Gatlik Saphir is a classic font, I built it with my relaxed hands, designing a classic font but having a modern element in it, which makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxury. Try Gatlik Saphir, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Thank you for purchase!

Semethone is modern calligraphy font with chic style. It's perfect for branding, wedding invitation, card, signature, watermark for photography and many others. Semethone come with beautiful set of hand lettered uppercase and lowercase, punctuation, multilingual language. This font also equipped with beautiful swashes and ligature which will be perfect for your design project. I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you

Phoony script is a hand brushed font with and irregular baseline. Contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. This font ideal for use as bold lettering style in blog headers, posters, wedding elements, t-shirt, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ

Kyomic is a serif fonts with a solid looks bold and also beautiful curves in an alternate characters. A style that we choose as a Natural looks of the Hand-Drawn made Athans as a unique identity of this fonts. Kyomic also comes with alternative characters that carefully created for adding a minimalist decor of the letters. and it looks right on every character's we've made. Stylistic alternates allows versatile design options and works perfectly for Headlines, Posters, Logos Packaging, Branding, T-shirts, Greetings, Persentation and much more.

An image spotted on the internet of a brass shipping stencil for the Royal Quality Brand (for the John H. Fitch Company of Youngstown, Ohio – a coffee and spice merchant). The lettering style for “Royal Quality” was a hand-cut, condensed, slightly flared sans serif with various character flourishes, giving the letters a stylish, somewhat regal look. Expanding on this idea, a full character set was developed and redrawn digitally as Royal Stencil JNL, which is available in both regular and oblique versions.

Nasti Sweet is a round bubble display font, a very unique trendy font with a combination of modern character bindings, and I think this product suits the teaser display theme in every headline design, business cards, leaflets, magazines, children's events, and brand screen printing. Come on, take a look and be happy to hear the review. If you have suggestions about this product, please let your work environment know whether this product is good for them. Thank you so much for everything!!

This font was created to look as close to a natural handwritten script, as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Introducing “Casuallity,” a stunning calligraphy-style font meticulously crafted by hand, designed to infuse elegance and charm into your creative projects. Casuallity Font embodies a perfect blend of fluidity and sophistication, making it an ideal choice for a wide range of design applications, including logo design, branding, book covers, and more. __________________________________________________________________________________ HOW TO ACCESS THE ALTERNATIVE CHARACTERS Open the glyph panel: In Adobe Photoshop go to Window – glyphs In Adobe Illustrator, open Type – glyphs Follow my shop for upcoming updates thank you

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Quick Notes playful script font Cyrillic is a pretty monoline font that will look gorgeous on all your designs, wedding stationery, love stories, branding materials, monoline logos, pretty teenage stickers, business and wedding cards, calligraphy Insta quotes, elegant fashion sketches, calligraphy love monograms and much more. Quick Notes playful script font contains the Cyrillic glyphs too. Quick Notes playful script font is a graceful cursive calligraphic script font, plus a Symbols font with 26 lovely hand-drawn swashes and illustrations!

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Abela Sweety is a monoline comic display font, a very unique trendy font with a combination of modern character bindings, and in my opinion this product suits the teaser display theme in every headline design, business cards, leaflets, magazines, children's events and brand screen printing. Come on, take a look and be happy to hear the review. If you have suggestions about this product, please let your work environment know whether this product is good for them. Thank you so much for everything!!

Ochinorel – A Classic Signature Typeface Ochinorel, a classic signature typeface, exudes timeless elegance and sophistication, making it a distinctive choice for various design applications. Its gracefully crafted letterforms boast fluidity and a sense of hand-crafted authenticity, reminiscent of a bespoke signature. Ochinorel effortlessly strikes a balance between traditional charm and contemporary design, allowing it to add a touch of refinement to invitations, logos, and branding materials. The typeface’s cursive strokes and balanced proportions create a harmonious visual appeal, evoking a sense of personal touch and exclusivity. With its versatile and enduring aesthetic, Ochinorel stands as a testament to the enduring allure of classic design in the realm of typography. Ochinorel is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Waffelstein is a modern geometric typeface inspired by the passion for eating waffles, the old fraktur fonts, some heavy rock bands, some PC games and the graphical perspective in general. Although it is somewhat decorative by nature, Waffelstein includes extended Latin language support, but also Cyrillic and Greek. Designed with OpenType features like glyph alternates and ligatures, Waffelstein is perfectly suited for graphic design and any display use. It could easily work for army, bands, breweries, cinema, gamers, metalheads, militaries, movies, posters, pubs, quotes, t-shirts, zeppelins and many more.

#boldisbeautiful, and there's a whole lotta bold in this hand painted brush font, Stay Bold! With extra chunk in the trunk and a rough paintbrushed edge, Stay Bold cuts straight to the point; ideal for designing big impact merchandise, eye catching social media & marketing posts, and attention-grabbing product packaging & branding projects. Stay Bold supports uppercase, lowercase, numerals and a large range of punctuation. Includes multilingual support for the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Turkish, Polish, Finnish, Indonesian, Filipino, Malay Thanks for checking it out, and don't forget; Fortune favours the bold.

Do you sometimes have an appetite for a bit more wholesome typography? Do you find the ubiquitous sans serifs too industrial and bland in taste? Opt for something more organic: Wonder – a rootsy yet contemporary type family. With a deliciously juicy approach to serifs and a chunky texture, Wonder is a real treat among typefaces. Despite its rustic flair, Wonder is perfectly adaptable for contemporary contexts from branding to packaging, mobile apps and beyond. Savvy features such as multiple numeral styles (old style figures, tabular figures, subscript and superscript numerals), small capitals and swashes are included in all Wonder fonts. Enjoy!

Introducing Silent Forest is a best Terrible Hand Drawn Font that is handwritten brush casually and quickly. Letters are made with brushes on Procreate. Then scanned and carefully drawn into vector format. That is why Silent Forest has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel to make these two styles. It also has many alternatives and underlines that make your text and design more interesting. Silent Forest is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Chorasign is a stylish modern calligraphy font with casual chic flair. It is perfect for branding, wedding invites and cards, and maybe for red wine label. Chorasign includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style. Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support Beginning lowercase swash: example: -a (hyphenlowercase letter) Ending lowercase swash: example: a- (lowercase letterhyphen) Short underline _1 or _2: example: Chorasing_1 / Chorasign_2 Long underline _3 or _4: example: Chorasing_3 / Chorasign_4

Dragmatis Whiplash is a classic font, I built it with my relaxed hands. designing a classic font but having a modern element in it, which makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxurious. Includes multilingual support Try Dragmatis Whiplash, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Do not forget to see, buy, like and share my other great products, klick here.

Garrison is a contemporary sans serif that offers a straightforward interpretation of the English humanist sans, gently blending rigid tones over a warm structure. It’s available in 7 weights and it comes with a duo-italic set; on the one hand the Oblique complements your text as the slanted version of the Regular, and the smooth, flowing italic will make your written piece stand out brightly. This simple and carefully crafted typeface, with traits flirting with geometry, becomes a powerful workhorse. Its versatility makes it ideal for both paragraphs and bigger typesettings, a great choice for branding, signage, editorial, and more.

Letterhead Studio makes both fonts and design with own fonts. The studio is started in 1998 by Yuri Gordon, Valery Golyzhenkov and Olga Vassilkova. We work in graphic design, branding and type design. Our collection of Cyrillic fonts includes more than 330 faces, generally it is display fonts. Letterhead is one of leading developers of custom-made fonts, lettering and digital calligraphy in Russia. Among clients of studio are magazines like Rolling Stone, Esquire, GQ, Empire, Interni, Harpers Bazaar. Also we develop corporate fonts, more often for banks. Letterhead co-operated with Gazprombank, Rosbank, the Alpha-group, Trust, Menatep, Orgres-Nordea and others.

The Renthouse Font is inspired by authentic typefaces in vintage labels. Font products contain serif and sans serif font. This collection gives more extra halloween illustrations in one pack. This serif font includes some alternates. The Renthouse matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Renthouse features : All-caps, numeral, symbol, punctuation and alternate in serif font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Renthouse includes : 3 fonts (serif, sans serif and dingbat) 12 hand-drawn illustrations in dingbat

William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris sought a return to the ideals of the medieval craftsman. Dissatisfied with the commercially available typefaces of the day, he undertook the design of the fonts for his books himself. The P22 Morris font set features new versions of Morris's famous type designs for his Kelmscott Press. The two main fonts include full international character sets for Western European languages. P22 created MORRIS GOLDEN with a rough edge to simulate the look of printing on handmade paper. There is a more "refined" recent version of Golden, but its sterile digitization does not approach the effect that Morris achieved in his Kelmscott books. You'll notice the handmade effect less in the smaller sizes but will find it quite decorative in the larger sizes. (Morris cut his Golden type in only one size for the Kelmscott Press, approximately equal to 14 points.) P22's version of MORRIS TROY is more smooth than Morris Golden and is true to the original Morris design. It is based on the Kelmscott Troy type (an 18 point font) and its smaller counterpart, the Chaucer type (a 12 point font). American Type Founders made an unauthorized version of Troy, "Satanick," 189?, contrary to Morris's wish that it not be made available commercially.(Legend has it that the naming of Satanick comes from William Morris telling the agent inquiring about making copies of his fonts available to go to hell) Several digital versions of Troy (and Satanick) have appeared over the years. The P22 version offers a much more accurate rendering than any previous version. Morris designed the original Troy font to be spaced very tightly; our version reflects and honors his intention. The MORRIS ORNAMENTS are based on those Morris designed and used in his Kelmscott Press books. Characters in the positions of the letters A to Z are decorative drop cap initials. Characters in the number key positions reproduce other Morris embellishments. (See the accompanying key chart.) As with all headline fonts and complex dingbats characters, this font is best used at larger point sizes (e.g., 48, 72, 120). Use in body text or at small point sizes on-screen may not achieve desired results. P22 is grateful to William S. Peterson, Steven O. Saxe and the Lightsey-Offutt Library who gave invaluable research assistance to this project.

Introducing Roseville, a lovely modern script that bring luxury feel. The natural hand writing script is suitable for who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface comes in uppercase, lowercase, with punctuations, symbols & numerals, stylistic set alternate, ligatures, multilingual support and is already PUA encoded.

Based on lettering from Eric Gill for the British bookseller WH Smith, Colins Banks made the Gill Facia family for Monotype in 1996. This lettering from Eric Gill was one of the first alphabets that was used for corporate branding. Gill Facia is an elegant signage face for advertisements and for displays.

Sharon Baker a modern script that has a bright, lovely feeling. The natural hand written script is suitable for everyone who needs a typeface for headlines, logotype, apparel, invitations, branding, packaging, advertising, and more. This typeface is comes in uppercase, lowercase, punctuation, symbols, numbers, stylistic set alternate, ligatures, also contains multi-lingual support.

Brush Blaze is a font that was scratched with a brush pen, to get a natural texture, this font will show the characteristics of the hand. This font is perfect for various places such as clothing, posters, title books, stationery designs, quotes, branding, logos, invitations, greeting cards, t-shirts, packaging designs and more.

Chunky Nouveau JNL was inspired by a circa-1928 water applied decal for the Top Most Insulated Jug. The plump, rounded hand lettering of the brand name was given a slightly thicker treatment to create a more poster-oriented display design. Chunky Nouveau JNL is available in both regular and oblique versions.

Oakland is a Streamline era design inspired by some hand-drawn lettering on a 1930's French poster advertising a certain brand of Car (Automobile for our American cousins). It's ideal for giving poster and design work that late 1930s to mid 1950s feel. Make a bold statement with this all capitals typeface!

Franklin Stone is a organic hand drawn typeface inspired by vintage type with hand drawn feel. Comes with regular, condensed and stamp. This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc You may not use the fonts in templates or for sale/free or on template websites. ( web/print/app ) We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif chapter of typography is now closed by hundreds of technically perfect imitations of Syntax and Frutiger, which are, however, for the most part based on the cool din-aesthetics. The only chance, when looking for inspiration, is to go very far... A grotesk does not afford such a variety as a serif typeface, it is dull and can soon tire the eye. This is why books are not set in sans serif faces. A grotesk is, however, always welcome for expressing different degrees of emphasis, for headings, marginal notes, captions, registers, in short for any service accompaniment of a book, including its titlings. We also often come across a text in which we want to distinguish the individual speaking or writing persons by the use of different typefaces. The condition is that such grotesk should blend in perfectly with the proportions, colour and above all with the expression of the basic, serif typeface. In the area of non-fiction typography, what we appreciate in sans-serif typefaces is that they are clamorous in inscriptions and economic in the setting. John Sans is to be a modest servant and at the same time an original loudspeaker; it wishes to inhabit libraries of educated persons and to shout from billboards. A year ago we completed the transcription of the typefaces of John Baskerville, whose heritage still stands out vividly in our memory. Baskerville cleverly incorporated certain constructional elements in the design of the individual letters of his typeface. These elements include above all the alternation of softand sharp stroke endings. The frequency of these endings in the text and their rhythm produce a balanced impression. The anchoring of the letters on the surface varies and they do not look monotonous when they are read. We attempted to use these tricks also in the creation of a sans-serif typeface. Except that, if we wished to create a genuine “Baroque grotesk”, all the decorativeness of the original would have to be repeated, which would result in a parody. On the contrary, to achieve a mere contrast with the soft Baskerville it is sufficient to choose any other hard grotesk and not to take a great deal of time over designing a new one. Between these two extremes, we chose a path starting with the construction of an almost monolinear skeleton, to which the elements of Baskerville were carefully attached. After many tests of the text, however, some of the flourishes had to be removed again. Anything that is superfluous or ornamental is against the substance of a grotesk typeface. The monolinear character can be impinged upon in those places where any consistency would become a burden. The fine shading and softening is for the benefit of both legibility and aesthetics. The more marked incisions of all crotches are a characteristic feature of this typeface, especially in the bold designs. The colour of the Text, Medium and Bold designs is commensurate with their serif counterparts. The White and X-Black designs already exceed the framework of book graphics and are suitable for use in advertisements and magazines. The original concept of the italics copying faithfully Baskerville’s morphology turned out to be a blind alley. This design would restrict the independent use of the grotesk typeface. We, therefore, began to model the new italics only after the completion of the upright designs. The features which these new italics and Baskerville have in common are the angle of the slope and the softened sloped strokes of the lower case letters. There are also certain reminiscences in the details (K, k). More complicated are the signs & and @, in the case of which regard is paid to distinguishing, in the design, the upright, sloped @ small caps forms. The one-storey lower-case g and the absence of a descender in the lower-case f contributes to the open and simple expression of the design. Also the inclusion of non-aligning figures in the basic designs and of aligning figures in small caps serves the purpose of harmonization of the sans-serif families with the serif families. Non-aligning figures link up better with lower-case letters in the text. If John Sans looks like many other modern typefaces, it is just as well. It certainly is not to the detriment of a Latin typeface as a means of communication, if different typographers in different places of the world arrive in different ways at a similar result.

Introducing Sonneta, a free flowing, modern hand drawn script. With a spontaneous feel and lots of alternates, it's a perfect typeface for your branding projects or anywhere you need a fresh hand drawn look. Sonneta has three complete character sets plus alternates, swashes and ligatures making it look authentically handwritten - no duplication of characters here. Note the three distinct styles of capitals, making it a truly versatile font. We particularly like using the large, extravagant caps for monograms. There are also eleven swashes to provide a nice finishing touch to your design. Sonneta pairs beautifully with both sans and serif styles. We think it's particularly successful when paired with ultra thin sans. Check out the previews to see more.

Introduce powerful font duo collaboration in Austria Memories the stylish modern and natural fonts combination with casual brush in script and elegant in Serif. These are perfect for branding, wedding invites and cards, and more option for your requirement. Austria Memories include two font styles with full set of natural brush style draw for script and elegant with all uppercase letters for serif. Numerals, a large range of punctuation and ligatures giving realistic hand-lettered style. In order to use the beautiful ligatures for script also all uppercase for sans serif, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Thanks and have a great day :) Haksen

Hello Paris is Modern Serif Family with Luxury and Elegant Style consisting of a sophisticated signature-style script and an elegant, luxury all-caps serif font. This family is designed to pair harmoniously, and lend themselves to high end branding, logo designs, product packaging & invitation designs. Creates a perfect pairing contrast with combining Hello Paris Serif and Script font. A modern and elegant hand-drawn script font containing upper & lowercase characters, all punctuation and numerals. Also contains over 50+ ligatures and 50+ alternates characters to help the text flow naturally and add a custom-made feel. Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

Note is a fresh and dynamic hand writing font. Inspired by graffitti and street style writing, executed using a flat tip calligraphy pen. The typeface is hand drawn on paper, then the resulting alphabets and punctuation scanned in and rendered to create the font. The resulting characters are bold yet energetic with an obvious human touch creating an interesting and original hand drawn typeface.

Fifa Cup is a stylish modern calligraphy font with casual chic flair. It is perfect for branding, wedding invites and cards, and maybe for red wine label. Fifa Cup includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style. What you get, darling? In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files: Thanks and have a wonderful day.

Exo Soft. Technology meets humanity. The geometric design got organic with carefully crafted smoothed edges. Exo Soft is a contemporary sans-serif font with a warm and humane feeling. It has an extended language support (both in Latin and Cyrillic) and an handful set of Opentype features. The 9 weights plus correspondent italics give Exo Soft a huge versatility. Because aesthetics are not everything Exo Soft was fine tuned in order to perform well both in screen and in print. The large x-height and open counters makes it function well even on small font sizes but the full potential of Exo Soft will be seen on headlines, branding and advertising.

Introducing Porcelain, a hand-lettered condensed sans serif font with subtle dip-pen texture and some fun OpenType features. Porcelain is perfect for invitations, branding, and editorial design and can be dressed up or down depending on your needs. Porcelain comes with more than 430 glyphs and includes OpenType features like stylistic sets, multilingual support (including multiple currency symbols), and discretionary ligatures. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!)