Trocadero JNL was inspired by an early 1950s photo showing the signage for the Trocadero Restaurant located on Liberty Avenue and 23rd Street in Miami Beach. Highly stylized and classically Art Deco in design, it is best used in short one- or two-word titles.

Theater District JNL revisits the classic lettering of the 1930s Art Deco movement with this bold headline type. While many variations of this letter form exist, each interpretation evokes the approach to modernism and streamline embraced by architects and fashion designers of the period.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

Handler a signature typeface great for Logotype, Poster, Digital Lettering Arts, Clean Design, Branding Design, Signs,and more. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and more.

Empyrean is a display Roman typeface which sets out to be deliberately different. Its letterforms explore white space and the art of leaving things out. Empyrean is a futuristic Roman design which builds in respect for typographic tradition with an exploration of design possibilities.

The House Of Usher is a beautiful set of decorative initials, mixing Victorian style in the boxes with gothics capitals. Perfect for beginning of paragraphs in artistic publications, storybooks and several texts conveying the feel of the Art Nouveau period with the gothic writing.

Stencil Octoid JNL was inspired by a set of twelve inch tall stencil letters and numbers made by Duro Art Industries in Chicago. The bold type style with angled rather than rounded corners gives the font a strong feel of industry or military usage.

Begadul is an elegant serif font with a contrasting thickness, very suitable for displays such as titles, greeting cards, magazine covers, and many more. This font will be a great addition to your library, as it will make every design a true piece of art.

A light and playful sans serif type design with Art Nouveau influences was called “Tasso” within the pages of the 1893 edition of the Barnhart Bros. & Spindler type specimen book. This is now available as Nouveau Boutique JNL in both regular and oblique versions.

Here's a collection of Art-Noueveau-era border elements, gleaned from the pages of various German type foundry catalogs from the first decade of the twentieth century. Refer to the accompanying PDF guide for instructions on constructing twelve different, distinctive and elegant border sets.

A classic Art Nouveau face, originally known as either Domingo or Brillante. Its sinewy forms and narrow letterforms make it a natural choice for large, evocative headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Art Nouveau typeface ‘Secessionist’ draws inspiration from Wiener Secessionist Joseph Maria Olbrich's handwriting, as seen on his architectural drawings from the 1920’s. You can use these fonts to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Scriptone is a attractive handwritten font with standard alphabet, punctuation and multilanguage support including ligatures and alternates to maintain a natural and artistic impression. Scriptone font is included right and left swash, so that it can add a beautiful art image to your work.

Pixeldrop is a spectacular decorative font with a graffiti style and some pixel looks. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Bubble Bobble is such a Fun & Playful Font. Use it for any project that needs a cheerful and playful look! Perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography kids, window art, scrapbooking, tags and so much more! Thank you

"Baker’s Showcard Book" (1916) was an early 20th Century instructional book on sign lettering. One of the sample alphabets entitled “Decorative Roman” was a spurred serif, Art Nouveau design that has been recreated digitally as Elegant Showcard JNL in both regular and oblique versions.

The 1911 sheet music for “A Hot Time In Monkeytown" is an example of Art Nouveau hand lettering that could not be ignored as a typographic design source. The end result is Nouveau Moon JNL, which is available in both regular and oblique versions.

Abellaice is a graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Abellaice is PUA encoded which means you can access all glyphs and swashes with ease!

Adapted from lettering found on a poster by an Italian artist with the unlikely name of Marcello Dudovich, this ultrabold Art Deco font, with its graceful curves, commands attention. Primarily an uppercase only font, there's a variant lowercase m with a strong design element.

Don't Bug Me JNL is a collection of twenty-six of the cutest critters you've ever seen. Originally released as a freeware font in late 1999 to poke fun of the Y2K bug, the art has been cleaned up for more commercial or decorative appeal.

Redmilk embodies fun, quirkiness and authenticity. This enchanting handwritten font will turn any creative idea into a true standout. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Christmas Chalk is a quirky handwritten font. This font is suitable for any season, but the Christmas theme fits best. Whether you’re looking for fonts for social media or for DIY projects, this font will turn any creative idea into an authentic piece of art!

Titles hand lettered for articles appearing in the November, 1938 issue of Hollywood Magazine were done in a condensed Art Deco stencil style in just lower case. This novelty type design is now available as Deco Display Stencil JNL in both regular and oblique versions.

A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong Art Deco influences. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

An ad promoting the 1919 silent film comedy “Back Stage” starring Roscoe “Fatty” Arbuckle was hand lettered in a thick-and-thin sans style with Art Nouveau influences. This lettering is now available digitally as Picture Show JNL, in both regular and oblique versions.

Inspired by the hand lettering found on a 1930s travel poster promoting visits to India, this bold sans serif Art Deco type design feature incised lines and a stylized A,E,F and S. World Travel JNL is available in both regular and oblique versions.

This is a modern-day interpretation of the 1930s font. With a wide range of alternates, you can create Art Deco and Bauhaus style typography in one piece. People who see it will be fascinated by the stylish and feminine look of the font.

A French lettering chapbook from the 1920s, entitled "Art du Tracé Rationnel de la Lettre," provided the inspiration for this decidedly Deco exercise in alternative letterforms. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Pavement is a display typeface, based on the roughness and hardness of a street tile. I wanted to make a font with some real streetvibes, so it can easily be used for all kind of street cultures like music, (stencil) graffiti, street-art and fashion.

Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three areas may seem initially to result in an unusual formula, but the distinct and flamboyant style of Art Nouveau and the Arts and Crafts style combined with the more strict rules of a sans serif transfer well into a beautiful and very usable blend of these individually eccentric forms. The resulting font retains the Art Nouveau and Craftsman style flavors, which shine through the typeface despite its geometric base. One of the font’s defining characteristics is the unique terminators of its C, G and S. This face’s texture and rhythm also moves well in longer texts. These and other features give Ashemore a restrained bohemian vibe that seems particularly appropriate for a coffee house or an art gallery. The Ashemore family has a full range of six weights from thin to black and includes condensed and extended options for a total of 36 fonts. The typeface also includes some unique OpenType alternates that make the superfamily even more versatile. Ashemore is equipped for complex professional typography, including alternates, small caps and many alternate characters. The face also has a number of numeral sets, including tabular figures, fractions, old-style, lining figures and superiors and inferiors. OpenType-capable applications such as Quark or the Adobe Suite can take full advantage of automatic ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Ashemore also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Ashemore supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Ashemore was designed by Jeremy Dooley with production assistance from Lucas Azevedo and Marcelo Magalhaes. Kerning assistance from iKern.

Tenacious Brush is an expressive font, provocative, free spirited and wild hearted. It's an all-caps face, with 4 alternates for each letter and 2 for each numeral — some letters also have stylistic choices. For that spontaneous hand-painted feel, you know. Turn on the contextual alternates feature to automatically cycle all these variety of glyphs. Or... pick your choices manually, which is quite a playful task now in some applications like Adobe Illustrator and Photoshop — just select a glyph and you see its alternates. The font brings yet some useful ornaments to give an extra buzz here and there. And let's not forget to mention the extended language coverage. And there are even fractions available! And ordinals! Definitely not just a rad face. This is a cool brush font with a contemporary tone, offering endless design possibilities: logos, poster art, branding, bold imagery, packaging, t-shirts, apparel and much more... With loads of attitude included. Step into it!

Kis Classico™ is named after the Hungarian monk Miklós Kis who traveled to Amsterdam at the end of the seventeenth century to learn the art of printing. Amsterdam was a center of printing and punchcutting, and Kis cut his own type there in about 1685. For centuries, Kis's type was wrongly attributed to Anton Janson, a Dutch punchcutter who worked in Leipzig in the seventeenth century. Most versions of this type still go by the name Janson. In 1993, the Italian/Swedish type designer Franko Luin completed Kis Classico, his own contemporary interpretation of the Kis types. About the Kis/Janson story, Luin says: If you understand Hungarian I recommend you read the monograph, 'Tótfalusi Kis Miklós' by György Haiman, published in 1972 by Magyar Helikon. It has hundreds of reproductions from his Amsterdam period and from the time when he was an established printer in Kolozsvár (today's Cluj in Romania)." Kis Classico has five weights, and is an admirable version of this classic type.

The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has its own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. Adagio Serif - Characterises with strong contrast and high detail in calligraphic character cuts, what gives it a light feeling. Unlike the Slab version, serif variety has asymmetrical serifs. Thanks to large X length, and highly stretched descenders, it also works correct in longer text, while its strong detail is good for headlines. The Serif version is a great complement for Adagio Sans and Adagio Slab.

The Adagio Family is a part of Mateusz Machalski's, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it's own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. Adagio Sans - In its character, inspired by classical English typefaces. Sharp chamfers add a strong character. Thanks to delicate contrast and proportions of capitals, this variety has features of humanist grotesque. Thanks to large x length, and highly stretched descenders, it also works correct in longer text, while it’s strong detail is good for headlines. The Sans version is a great complement for Adagio Serif and Adagio Slab.

Rolexa is a new carefully crafted serif fonts. The Ideas of this fonts are from wide range of reference, from classic, until the modern era. So the looks of this fonts must be in the wide range of the reference above. It’s Versatile and Luxury feel that you get in Rolexa Typefaces. Immerse your design in the world of elegance and refinement with our premium serif luxury typeface, designed to bring a sense of grandeur to your creative endeavors. Experience the epitome of luxury in typography with our meticulously crafted serif typeface, exuding timeless beauty and grace for your high-end designs. As you can see our creation on the display such as Branding, Header, Logotype, Poster, Magazine, Packaging, Wedding Invitation with art deco style, and etc. It shows that Rolexa can accommodate various design style. Features : - Character Set A-Z - Numerals & Punctuations (OpenType Standard) - Disrectionary Ligatures - Accents (Multilingual characters) Thank You

The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PhD student Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each has its own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties that are stylistically consistent. Adagio Slab - Slab variety combines qualities of the Sans and Serif varieties. It has the same contrast as Sans. As distinct from Serif, Adagio Slab contains strong, beamy and symmetrical serifs in the form of pillows. Thanks to large X height, and highly stretched descenders, it also works correctly in longer text, while its strong detail is good for headlines. Slab version is a great complement for Adagio Serif and Adagio Sans.

Pelegotic makes you think of Scandinavian pioneer design, with its functional letterforms and architectural look. It is also a very versatile typeface, and fits easily as headline type for a magazine, or as part of a graphic profile for a company. It looks simple, but that impression is deceptive; the letters are drawn with a flair and individuality that shows the hand of a master typographer. Pelegotic Regular is rather thin, and is useful for big type like signs. Veteran designer Bo Berndal has created Pelegotic: "Pelegotic is a sansserif inspired by the Art Deco of the 20's and the Swedish functional style of the 30's. The slightly condensed design is an attempt to find a somewhat more elegant lettershape than the usually rather technical expression of monoline typefaces", says Bo Berndal. Pelegotic comes in three weights, with roman and italic in each weight. It is an OpenType creation, for both PC and Mac.

Hi Margaret is a new modern script font with an irregular base line. Trendy and feminine style. Sweet lady Script looks beautiful on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes initial and final letters, alternatives, binders and multi-language support. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swashes, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters: This offer is available without limits. This package is perfect for greeting cards, branding, business cards, quotes, posters, stickers, blogs, logos, weddings, signage, packaging, birth announcements, photo overlays, wall art, quotes, printed matter, bags, t-shirts and many again! thank you for buying.

Inspired by the MacFarland series in the 1912 ATF catalog, Apparel is a typeface that shares similar functional characteristics with Times New Roman and Caslon fonts yet it has its own personality: A great choice for high-impact design. Apparel is a contemporary, classy and fresh serif typeface with a laid-back attitude that best suits your design needs. Its medium-large x-height makes it ideal for headlines and brand identity design. Apparel also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant. Moderately slanted italics are also available as OpenType Stylistic Alternates. Each font style supports more than 200 Latin-based languages, as you would expect from Latinotype fonts. Apparel also includes a basic Cyrillic set, old style & lining figures, fractions and alternates, among other OpenType features.

Introducing "Locked Puzzle," a captivating and bold font designed to elevate your creative endeavors with a playful twist. This unique typeface defies the conventional sharp angles, opting instead for a smooth and curvaceous form that seamlessly interlocks, embodying the essence of a puzzle waiting to be solved. Locked Puzzle's characters are imbued with a sense of whimsy and charm, making it a perfect choice for titles, posters, murals, and various works of art that demand attention. The absence of corners in this font contributes to its fluidity and friendly demeanor, creating a visual experience that is both engaging and approachable. What sets Locked Puzzle apart is its ingenious interlocking ligatures. These ligatures provide a dynamic and cohesive flow between letters, adding an element of surprise and coherence to your text. Whether used in digital or print media, PuzzleLock transforms ordinary words into visual puzzles, sparking curiosity and leaving a lasting impression on your audience. **Uppercase