Auberjean is a playful handmade display font, great for social posts, editorial design, posters, book covers, signs, and more! This font has a hip and contemporary feel. It works well for headlines as both uppercase and lowercase, as well as short blocks of text like quotes and info blurbs. The thick, rounded style means it looks great with an outside stroke or offset outline.

Monoplan is a versatile monospaced sans serif typeface. Minimal shapes and straight sides are definitive features of the typeface. Tables, headers, code blocks, signages or other small informative texts are the standard places where Monoplan shines. Different alternatives such as square dots, alternate /a /y /6 /9, coverage of 94 Latin languages, various Opentype features, and 5 styles expand the usage area of ​​Monoplan.

Blomfer is a simple, yet dynamic Graphic Typeface based on the chamfering of a simple block font. The design element of the chamfered corners also expresses as the opposite, protruding seraph like corners and angled terminations to ascenders and descenders. It is available in four weights all of which contain many glyphs that includes accents, ligatures, and mathematic symbols to meet the needs of most latin languages.

A timeless serif with a distinctly contemporary attitude. The Senhan font family makes a statement with confidence. Defined by sexy, sharp, angular contours when used in headline and display scenarios, this family of 5 weights and italics is a real eye-catcher. But with a tall’ish x-height for legibility, and a medium contrast, Senhan is a workhorse at small sizes and in lengthy blocks of copy.

Step into your next project with comfort. Espadrille is handmade, clean, and friendly, without being loud. Appealing for a casual, but style conscious crowd - whether brightening t-shirts, posters, packaging, or publications, its one-height upper and lower case make it fun for creative blocks of text and mixing cases at will. It features double-letter discretionary ligatures as well as a few extras.

Agharti is a bold condensed display font perfect for headlines with a punch. The lowercase glyphs reach as high as the capitals so even if you are not typing in all caps you will have a solid impactful block of text. These extra tall lowercase letters will be sure to catch attention from any viewer and add some playful delight to any design project.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

The sheet music for the title song of the 1960 movie "Exodus" had the name hand lettered in a block stencil style with rounded corners and narrow "rails" [the breaks between the stencil parts]. Loosely based on this design and working from just the six letters of the title, Cartage Stencil JNL is available as a digital font in both regular and oblique versions.

The letterforms for this typeface are pretty much standard block gothic, but its prismatic treatment features a twist: the letters appear to be lit from below rather than above, which is usually the norm. The result is a perfect choice for dramatic headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Quatsity is a squarish or boxy serifed font with rounded corners. Quatsity is is suitable for titles or signage and legible enough for small blocks of text. Quatsity-Light was constructed in 1995 by blending two very different faces, a typeface very similar to Kwersity (with low contrast) and one similar to Qwatick (with high contrast). The other seven styles were added in 2020.

Hello! Introducing Quartell - modern display typeface family. Font looks amazing as alone words and as full text blocks. Also it good for bright captions and unforgettable logos It have supporting for many languages as: Czech, Danish and Norwegian, Deutsch, English, Espanol, French, Italiano, Magyar, Nederlands, Polish, Portuguese, Finnish, Swedish, Turkish, Russian and other based on extended latin. Thank you for purchasing and happy designing :)

'Suddenly --' just isn't 'Soon...' enough for some people, and 'Later...' isn't quite 'The Next Day...' 'Meanwhile...' lies inbetween 'Seconds pass...' and 'That Night...' and was designed by Comicraft's John 'With Just a few minutes to Go...' Roshell in order to tell the tales of Marvel's AVENGERS and FANTASTIC FOUR. 'And now, back to the action...'

Rachert is a retro bold font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Rachert is PUA encoded which means you can access all glyphs and swashes with ease!

The second in our Cool Japan series, Odaiba Soul echoes back to some of the futuristic amusement centers and entertainments found on Odaiba Island in Tokyo Bay. Tailored for sci-fi lettering, anime awesomeness or even just making flyers for a day trip across the Rainbow Bridge, this is one to keep in mind!

The Federal Music Project was part of Franklin D. Roosevelt's WPA (Works Progress Administration), putting many people back to work in the Depression years of the 1930s. A hand-lettered poster advertising an "American Music Festival" featuring the Bridgeport Symphony Orchestra offered up the extra bold Art Deco inspiration which became Music Festival JNL

When I created my first website, I loved using vintage sewing pattern illustrations in my designs. Thinking back on it, I wanted to create a dingbat inspired by those images and Sewing Patterns is the result. The font features ladies-fashions in silhouette form for uppercase and lowercase letters and childrens- styles for the numbers.

"Punk is not dead, grunge is not dread, skateboarding and grafitti is forever" - shouted by some (possibly drunk!) person one late night. I had these "wise" words in the back of my mind, while making this font. I wanted to capture the wildness of both punk/grunge/skateboarding and grafitti without overdoing any of them!

Kindness Power font set is a psychedelic and funky blend with a bubbly touch. This set is very well suited for use in logos, social media quotations, t-shirt designs, and many other scenarios. Kindness Power, which is available in four variations, undoubtedly ties your design together and provides it a laid-back feel.

If you are looking for a simple, twisted and funny font with lack of readability, you should take a look at Jazzy B typeface. The family contains 2 styles: Thin and Bold. Jazzy B Regular combines these two style, so you can easily create catchy captions for music posters, children books and video games.

Geisha Holiday is an urban font with a unique look. The letters express slightly the formalized strokes of kanji characters but the overall tone is relaxation. Enjoy the laid back, modern, and distinctive style of Geisha Holiday. Geisha Holiday is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Upperclass was a font I created back in 1995. I had a brainstorm about the uppercase letter “A”. I noticed that the cross bar for the letter A is always toward the bottom, what if I moved it toward the top. The result is a unique font, a great addition to your font collection.

Back in the days when we earned our living with a travelling magic show, we took the shaded font Lithotint, filled it in, modified some characters, and here is the result. In those days, to use the font we had to cut and paste stats of individual letters by hand. You have it easier!

There is nothing dangerous about this font, but indeed something dashy! That may not make much sense, and that's the same with the font - unless you want to do something eye-catching and organic looking for kids! Dashy Danger is my laid back, kinda wild, legible but unpredictable kids font - with an organic twist!

RM Sans has been designed to offer an useful but inexpensive family of 5 regular weights; 3 condensed weights; 5 outline weights and an 'eco' alternative. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

On a huge garbage bin in Lisbon I saw the sentence, “Perdidos no kaos”, which means lost in chaos and I really liked the rough stenciled lettering. Back home I designed a typeface that wasn't quite as chaotic as the lettering on the garbage container. Yours – always on the lookout for great typefaces – Gert Wiescher

Have you ever wanted to set a headline within a burst, but found the drawing of all of those angles was a bit too tedious? Sales Pitch JNL solves that problem by setting letters, numbers and punctuation inside individual sections which, when typed out, generates an extended burst pattern. For a flat sided pair of end caps, use the left or right bracket keys. For burst ends, use the left or right brace keys. A blank space is located on the equal sign keystroke, and a wider blank space is on the plus sign. Keep in mind the optical illusion in some program that shows line gaps between characters on the screen. All characters have equal sidebar settings, and are flush with each other. Sales Pitch JNL contains the basic A-Z and 0-9 characters as well as numerous punctuation. For a companion font with a more complete character set, use Prankster JNL, the same type design, but without the burst pattern.

A unicase typeface inspired by Latin American wrestling. Versus is a type system designed for use with short and block text. The font, based on well-known typefaces found on boxing posters, combines Latin American elements and wrestling; it is this mixture of widths and weights and different styles which helps give your designs a unique flavour and personality. Versus is a unicase sans serif font well-suited for display use; its orthogonal terminals and short ascenders and descenders make it ideal for block of texts. By mixing different weights, you can have a wide range of design options—short text, isolated words, logos, titles, branding design, posters, etc. The Versus family comes in 9 weights—from a lightweight and condensed Extra Light to an expanded and heavy Ultra. Its character set supports over 200 different languages. The font also includes a large number of stylistic alternates and a complete ligature set which give your compositions a strong identity and personality.

American Copper Family is a vintage font inspired by an old American motorcycle logo. The logo looks very manly and strong, just like the motorbike. American Copper Script is the dominant one that turns the logo into a font. Whereas the Sans and Block family is a complement to the Script. But all three are a very good unit to be juxtaposed together. American Copper is a font made for you (designers) who love automotives: old cars and motorbikes. Anything related to automotive. Besides these two objects, this font is also very cool for music-themed design needs; rock n roll, metal, rockabilly, and others. Oh yes, Custom Culture is another very interesting thing to be depicted with this font. Workshop logo for example. It will look very unique with Interlock on American Copper Script. Pair it with American Copper Block. And, BOOM! The logo will look very manly. If you are curious, you can download the American Copper Script Demo version to try. Happy Designing. Cheers

The inspiration source for Chaoxiang Monogram is another hand-drawn treasure from a vintage embroidery publication which plays on the anglo-version of chinese letters with stabbing strokes and the charm of the orient. While the original intent of this monogram style is uncertain, the possibilities of its use are up to your imagination. This is one of many monogram designs from the early 1900’s which fall into a two letter format bound within a framing element. Download and view the MFC Chaoxiang Guidebook if you would like to learn a little more.

Autobats is a set of over 100 different car and truck icons, minimal silhouettes that can be adapted to whatever context your design flings at them. The mystery of why this font has been so popular was solved when one of our customers said, “I always use this thing, because the name starts with A, so it’s one of the first fonts I see in my slap-a-logo collection”. To see all the icons available, a glyph palette would be come in handy while using the font. Honk if you like convenience. Beep beep!

From the lab of Open Window comes Farm Girl. Farm Girl was inspired by old Art Nouveau posters from Toulouse Lautrec and others. Farm Girl utilizes the same 'loosey-goosey' quality as those posters. Farm Girl consists of 3 different styles which are designed to be used in combination with each other. Many different variations are possible. It's fresh cut and contemporary. It's ideal use is as a display font.

Tambau is a display typeface crafted by Matheus “Fio” Gonçalves, a Brazilian design student, still in college, inspired by Brazilian concert urban posters and wood type that I saw at the Oficina Tipográfica São Paulo. The font was first made for a magazine project in design school, making it beautiful on giant pages headlines, billboards, signs, etc. There’s no lowercase, the character set is dramatic and objective. The uppercase is actually expanded letterforms causing some eyes and breathing paths to the very condensed and very modular glyphs, which creates a quite interesting striped texture between form, counterform and spacing. The lots of ligatures come to give it more closure between the letters, when they try to form blank spaces. So do the diacritics, fitting in the space given to them by the dynamic letterforms, making dense rectangular blocks. You may use Tambau as big as you can or do a high tracking to it and still it will be pretty. The titles can be dynamic, just condensed or just large. It’s on your own. Don’t be afraid to play with Tambau, it’s an alive typography. Curiosity: For the magazine in design school, the pilot project of Tambau was cut in a MDF board, to print it with texture and paint. Later was added more characters, languages and special glyphs to it. Set: Tambau is a singular font typeface, with extended and condensed characters, numbers, ligatures, punctuation and symbols for Basic, Western, Central and South Eastern Latin languages.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the a" and the "k." The ATF version did not include an accompanying Italic. In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the forms of Clearface. The result was ITC Clearface, a serif typeface with marked stroke contrast and italic weights. The teardrop-formed endings of the lowercase a, c and f (also found in Caslon) define the character of the face. The type's design is also distinguished by its small -- almost slab -- serifs, a large x-height, and little stroke contrast. ITC Clearface, with its historical touch, is good for both texts and headlines, but its slightly condensed nature performs at its best when it is allowed its space.

Say it softer with Solitas Serif. Perfect for the designer needing a serif without the stiffness, Solitas Serif will turn your reader’s eye with its slight serifs and rounded corners. This softer version of the curves found in Solitas and Solitas Slab gives your work a subtle yet noticeable charm. Solitas Serif’s 42 rich fonts live comfortably in print and on packaging as well as online. With its soft, pleasant appeal, your reader can move over the typeface with ease. Intermediate weights are available for long amounts of text, and the bold version makes a strong but gentle stance in headlines and subheadings. Altogether, Solitas Serif remains an unimposing and graceful font, despite its large selection of seven weights, three widths, and italic sets. Solitas Serif’s OpenType options include capitals, ligatures, ordinal numbers, fractions, denominators, superscripts and subscripts. Serif also supports Western European, Central European and Eastern European languages. For a sweet approach, charm your reader with simple and soft. Charm them with the subtle Solitas Serif.

It's here and it's a major upgrade to Hudson NY. Weight variations and alternate glyphs were some of the requests that were being received for Hudson NY and these have all been taken care of in the Pro Edition of Hudson NY. Hudson NY Pro still comes in Regular, Serif and Slab styles now with completely re-drawn glyphs, there are now six weights as well as italics for each style. Some of the additional features included in the Pro Edition is Small Caps, Stylistic Sets and Alternate Glyphs. Hudson NY is now loads more versatile, it is the perfect Display family for sports, beverage and entertainment. Press versions have been dropped in the Pro Edition as these were the lesser used and sluggish fonts of the original Hudson NY family so the focus was to create a cleaner family with more usability options. Each Hudson NY style now also includes a Variable font which saves you the hassle of installing multiple font files.

Smashed Typeface is a reversed-contrast, slab serif, display font. Was inspired by the old west days that we can often see in printing, circus posters and wanted notices in western movies, even tho the style was really used in many parts of the world during that period. This style is sometimes called as "circus letter" too. Was designed to have a modern look, using straighter lines and an extended style, can be used on various situations like posters, logos for restaurants, alternative business like an old washing station (as you can see on the next images), music bands etc. I believe that is a promising typography that can be used by various designers in a lot of diverse project. It counts with 226 multi language characters, one weight on version 1.0, on a next version I hope to take this project to another level, creating a variable typeface from condensed to really extended weights. It would complete this typography and eliminate the limits of use.

Rosewood font, like its relatives Zebrawood, Pepperwood and Ponderosa, was created by the designer trio K.B. Chansler, C. Crossgrove and C. Twombly, and has its roots in the slab serif style. The first weight displays the simplicity typical of display typefaces at the end of the 18th century. The other weights are playful variations on this theme. The tendency toward display and ornametal typefaces began with the English Industrial Revolution. The introduction of new machines made mass production possible in the print industry, a technique meant to constantly produce new and unusual products to sell to more and more consumers. Many of the typefaces created in this time were meant simply to catch attention and to advertise products. The two ornamental weights of Rosewood reflect this tendency and never fail to catch the reader's eye. Rosewood, like Zebrawood and Schwennel, is a bicolor font, meaning that the weight Rosewood fill can be used as a decoration for the inner spaces of Rosewood regular.

Texicali is a multiple weight type design based on our FontMesa logo. The idea was simple: create a sans serif with a few slab serifs added resulting in a style that could feel at home just about anywhere. The regular/standard set works well for general use while the Alt set is perfect for when you want to add a little country charm. The Alt set has a few additional alternate letters built in which are easily accessed using Adobe Creative Suite products such as Illustrator and In Design. The X version, with its higher x-height lowercase, is ideal for signage where you want the look of a lowercase, however your sign still needs to be readable from the street. Larger x-heights also come in handy for web use helping to make the text more readable on smaller devices. The price of font styles are subject to change without notice.