Inline Square JNL is modeled from the hand lettered title found on the 1935 sheet music for "Cielito Lindo (Beautiful Heaven)", and is available in both regular and oblique versions.

Based on the sheet music title lettering for Al Jolson's 1920 song "Grieving for You", the casual style of Nouveau Work JNL is available in both regular and oblique versions.

Rhineland Roman JNL was modeled from the hand lettered title of some 1939 German sheet music entitled "Ich Hab'Mir Fur Grinzing", and is available in both regular and oblique versions.

The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.

Maître d' Stencil JNL is based on an alphabet example found in the 1949 French lettering book “Album de Lettres Arti”, and is available in both regular and oblique versions.

Undos Paintes is a handwritten font inspired by the industrial feel. Comes in two font styles, regular and oblique. Undos Paintes is suitable for branding, advertising, headlines, and many more.

The stenciled hand lettering in the credits for the 1965 Michael Caine spy thriller “The Ipcress File” inspired Secret File JNL, which is available in both regular and oblique versions.

Semlor is a great display comic advertising big font, coming in regular and italic style. This font has multi-lingual and Cyrillic support. We hope you enjoy using this font.

The wood type lettering which was the inspiration for Hayfork JNL has been given a spurred treatment, and is now available as Spurwood JNL in both regular and oblique versions.

The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.

Manstromer is a dynamic handwritten font, written with fast movements. Comes with two fonts styles, regular and slant. Manstromer is suitable for branding, advertising, headlines, packaging design, and many more.

The hand lettered title on the 1943 sheet music for "This Love of Mine" formed the basis for Deco Style JNL, which is available in both regular and oblique versions.

Atlantide Regular and Decor - decorative fonts, works well as an identity logo type, poster and 3D works. Atlantide Decor has all the glyphs already to create vector and 3D compositions.

Episodian is a retro-modern san-serif family with a sci-fi, techno edge and contemporary elegance of its own. Episodian now includes regular and bold with corresponding italic fonts.

"Leaner" is uppercase sans-serif typeface. It’s clean and universal. Best for logos and heading. Extended latin glyphs Uppercase letters Thin / Regular / Bold weights + Same italics Numbers & punctuation That's it!

Picaflor Handmade is a fun handmade version with 8 styles and weights, it contains Light Regular and Bold and its 3D versions plus dingbats, perfect for fun or informal titles!

Norca is a typeface available in 4 types of styles, regular/clean, round, rough and textured. Available in all caps mode, suitable for designs with classic, vintage, and retro styles.

A vintage New York neon sign for a juice stand advertising “Papaya” was the model and inspiration for Fruit Juice JNL, which is available in both regular and oblique versions.

Introducing Lento monoline script with happy end! 5 styles are included: regular, double, rough, display and bold. - Basic latin - Extended latin - Ligatures - Alternative symbols - Initial and Final symbols Enjoy Lento!

Midnite Movie JNL was inspired by the hand lettered title credits from the 1961 Hammer Pictures film "Curse of the Werewolf" and is available in both regular and oblique versions.

Elyzabeth Pro is a very elegant and practical sans serif font family and precise in its creation. clean fonts that stand upright elegantly that are soft and familiar and easy to read, Not boring to the reader. This type of font is great to use for very large writing purposes, ranging from notes on daily activities, magazines, newspapers, logos, posters, product compositions, product descriptions to be sold and indications of any product composition that requires writing shadows. Elizabeth Pro contains eight fonts. Broadly speaking, this font has two models, namely Regular and Italic. (Thin, Thin Italic, Regular, Regular Italic, Semi Bold, Semi Bold Italic, Bold and Bold Italic. They all support Latin, Greek, and Cryillic characters. This font will be a great asset to your font library, as it has the potential to enhance your next project creation.

About Sf Article font family: Sf Article is An Arabic and Latin typeface for desktop applications ,for websites, and for digital ads. The main types of Sf Article font family weight are regular and bold. The regular weight is perfect for reading, it is helpful during long reads, Bold Sf Article styles are designed to draw attention to short phrases. The Sf Article font family is characterized by short heights and dynamic stretching of letters through the paragraph, where the space In the line is automatically filled. In Sf Article font family, we have developed two italic fonts: regular and bold, to help with the diversity of stylistic expression in the Article, document and research work. Sf Article typeface comes with many OpenType features including stylistic sets. Designer: Sultan Maqtari Design date: 2021 Publisher: Sultan Fonts

Mourich comes in 2 styles and is recommended for use with stylish and minimalist design. It is carefully designed with medium contrast of the strokes. This font is an all-caps font or has small capitals that very useful for the headline or logo, and is suitable in large or small sizes. Mourich has 500+ glyphs with many OpenType features. There are beautiful ligatures, stylistic alternates, and swashes which you can use it to get your design more softly. Mourich Bold is has 20pt thick from the regular style. The rounded serif gives a strong and assertive look. Beautiful to use as standalone type or combine with regular style. Very much recommended for headlines. Mourich Regular has a minimalist adjustment with more relieved of negative space that awesome to apply in many media. Also useful in the body text or editorial purposes.

CA Kometo is an oblique headline typeface that consists of two styles, “Regular” (the Shadow) and “Fill”. Kometo has come to save the world. A superhero typeface featuring the super powers “shadow” and “imperfection”. It comes to save you from a world of boredom. Join Kometo and experience the fun of stacking fonts! Write something with “Fill”, copy paste it to another layer and switch to “Regular“. Maybe you will want to give it a little offset? Or you can also try to use the “Fill” style for body text, but do so at your own risk, spacing and kerning is optimized for the use with the “Regular“ style, so don't be too harsh if the results looks more vivid than text normally does. The character set is well built, supporting Western and Central European languages.

The Verdana typeface family was designed specifically to address the challenges of on-screen display. Verdana was originally designed by world-renowned type designer Matthew Carter, and tuned for screen display by the leading TrueType hinting expert, Tom Rickner. The Verdana fonts are unique examples of type designed specifically for the computer screen.The Verdana family received a major update in 2011 as a collaboration between The Font Bureau, Monotype Imaging and Matthew Carter. The original Verdana family included only four fonts: regular, italic, bold and bold italic. The new and expanded Verdana Pro family contains 20 fonts in total. The Verdana Pro and Verdana Pro Condensed families each contain 10 fonts: Light, Regular, Semibold, Bold and Black (each with matching italic styles).Verdana exhibits characteristics derived from the pixel rather than the pen, the brush or the chisel. The balance between straight, curve and diagonal were meticulously tuned to ensure that the pixel patterns at small sizes are pleasing, clear and legible. Commonly confused characters, such as the lowercase i j l, the uppercase I J L and the number 1, have been carefully drawn for maximum individuality - an important characteristic of fonts designed for on-screen use. Another reason for the legibility of the Verdana fonts on the screen is their generous width and spacing.Designed by David Berlow and David Johnathan Ross of the Font Bureau, with typographic consultation by Matthew Carter, the new Verdana Pro includes a variety of advanced typographic features including true small capitals, ligatures, fractions, old style figures, lining tabular figures and lining proportional figures. An OpenType-savvy application is required to access these typographic features. The expanded weights and completely new condensed range of fonts provide designers with an expanded palette of typographic options for use in print and on-screen, in both small text sizes and headlines.

The inspiration behind Amarga comes from the bitter taste of coffee. Amarga is a serif typeface with high contrast and pointed terminals, composed of 9 weights that range from a very heavy black version to a thin version plus italics, with a total of 18 fonts. Amarga has a great visual impact and is perfect for display uses in editorial design, web, branding, posters and many others.

Gosent is a Modern Sans serif typeface that has larger x-height size, it will give great performance in small text sizes. Features moderate contrast and lots of special details like the unusual ink trap, giving a modern feel. Gosent is great your various design, both serious and fun projects. Consists of 9 Weight variants from Thin to Black and comes with Oblique version

Jaella is a modern retro serif family. It has unique characters, such as capital A, R and B, making your design unique and stand out. Designed for editorial use, display or fashion-related branding concepts, She can be elegant or play with alternatives for a cheerful retro look. This versatile family has seven weights, from thin to black, and a variable format that can generate more weights.

Popten is a modern minimalist design typeface with semi condensed conture and include alternative character also some ligature. It is inspired by hype and urban design, freestyle and brutalism. Popten typeface suited for anything lifestyle project with trend design. It was designed to be versatile, to blend in your design with light or dark through thin to black weights can add a lot of touch of personality.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Halloween is a time when perfectly reasonable people choose to reenact some lost pagan rituals. No one seems to know why exactly, but Halloween has been celebrated in its present form for a little over one hundred years. This set of ornaments dates back to the early 20th century and depicts a “classic” Halloween collection of black cats, pumpkins, witches, and other indispensable Halloween ornaments.

Lovato is a family of five fonts, perfect for branding applications, books, or poster designs that require a clear, sharp, stylish tone. The styles range from an elegant, delicate light weight up to a brazen, commanding black weight. This original Latin-serif family, designed by Kosal Sen, has primarily a geometric construction, with hints of details inspired by inscriptional lettering, all coalescing to fit a contemporary palette.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

DF Maraschino Black - A sleek, sophisticated swash capital font with elegant thick and thin weight distribution. Bold yet poised, direct yet refined. The swash capitals are intended for use at the beginnings of words only - best not to set this in ALL CAPS. Use at larger sizes. Also includes stylistic decorative alternates for certain characters that can be toggled on and off in the Opentype panel.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Art Museum JNL is yet another take on the classic Art Deco "solid letter" fonts that emulate the style of Futura Black. This version comes to you through the courtesy of a vintage WPA (Works Progress Administration) poster promoting national parks and Winter sports. Take note of the unusual inverted middle crossbar on the 'E' and 'F' as inspired by the poster's hand lettering.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.