Typefaces, like most other works of art, provide a small window into the personalities and sensibilities of the artists who create them. ITC Panache not only provides this window, it is also aptly named. Mr. Edward Benguiat the dreator of ITC Panache, has all the dash, verve (and panache) hinted at in the design, Creative, capable and prolific, Ed Benguiat has drawn hundreds of exciting and popular typeface designs. Benguiat's design goal was to create a sans serif typestyle that is versatile, utilitarian - and distinctive. We think he has succeeded admirably. ITC Panache's three weights mix exceptionally well to complement each other or provide emphasis where necessary. Extensive testing at text sizes and design fine-tuning has produced a typeface family which is remarkably homogenous and consistent in color. Text set in ITC Panache is inviting without dissapointment. It is exceptionally easy to read, even in long text blocks of copy or small point sizes. When set in larger sizes or used for headlines, ITC Panache's character traits becomes more apparent and pronounced to the reader. They help to create graphics with distinction and style. Big or small. a little or a lot. it's hard not to use ITC Panache well. If you could pigeonhole ITC Panache, it would probably be classified as a stressed sans", but this would not completely describe, or do justiceto, the design. There is a slight contrast in stroke weight, which becomes more pronounced as the familiy weight increases; but there is a more to distinguish ITC Panache from ather sans serifs. Perhaps most obvious is its high waist and correspondingly slight condensation of the top half of the "round" capitals. Both of these traits link ITC Panache with the sensuous forms of art nouveau creations. In contrast are the typicall old style "e" found in designs like Cloister and ITC Berkeley Old Style, and the two storied "g" common to the early 20th century sans serif designs. The capital "A" even has the cupped top found in Caslon designs. Part of the beauty of ITC Panache is that all of these seemingly unrelated desig traits are melded into a design of exceptional continuity."

When you hear that name, you likely ask yourself, ‘why?!’ I did too, but the number of requests could not be ignored. Once I finally decided to move forward with it, the only way to solve the offering would be to adhere to the same theme of indulgence, I planned for the same number of optical weights AND Italics. Yeah, italic stencils… ok, why not? It’s not a new concept. One thing to note and a creative liberty I assumed during the design. Lust Stencil would not be just a redaction or removal of stress to produce a quick stencil. To do that, would just be a cheap solution. Strokes had to resolve themselves correctly and/or uniquely to the concept of the stencil format. And, it had to be heftier. For it it to look correctly, it needed about 8% additional mass to the strokes for it to retain the effervescent flow of the curves and the resolute scalloped lachrymals. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine. It would have taken even longer if not for font engineer and designer, Potch Auacherdkul. Thanks Potch.

introducing MELONS - display sans serif - MELONS is a cute and playful sans-serif font. It is great for t-shirt designs, books, magazines, branding, packaging, logos, quotes, mugs, tote bag designs, cards, banners, social media, and anything about your projects. The ligatures make it look so awesome. Features: All Uppercase Characters Numeral Multilingual Support Punctuation Ligatures PUA encoded I hope you love it. regards, Abo Daniel Studio

Qore font is a sans-serif typeface with minimal, modern,and futuristic style. This typeface is available in all caps only with stylistic alternates feature plus supports multilingual languages. This font is appropriate for your branding, logo design, shirts, etc. Qore offers you: Qore- A clean San serif font including Upper & Lowercase characters(ALL CAPS) Stylistic alternates Character Numbers and Punctuation Multilingual Support (Latin Western Europe)

Meticula is a sans-serif font family meticulously crafted with geometric shapes and inspired by modern sans typefaces. Comes with 8 uprights and an outline font with italic counterparts. It’s aesthetic, minimal design and diverse font styles cater to all kinds of typography and graphic design work. Supports major Latin based languages, advanced open type features, full set of ligatures, punctuation and major currency symbols.

Introducing our new product the name Cakewalk Sans Serif Font. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

Nektar is a soft & smooth sans serif typeface with spirit, personality and distinction. This bold, semi-condensed and human sans serif is inspired by the "perfect imperfection" of old prints. The typeface is lively and eye-catching, ideal for where and when you want to make a positive and human impression. The font has over 650 glyphs. It has Multilingual support (including Cyrillic script).

There is something special about thin fonts. On one side there is the sensitive, charming and warm touch, on other side they are uncompromising, thoroughgoing. Here the contrast can't hide the clear shapes. Hilton Serif and Hilton Sans are a pair of highly legible, subtle and elegant sans-serif and semi-serif display faces. The quality of spacing and kerning are ensured by Igino Marini.

Project Soft is the more playful version of our 2017 release, Project Sans. The font features the same 10 weights and matching italics but while the Sans version was more structured, the Soft version shows a cheeky side that creates a vast array of potential. The font still features substantial language support as well as specifically designed italics that feature a unique look for certain characters.

Please welcome Hanasta, our modern minimalist sans-serif display font. A stunning typeface that combines the sleek, simple but exotic characteristics of a sans-serif font with beautiful ligatures, making it an ideal choice for creating elegant and sophisticated designs. This font is perfect for your design needs such as fashion websites, logo design, branding, social media design, book, magazine, wedding invitations, etc. Enjoy this beautiful font!

Introducing our new product the name Pavonine Sans Serif Font. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

The design of P22 Foxtrot is inspired by the lively ballroom dance of the same name. Foxtrot is a transitional antiqua with rounded serifs that features ligatures, small caps, oldstyle numerals and full Central European support for those with applications that support OpenType features. The companion, Foxtrot Sans, is a sans serif version with a little more jazzy expression. Both fonts are great for text and display.

Introducing Hello Eatery - Handlettering Pack Hello Eatery combines attractive curves with a fresh handlettering starter pack; delivering a stylish script and sans serif which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts. All Caps letters for Hello Eatery Sans Serif: Hello Eatery One, Hello Eatery Two, Hello Eatery Three & Hello Eatery Script

Breakdance is inspired by dance moves, the first font created with this concept is sans serif with a curved shape in one direction. Curves are made not too extreme, so that they maintain the shape balance. And now Breakdance comes in several styles and is divided into three typesface, namely script, sans and serif. Each typeface has several different styles and the total is 18 fonts.

Honolulu is a cute hand-drawn font with four variations: - Regular, filled, sans and sans filled - Plus jumpy versions of each font (accessed by activating contextual alternates). Each font includes: - Two sets of caps - Numbers and punctuation - Multilingual support Fresh and perfect for the summer, in any design that needs a bold hand-drawn feel, such as postcards, notes and quotes, logos and branding.

Quiet Backyard is a super playful combo pairing font. Combination with the concept rounded sans serif and hand-lettered font. From Fun, Playful handwriting and casual rounded san serif. This attractive combination with playful vibes special for your Display Design; is guaranteed to add an eye-catching suitable for your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts. ?Features: Alternates Punctuation Ligature Multi-language

This font is stylish, clean, clear, firm and still looks luxurious. Slim Pro is a fine and all round sans serif font. No matter the topic, this font will be a genuine asset to your fonts’ library, as it has the potential to elevate any creation. Slim Pro is a modern and futuristic sans serif font. The combination of futuristic and geometric elements renders a modern design.

Graela is a Display Sans Serif A new Display Sans serif that we created special for branding needs, with extra ligature in unique shape add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern.We prepared any ligatures, characters to help you create unlimited variations for your creative needs.

Bugleboy started as a digitized version of "Wood Grotesk," a 1970s film typeface by LetterGraphics. It started with a bare bones character set which we added swash alternates for Capitals, Stylistic Alternates for a Unicase look, and crafted a Sans version without serifs. The Sans style lacks swashes but keeps Stylistic Alternate Unicase forms. See the last graphic for a comprehensive character map preview.

Grose is a modern san serif font that gives a clean, minimalist and futuristic impression,and Come with ligatures collection. It's Perfect for logo,branding,title, name card, magazin layout,poster, or large scale artwork. Grose offers you: 1. Grose- A clean San serif font including Upper & Lowercase characters(ALL CAPS) 2. Ligatures Character 3. Numbers and Punctuation and Supports Multi linguage (Latin Western Europe)

Madita started with the idea of an upright sans script. Unlike other script typefaces, some of the characters look fairly constructed. The endings are either vertical or horizontal. On the other hand there are the swashes of a flowing script woven into the sans stroke that create an interesting tension. Madita is surprisingly legible, even in smaller sizes. The upper case letters even work in all caps.

The Legal typeface family grew out a sans serif project that Hellmut G. Bomm began in the 1970s (his HGB Grotesk). This refined, industrial type family is well suited for short amounts of text, headlines, corporate identity and logo design. In small sizes, the typeface works like many other sans serifs, but with better differentiation between characters. The Legal family includes oldstyle figures and true italics.

Archivio is a neutral font family based on the sans-serif typefaces of the early 20th century. Geometric letter forms are combined with some humanist touches creating a clear and legible typeface. Archivio family includes Sans, Slab, Italic, Back-slant and other experimental versions. Manually edited kerning and Opentype features with amazing swashes, alternates and beautiful ornaments, It was designed for display and text usage.

Roselates is a modern script and sans font duo. With light script and thin condensed sans stroke, fun character with some of ligatures. To give you an extra creative work. Roselates font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text. Make a stunning work with Roselates font. Cheers, MaulanaCreative

Fartage Sans Serif is a balanced, smooth, elegant and stylish serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Fartage Sans Serif is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Displace 2.0 is a display sans-serif font family. Displace 2.0 is a humanistic sans-serif based on the calligraphic shapes with a pronounced handwriting contrast and open forms typeface. It has a natural thick-thin swelling and shrinking of the strokes as if it were draw calligraphicaly. Displace font family includes five weights with italics: Light, Regular, Medium, Bold and Black. Try it!

ขอแนะนำฟอนต์ Khonsong ฟอนต์แบบ semi-condensed sans serif ซึ่งผสมผสานความทันสมัยและอนาคตเข้าด้วยกันอย่างกลมกลืน ด้วยรูปลักษณ์ที่โฉบเฉี่ยวและร่วมสมัย ความกว้างแบบ semi-condensed ทำให้มีความสมดุลที่สมบูรณ์แบบระหว่างการประหยัดพื้นที่และความสามารถในการอ่าน ทำให้เป็นตัวเลือกที่เหมาะสำหรับการใช้งานที่หลากหลาย ตั้งแต่สื่อออนไลน์ไปจนถึงสื่อสิ่งพิมพ์ Introducing "Khonsong," a semi-condensed sans serif font that embodies a harmonious blend of modernity and futurism. With its sleek and contemporary appearance, Its semi-condensed proportions strike a perfect balance between space-saving efficiency and legibility, making it an ideal choice for various applications, from online media to print media.

Beckman is a modern and minimalist sans-serif font family. The combination of minimal and geometric elements renders a modern design. Beckman includes 6 fonts, clean and modern caps, thereby creating more variability. This is irreproachable sans serif to diversify your headlines, branding visual identity, poster, logo, magazines and etc. Six weights Alternate glyphs Latin alphabets Thanks for looking, and I hope you enjoy it.

Introducing the Apella Font Duo; Stylish & modern harmony of sans & script typography. With a tall, condensed sans-serif font and free-flowing script companion, Apella offers beautiful contrasting typography for a wide variety of design projects, including; logo & branding, packaging design, social media post, advertising & product design. Apella contains 3 font files, designed to serve as the perfect companion or strong standalone typography. Thank You.

Introducing "ZT Monstion," a fusion of sans and grotesque styles, both in bold weight, radiating an essence of simplicity and modernism. Crafted meticulously, this typeface embodies the purity of sans-serif aesthetics while embracing the boldness of grotesque forms. Its carefully refined x-height and expertly smoothed angles create a mesmerizing balance, where minimalistic design meets commanding boldness. With each character empowered by the weighty black typography.

Linoma is a handmade font duo consisting of a sans and a stencil version. Its rough and textured appearance derives from the linocutting technique. Use Linoma Stencil as headline or display font and Linoma Sans when you need text settings in smaller sizes. Linoma is suitable for packaging, books, magazines, products and branding projects. It supports most of Central European and Easter European languages.

Eyeful is a funky, but very legible, comic font. Use it where you need playful attitude! You will need to use OpenType supporting applications to use the autoligatures.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

Xova Rounded is a geometric rounded typeface. The use of perfect round shapes and quite a low ascender height makes it a very stable, yet playful looking typeface.

BD Westwork is a very condensed, bold and distinctive display typeface – great in combination and in contrast with delicate illustrations, photos and body text with and without serifes.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.

Paradise is a script font thought to be used in a wide range of pieces of design. From packaging to invitations, Paradise looks elegant and sometimes very playful.

A font devoted to female elegance such as products used by women, beauty salons, fancy clothes, shoes, bags, magazines, and something very elegant for women's luxury. thank you