Grafinc is fat, black and robust. It is a geometric-based display typeface that comes in two cuts: ExtraBlack and Rounded. Grafinc can be used for all types of media – print, web, broadcasting or games. Despite its robust appearance and display character, Grafinc is very friendly typeface. It appears to be very legible in smaller sizes, too. The cuts include some very fine ligatures, making its appearance very rhythmic and smooth. Available in OpenType and western languages.

Introducing Pistoletto script. I was inspired by works of Roy Lichtenstein and Michelangelo Pistoletto. There are 4 fonts that in different combinations make interesting results: Background, Black, Highlight, Regular. Each style supports European languages. Basic latin has uppercase alternates, two lowercase alternates, many ligatures and swashes. I used for display pictures following works of Roy Lichtenstein: Pistol (1964), Engagement Ring (1961), Oh, Jeff...I Love You, Too...But... (1964), Seductive Girl, Yellow Brushstroke I (1965), Brushstroke (1965).

NYC Graffiti is translated into a lively comic letter-style that is highly engaging. GhostKid was inspired by a few graffiti murals tagged "iRAK", the four letters that ended up inspiring this uber-black typeface. GhostKid has now been expanded to a Pro version to include a Small Caps set, Unlimited Fractionals, Superiors & Inferiors, and Ordinals. GhostKid Pro achieves a wider appeal and a new sense of personality, taking its comic display typestyle to a whole new level.

Silk Sans Display is the sans version of the high-contrast typeface Silk Serif. The main feature of the font family is the disconnection between the bowls and the stems. However, the bowl is very close to the stem, creating the illusion of connection. Silk is delicate and legible — but above all, it is sophisticated. Silk Sans Display is available in 7 weights, from Extra Light to Black, and supports Western, Central and South-Eastern European languages.

Migelo is a versatile font meticulously crafted for optimal text display, offering a spectrum of 9 variations from thin to black, accompanied by 9 italic versions. Ideal for a myriad of purposes, Migelo is your go-to choice for creating captivating headlines, distinctive logos and brands, expressive quotes, eye-catching posters, and impactful product displays. Its range of weights and italics ensures adaptability, allowing Migelo to seamlessly elevate the visual appeal of a diverse array of design projects.

Chift is a quite narrow serif font for both body text and headlines in periodicals, where economy of space is needed. The type family consists of ten faces: five styles of low contrast for body text sizes and five styles of high contrast, including Hairline and Black, for display purposes. One of the main features of the typeface is its professionally-designed Cyrillic, which won one of the special prizes at Modern Cyrillic 2009 competition in Text category.

Introducing Genora Sans - Geometric Sans Serif Genora Sans is a clean and geometric sans serif font. Genora Sans comes in a modern style featuring 9 weights and 18 styles from Thin to Black, making it easy to adapt to your design. The typeface is ideal for corporate identities, branding, publishing, websites, titles, books, magazines, business cards, logos, product labels, packaging, or any kind of advertising purpose and use on UI/UX design. Hope you Like it. Thanks.

The appearance of the 'IA War Bot' speaks for itself. It is a futuristic stenciled robotic font family that would be suitable for lettering comics, computer games, toy packaging, and the like. Many of the glyphs have alternatives. The widest set of font files, from Thin Ultra Condensed to Black Ultra Expanded, and the expanded character set (including Cyrillic) will satisfy all design needs. And the most demanding can turn their attention to the variable font.

"Under Boom" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Black Squad" makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Under Boom" is the font for you.

The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling face, Eagle Bold, which was drawn in 1933 for the National Recovery Administration and became the symbol of American recovery. Font Bureau’s Eagle was started in 1989 for Publish magazine. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series; FB 1989–94

This in-yer-face kinda face is based on a broad brush font from "The New ABC of Showcard & Ticketwriting" by C. Milne, published in Australia in the late 1930s. Brought to my attention by Ms. Kat Black, and named in honor of Ms. Kat's grannie, to whom the book originally belonged. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Macis is a real-and-fake-retro-modern font-family containing five weights from thin to black. It is inspired by shop signs, packaging and typography from around the middle of 20th century. Though it is strictly geometrically constructed, it contains some hand-crafted influences as well as some irregularities. Some say, it dances on the baseline, ’cause the bowls and curves reach far out over the stems. Use it in big sizes, especially the extreme weights!

Rolling Brush is a script font that gives handwriting appearance with original and personal brush details. This font is made beautifully so that the letters are connected to each other, creating a continuous and flowing look. Each letter is attached to the previous letter and continues to the next letter, creating beauty in writing unity. This font shows brush details on each letter. Brush strokes displays a rough, organic texture to the edges of the letters, adding dimension and visual life. These details give a unique impression to this script font. On the other hand, even though it has a rough border, this script still maintains a natural and elegant aesthetic touch. Some letters may have dramatic twists, while others are simpler. This flexible shape creates an expressive and creative look to the lettering. Because it is designed with a rough border, it would be better if you use this font at a large text size so it is more easy to read. Enjoy the various features available in this font as well. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Rolling Brush is suitable for any designs that want to convey a warm, personal and alluring impression. You can use this font in the design of greeting cards, invitations, logos, labels, and many other design projects that want to create uniqueness through a natural, handwritten touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Neue Haas Unica™ family is an extended, reimagined version of the Haas Unica® design, a Helvetica® alternative that achieved near mythical status in the type community before it virtually disappeared. Originally released in 1980 by the Haas Type Foundry and designed by Team ’77 — André Gürtler, Erich Gschwind and Christian Mengelt— for phototypesetting technology of the day, the design was never successfully updated for today’s digital environments – until now. Toshi Omagari of Monotype Studio has given this classic a fresh, digital facelift with more weights, more languages and more letters to meet today’s digital and print needs. Available in 18 styles, the Neue Haas Unica family is remarkably appropriate for a wide range of applications, possessing a delicate gradation of weights and clear character shapes. The family's lighter weights are perfect for headlines and other large settings, as well as small blocks of copy at typical text sizes. The regular, medium and bold weights know no boundaries and the heavy and black designs are ideal for when typography needs to be powerful and commanding. Like the Neue Helvetica and Univers Next typefaces, the Neue Haas Unica family can be used just about anywhere – or for any project. In addition to its 9 tailored weights and complementary italics, the Neue Haas Unica family also possesses additional characters for Eastern and Central European, Greek and Cyrillic language support, which did not exist in the original design. A cosmopolitan typeface for today's modern, discerning design needs, the Neue Haas Unica collection is a new classic in the making—one that every designer should surely have at their disposal.

Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word) clunkiness. With the latest update, it becomes a true workhorse, with a range of widths and italics for the normal widths. Astrid Grotesk, while being clearly a neo-grotesk in appearance, has a personality all of its own. Standout characters include the f and t, and the default binocular g, unusual in neo-grotesks. And the right angled terminals on c, e and s. Stylistic sets offer up alternate forms of a, g, y, I, @, dutch IJ, german eszett and l. A full complement of numerals is included: proportional and tabular, lining and oldstyle, plus fractions, subscript and superscript. Note also that the tabular figures are duplexed across weights - very useful when highlighting specific entries in tables. The tabular figures feature also substitutes in fixed width (across all weights) comma and period, so your decimals line up perfectly always. Lastly, case sensitive forms of certain glyphs are included for all-cap settings. This typeface will be useful for corporate identities and branding work. It’s spaced more for text settings in the normal width, and gets more display-optimized as the width decreases, but with careful tracking, all styles can sing at display sizes. Bored of those other Swiss style typefaces? Astrid Grotesk could be the face you need to breathe new life into your designs. Coupled with Schizotype Grotesk, its more eccentric cousin, you've got an unorthodox branding system ready to use straight out of the box.

Spongy is a rubbery sans-serif typeface. It has round, soft shapes but a stiff and funny character. A quirky, clowny font, Spongy's highlighted cartoon letters looks like levitating balloons. Drawn and created by Mans Greback in 2021, this comic lettering has a satirical style and a light-hearted personality. It is provided as Highlighted, Bold, Light, Solid and Outlined! The combination of these jolly jelly fonts makes for the perfect set of party and birthday types. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Core Deco is font family inspired by Art Deco posters from 1920s, '30s, and '40s. The font family is anchored by two fonts: Core Deco, an elegant monolinear update of Art Deco lettering, and Core Deco C1, a vivacious weighted counterpart. Both channel the era's affinity for geometry and are accompanied by a host of alternate styles. Three variants of Core Deco (A1–A3) offer drop-shadow options on the monolinear style. Eight variants of C1 (B1–B6 and C2–C3) offer contemporary takes on Art Deco outlining and shading of weighted strokes. One variant (C4) offers a drop-shadow only option that may be layered with any of the weighted fonts. The Core Deco family supports complete Latin 1252, Central European 1250, and Turkish 1254 character sets. If you are looking for an Art Deco–style style font which is modern and immediately usable in various artworks, get this family!

Nearly a hundred human heads, in three dingbat files. The whole series comes from the sketchbook: the original ink drawings were then digitized and refined to create vector outlines. Rather than perfectly smooth, geometrical shapes, the Entestats, like their close relatives in the Capsbats series, the Entestats retain a handmade look and feel. The Entestats are ready-made illustrations, though of course they will appreciate being enriched with colours, textures, an imaginative layout... and use them for a variety of projects. Use them small, as spot illustrations or as big as a whole page or page spread. The Entestats and their kin, the Capsbats, are a terrific resource for presentations, packaging, logos, brochures and advertisements, to name a few applications. The book 1000 Heads is a compendium of the drawings featured in the Capsbats and Entestats and it gives a glimpse of the limitless applications of this collection.

Fanteo is a cool, modern and neat display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch. What's Included? Uppercase & Lowercase Numbers & Punctuation Regular & Italic Multilingual Support PUA Encoded

Falbench is a manual written font to get the best texture for each letter. Each letter character will make your design strong and dazzling, while challenging the eyes. Each letter and symbol is simply painted using the best brushes and ink.

Linotype Monticello was designed by C.H. Griffith in 1946. Its design is based on James Ronaldsons Roman No.1 and Oxford Typefaces from American Type Founders and was revised by Matthew Carter while he was working at Linotype between 1965 -1981.

The Maricava font was designed for a lady, who received her first computer on her 60th birthday. Maricava is loosely based on her own handwriting and now used intensely by herself in her short stories, writings, recipes and so on.

Malamondo is a versatile and effective all caps display font. Each version has 200 interlock ligatures that will help you to create custom looking designs. To access the ligatures you only need to write in CAPS in any Opentype supporting program.

Tower was originally created as a school assignment at the University of Industrial Art & Design Helsinki in 2006. Tower is an experimental dingbat font. Try writing different kind of towers: set font size and leading the same and start experimenting!

The modern font Makota is perfect for use in luxury-related design projects. Its tall elegant typeface makes it ideal for branding and advertising, while its high legibility makes it perfect for use on websites, advertisements and other types of communication.

This font is an addition to the Italican Oblique family, where the lower case characters have been redeveloped to give an impression of script. While some characters join together, there was no intention to create this style throughout the whole font.

Bush Market is a handwriting script typeface designed to give off a bouncing, fast writing vibe, and informal. It can be used as a handwritten header display or as a stylish text for magazine, blog, branding, packaging, wedding invitation project, etc.

I set out to design a monospaced font and decided it would look way better if it wasn't. It gave me the freedom to make the individual glyphs more interesting while retaining the mono-look. The numerals are tabular! Enjoy!

Creative Farmhouse is a fun and playful duo font (decorative and handwritten.) The handwritten characters are casual and quirky, while the decorative characters embody endless fun in farmhouse-related objects. Get creative, and use this font to create something spectacular!

Based on some beautifully blobby lettering, handwritten by printer and mailartist, Alan Brignull. Alan creates amazingly credible artistamps for the virtual countries of Adanaland and the Perfect State of Flatby, lands frozen in boyhood Englishness forever. He writes nicely too.

Monster was originally created as a school assignment at the University of Industrial Art & Design Helsinki in 2006. Monster is an experimental dingbat font. Try writing different kind of monsters: set font size and leading the same and start experimenting!

The Tecn@ Standard family was designed so that its characters are legible and easy to interpret in any writing; among them, the descriptive memory of plans for example. Tecn@ Standard complements the Tecn@ Background Light and Dark Square Triangle font family.

Bamberforth is a new take on the type of lettering that was often seen on Railway timetables, share certificates and anything else that needed a distinctive heading in the mid-19th Century. This sort of thing was used on both sides of the Atlantic and can carry us back to another time. Bamberforth aims to give a modern clarity to a style of lettering that, in all other particulars, harks straight back to Victorian times. Bamberforth is ideal for giving anything a 19th century feel-especially posters, book headings, dust jackets and invitations.

From A to B, or not to Z: that is the question mark: whether 'tis nobler in the mind to kern with the left and right arrows of outrageous keyboards, or to take arms against a sea of ' thought bubbles,' and by opposing, burst them? To sigh, with those little fireflies: to sleep; No more; and by sleep that is to say we end each line of dialogue with 'zzzzz;' The heart-shapes and the thousand drops of sweat popping off my forehead that sight of flesh is sure to produce, 'tis a consummation devoutly to be letter'd. To die with still at least five balloons of dialogue, to sleep; perchance to flashback to a scene in a previous issue while a picture of my head floats in the corner of each panel: ay, there's the rub; 'Nuff Said.

Dorset marks Léon Hugues first script typeface and first release with the Positype Flourish label. Built crosscurrent to a strict revival or calligraphic digitization, Dorset’s aim was to understand how a font could interact with various calligraphic influences in a single execution and how that interpretation by Léon would lead to new, exclusive design choices. The design purposely chose to connect various gestures from Spencerian handwriting and copperplate calligraphy and meld that with his initial experiments with fine, flat nibs. The result is wholly unique and useful when clear, open, and legible script typography is desired. OpenType features included in this typeface allow the user to seamlessly move from an italic to connected script, while the various stylistic sets can lead you to variations of texture and rhythm, allowing for a more personal and exact expression.

Segnieur Modern is a modern sans-serif font that redefines elegance in the digital age. Its precise geometry, distinctive letterforms, and versatility make it an excellent choice for designers seeking a font that effortlessly combines modernity with timeless style. Elevate your projects with Segnieur Modern's sleek and sophisticated aesthetic. Segnieur Modern is highly versatile, making it suitable for a wide array of design applications, including corporate branding, product branding, editorian design and advertising. Branding: Elevate your brand's identity with a font that radiates professionalism and contemporary appeal. Editorial Design: Whether it's magazines, brochures, or posters, this font enhances readability while maintaining a sleek appearance. Advertising: Make your advertisements stand out with a font that combines sophistication and readability. The font includes an extensive character set that covers multiple languages and special characters, ensuring global usability and versatility.

TT Tricks useful links: Specimen | Graphic presentation | Customization options TT Tricks is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of TT Tricks are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature. The original idea of TT Tricks is based on the graduation project of student Sofia Yasenkova, who chose to create a daily planner font as her final project. This led to many stylistic decisions, for example, the large and asymmetrical serifs, low contrast strokes, and the presence of interesting details. In the process of working on TT Tricks, we have significantly revised the initial idea and expanded the areas of possible font application, while maintaining the original spirit of the project. Despite the large number of display details, the typeface looks great in a small point size, and also when it is used in large text arrays. TT Tricks features an original stylistic set which, when turned on, adds features of typical pointed-pen serifs to some of the lowercase characters. In addition, TT Tricks has small capitals for Latin and Cyrillic alphabets, as well as several interesting ligatures. The TT Tricks font family consists of two font subfamilies, these are the main version and the version with the original stencil cutting. Each subfamily consists of 12 fonts: Light, Regular, DemiBold, Bold, ExtraBold, Black + True Italics. Following a good tradition, TT Tricks supports a large number of OpenType features: ordn, case, c2sc, smcp, frac, sinf, sups, numr, dnom, onum, tnum, pnum, dlig, liga, calt, salt (ss01).