Ferguson is a geometric slab serif which made with a mono-line concept and versatile style. Inspired by old western and magazine designs. Ferguson has a straight and consistent line to give neat looks. Ferguson is made for editorial and formal purposes. but still flexible to use it in other typographic projects. This font family has 6 weights and 2 widths that gives you many options on your designs projects. - Regular versions: Comes from Light, Normal, Medium, Bold, Black, and Ultra Black. Very recommended for editorial use such as body text, sub-headline, and tagline. The bolder weights are goods for headline too. Strong and geometric! Suitable for sports themes, social movement, masculine and logotypes. - Condensed versions: Available in Light, Normal and Bold. Great choice for a headline, and display. This condensed designed a bit minimalist than regular version to keep the readability. Also, there is Bold Shadow style to complete the vintage movement which happening now. Suitable for a poster, magazines, and clothing project. Ferguson font family has up to 28 accents: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Spanish, Swedish, Turkish, Zulu. Fonts featured : - Uppercase - Lowercase - Numerals - Some symbols - Diacritics Thank you. Hope you like it and enjoy!

The idea of Limes emerged at the seashore last year in late summer. Getting ready in advance for a dark winter, we've decided to design a special fontfamily which would bring a bit of vitamins and summer sun into the rough everyday routine and help us survive the cold winter. Limes is both a dream of the sun while it’s gone and a refreshing breeze for the time when it finally gets warm! Limes is a completely handwritten fontfamily and consists of 23 typefaces. To create Limes Sans and Limes Slab families, we've used regular watercolor brushes, and to create monolinear Limes Script, as well as for Catchwords and Dingbats, we've used a felt-tip pen with circular section. Limes Sans and Limes Slabs fonts work perfectly together with Limes Script due to the general handwritten idea, as well as due to the widths contrast – despite its width, Limes Script mixes well with narrower opponents and adds a bit of human spontaneity into the general handwritten concept. The Limes collection includes: Limes Sans (Thin, Light, Regular, Bold, Black & italics), Limes Slab (Thin, Light, Regular, Bold, Black & italics), Limes Script, Catchwords and Dingbats. Limes Sans and Limes Slab widely support OT features: tnum, ordn, frac, case, numr, dnom, subs, sups, and Limes Script uses a large number of context alternatives.

Kubrick is an experiment in extremes. The Light font is very tall and slender, the Black font is very massive, and Kubrick's slender counters push some of its glyphs to the edge of recognition. The thin counters and negative spaces also give text set in Kubrick a definite visual sparkle, especially in all-uppercase settings. Because of its extreme letterforms, Kubrick is recommended only for large display use. The default letterspacing is set fairly wide to keep text legible. Kubrick was a double-experiment. One part of it was to see how heavy and massive a typeface I could make while still keeping it legible. The other part was to develop a Multiple Master font. Multiple Master fonts were a format developed by Adobe that allowed the user to change things like the weight and width of a typeface. Monollith started as just such a Multiple Master typeface, but when Adobe discontinued the Multiple Master format, I stopped work on the typeface. Later I decided to continue work on it, but as five separate font weights: Light, Medium, Bold, ExtraBold and Black. Very rectilinear letterforms with extremely narrow counters and negative spaces. The five fonts go from very thin and condensed to very heavy and extended. Use in large display settings where unornamented high visual impact is desired.

Picaflor is a sans typeface family perfect for titles, it contains 6 weights from thin to Black in addition to Greek and cyrillic alphabet with many alternatives from ligatures and letters, enjoy it!

Evander allows graphic designers to create advanced typographical layouts by offering 64 alternative glyphs and 3 stylistic sets. The family has 18 weights — 9 uprights and 9 italics — ranging from Thin to Black.

Think of a slender Black Letter screeching to a halt on the page and you have the essential idea of Stridere. Want ornate formality and fast movement all in one? Here it is!

Jamaistevie black is a very grungy but interesting 3D font, definitely better for a title than journaling, but particularly good for digital layouts as overlay text. It contains both Latin and Cyrillic alphabets.

You can not find such a lovely, unique and funny blackletter. Enjoy and have fun with this font. There are two other fonts designed by in the same concept. -Xesy -Ekistra -Deluta Black

Albion’s Incised Masthead combines the heavy Black Letter forms of Greater Albion’s “Albion’s Old Masthead” with the ‘Hand-Tooled’ incised look demonstrated so readily by Mr Goudy. Another tribute to the engraver’s art…

Following the great success of Swissra, the condensed cut was designed on the same principles of Swiss graphic design. Originally Swissra was designed to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Now it creates even more possibilities to help designers in applications such as signage and editorial design where the condensed cut is needed. The typeface is one of very few Arabic condensed typefaces. Swissra Condensed comes in eight weights which range from Ultralight to Black.

LOLO Dingcats are here! Need some cats? Find just about any kind of cat you can imagine here. Not just a A-Z & 0-9 font, LOLO Dingcats has many extra characters. Check it out! There's a mother cat nursing kittens, a cat curled up sleeping, running cats and sleeping cats.There are black cats, white cats and striped cats. Even cats you might not expect: a pirate cat, a cat with an afro, even a robot cat -- and MORE! A must-have for any serious cat lover!

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Serling Galleria is a classy, classic serif font that exudes an air of fine art and high-end creativity. With its clear, legible letterforms and modernist inventiveness, Serling Galleria brings a touch of strict creativity to your designs, making them stand out in sophistication. This versatile font family is perfect for projects that require a refined, elegant aesthetic. With its variable font feature, you have the flexibility to fine-tune the font to your specific needs and create a truly bespoke typographical experience, or use the pre-defined font styles: Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Black, Black Italic The diverse styles in the Serling Galleria font family provide unmatched versatility, allowing you to adapt your typography to various design contexts and moods seamlessly. With this array of weights and styles at your fingertips, you can effortlessly create a visual hierarchy, emphasize key elements, and establish a cohesive, engaging design language across your creative projects. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. Built with advanced OpenType functionality, Serling Galleria ensures top-notch quality and provides you with full control and customizability. It includes stylistic and contextual alternates, ligatures, and other features to make your designs truly unique and tailored to your needs. Serling Galleria offers extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all the characters and symbols you'll ever need, including all punctuation and numbers.

VTF Justina is a different typeface with a sans serif style that is inspired by geometric typographies to seek functionality and simple quality in any type of project. This very personal character of its forms together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold, and Black) it has makes it perfect to combine with the VTF Rozanova in digital projects (for example, web or applications) or printed (for example, corporate identity or packaging). Becoming a very interesting option for both large and small bodies without losing legibility in any weight. Justina has Opentype functions (Case sensitive forms, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for its design. Supports the following languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Introducing by Essentials Studio Proudly Present, IMPERMANENCE IMPERMANENCE is a Black Letter Font IMPERMANENCE is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Wooden Okadio Serif is a single weight black serif, modern casual typeface perfect use for headline, logo, magazine, and any editorial design needs also readable body text. I hope you like it, keep awesome!

Inspired by high speed, this font is made in only black in an italic style, giving this font an aura full of energy. Speedy fonts are suitable for use in futuristic themed graphic designs

Rushing Pass JNL is the italicized companion font to Forward Passed JNL and Return Pass JNL. This package includes a bonus solid version of the font (Forward Passed Black JNL) at no extra charge.

Ardy Mass is a hand drawn and scanned type face available in italic, italic outline, regular & regular outline. Ardy Mass was drawn at a small scale with a fine nibbed black permanent marked pen.

Crayon En Folie ('Pencil Madness' in French) is a straightforward pencil font, created with an extra thick black pencil. Use it for books, posters and packaging. Comes with a coloring box full of diacritics.

Bucanera Antiqued is the black ship of Bucanera's family, sure you will use it in any dark or dirty project. Try the Open Type version to reach its numerous swashes, flourished and alternate characters.

Spiggie is a sans-serif, whose name came to me on a Shetland beach. The beach traces a tight curve between the shoreline and the sea paralleled in the fonts controlled yet smooth character. The design language reaches back to the art deco period and the 1920s, yet retains a distinct modern flavor.

Charming 80's retro inspired typeface with wonderful versatility given it includes 30 fonts. This is a perfect for any project Inspired by magazine adverts from the 70's and 80's - this family fit right in with bringing retro back into the 21st century. Super-versatile - have a scroll through all the preview to see the very wide range of variety the Avantime back can manifest the possibilities are really quite endless :) Avantime Font Features: 30 fonts Full Set of standard alphabet and punctuation PUA Encoded - no special software needed to access extra characters Language support: All European languages Multilingual Characters

Mercury Script is an action packed type family of three weights. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for plenty of extra grooviness and combine with Mercury Ornaments for superb results. Turn on Small Caps to activate a complete set of block capitals designed to go with the font. Mercury Script is based loosely on hand lettering found in a vintage lingerie advertisement, only containing the words “light control”.

If you build a block, they will come.

Kiddie Blokz JNL is a limited character set font in three styles: Regular, Lined and Block, emulating the look of toy blocks for themes with a juvenile motif. For a companion font to set regular copy, use Roughshod JNL.

Vezus Serif Texture is as the name says itself, textured version of Vezus Serif font family and as that, it's compatible with Vezus Serif Black. It is adviced to be used as desktop font only.

QuadratishSerif is an interesting ultra black type design with serif, that contains both solid and outlined lettering styles. A third design style can be created when combining the two styles over top of each other.

Cooper Poster was inspired by showcard lettering samples featured in the book, Commercial Art Of Show Card Lettering, published in 1945. Although named ""Western"", the design was modeled after Ozwald Cooper's 1921 original Cooper Black.

Autografia is a high-quality signature typeface. The typeface family is provided in five weights: Thin, Light, Medium, Bold and Black. The weights compliment each other and makes for a truly formative script typeface, to be used in any context and with the right assertion. Autografia's large, round capital letters contrast against its short and streamlined lower case, resulting in a characteristic autograph style. Use underscore _ anywhere in a word to make an underline. Example: Sign_ature Use multiple underscores for different underlines. Example: Hand_____writing (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Zombie Apocalypse is way more versatile as its name would suggest. It might be used as a horror font (red color tones in horror games, movie covers) or in ads for an Offroad Experience Tour (or wherever it comes to dirt, mud and spatters in combination with brown tones). When used with light blue/red/yellow/orange colors, the font can express creativity and freedom (on fashion, inspirational art and advertising) because it is not bound to classic straight-lined fonts. In various shades of gray or in black, it can be used to support a "worn out" look. Zombie Apocalypse - with its "worn out" look and many details - is espacially designed for use with large font sizes, for example in high resolution print media or in large images on digital media. The font is designed to be used in many different languages. It has a large set of accented characters and diacritical marks.

Matamadina – A black sans-serif Typeface Matamadina is a sleek and sophisticated black sans-serif typeface that effortlessly combines modern aesthetics with timeless simplicity. The characters exude a sense of boldness and clarity, with sharp edges and a uniform stroke width that enhance legibility. The deep black hue of Matamadina lends it a commanding presence, making it an ideal choice for conveying a sense of strength and professionalism in various design applications. The clean and minimalist design of this typeface ensures versatility, allowing it to seamlessly integrate into a wide range of contexts, from editorial layouts to branding materials, providing a contemporary and refined typographic solution. Matamadina is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

'Suddenly --' just isn't 'Soon...' enough for some people, and 'Later...' isn't quite 'The Next Day...' 'Meanwhile...' lies inbetween 'Seconds pass...' and 'That Night...' and was designed by Comicraft's John 'With Just a few minutes to Go...' Roshell in order to tell the tales of Marvel's AVENGERS and FANTASTIC FOUR. 'And now, back to the action...'

"Punk is not dead, grunge is not dread, skateboarding and grafitti is forever" - shouted by some (possibly drunk!) person one late night. I had these "wise" words in the back of my mind, while making this font. I wanted to capture the wildness of both punk/grunge/skateboarding and grafitti without overdoing any of them!

RM Sans has been designed to offer an useful but inexpensive family of 5 regular weights; 3 condensed weights; 5 outline weights and an 'eco' alternative. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Kaytek™ Rounded completes the Kaytek typeface family with seven carefully rounded weights. Every style of the typeface takes up exactly the same amount of space, thanks to the careful creation by Radek Łukasiewicz. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style. Kaytek Rounded comes in seven weights, from Thin to Black. It pairs also with Kaytek Sans, Kaytek Slab, and Kaytek Headline.

Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apretures and a high x-height. It comes with eight weights, that range from thin to black.

Manual is an 80 font super family formed of 10 weights in 4 different widths. The font is styled with a slight retro feel to give it a unique appearance. Manual is a blue-collar font that works hard for you and your design ideas. The higher x-height enhances the readability for smaller, more informative text sizes whereas the black weights create beautiful, impactful headlines to fit a variety of spaces. The support of the expansive weights and widths will give your design a truly unique feel.