Introducing Springsteel, a new display sans serif with an unusual construction: curved lines on the outside with only a few straight lines on the inside. The resulting typeface shows a great deal of tension and dynamics. Preferably, it should be used at larger sizes, at smaller sizes only for special effects. It was spaced and kerned by Igino Marini/iKern.

The Hybi15-Ronja is a characterful 4-style font family. It’s high recognition factor makes it appropriate for all oportunities of headlines, slogans and advertising. Though, it’s straight-line and well-balanced look makes it friendly and charming. The fonts are offering a huge character set for usage in many languages. Also thousands of kerning pairs within each style are obligatory.

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members. Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically. Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper.

Dexa Pro was designed by Ceyhun Birinci in 2020 with an inspiration to create a contemporary super family with inspiration from classic sans serif families. It's a workhorse family consisting of 72 fonts in condensed, narrow, normal and expanded widths. Each width has 18 fonts in thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It offers a ton of language support from all the Latin languages to Cyrillic.

Automoto is built from a limited number of curved and straight segments that have been flipped and rotated. It has an extensive set of two- and three-letter ligatures that form a triple ribbon resembling a model car racetrack. For clarity, some character combinations were excluded as they proved to be ambiguous in context. The upper- and lowercase characters can be freely intermixed according to taste.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

HU NoodleKR is a stencil-type font designed for drawing with one brush and writing in stroke order. It is composed of large grapheme for good visibility, and fine curves are added to the shape based on straight lines to create a soft feel. In particular, it is a full-bodied square font where personality is felt in double consonants. HU NoodleKR includes Korean.

Stems (豎) and crossbars (橫) are direct and simple, dots (點) are short but authoritative, downstrokes (撇、捺) are no longer curvy but straight and sharp, thus, a smart and straightforward typeface. Bold in this family is rough and tough, demonstrating a high extent of muscularity. Meanwhile Light is neatly, naturally and nicely crafted, aiming to achieve high legibility. A popular choice for advertising with diverse usages.

Conestoga was a challenge that I took on which was to take a logo from an old antique vegetable crate label and create a complete font based on its design. The original logo was curved on a path and was caps only. The new letters were drawn straight and a matching lowercase was created to turn this old custom logo into a working font.

Starting the new year with a new font. We present something different. The font this time has a straight-line theme. This font is inspired by the lamp style of the past few years. Elongated incandescent lamp. We combine aesthetic and elegant styles in the preview. Actually suitable also for styles in neon form. But we're taking a little dive into the style of today's design trends.

Grinko is a new unique decorative san serif font, created with bold and equal stroke all around with sharp edges that provide strong and straight feeling. This font extend some ligature and alternative glyphs to give you optional choices in creating typography projects. Grinko font is perfect for branding design, logotype, logo tagline, flyer header, magazine title, or even short quote for layouting ideas. Grinko features:

Curly Jane is a whimsical typeface combining straight lines with a little curl at the ends. Great for headlines, humorous notes, greetings, whatever hits your whimsy because simply said, it's simply Curly. Curly Jane includes a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Introducing Polyglot Neue Typeface Redesign previous typeface, It’s Polyglot and “Neue” it’s means New. The unique and fashionable font with tons of ligatures uppercase and lowercase. and supports multilingual languages. the straight lines combined with a slight curve make polyglot look minimalist and elegant. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards. Thanks!

This font consists of thin lines, we get very delicate impression.The straight lines are regularly arranged, at the same time, this font has very beautiful curved lines. So its overall atmosphere is intelligent and sophisticated. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Hall of Fun, a fast dry brush handwriting script font, comes out with clean and brush version to fit for your needs. Included the Stylistic Alternates for every letters and Ligatures to seamlessly handwriting feels. Straight from the hands and will be a perfect pair for fashion branding, logo, social media marketing, presentation, vintage products, make yourself standout with the Hall of Fun right away!

A modern sans serif font with a geometric and a bit of a grotesque touch. It comes in 12 weights, 6 straights and matching italics. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, ligatures and more. It has been designed with powerful OpenType features in mind. Perfectly suited for graphic design and display use. It could work seamlessly for web, signage, corporate and editorial design.

BERGURAU is a versatile and unique serif typeface, a result of half side curved serif and half side straight serif experiment. BERGURAU has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose BERGURAU for any graphics that require a sleek look with a elegant flair.

Spring Season JNL is a decorated and stylized Art Deco slab serif design from1935 which is based on the hand lettered title on the sheet music for “Paris in the Spring”. The characters are cut through with both a straight line and a wavy, spoked line which looks something like a thorny vine. Spring Season JNL is available in both regular and oblique versions.

A vintage matchbook advertising the New York Liquor Mart – oddly enough, located in Chicago, Illinois – featured a pen and ink line drawing of the store’s exterior. The Art Deco lettering on the mansard was portrayed with a straight left shadow (as opposed to drop cast or extruded), making for an interesting multi-line typeface design. This is now digitally available as Packaged Goods JNL.

Monoplan is a versatile monospaced sans serif typeface. Minimal shapes and straight sides are definitive features of the typeface. Tables, headers, code blocks, signages or other small informative texts are the standard places where Monoplan shines. Different alternatives such as square dots, alternate /a /y /6 /9, coverage of 94 Latin languages, various Opentype features, and 5 styles expand the usage area of ​​Monoplan.

Cabarga Cursiva is the work of the father and son team of Demetrio E. Cabarga and Leslie Cabarga, both New York designers. The details of the sharp strokes almost give the impression of a knife blade, whether straight or curved like a scimitar. The capitals should be used only as initials and are complemented by a robust lower case alphabet as well as alternate forms and ligatures.

SQUADZONE it’s a young & sportive unicase style font, having both uppercase and a few smallcase alternating letters that gives it a unique look. It’s geometric anathomy of the letters may have two different types of endings or detail: straight and sharp cut out angles at 45 degrees. This offers a few alternatives in headlines or even logotype purposes that are realy encouraged to use for.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

Moku Brush is a structural brush script inspired from handwriting with brush, with straight letterform you will get less formal but more sweet! Moku Brush come with nine weights, so you can use as body text or even better with headline. With nine variations, you can use this font in different sizes with different weights, you will get better balance when do type setup.

Leave it to Ray Larabie to come up with an interesting typeface that looks as if it were printed straight out a store's register. Stella Roberts Fonts presents Transaction SRF, the perfect font for emulating cash register receipts and adding machine tapes. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’s elephantine Grotesques, lending to both British and American series their monumental qualities. Shrinking the center strokes and counters to emphasize a massive periphery, David Berlow has used this curious similarity to suspend a complete family of sanserifs between the two forms, a manly series of great dignity and presence; FB 1997

CA Mechano is quite what the name suggests – A mechanical typeface. Pretty straight forward and all-caps as long as you don’t activate the stylistic set "disorder". You will see what happens then: a lot of fun for the typographic eye. A more consumable distraction is offered by the other stylistic set. You will dis­cover peacefully rounded letters in the neighborhood of strictly mechanically constructed glyphs.

Anglaise was designed for display and it likes to be big and present, filling the width of a whole spread. The repetition of vertical black and white space holds the typeface together and the contrasting straight and round shapes add the personality... for even more... use the OpenType features, and Anglaise will start merging and building new characters for you to play around with... Enjoy!

Pluto - and its straight companion Pluto Sans - was designed by Hannes von Döhren. The whole family consists of 16 Pluto Uprights, 16 Pluto Italics, 16 Pluto Sans Uprights and 16 Pluto Sans Italics; 64 fonts in all. Type designer Hannes von Döhren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Cobbler is a friendly type family in six weights. With proportions of geometric type, Cobbler is a contemporary sans on the inside and an ultra soft display typeface on the outside. Not a single sharp corner and only a hand full of straights make Cobbler extra warm and huggable. In fact, the few straight horizontal lines give the typeface the stability of a workhorse while keeping the gooey playfulness that characterizes Cobbler so much. And to make all this even more fun, there is a pile OpenType features built in. For example loads of Discretionary Ligatures that make capital letters interlock left and right – just fun! Or automatic fractions, case sensitive punctuation and contextual alternates – for serious typesetting. Cobbler works great for branding, packaging, editorial or any display application – and it comes with an expansive character set that covers Underware’s Latin Plus and with it over 200 languages. Furthermore Cobbler is manually kerned and auto-hinted for crisp display on screen also in small sizes.

Chop chop! VLNL Cleaver is an important tool in the Vette Letters’ kitchen. It’s a butcher knife of a font. Razor sharp, ultra heavy and with pointy slanted serifs. At first glance it seems straight-lined, but a closer look revails that all straight lines are curved inward slightly, which enhances the sharp image even more. Cleaver was originally designed by DBXL for cutting meat - hell, it even hacks right through bone. It can easily splice a chicken in one slash or seperate ribs, just like that. You can also very well use it to chop up hard vegetables like pumpkin or squash on the chopping block. It gets better, the opposite blunt side can be deployed to crush ingredients like garlic, nuts or spices like black pepper. You could use a grinder, but with Cleaver it’s more fun, isn’t it? VLNL Cleaver is suitable to give a sharp edge to flyers, posters, logos (Heavy metal bands and other) or magazine headlines.

Marsden is a bold, no-nonsense Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong voice is needed. Marsden is built on a geometric foundation, with just enough warmth to keep the style confident and lively. The family features 8 widths in 12 weights; from a Slim Hairline to an extremely bold Wide Super. The fonts flow from condensed to wide with design intent. The condensed forms feature flat sides and subtle curves, while the wider forms feature rounded sides and open curves. The character set is robust, covering extended latin. The default forms are contemporary with alternates including: single-story a, two-story g, curved terminal l, raised vertex M, rounded top A, fully rounded G, rounded leg R, straight tail Q and straight descender y, all separated into individual style sets for control and customization. Completing the family are the Text fonts where the weights, widths and spacing are adjusted for smaller use.

Dexa Pro is now available on variable version. The family was designed by Ceyhun Birinci in 2020 with an inspiration to create a contemporary super family with inspiration from classic sans serif families. It's a workhorse family consisting of condensed, narrow, normal and expanded widths. Each width has a wide weight range from thin to black, along with their true italic counterparts. With more than 770 glyphs per font, It offers a ton of language support from all the Latin languages to Cyrillic.

Atwin is a modern remake of Franco Grignani’s Gemini. It is inspired by the unusual forms of the MICR numbers on bank cheques. Strangely rounded rectangles make the glyphs appear unfamiliar; an angular but also blobby design that disrupts and breaks away from tradition. Good in display sizes. You should use Atwin to add flair and confidence to sci-fi, futurist, outré, or just plain unusual materials. 13 additional alts are supplied in the A to Z alphabet. Kerned to perfection. Tight.

Bold and angular. SbB Powertrain's glyphs are constructed from simple shapes. All straight edges and lots of right angles, but surprisingly friendly. A wide range of weights and widths make Powertrain perfect for branding projects, posters, logos or any project where you need maximum flexibility. Ten weights and five widths Small caps Stylistic alternatives Opentype figure styles Complete version includes a variable typeface with three axes: weight, width and slant.

The Collegeblock family is reminiscent of straight lined letter forms found on collegiate sweaters and in the sports world. This blocky display font features only angled lines with stubby serifs and available in 3 styles including 3D Extrude. The characters are more vertical in nature with a low contrast for high legibility. Many different languages are covered including Cyrillic. Use Collegeblock 2 for a t-shirt, logo, or web graphics.

Bulletto is a bold display script font. Made for logos and headlines, it features a slight slant, connecting letterforms and a big x-height. OpenType features include ligatures, swashes, alternate finals and a full set of uppercase alternates. The complete family features Bulletto Regular and its upright version Bulletto Straight with their light companions. Plus Bulletto Alto, an italic version with taller ascenders and descenders for a more calligraphic look.

Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give big impact to the texts. It has a tall x-height that enhances its legibility in smaller sizes. Its character set has coverage for Western and Central European languages.

Everybody has their own message. Everybody's different, everybody wants to be remarkable. Eyes catch everything from first sight. Fashion is a statement. Elevate your persona higher, classier, with KOUTURA. A tailored high-fashioned font to put make-up on your visual works. Make your fashion branding, logo, poster, clothing, magazine, lookbook, mood board, boutique glam in a secs after you type out the words straight from your keyboard.

TCF Noli is a no nonsense straight-sided typeface with a soft technical appearance. Designed with seven weights and true matching italics, TCF Noli was specially developed with corporate and editorial projects in mind. The clarity of the letter forms and the openness of TCF Noli make it very readable in small sizes and suitable for every design purpose. TCF Noli is available with extended Latin language support.