TipTop Pro’s origin goes back to around 1900 when the font was released by the German foundry Julius Klinkhardt in Leipzig. Ralph M. Unger redesigned this beautiful art nouveau typeface, extended its character set and digitally remastered it. TipTop Pro fits perfectly into the series of recently released URW++ art nouveau designs (Edda, Gradl, Impression, Joga, Ornella).

Marteau is a strong, clean, and modern condensed geometric sans-serif. Its purpose lies in branding, advertising, packaging, and all other design that calls for a big impact. It is the display typeface for all things contemporary, from rustic coffee shops to colorful web design – the versatility of Marteau allows for perfect integration into a wide variety of aesthetics.

An isometric grid of a font, Gridlock takes an italicised modular approach to its letterforms. It is, however, not willfully strict about the application of that grid - the W and V and S, for example, have carefully considered diagonals that freely intersect the layout. More strictly designed but possibly less attractive versions are available as alternate characters.

Isfahan is based on the middle-eastern style decorative initials Willy Pogany drew for his edition of The Rubaiyat of Omar Khayaam. This font has both full-size capitals and reduced size small-caps versions of each letter, but although it could be used as a titling font, it is really intended more for decorative character placement.

'Old letterHand' is a very legible handwritten script font, created with a fine brush pen. The font was made with old style lettered ads in mind but it is has a modern look. It features a couple of ligatures, alternate characters and a few swashes for you to play around with. Related fonts are fourHand and blackHand.

Bommer project started in January of 2014 and I am happy to announce the first family - Bommer Slab - is now ready for release. This family includes 14 weights - being seven uprights and seven italics. This font has a strong personality, that makes it perfect for use in headline sizes but means it also works gracefully within text blocks.

Brisella is a simple modern handwritten font with a wonderful choice of bold and elegant to choose from. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination! This font is PUA encoded which means you can access the available glyphs and ligature with ease!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Theater is narrow and monoline font, it definitely retrospective font, but it is also modern and contemporary. Perfect font for display, poster and logo.

It doesn’t take long to see that Cheap Skit is a super legible, easy going font. It is intended to be used where text needs to be clear and legible, but have certain amount of handmade energy. I’d say that products that has something to do with children (toys, clothes, games, posters …) or something organic, recipes, bookcovers …

Garagum is a display font harmonizing traditional and modern vibes. It has beautifully crafted nine swashes. It’s fun, interesting and perfectly fits different kinds of design works, such as posters, book or album covers, digital spaces, or any other mediums that you want. It supports various Latin-based languages and comes with powerful open type and true type features.

In Handmade Font the letters are made of hands or handprints, something children sometimes do when they are set free with paint. It is caps only but the letters on the lower-case keys differ from those on the upper-case keys. It comes with a large assortment of accented letters to support most European languages.

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for setting all caps, but we did take time to kern it well; so you won't get a jumble of ovelapping letters if you do.

Rembow is a custom calligraphy font which shows the strong but beautiful strokes. It is suitable for any occasions such as logo, brand, or even to write awesome quote on a poster. It came with a bunch of stylistic alternate glyphs as well as support International characters. Enjoy! You will get TTF, OTF as well as WOFF.

Startup is a nine style type famaly. It combines the aesthetics of gothic sans and Neo-grotesques. Created specifically for the creation of startup identity. When you need something that doesn't scream, but has personality. This type family can be used in the design of the logo, as well as apply it to headlines and secondary texts.

Amerio is a rough font that was made by Subectype Studio. It features a brush made feel and looks so fun. Every single letter has been naturally hand written, making this typeface unique. It was scanned and put together as a font. The font suits best for big headlines, logos, posters, book cover, quotes and much more.

It’s surprising - it can take more time and effort to make something deliberately and artfully imperfect than it does to make a more conventional design. We certainly found this to be the case when designing ‘SpeedSketch’. Perhaps a more accurate name would have been ‘SlowDraw’ but that wouldn’t really capture the essence of the finished design.

Conithing a very classy and light style handwritten font, with lots of characters in it, also complete with connectable hearts to make it more beautiful. Conithing font is modern, simple, but still authentic. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes.

Buttermilk is the first font from illustrator/designer/typographer Jessica Hische. It’s a wonderful display script that is feminine but bold. It’s equipped with decorative caps (which would make great drop-caps), fancy numerals, and a far too extensive array of ligatures (automatic in most programs thanks to OpenType) to make it easier for you to set it beautifully.

Instant Protest is a font I made with a broken satay skewer and Chinese ink. Yes, like so many of my fonts, but these particular tools are my favourites! It is a slightly cursive, yet very legible font. It comes with serious language support (Greek, Vietnamese, etc) and some cool contextual alternates that cycle as you type.

Hypothesis is a typeface inspired in tattoo letters, chicano culture and calligraffiti. It works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design. Suitable for many creative products & tattoo designs, like posters, t-shirt, street wear, logo, signage, headlines, etc.

Doorkick is my grungy handmade font with rough lines and a squarish look. Each letter has 5 different versions, which automatically cycles as you type - leaving your text with a super lively and natural/organic look. I'd say that Doorkick is best for short words or shoutouts, but try it out it massive text too! I dare you! :)

Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone, guaranteeing its effectiveness for almost all text setting applications, but especially where a formal unmannered appearance is desired.

LIETZ Germion draws inspiration from viennese jugendstil scripts. It features strong geometric figures but with a scruffy handwritten poster-look and a distressed feel. Use the stylistic alternate sets and ligatures or combine it with it's font-bro Lietz Berlham for vivid vintage fun! Kolo Moser is dancing an absinthe infused poster-polka! You should too!

The font I made based on the Greek alphabet used by the Karamanlı Turks, who are Orthodox Christians, by adapting it to Turkish, which I deduced by looking at the inscriptions and translations. In order to write in Turkish, Turkish special characters are loaded with letter combinations and sounds. But it can still be easily written in Greek.

Create outstanding horror design with "Hantu" fonts, perfectly fit for your horror design and also unique alternative for casual designs if you want something different and eye catchy. for better result, adjust manually the kerning and baseline until it match with your design. Use "*" for dot effect and combine with regular fonts, it will make your design outstanding!

Cursivica is a decorative font. Its letters are an odd mixture of script forms and block letters straightening and slimness. Cursivica supports several writing systems and besides supports extended Latin characters, also it contains extended Cyrillic (including Tatar letters), Greek alphabet and Hebrew. This font will perfectly fit for invitation letter design, packaging of cosmetic products, creams, etc.

Kornasoft is a typeface with hard corners, straight lines and smooth curves. The typeface is influenced by dance, movement and music culture. Kornasoft is a combination of a simple looking font, yet with personality and edge to it. Kornasoft is mainly designed to be a display font, but it can also be used as quantity text.

Oblogram JNL was built on the structure of Yorso Square JNL, but takes on the appearance Of a "techno" design as if drawn by a child's imagination. Unbalanced stroke weights give the appearance of a makeshift design, and can even double as "Modern Grunge" in its own right because of its willingness to break all typographic rules.

Kaleidoxope is my hand-drawn headline font. However, I traced the font digitally to make it look more smooth - but still kept the handmade look. As usual it has that well known pizzadude mixture of funk, grafitti and a teaspoon of madness! Comes with alternate characters for double lettering and a swashy version of most letters! Enjoy! :)

Creata is a sans serif typeface with a wide range of application. The font family contains 14 weights (7 straight with match italics). The overall design is neutral but some letters has pretty unusual appearance (for example @, &). Creata has its own personality, its own integrity and a unique voice. Recommended for corporate branding and editorial exercises.

Helmut Matheis originally designed Slogan for the Ludwig and Mayer type foundry in Frankfurt, Germany. Slogan is an informal script of medium weight, with some variation in color. Its caps are flowing and the lowercase letters are close fitting. A lighter, more upright companion was designed by Helmut Matheis as well; its design is named Charme.

Futo Sans family is a modern & soft sans-serif family has 8 weights upright with matching italics. Its corners and shape give a soft feeling but straight strokes and solid structure make it strong. Each font includes opentype features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions.

This is an experimental type, something of retro-futurism and modern robotics in one package, with letters of unexpected proportions and forms. It was inspired by the glorious imagination of the past, but it holds in itself themes that are bound with the future. The DBL Cheque family consists of incredible 22 styles, filling every need for demanding designers.

Herrmann is a sans serif typeface family. It was especially designed for use in headlines, but it's great legibility also allows for use in longer texts and smaller sizes. The geometrical design gives it a distinct industrial / architectural style. Herrmann comes in 10 styles (thin, light, regular, semibold and bold, all in regular and italic) and has 374 glyphs.

Law Italic was designed as an imitation of a formal style of penmanship used in legal documents. It has a more pronounced angle than standard italics. It is intended to be used by itself but can be combined with other faces to suit a designer's inclination. Historically, this face was once used by Bruce Rogers strictly for headings.

Introducing Archer Display – a serif font that bridges the realms of tradition and modernity with effortless finesse. This font carries the weight of a bygone era in its high-contrast design and substantial serifs, but it also boasts a captivating contemporary edge with select letters that have been thoughtfully reimagined for a touch of avant-garde charm.

Zuider Postduif was my very first font design 3 years ago and I decided to remake and extend it including the Cyrillic alphabet and some OpenType features. It looks pretty cool as printed text(lyrics, poems) and fits best for decorations, posters, menu carts for restaurants, brochures, newspaper headlines or logos. It’s comfortable to read above 12 px.

Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone, guaranteeing its effectiveness for almost all text setting applications, but especially where a formal unmannered appearance is desired.

I’ve never been one for zombies and all that. I did watch a couple of seasons of The Walking Dead, but after the 2.000.000th zombie got whacked, I had enough. When I made this font, it gave me a zombie feeling. One thing I learned from watching TWD was that zombies are always hungry. There you have it!