarendon. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

A simple, modern sans serif; clean and elegant, just like its inspiration. The name is a play on Futura.

Squiggly and branchy describes this artfully jumbled font. You'll find it useful for all of your cute kids stuff.

Designed inspired by video technology and meant for the use on television, but never really made it there. Yet...

Boshela is a beautiful script font with a classy, elegant, and modern look. Get inspired by its authentic vibe!

This font was originally designed for a chocolate box design project; it does have something of a luxurious quality.

Keraton is a monoline script with a signature look. It will take any design project to the next level.

A fine font for monumental projects. It inspires and perfectly motivates for success and stability. Created from handwritten calligraphy.

Note: The Topeco 3 style is no longer available due its complexity and the resulting memory and performance issues.

Tropical Summer is perfect combination of five fonts all your design project needs. Get inspired by its classy appearance!

Juliet is a modern calligraphy script with flowing curves. It will add a romantic touch to any crafting project!

Note: The Advantage Lined style is no longer available due its complexity and the resulting memory and performance issues.

SwirlityScript takes an old (16th or 17th century) calligraphic script style and combines it with the caps from SwirlityText.

Furia is a very dynamic handwriting font; use it when you need to generate an impressive and powerful design.

Brougham keeps its legibility with a strong presence. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets and manuals.

Bella Rosemary is a stylish modern calligraphy font. Use it for any design projects that require a charming appearance!

Valentine Dream is a brand new sweet handwritten font. It will add a romantic touch to any crafting project!

Based in Manuel Corradine's handwriting, Trazo is a very spontaneous font. It could be used in any informal project.

This classic title font has a wide proportion and minor contrast to make it the ideal choice for headlines.

Font Cap is a font based in ancient arches , it has a clear text and Greek and Cyrilics characters .

Mercurio is a sans serif type, inspired by scientific symbolism. It has a soft grey appearance suitable for text.

Stockroom JNL is the companion sans serif stencil font to Delivered JNL. Bolder and wider, it commands more attention.

Based in Manuel Corradine's handwriting, Salpicon is a very spontaneous font. It could be used in any informal project.

Renamed font (was Georgia) and refined outlines to make it stand out on your next book jacket or tatoo.

Yoriko is a Latin display type from Frank Lüdicke. Its design was heavily influenced by Japanese brush stroke glyphs.

Brother Samphen is a hand-written script in with a sharp, young, spirited look. It includes multiple alternate characters.

FE Sector is made up of sectors and sticks. it is intended to create various patterns and decorative titles.

Rosse features an irregular baseline, making it the perfect font to give your designs a fun and unique feel!

Rejoicingly is a sweet marker handwritten font. It comes with unique lower and uppercase plus numbers, punctuation & multilingual letters.

Museo Slab is a robust slab serif with Museo 's friendliness. It is a perfect match for Museo Sans .

Tasty is an strong self-confident brush script headline typeface. It is ideal for food packaging and product branding.

A decorative font, plain and simple. Ordered and square. Inspired by space. It can be used easily with contour.

Antona is a modern, friendly geometric sans serif. It comes in eight weights, with italics, 16 fonts in total.

Minnak, as a whole geometric display type is our take on Square Kufic (Makili) style Latin script fonts, comes in eleven weights with linear progression. It is an Uniwidth typeface at the core. From Hairline to Black, all multiplexed weights take up the same space in width and can be used interchangeably. Supports wide range of Open Type features, with many stylistic alternates in 12 context. Minnak is also have a close relation with pixel fonts, because in spite of its based on Makili forms, it all started as a pixel font in the drawing stage before further steps came into play. The key difference between Minnak and Makili style is that the latter must have the exact square counters with no diagonal strokes, and any other components of a letterform must conform to be proportional. Such style-specific requirements determine the overall dimensions of the glyphs and therefore, there can be only minor differences between the typefaces. In Minnak, counters are rectangular because of its narrow and condensed proportions, but the Makili form influence is still manifest. This impression is best confirmed with Medium weight where negative spaces and stem thickness are equal. Contrast and virtually no optical correction were presented, as characteristic of its genre had to have equal horizontal and vertical line thicknesses. As per the minimal and authentic look of the type, all glyphs are drawn as straight or only as 45-degree diagonal strokes. The representation of the ‘diagonalless’ approach is preserved by stylistic alternatives, making its similarity in visual aesthetics clearly visible. Marks and punctuation is another feature that doesn’t follow the strict rules of the origin style. Although not a pixel font, all building parts of the glyphs in Minnak share the same unit precision as they are designed with pixel equivalents in mind. Even space characters are designed to match glyph widths, meeting the demands of certain typesetting or multi-line lettering compositions. With its Pseudo Ancient and Runic alternates, extention parts and ornaments included in all weights, Minnak is suitable for branding, logo and monogram designs, the screen titles and headlines, packaging, posters, book covers and more, where it shines at big sizes. Its pixel font-like appearance makes it a significant choice for the modern compositions. Thanks to mostly uniform width design, it is possible to use Minnak also as a system for lettering. This feature can be used as vertical fitting of the letters between the lines. As a casual expression in Turkish, “Minnak” is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series — representing Seljuk period in the medieval Anatolia and their tradition of architectural stone ornamentation.

Hi...Thank for your visit :) Besans Handmade sans font. It features tall characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs that are full of sans! It also features many special features including glyphs. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look sans and attractive, and also Multilingual support!!! Happy design ...