Hargloves sans remixes between grotesque proportions and 80’ industrial inspired-typefaces. Yes, it is a major improvement from original Hargloves fonts with completely different projections. Hargloves Sans intended primarily for text, editorial or long-form text. This new design emphasized on reader joy experience when reading text without losing typeface characters. Hargloves Sans support almost all Latin script language, roughly around 356 latin language according to hyperglot analytics. This language coverage is heypentype priority to serve all possible Latin script language all over the world. The premise is simple, because it is text typeface it should cover all Latin script languages whether its popular language or not. Hargloves Sans have a higher x-height compared to Hargloves. Higher x-height will give a seamless, undistracted reading. The open counter on nearly squared proportions is Hargloves Sans main character. There’s a lot of feature coming for this typeface in the future.

Amateur Typewriter is a monospaced typewriter font, sampled from a real vintage typewriter, that is so much fun to use. Each letter and number includes 3 versions that are slightly different from each other and appear “randomly” through the contextual aternates OT feature. This gives this typewriter font an extra dose of realism. The alternative versions of the font (strikethrough, crossed and underlined variations) make it perfect for any design that needs a quirky but very legible typewritten feel, in both titles and longer texts. Use Amateur Typewriter in: logotype design, postcards and tags, editorial and website designs, projects that need a retro look, such as digital collages, among others. What you will get in this set: - A regular version of the Amateur Typewriter font with an Italic variation - Strikethrough, Crossed-out and Underlined versions of the font, with Italic alternatives, for a total of 8 fonts

Even though the name seems not to tell much, Indecise shows a clean and coherent design. The shapes of the characters reference the Latin typefaces that were promoted by great figures like Enric Crous-Vidal and José Mendoza y Almeida in the 50s. Indecise uses the body of incise typefaces and gets rid of the subtle terminals for the strokes. It is a high-contrast sans divided into 5 elegant subfamilies, which use different widths. From the condensed version to the extended one, the family includes 50 fonts counting upright and italic. This collection of widths make for many possible combinations of styles. Indecise is a humanist typeface, it puts geometry apart and embraces the calligraphic gesture. This helps to suggest the movement of the strokes while avoiding to create text with a static appearance. Thin and thick strokes come together and define a smooth rhythm for reading.

EXCLUSIVE! Read all about it! The latest scoop from Comicraft is sure to be in all the newspapers today! The Times are a changin' -- comic book letterers everywhere can say a font farewell to typesetting the front pages of Planets and Bugles in Helvetica, Verdana or Gill Sans! Superhero's Pal, Johnny "Roshell" Olsen, was up all night writing copy for the late-night edition, making sure that your newspaper headlines and copy have a warm, pen lettered look... some might say a Rosen-glow! Put a little Extra Extra in your bylines and maybe there's a Pulitzer and an Eisner in your future! Not ready to purchase? Get ExtraExtra Engraved free with any purchase, or by subscribing to our newsletter at the bottom of this page. Features Seven fonts (Regular, Italic, Bold, Bold Italic, Heavy, Heavy Italic & Engraved) with upper and lower case alphabets.

INTRODUCING MONOLOGUE ROUNDED! A softer, more humane, and funnier version of MONOLGUE. MONOLOGUE itself is a simple, condensed sans serif font with bold and complex personality. It was purposely crafted to be used in large point sizes, although it doesn't lose it's magic in small point sizes. With this rounded version, you can be even more expressive in your design projects. FEATURES: Basic latin characters, numerals, punctuations and symbols. Extensive language support, including slavic languages with cyrillic alphabet. Stylistic Alternates Stylistic Sets (ss01–ss06) 100+ Discretionary Ligatures Ordinals Preconstructed fractions Fractions Superscript and Superscript Numerals Kerned, spaced, and hinted If you have any questions, please don't hesitate to contact me via email at muhtadi.yusril@gmail.com. Check out my other works, such as font design, lettering, and type exploration on Instagram @yusril.muhtadi (https://www.instagram.com/yusril.muhtadi) Thank you for visiting and have a great, great day! Yusril Muhtadi

The Typeface «Mixcoatl» by Elia Salvisberg was developed as a part of a course at the Lucerne School of Design and Art in 2016. Based on the book «The Empire of the Inca», a display-font has been created, which is inspired by the graphic language of the South American Empire of the Incas. At the beginning, only capital letters were designed but there was the desire for a complete typeface – which is why the missing signs were added. The font is based on a grid, so the characters are constructed equivalently and a uniform geometric font arose. The name was adopted from the god of hunting who plays an important role in the mythology of the Aztecs and appears in various forms. The uppercase letters can also be represented and combined in two alternative character-sets, so there are a lot of opportunities to combine uppercase words in different forms.

Poruka is slanted script typeface with connected letters with gently condensed look. Letters are designed as monoline forms with decent dose of elegancy and stylistic uniformity. Poruka is imagined mainly as typeface for shorter texts or headlines, where text needs to stand out from other elements of content. It can be used successfully both as webfont and on printed materials – all kinds of invitations, labels, packages, posters and editorial use. Poruka comes with two Stylistic Sets – 01 which activates uppercase letters with full font height (from the top of ascender to the bottom of descender) and 02 – which activates handwritten forms on "b", "d", "h" and "l" letters. Also, Poruka is equipped with Swashes and Discretionary Ligatures which doesn't really represent classical pack of expected ligatures, but more as graphical version of a couple of words like "yes", "no", "wait", "ciao" and a few more.

Opal Pro is a text family designed by Hannes von Döhren in 2008. It gives every text a noble character. The typeface has long ascenders that clearly rise above the capital letters and a low x-height. Opal’s letters sport inktraps at stroke junctions, which on one hand create a cutout feeling and on the other hand strengthens the image in larger point sizes. In total, the letterforms have clear emphasis on their verticals and horizontals; they do not fear the weight on their curves. In addition to the Italic and Bold, the Opal type family includes a Script face, whose letterforms include connections, similar to handwriting. On top of that, the typeface possesses swash letters for italic and script, small caps, many ligatures and borders & ornaments. With a little bit of care, designers will be able to create the finest of traditional, elegant work with this family.

Absinette takes us straight back to 19th century France. Its a decorative family of Roman faces in three widths as well as a more elaborate inline style, ideal for posters with an Edwardian or Victorian theme.

Introducing Clockwork Blackletter Vintage Clockwork Blackletter Vintage is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade.

Alina is a laid-back condensed script font. Alina includes OpenType ligatures to all lowercase double letters to make them subtly differ from each other. So Alina feels a little bit more hand lettered and lively.

With Advertisers Gothic, SoftMaker revives a 1917 design by Robert Wiebking. Inspired by Art Nouveau (Jugendstil) lettering, this typeface is as fresh as it was back then and is well-suited for advertising and display work.

A 60s, 70s revival this curled casual latin brings back that great look. The font comes with an alternate version which can be used as a separate font or you can mix and match the two.

The typeface Liebelei has its roots back in 1932, when Vienna-based painter Rudolf Vogl created the poster for a movie called Liebelei after the popular play by Arthur Schnitzler. Now also available as Variable font!

"Atheline" is a beautiful and elegant handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, photography, stickers, banners, branding, Christmas, back to school, and others.

A traditional Italian style font family inspired by the rural landscape and characterful back streets of Tuscany. The blend of gently rolling hills leading onto sharply peaked mountains has influenced the natural shapes of the letterforms.

Welcome to our cozy coffee shop! Come on in, take a seat and savor the aroma of freshly brewed coffee. Speaking of coffee, have you seen our new font? Meet Barrista! Its relaxed, curly script perfectly captures the whirling curls of steam rising from a hot cup of Joe. Barrista is not just any font. Thanks to OpenType ligatures, certain letter combinations will automatically be substituted with customer pairings. This creates a natural, relaxed look that’s perfect for our laid-back atmosphere. Imagine jotting down your order in Barrista, watching as our talented baristas create your perfect cup of coffee. As you wait for your order, you can admire the intricate details of Barrista’s flowing script, which is inspired by the art of coffee-making itself. So, come on down to our coffee shop and experience Barrista for yourself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Charming 80's retro inspired typeface with wonderful versatility given it includes 30 fonts. This is a perfect for any project Inspired by magazine adverts from the 70's and 80's - this family fit right in with bringing retro back into the 21st century. Super-versatile - have a scroll through all the preview to see the very wide range of variety the Avantime back can manifest the possibilities are really quite endless :) Avantime Font Features: 30 fonts Full Set of standard alphabet and punctuation PUA Encoded - no special software needed to access extra characters Language support: All European languages Multilingual Characters

Kaikoura is a small town on the east coast of the South Island of New Zealand. It is a very pleasant, laid-back place where the mountains meet the sea. Kaikoura is also the best place in the world to spot sperm whales. Kaikoura font is quite similar in appearance: it is laid-back and beautiful, has sharp peaks and generous curves. I am still trying to find out how to add whale watching to this description… Kaikoura is an all caps font with a lower case alternative for the o and y. It comes with an ocean of diacritics.

SmoothSoul is a display sans-serif font with a smooth shape and a retro style characterized by its lack of decorative lines, which gives it a clean and modern-retro appearance. The smooth curves of this font create a sense of fluidity and ease, while the lack of serifs makes it feel relaxed and informal. The retro style of this font is evocative of the 1960s and 70s, with a nod to the playful and carefree design sensibilities of that era. Overall, this font is perfect for conveying a sense of fun and approachability, while still maintaining a sense of professionalism and modernity.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina's story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn't even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.

Blambot's Adversary BB family is a robust sans with a hint of retro-futurism. It was initially created for use in Blambot founder, Nate Piekos's pesonal title block for design projects. It's therefor very clean and extremely legible. The set includes regular, italic, bold, and bold italic.

The Swipe Write letterforms are casual yet also look neat in a paragraph block of display copy. Available in both Regular and Solid styles, it is a powerful font that can be used for, posters, T-shirts, signage & design projects with a freehand and artistic feel.

Thornback is a hand-drawn font that uses quick, scribbled strokes to create it's slightly messy sans-serif characters. The detailed letters make it a good choice for headlines but it's also bold enough to add a homemade touch to smaller text blocks while keeping things legible.

Using examples of antique street signs from New York City, Stickball JNL recreates the iconic lettering in a digital typeface and is available in both regular and oblique versions. For a nostalgic touch, a blank street sign is located on either the solid or broken bar keystrokes.

Quirthy is a textured brush handwritten font. This fantastic font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Quirthy will look spectacular.

A set of water-applied decals manufactured in 1962 by the American Decalcomania Company for Goodyear serves as the basis for Margate JNL. This block-style letter (with a hint of the Art Deco era) is bold, uniform in weight and commands attention in any titling application.

Geometric elements combined to create solid square letters. Makes for interesting blocks of text - and headings. All the diacritical letters have the diacritic embedded into the base letter, so every glyph in this font is within a square. Start stacking your text! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Petit Oiseau (Little Bird in French) is a very nice and very legible 'back-to-school' kind of typeface. It is thin, elegant and stylish, yet retains a certain youthfulness. Petit Oiseau comes with Babylonian language support!

Floralissimo are flowery embellishments that I found in several old publishing books dating back over a hundred years. I thought they might be useful for some of you, so I digitized them. Your digitizing typedesigner, Gert Wiescher

"Christmas Shadow" is a beautiful handwritten font with a love shape. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, invitations, back to school, autumn, Christmas, and others.

Roquette is the work of British designer Martin Wait, a casual all capital wedge serif typeface which brings the 1950s back to life. The undulating baseline and lively spot illustrations of Roquette will pep up any headline.

Here's a trip back to the Disco Age, based on a font called Gemini Biform from Fotostar. Big, bold, brassy and sassy. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Waba Pronounced ‘Vah-bah’, is a font family that I designed. The name comes from a historical variation on the Estonian word ‘vaba’ – meaning ‘free’, or 'at liberty'. Back in 2017 I visited the Estonian Print & Paper Museum in Tartu to see its great collection of type (well worth a visit!). While I was there I saw some big woodcut blocks of Reklameschrift Herold - a super Art Nouveau/Jugendstil style display font. The Print & Paper Museum's collection covers both Latin and Cyrillic faces and as a foreigner in these parts I'm kind of fascinated by the exoticism of Cyrillic. How it is different but the same to the Latin letters I take for granted (as a humble Englander – no excuses). Not to mention, Jugendstil with its imitation of natural form, reverse-weights and looping-delicious curves (like you've left the window open all summer and the garden plants are climbing in). This mix of Jugendstil, Cyrillic letters and the beautiful historical border town of Tartu inspired me to start drawing Waba. Trimming the serifs from Herold, simplifying those angles and expanding the category of weights, then taking look at the magical logic of Berthold Block and doing a few things that just seemed right at the time – Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. Waba Monogram Waba also contains a monogram face, which allows you to create any monogramming latin and cyrillic. Simply type out your 2-3-4 characters in Waba Monogram, making sure Contextual Alternates is turned on them voila! Monograms can be customised manually using the OpenType select-pop-up in Adobe. Also included are a few Discretionary Ligatures for Mc, De, Von etc. Monograms work best when Contextual Alternates is turned on.

Another typical Art Deco font from Nick Curtis. Uppercase only, but with alternate letterforms in the lowercase positions. I have completely redesigned all the diacritics (which were way too flimsy for this robust design) before expanding the character set in the usual fashion. Nick Curtis says: "Back in the Olden Days of Graphic Design B.C. (before computers), type freaks used to wait in anxious anticipation for each new release of the Letraset catalog. The inspiration for this font, Premiere Lightline, was one such release, and probably help spur my interest in Deco designs. The original font was VERY light indeed, suitable only for use in large sizes. My version is beefier, and includes an entire lower case of alternate letterforms, making this (at least) two fonts in one. The name is the 40’s hep talk equivalent of “Cool!”". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Some typefaces need time to ripen; Burian and Scaglione made the first sketches for Ebony back in 2008, but it took a few years of maturing in a drawer to be developed into a multi-functional type family. While keeping in tune with TypeTogether’s focus on complex typographic structures needed for magazine, newspapers and books —whether printed or digital—, Ebony goes far beyond editorial use and promises great performance in branding and advertising. The range of dark weights with taut and powerful curves can boost any headline, while the lighter styles create an approachable and clean feel in blocks of continuous text. Ebony does not fall short on aiding legibility either; letterforms have a distinct direction of ductus and features like the top serif on ‘l’ help making them clearly distinguishable from each other. It is a type family that cleverly seeks a balance between the openness and legibility of humanist sans serifs and the striking and more regularised character of grotesques. The letter-shapes feature generous counters and open terminals with crisp angles, and daringly grow both in colour and width as the fonts get bolder. Infused with this strength, Ebony also shows a quirky side in some of her shapes; the vertical fractions, the at-symbol, the old-style numbers, … The predominantly slanted style of the italics is broken up in some letterforms, such as ‘a e f l’, that are more in line with a classic cursive appearance. This, together with a forceful italic angle, ensure a change in texture within a block of text, despite sharing the same letter weight and width with the uprights. With 18 styles, tending towards the heavier part of the weight-spectrum, this face has a powerful quality!

Galvantur is a sans serif font, suitable for a wide range of applications. The main characteristic of this font is the slightly alien feel it can invoke, allowing it to really appear different and stand out, comparative to what other sans serifs may look like. The multiple styles included can further help customize your designs and projects, whether it's a body of text or an attention grabbing title. For example switching a block of text from regular style to oblique, can drastically change the overall appearance and feel of said text. Comes in 7 different styles - Regular, Oblique, Bold, Bold Oblique, Outlines, Bold Outlines and Oblique Outlines. To get an idea of the various styles, please check out the preview pictures or use the preview field to type in text. A full list of the glyphs included in this font can also be seen in the preview images. Galvantur supports Latin and Cyrillic based languages. The font includes a single alternative character for the letter "h". Because of the lack of ligatures and alternates, the font is rather standardized and will work with any and all software/applications.

Vagabond is a vintage font family whose natural home is on the back porch, ranch or railroad. A rugged slab serif with a lived-in look, it’s lends a note of earthy authenticity to any graphic design project.

Peace, love, togetherness and a fun font from Jeff Levine called Groovy Summer JNL harkens back to the long summer days of the 60's or 70's when life was just a little bit slower and happier...