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  1. Gekomach by Keristyper Studio, $14.00
    Gecomach robotic mecha typeface is inspired by a modern futuristic. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  2. Malegis Serif by Skypia, $15.00
    MALEGIS SERIF is a chic + modern sans serif font. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more! Malegis serif is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! There are a lot of fun stylistic alternates available to use with this font. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. Thank you! Skypia
  3. Magnolia Cora Script by Get Studio, $10.00
    Introducing Magnolia Cora Script, a handwritten font with a casual and strong character crafted with real brush textures, giving you a custom-made feel to your design work. Magnolia Cora Script also comes with a smooth version it can be used for various types of design needs such as branding materials, Invitation, social media templates, t-shirts, business cards, logos, promotional flyers, posters, and more. With multilingual support, this font is also suitable to be combined with san-serif to get an extraordinary result for your design projects.
  4. Lepharto by Keristyper Studio, $14.00
    Lepharto Is a modern classic mystic with a classic serif style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  5. Retroma Vibes by Arterfak Project, $24.00
    Try something different, we proudly present our new exploration named "Retroma Vibes" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. What you'll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Multilingual support Hope you enjoy this font!
  6. Barle by Locomotype, $18.00
    Big is beautiful. Barle font has an extremly heavy weight and wide shape. A sans-serif display font that's perfect for large headlines, posters, packaging and any graphic design that requires a font that will stand out to audiences. Barle font has two faces, a standard character and a sliced version which can be accessed through the Stylistic Alternates feature. This font consists of 4 fonts; upright and italic style in the normal version and the outlined version. If you just want to use the sliced version, you just need to purchase Barle Alt.
  7. Archimelo by Keristyper Studio, $14.00
    Archimelo is a handwritten signature script with a natural & stylish flow. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  8. Lettichossa by Keristyper Studio, $14.00
    Lettichossa is an old-fashioned typeface, inspired by victorian and ornamental typography styles. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  9. Stencil Creek by Resistenza, $39.00
    Stencil Creek font family is a rounded stencil typeface that comes in eight weights and two rough versions. It is inspired by classic sans serifs and influenced by street signs of the North West Pacific. You can also overlap some of the weights and get an extra inline font. Stencil Creek is a legible typeface family designed for contemporary typography, especially for use in headlines, but also for reading purposes, includes extensive language support and many more OpenType features. This font contains, different swashes and alternates. Check out also ‘Orbita’
  10. Aestetik by The Letter Builder, $10.00
    This font is specially made for use in your various works. We created this font with its own uniqueness, such as the feel of writing with a brushpen, a simple yet elegant style, and beauty of brushpen handwriting. Besides being able to stand alone, you can combine this font with various other typefaces, such as Serif, Sans Serif, and Script. This font is ready for you to use to make your products and services look more unique because of the basic concept of making this font is "unique".
  11. Kettonia by Keristyper Studio, $14.00
    Kettonia is a modern aesthetic serif font that is both memorable and stylish. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  12. Orbit Gate by pentagonistudio, $19.00
    Orbit Gate Is Modern Display Sans Serif Typeface with Variable Style Condensed and Extended. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !
  13. Starixo by Keristyper Studio, $14.00
    Starixo font is a modern and authentic display font. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  14. The Jagret by Ergibi Studio, $19.00
    Jagret is a Soft and Bold serif, The many alternate character on serif makes this typeface unique and stands out rather than the regular sans font, perfectly for headlines, logos, posters, packaging, T-shirts,coffee shops, restaurants, magazine's headers, signs or gift/post cards,cafe's and weddings or any type of advertising purpose.With italic version that you can use as a complimentary! Features Regular & Italic Version Uppercase & Lowercase Number & Symbol Ligatures Multilingual and PUA Encoded If there is a problem, question, or anything about my fonts, don't hesitate to ask! Big Thanks Ergibi Studio
  15. Eddieth Brush by Keristyper Studio, $12.00
    Eddieth Handbrush is a best-handwritten brush that is written casually and quickly. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  16. BrushtipTexe by JOEBOB graphics, $19.00
    Arrrrrr! A brand new handwritten brush font for all your pirate treasure maps, mateys. And very usable elsewhere of course.
  17. Hunterra by Variatype, $14.00
    Hunterra is a strong character font that especially designed for identity proeject, very suitable for your branding, and logo design.
  18. Margaret River by Epiclinez, $13.00
    Margaret River is a cute, funny handwritten font. It is very cool for use with logos, headlines, branding, and more.
  19. DetourDork by JOEBOB graphics, $9.00
    DetourDork was inspired by American highway signs. Hand-drawn with a medium marker, but it looks very clean and straight.
  20. Mucura by Corradine Fonts, $19.95
    Based in Manuel Corradine's handwriting, Mucura is a very spontaneous font. It could be used in almost any informal project.
  21. ZP Echinacea Evil by Illustration Ink, $3.00
    This hand-written script is very crafty, drippy, and scary and is perfect for your Halloween or haunted font projects.
  22. Brilliant Starlight by Silverdav, $14.00
    Brilliant Starlight is a very elegant and simple handwritten font, suitable for business cards, signatures, brochures, logos, quotes and more.
  23. Cheap Thrill by Autographis, $39.50
    CheapThrill is a very elegant and expressive script in the tradition of the 70s with a touch of flower power.
  24. Joshico by Supfonts, $15.00
    Joshico - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!
  25. Gothic Tuscan Condensed by Wooden Type Fonts, $25.00
    A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display.
  26. Gothic Tuscan by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century; a very useful design for display.
  27. Zape by Corradine Fonts, $14.95
    Based in Manuel Corradine's handwriting, Zape is a very spontaneous font. It could be used in almost any informal project.
  28. Lifeguard by Enrich Design, $24.95
    Lifeguard is a Titling font family. Despite its rigid design, this unique font is a very versatile and legible alternative.
  29. Design We Like by studiocharlie, $24.00
    Design We Like is a collection of objects: the objects that made history! All the objects are drawn very accurately.
  30. ZP A Dorky Print by Illustration Ink, $2.00
    This fun and whimsical font features a very youthful lettering with a bit of toggle and bounce in the baseline.
  31. Frugality Pro by Jonahfonts, $35.00
    Frugality Pro is a font for various uses. Text works very well for Web as well for ads and magazines.
  32. Krystal - Unknown license
  33. Michelle BF by Bomparte's Fonts, $40.00
    Michelle BF is the sister font of Monique Sans BF, in serif form.
  34. Delamere by AVP, $29.00
    Delamere uses conventional sans-serif letterforms but delivered with a strong calligraphic feel.
  35. Rescue by ArFF, $24.95
    A highly readable sans serif that is good for text and display use.
  36. Topanga JNL by Jeff Levine, $29.00
    Topanga JNL is based on an ultra-condensed sans serif wood type design.
  37. 20 Kopeek by Letterhead Studio-YG, $35.00
    20 kopeek is sans serif font with a slight touch of a steampunk.
  38. Samuello by Intellecta Design, $22.90
    a naive interpretation of Samuel Wello art deco sans serif style of typefaces
  39. Helios Antique by W Type Foundry, $25.00
    Helios Antique & Helios Stencil Check our PDF specimen for more details Helios type family is the result of a mixture between the early sans serif and the modern trends of our era. Its rational structure is subtly wider than the majority of the first sans, generating a higher impact in its uses. All the typeface terminals are more open in order to balance better the whites and blacks of Helios, and where the strokes meet it has a deeper contrast giving more legibility to the reader. Furthermore, in some letters it is possible to see some prominent features such as the leg of the "R" and the tail of the "Q", which are particular gestures that identify this type family. Helios Stencil is the tough version of this type family. All the stencil gaps were measured rigorously, thus in small sizes it conveys a neutral aesthetic whereas in big sizes a display logic appears. Helios Antique is composed by 36 styles, 782 glyphs and small caps. Besides, it has powerful OpenType features for each style, including alternates characters, ligatures, fractions, special numbers, arrows, extended language support and many more.
  40. Leather by Canada Type, $24.95
    Over the past few years, every designer has seen the surprising outbreak of blackletter types in marketing campaigns for major sports clothing manufacturers, a few phone companies, soft drink makers, and more recently on entertainment and music products. In such campaigns, blackletter type combined with photos of usual daily activity simply adds a level of strength and mystique to things we see and do on a regular basis. But we couldn't help noticing that the typography was very odd in such campaigns, where the type overpowers all the other design elements. This is because almost all blackletter fonts ever made express too much strength and time-stamp themselves in a definite manner, thereby eliminating themselves as possible type choices for a variety of common contemporary design approaches, such as minimal, geometric, modular, etc. So extending the idea of using blackletter in modern design was a bit of a wild goose chase for us. But we finally found the face that completes the equation no other blackletter could fit into: Leather is a digitization and major expansion of Imre Reiner's forgotten but excellent 1933 Gotika design, which was very much ahead of its time. In its own time this design saw very little use because it caused problems to printers, where the thin serifs and inner bars were too fragile and broke off too easily when used in metal. But now, more than seventy years later, it seems like it was made for current technologies, and it is nothing short of being the perfect candidate for using blackletter in grid-based settings. Leather has three features usually not found in other blackletter fonts: - Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century. This design is one of the very few manifestations of such interaction. - Fragile, Boboni-like serifs, sprout from mostly expected places in the minuscules, but are sprinkled very aesthetically on some of the majuscules. The overall result is magnificently modern. - The usual complexity of blackletter uppercase's inner bars is rendered simple, geometric and very visually appealing. The contrast between the inner bars and thick outer strokes creates a surprising circuitry-like effect on some of the letters (D, O, Q), wonderfully plays with the idea of fragile balances on some others (M, N and P), and boldly introduces new concepts on others (B, F, K, L, R). Our research seems to suggest that the original numerals used with this design in the 1930s were adopted from a previous Imre Reiner typeface. They didn't really fit with the idea of this font, so we created brand new numerals for Leather. We also expanded the character set to cover all Western Latin-based languages, and scattered plenty of alternates and ligatures throughout the map. The name, Leather, was derived from a humorous attempt at naming a font. Initially we wanted to call it Black Leather (blackletter...blackleather), but the closer we came to finishing it, the more respect we developed for its attempt to introduce a plausible convergence between two entirely different type categories. Sadly for the art, this idea of convergence didn't go much further back then, due to technological limitations and the eventual war a few years later. We're hoping this revival would encourage people to look at blackletter under a new light in these modern times of multiple design influences.
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