Currently the only serif font from the Quadraat foundry. Cervina is characterized by a sharp lettering like the edge of the Hörnli or knife blades as well as closed forms in lowercases plus a stylistic set of square numerals. Cervina is a typeface specifically designed for big volumes of text but also for titles of books, newspapers, magazines, posters. Variable format available on request. Supports all latin languages

Asyatu Arabic style font. These fonts are not only useful and beautiful. They are also well made. Our designers work hard to ensure the quality of each font is similar to that of a professional calligrapher. This font is perfect for you whether you are designing Islamic greeting cards for your friends’ weddings. Invitations for big events like engagement parties or birthday parties, as well as your various special projects.

Brushin is an handwritten display font inspired by the straightforward rigidness of Grotesque sans-serif fonts. It features two stylistic sets for every glyphs in font so it gives you the choice to not repeat the same glyph design in big titles and/or small statements. The font was designed on paper with a brush and then scanned, vectorised through Photoshop and finally compiled in Glyphs as and OTF font file.

Aguda Stencil font family is the stencil version of the Aguda font family and has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem for big sizes type and/or rigid materials printing, and the 8 “Stencil 2” styles contain a wide stem for small sizes type and/or light materials printing.

Railyard Stencil JNL is a stencil variant of Decal JNL that was set aside for a long time in a forgotten work folder. It's broad strokes and sharp serifs emulate the vintage look of old railway cars and other earlier forms of transportation.

Invaded 2600 is based on the screen font of the 70's arcade classic Space Invaders for the Atari 2600. Each time you use Invaded 2600 you will be at war with enemies from space who are threatening the earth. Good luck!

This font was inspired by an old photographic film package I found. Over time, the vertical slits in the letters have become more complex and acquired slanted sections. The font is suitable for accidences: headlines, posters... maybe you can suggest something interesting ;)

In absence of oil pastels, charcoal, crayons or time, Crayon Hand is a quick fix to happy type setting. It comes in regular and bold. Enjoy! Crayon Hand is extended, containing West European diacritics making it suitable for multilingual environments and publications.

Moon Phases documents the phases of the moon over time. Great for animation, signs, greeting cards, posters, etc. The phases of the moon follow the alphabetical order. Upper and lower case characters are the same. For a character map, see the gallery.

I created this font following my love for Etruscans, their culture and their myths. Many times I looked for a false, but similar, Etruscan TrueType font on the Internet, but I didn't find it, so one day I decided to make it myself.

What can be better than releasing a hot summer font in winter time! Honestly - all the images are ice blue or white. Christmas stuff is everywhere and 'Jingle Bells' torment your ears! But here it comes to catch you: Bold and orange! www.typethis.studio

Fair Sans is a distinctive sans-serif with much of its calligraphic structure left intact. Its casual construction and unconventional letterforms create a unicase family that’s relaxed and lively at the same time. Includes four weights and two widths, ligatures, and extras.

Inspired from ancient Celtic lettering such like insular-half-uncial. New interpretation of Celtic letters bring a whole new feel to old letterings. At the same time, the font has handwritten-style glyphs as if they were handwritten same as the ancient letters.

Sunkiss font starts from a brush stroke with a script style and also follows the times. Sunkiss is very suitable for use in various media such as: packaging, logo, label, poster, shirt design, quotes of wisdom, hand-lettering, typography and many other media.

ZoodMantra is a Pixel-Blackletter typeface developed for nostalgia purposes in the time of video games. It could represent the fantasy world, magic realms, knight's tales and warrior legend. Be suitable for commercial materials, textile design, comic books and classic video games.

Computer is an all-capitals headline font that immediately implies early mainframe computer technology. Although desktop computers and better screen and printer faces have been available for some time, the type style of the Computer font is still used for futuristic topics.

A reasonably accurate rendering of an old favorite font from Victorian times. Quite readable in lowercase, and very eye-catching in all-caps. We got the proof for this in London many years ago, but neglected to learn the name. Zorro sounds good.

Meal Ticket JNL follows the same basic letter shapes as Jeff Levine's Flatbush Beanery JNL, but with a much lighter look and feel. This is another perfect typeface for recreating the sign lettering and menus of old-time diners, drive-ins and restaurants.

This font is a nod to paper notebooks in which a long time ago students made notes. That's why the font looks like written by hand. The inspiration of this family font is the phrase, "Let me go back to the past".

?Razlom is a spectacular, brutal and at the same time intriguing font. Tej wide letters are filled with small cracks resembling faults. They crack, but they don't break. The font will convey confidence and strength to each project and highlight it from all

FP Head is a redesign of a corporate typeface for the Danish trade union FOA. Head is a extended display font, with a blurred look and a touch of FF Max: Hard and soft at the same time. Available in two versions.

Julius comes in very handy if you want to jump back in time to the middle of the last century. Julius is also one of my first typefaces, recently I added the light version. Enjoy your trip back into the past, Gert Wiescher

Koska Esko This is a font with a very bold and elegant look, perfect for designs with a modern look it's time for you to try a new style for a new design include : numeric latin ligatures alternate And Thank you very Much

A signpainter's chapbook called this style Show Card Casual, although "casual" might be understating the case a bit. Guaranteed to put some fun, and a wee bit of mischief, into your headlines. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Magpie is a font family consisting of three sub-families with both regular and italic styles. Originally designed on squared paper, over time it has moved further and further away from this rigid grid, although its appearance is still based on it, so it can easily be used for logotypes or headlines with strict grid-based layouts. While Magpie Text is suitable for headlines and short texts, Magpie Display is ideal for logotypes or more playful headlines. Finally, Magpie Mix is a combination of both families. Magpie Text Regular represents stability, Magpie Display Italic is ideal for dynamic logos or headlines. To cover more languages, cyrillic and greek letters were added and Magpie can be used for nearly a hundred languages. In addition to the four common numeral variants, special numerals, punctuations and symbols for all-caps (c2sc) are included. Furthermore case-sensitive punctuations and symbols are available. To expand the typographic possibilities, four stylistic sets, different symbols, forms and standard- and discretionary ligatures have been added. Each Magpie-font contains more than 880 glyphs.

If you're getting tired of using Broadway, here’s an exciting alternative in regular and bold weights. Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger began designing this high-contrast novelty face for the Ludlow Foundry in 1928. It retains the classic style of the Jazz Age with a bit more individuality and spirit than Broadway. This extreme thick and thin design also sports normal descenders instead of the clipped ones found on Broadway. Ultramodern Classic is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

A tessellation is a pattern in which a shape or tile fits together with copies of itself to fill the plane with no gaps or overlaps. One type of tessellation is formed with sides of center-point rotation, that is, one half of an edge is rotated 180 degrees to form the other half. If a square template is made with sides of identical center-point rotation, there are exactly four shapes that are possible. If these shapes or tiles are fit together not edge to edge but vertex to vertex, the result is a checkerboard-like pattern of tiles and voids. However, the voids have four edges formed by the four possible shapes that the tiles can have, so the voids are limited to the same four shapes that that make up the tiles. The FabFours have 22 tile families that allow a wide variety of fascinating patterns. They form one, two, three, and four tile tessellation. Eleven of the seventeen symmetry groups can be formed with these patterns. In each tile family two of the shapes have two possible orientations, one shape has four possible orientations, and one has eight, for a total of 16 tiles. Each font has two families, one on letters A-P the other on a-p. For some of the families there are also other tiles using the same edge but using triangular and hexagonal templates. To get proper results, the leading must be set equal to the point size of the font. I discovered these fabulous families and their decorative possibilities as I was working on a book about tessellations. I have not been able to find anyone else who has written about these families of four and their decorative possibilities when arranged vertex to vertex.

Imagine being printer in the early nineteenth century, your stock isn’t the finest, your lead characters are worn out: Voilá Kandidat Rough. But wait, Kandidat isn’t the usual scan-an-old-book,-put-the-glyphs-in-a-font-and-you’re-done-font. Kandidat Rough has a variety of whopping 14 alternates for most characters. Our algorithm changes the letters automatically. All you have to do is turn on Contextual Alternates in your layout app. The algorithm is the best we’ve seen so far, and it’s so good that even same words appear in different forms. And should by coincidence words have the same glyphs, just assign a different Style Set to the first letter, and all other letters in the word will change as well (well, it depends a bit on your software). The mechanism isn’t perfect and maybe we stretched OpenType capabilities a bit over the top, but we yet haven’t seen any better routine for switching letters on the fly. Is it worth to mention that Kandidat Rough not only speaks English, but also German, French, Spanish, Dutch, Danish, Norwegian, Swedish, Croatian, Turkish and most likely some other languages? Maybe. To be sure whether your language is supported, this is the typeset of all letters: ABCDEFGHIJKLMNOPQRSTUVWXYZÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝĆČĐĞ݌ފŸŽ abcdefghijklmnopqrstuvwxyzàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿćčđğıœşšž Apart from that we also included the following punctuation and currency symbols: !"#$%&'()*+,-./:;?@[\]_{|}¡©«®°±¶·»¿×–—‘’‚“”„†•…‹›⁄≠☞ €¢$£¥ This sums up to nearly 3000 glyphs per font, and we have three of them: Regular, Italic and Bold. All neatly kerned. All in all a great repertoire for even the most demanding book or advert jobs with a look of old times. And now imagine you are sick of the rugged print experience Kandidat Rough delivers: go for Kandidat. This is our Scotch-ish ancestor the Rough version was made from. A sturdy, friendly, round, warm friend from the beginning of the nineteenth century. A bit dark, maybe. You will like it. Kandidat has the aforementioned type set plus complete Baltics, Eastern Europe and Cyrillic. Plus a couple of gimmicks like fleurons, stars, circled numbers, arrows, and, and, and… Kandidat Regular additionally has small caps for Latin based scripts (not Cyrillic). The spick and span Kandidat font set also consists of Regular, Italic and Bold cuts. The bold cut is on the very bold side and can nicely be used for headings, whereas Italic is a great companion for Regular. It took us some time and trouble to finish this project, but after all we are very proud of our little feat and hope you will enjoy Kandidat as much as we do. Enjoy!

Misstho is casual modern script font. With bold contrast stroke, fun character. To give you an extra creative work. Misstho font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Misstho font. Cheers, Maulana Creative

Closterian is a modern signature script font. With regular contrast stroke, fun character. To give you an extra creative work. Closterian font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Closterian font. Cheers, Maulana Creative