Degaule is handwritten font. Will be nice if you application this font for cute, special moment, beauty, tees, simple word quotes, wedding party, invitation.

Purify Signature is a modern and simple handwritten script font. Contemporary and fashionable, this font will look great for a wide variety of projects.

Light Roman is an engraver, all-capitals font for invitations and stationery. The Light Roman font has strong contrast between thin and thick strokes.

Corn font is handwritten with a casual impression, this font has two styles, namely regular and bold, suitable for use in casual themed designs.

Walbaum Antiqua Pro is an RMU redesign of a German font classic, with three different number forms and small caps throughout all font styles.

The Show is a fun and friendly display font. Whimsical and a little bit quirky, this font will brighten up each of your designs!

Jack Smith is a signature script font with a natural handwritten feel. This font is a good choice for branding and logotype design projects.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Stripwriter is a comic style font that has a multitude of uses. While not an original idea, this style of font is always useful.

Ontime is a modern handwritten script font! This font is perfect for shirt designs, websites, branding, quotes, children's designs, blogs, logos, invitations and more!

Sew What JNL is a little novelty font that gives the appearance of letters stitched into fabric. This font contains a limited character set.

The Bludgeon font was designed by Jon H. Clinch. The lively expressive and inky splashing letterforms of the Bludgeon font have a splattered appearance.

Quadrica is a stylish, retro script font. Its unique letterforms make this font perfect for logos, social media posts, packaging, magazine covers, and more.

Fribble is a delightful, frolicking font that works equally well as text and titling. The open type extras provide additional ‘bounce’ for the font.

The design for the font “sketchimpact” is based upon the typeface Impact. The font family consists of three different versions: solid, outline and lines.

Butter Milky is script font with handwritten vintage calligraphy style, with OpenType feature include of the font. Suitable for design, element design, event, logo.

Roskilde is a city in Denmark, famous for its Rock Festival and its Viking Ship museum. Roskilde font is a very legible headline font.

Subytro! Use this font for sweet bold titles. It adds personality and an handmade feeling. Old Style font based on posters of the fifties.

Introducing the Nolita Font Duo, a classy pair of script and serif fonts. Nolita offers beautiful typographic harmony for a diversity of design projects.

Hi, presenting a modern decorative font set named "Fiver". It consists of five fonts with different lines variations. Thank you & have a great day!

JH Dima is a modern style font; it is designed based on Koufi style & latin geometric fonts classification, typical for corporate identity, branding & signage...

Decomic Oblique is one of the handmade fonts of illustrator Paul Hoppe who lives in New York. The font was digitized by Boris Kahl.

This font is based on 17th - 19th century woodcuts. It has many varied alternate characters and over 25 ornaments that make this font unique.

Rany is a fun, legible handwriting font with a childlike twist. Great for posters, packaging, logos, or anywhere a fun font is called for.

Amanzinc Graffiti is an awesome display font that features the street art vibe. Take your designs to the next level with this stunning font!

Beras Berry is a fun display font. This font is perfect for fun themed designs, especially when combined with everything cute or happy moment.

Little Tokyo is an authentic signature script font. This natural style handwritten font is suitable for various projects, such as logos, branding and packaging.

In the course of the re-vitalization of its Typoart typeface inventory, Elsner+Flake decided in 2006 to offer the “Kis Antiqua” by Hildegard Korger, in a re-worked form and with an extended sortiment, as an OpenType Pro-version. After consultation with Hildegard Korger, Elsner+Flake tasked the Leipzig type designer Erhard Kaiser with the execution of the re-design and expansion of the sortiment. Detlef Schäfer writes in “Fotosatzschriften Type-Design+Schrifthersteller”, VEB Fachbuchverlag Leipzig, 1989: No other printing type has ever generated as far-reaching a controversy as this typeface which Jan Tschichold called the most beautiful of all the old Antiqua types. For a long time, it was thought to have been designed by Anton Janson. In 1720 a large number of the original types were displayed in the catalog of the „Ehrhardische Gycery“ (Ehrhardt Typefoundry) in Leipzig. Recently, thanks to the research performed by Beatrice Warde and especially György Haimann, it has been proven unambiguously that the originator of this typeface was Miklós (Nicholas) Tótfalusi Kis (pronounced „Kisch“) who was born in 1650 in the Hungarian town of Tótfal. His calvinistic church had sent him to the Netherlands to oversee the printing of a Hungarian language bible. He studied printing and punch cutting and earned special recognition for his Armenian and Hebrew types. Upon his return to Hungary, an emergency situation forced him to sell several of his matrice sets to the Ehrhardt Typefoundry in Leipzig. In Hungary he printed from his own typefaces, but religious tensions arose between him and one of his church elders. He died at an early age in 1702. The significant characteristics of the “Dutch Antiqua” by Kis are the larger body size, relatively small lower case letters and strong upper case letters, which show clearly defined contrasts in the stroke widths. The “Kis Antiqua” is less elegant than the Garamond, rather somewhat austere in a calvinistic way, but its expression is unique and full of tension. The upper and lower case serifs are only slightly concave, and the upper case O as well as the lower case o have, for the first time, a vertical axis. In the replica, sensitively and respectfully (responsibly) drawn by Hildegard Korger, these characteristics of this pleasantly readable and beautiful face have been well met. For Typoart it was clear that this typeface has to appear under its only true name “Kis Antiqua.” It will be used primarily in book design. Elsner+Flake added two headline weights, which are available as a separate font family Kis Antiqua Now TH Pro Designer: Miklós (Nicholas) Tótfalusi Kis, 1686 Hildegard Korger, 1986-1988 Erhard Kaiser, 2008