Xanthine… is a purine base found in most human body tissues. Yes, you can forget that. I don’t even know what it means, but I suddenly realised that I was running low on fonts with an ‘x’ in the name. Xanthine font is a messy brush: it is all caps, but upper and lower case mingle freely. It comes with a whole bunch of diacritics and some interesting ligatures as well. I have included a very handy shapez pack and a truckload of arrows - anything to make you happy…

Kitsune means ‘Fox’ in Japanese. It really has nothing to do with Japanese foxes, but I am going to Japan in a few weeks, so I figured a Japan-inspired name would be perfect. Kitsune Tail is a messy brush font with no real baseline. It is an all-caps font, but upper and lower case differ and can be mixed. It comes with a full set of alternates for the lower case glyphs and a really impressive language support! I hope this foxy font will bewitch you. Enjoy!

It's not everyday that you want to have dark chocolate with your favorite latté. But sometimes, as out of the ordinary as it is, it can be just the ticket. Cafelatte's design offers a somewhat unpolished calligraphic concept, reminiscent of wooden type, but done with the unique brush of Angel Koziupa and Bezier wizardry of Alejandro Paul. The discerning packaging designer will certainly find it refreshing to be able to put a darker, unconventional touch on his or her design. And who says primal instincts can't express themselves elegantly?

This teacher-friendly polka-dotted font is perfect for kids and teachers. It is fun but still perfectly neat and legible for little readers.

The long awaited and much requested revival of Robert Hunter Middleton's very popular classic is finally here. Mayfair Cursive was an instant hit for Middleton in 1932, and it went on being used widely until late into the 1970s, in spite of it never having crossed over to film type technology. Like a few of its contemporary designs, most notably the work of Lucien Bernhard, Mayfair is a formal script that is somewhat based on traditional italic forms with swash uppercase, but also employs subsidiary hairline strokes in some of its lowercase as an emphasis to the script's cursive traits. Why these gorgeous letters never made the leap into photo typesetting is a mystery to us. But here they are now in digital form, almost three quarters of a century since they first saw the light in metal. Mayfair was redrawn from original 48 pt specimen. It also underwent a major expansion of character set. Plenty of swash characters and ligatures were added. An alternate set of lowercase was also made, in order to give the user a choice between connected and disconnected variations of the same elegant script. Mayfair ships in all popular font formats. While the Postscript Type 1 and True Type versions come in two fonts (Mayfair and Mayfair Alt), the OpenType version is a single font containing all the extra characters in conveniently programmed features that are easily accessible by OpenType-supporting software applications. We are quite sure today's graphic designers will be appreciative of having access to the face that all but defined menus, romance covers, wine and liquor labels and chocolate boxes for almost two 20th century generations.

Bold and simple, but shaky, Count Floyd was named for the horror host spoof from SCTV. It has the look of a spooky grunge font, but is far easier to read, even at relatively small sizes. Please note that this font has a limited character set.

Helvetian Times is an unusual typeface. It clearly thinks it's a standard text font, but the offbeat letter shapes and inconsistent serifs combine to form something that defies conventional categorization. Helvetian Times works well at any size, but generally evokes the impression that something's not quite right.

Beyond broadcast Like Truman Burbank, the star of The Truman Show, FS Truman was born for TV. You’ll know it from Sky One’s on-screen trails and announcements, but it’s just as at home in other media. Its starting point was the skeleton of a highly legible, space-saving, corporate font with some of FS Dillon’s geometric discipline built in. Its distinctive tone of voice and “ownability” are in its boxy but friendly shapes, and characters with hybrid features. FS Truman’s weights and widths were honed to work at TV screen resolutions. A face for TV it may have been, but this is a font that works on every level, on screen, in print, in headlines, in listings, in longer text, in tight corners and open spaces. The space-saver Compact, condensed but crystal clear, FS Truman comes into its own where a lot needs to be said in not a lot of space. Its letter spacing allows the type room to breathe, even at small sizes, while its fulsome x-height and diminutive descenders pave the way for tighter leading. A natural for headlines and titles over three or four lines. “Hybrid” features With every font, Fontsmith look for crafty new ways to imbue letterforms with a consistent character. The idea with FS Truman was to introduce “hybrid” features. In open letters such as “c” and “s”, for example, the top terminals have straight, vertical cuts while their lower terminals have a more angular, cursive finish. Boxy, spacious forms with unusual curves and angles create not just highly legible and efficient letters but strongly distinctive ones, too.

Best Part, an elegant yet casual fancy script typeface inspired by the casual fashion lookbook and classy feminine stuff nowadays. Perfectly fit for branding, logo, wedding things, greeting cards, fashion, lookbook, marketing promotion, anytime you want to look fancy elegant but still casual.

This face was recommended to me by Mark Solsburg, president of FontHaus. At first I was a bit reluctant to revive it, if for no other reason than Frederic Goudy’s admission that he created this design “in a moment of typographic weakness.” However, I put the sample that Mark sent me up on my bulletin board, and over a period of time, it grew on me. It finally got to the point that I had to recreate the face, and from the response that I’ve gotten, I’m glad I did! Uppercase only with numerals and punctuation.

Italix is an easygoing font family with mainly 4 script styles (Fineliner, Brushpen, Marker & Fatstick) and 7 supportive AllCaps fonts. Each script has its own unique personality, and come with optional ink splatters. These are attached to several ligatures, so don’t forget to activate the “OpenType Features” and the “World Ready Composer” in the application settings. The cool thing about Italix is that you can have a lot of creative fun with it, and its multiple features. Brushpen has a more classic look, Fineliner is a bit quirky, Marker is the chill one, and Fatstick is a total badass!

Mang is an 11 point (or 22 pt or 44 pt etc.) bitmap font that was originally designed for a poetry piece in Born Magazine. It is slightly quirky but works well as a text face. You can use it for screen resolution or print designs as it includes outlines.

Poly is a serif typeface inspired by vintage travel guides keeping the naïf style typical of those publications. It has spiky serifs and a retro style. It will shine in headlines and packaging, for example, but it’s versatile. It can bring a lot of personality to brands and warmth to communication.

Agoda is a stylish, classy and delicate script font. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. Agoda is PUA encoded which means you can access all of the glyphs and swashes with ease!

Deco is an Art Deco inspired chunky font. It has the irregular charm of a hand drawn font but the elegance of a classic Art Deco style font. It has enough humor and grace to be used in a wide range of applications. Its ideal use is as a display font.

Yustine Signature is a signature script font, featuring a lovely flow. It has a clean and smooth vibe and it will be a hit for any design that you want to add it to. Is perfect for many different project such as logos & branding, invitation, product designs, label, photography, and more.

EB Corp designed to be fit for corporate nuances. its letterforms shaped in tune with technological feels. Its shown simplicity, minimal stroke contrast, moderate spacing. Its consist of 18 styles from Thin to Black, contain 470+ glyphs that support broad latin language, contain variation of linning figures, and some alternates glyphs.

Introducing Altia Hand Lettering Tool Kit, Yes it is a Tool Kit. The reason why we named it as a Tool Kit is because you will get tons of item in one product! This product will contain 7 fonts. This product will provide anything you need to create a lovely quotes and logo. Just mix and match the fonts and then you can get a beautiful lettering that you can use in any media you want! Very suitable for wedding invitation, greeting cards, merchandise, apparel, poster / print design, etc. All the fonts is also support multilingual.

I bought a pineapple the other day, because my kids really like pineapples. Ok, ok, it may not sound like something special to you - but keep in mind that pineapples in Holland are an expensive fruit. We mostly get the canned ones (which I don’t like too much). Anyway, when I was slicing up the pineapple, I thought I should name a font after this bizarre, but tasty, fruit. And so I did. Pineapple Daydream is a handmade serif. I am not sure how to classify it, but I am sure you’ll figure that out. Comes with a plantation of diacritics.

Monospaced but no mono space. Created from 2002 to 2007 this font family is influenced by fonts like OCR-B, DIN and the work of Erik Spiekermann. Newsletter is not a real monospaced font but has the ease of recognition these fonts have - even though these fonts are often criticized for their aesthetic qualities. Newsletter has a computer-related impression but is more legible and aesthetic than real monospaced fonts are. Since 2006 Newsletter is the corporate font of the design agency "die Typonauten". It is eminently suitable for correspondence use. After a testing period and fine tuning it is now published.

You may not know it, but you've been looking for a font like DISPOSITION! Yeah, it's a font...but it doesn't act or look like one! Why?! Because there are 6 different versions of each letter! Yes, SIX different versions! Enough to make your design look soooo cool and handmade! The font uses "contextual alternates" which makes the font cycle the different versions as you type! What can you use DISPOSITION for? There are almost no limits, but I would suggest designs such as invitations, headlines, posters, signs and other cases where a dry brush look is required.

To canoodle means to hug and kiss passionately. I leave the rest to your imagination. Canoodle is also a very adorable font - some would even go as far as calling it kissable. It is an all caps typeface, but upper and lower case differ and love to mix and match. I won’t guarantee a spot of canoodling if you use this font, but who knows, maybe you’ll get lucky. Canoodle speaks many tongues.

Here is my font with carved out letters, like a really bad stamp. Each lowercase letter has 3 different versions, and that makes your text more natural, organic and handmade. Normally I kern my fonts throughout, but this time there is no kerning at all...and that's odd, when we're not talking about monospaced fonts. Anyway, Bottle Fork has its flaws and jumpy x-height...but that's exactly the charm of it all! :)

KIGELIA is a stylish display serif font inspired by fashion magazines and romance. It is great for short headlines and titles, but it looks great in advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design.

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Come on... You want Jiminy, don’t you? It’s FUN! And carefree! It will turn any project into something enjoyable. You really must have it! But don’t just listen to me, Mr. Cat and Mr. Fox. Let your conscience be your guide...

Dortmunder Ecke ("Dortmund Corner") is a clean, all caps font inspired by Cubism. It really has nothing to do with the city in Germany, but the name stuck and I kept it that way. Comes with a square amount of diacritics.

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Bumper Sticker is a nice, uncomplicated display font. It is quite loud, a little heavy boned and very in-your-face. You could use it to design more bumper stickers, but I am sure you will come up with something better.

SK Bade is a demi serif and condensed font. It was designed by Salih Kızılkaya in 2020. This is a completely decorative font, but legibility is at the forefront. In this way, it can be used easily in long texts.

SpeedSwash is a stylised oblique script-fraktur hybrid. That description could should bizarre - lets face it, it does - but the result is actually rather splendid we think. Lovely for poster work where a sense of life and motion is required.

Quorfid JNL is Jeff Levine's version of an old classic- Orplid. Especially popular in the 1950s, this cast shadow outline font has a decidedly hand-made look to it. From headlines to point-of-sale signage, it fits into all applications.

Deco Neue Wilde is a filter font based on Deco, an original Open Window classic. It sort of speaks for itself but it reminds me of a lava lamp and the countless shapes that you could waste time watching appear.

It is the holiday season, so let's get a bit fancy. So, we present the Paradelica Display font with a playful and elegant design. A festive and stylish font with a vintage vibe, this is perfect for creating display pieces like logos, posters, and greeting cards. Available in Caps only. Comes with alternates, ligatures, multi-language support, and optional decorative symbols.

Willy is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Bylander is a stateful serif typeface. With robust, heavy letterforms reminiscent of a foundry's hammer hitting molten metal, and an unpaired weight, Bylander's characters seem forged from the core of the Earth. Its rounded corners whisper tales of smoothened river stones, and its gentle curves combined with its industrial mass makes Bylander a paradox; both intimidating in its boldness and welcoming in its approach.

Stencil typefaces are popular because they are striking and decorative, and their associations - whether Utility, Travel, Vernacular, etc - are evocative. Anostencil is developed from, but not exactly like, our Ano typeface. Ano’s geometric skeleton, tweaked a bit, allows for a level of abstraction while retaining legibility. Some of Ano’s characters, such as the a, e, f and r, have been amended to make clearer, more graphic shapes when the stencil design has been applied. Different application of the stencil gaps in the letters make functional but decorative and expressive linear forms. This is particularly evident in Anostencil’s extended character set which features codified, semi abstract shapes. So the stencil design in Anostencil has been applied in not necessarily the most logical or immediate way, but in a way that makes each letter a striking and graphic shape.

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola. I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning… Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

Wordmark is our new fully equipped branding tool. Designed with a refreshed humanist style, much loved by brands that need to deliver their message in a serious way, with a current look. Drawn by the cool eye of Gaspar Muñoz, expect this font to be as good or even better than its predecessor "Herokid". "Wordmark" is super complete; it includes condensed, thin, expanded, and heavy weights plus italics with two complementary systems that work together in a powerful way. "Wordmark Normal" offers great readability for text and signage, big or small. And "Wordmark Display", designed with a noticeably taller X height specifically made for headlines, big windows, and big screens. With 48 different styles keep it simple and make reliable designs with "Wordmark".