Brilliant is a modern antiqua typeface that includes three weights. It is both very readable and easy to cut. The corners in the typeface makes it easy to cut, but doesn’t disturb the readability. Brilliant is perfect for big sizes, headlines and characterful sublines.

Negen is the dutch word for the number nine. This big and bold font is based on a 9 connected squares, hence the name negen. The squares not used in the characters are left in place so there is almost no space in between.

When you've got something big to say, but space is tight, the only way is up! Terje, an ultra condensed display font by Further Type, is here to help you create eye-catching, playful headlines, and logotypes that stand head and shoulders above the rest.

The great sans-serif for heading:) This is the big update of my font Parallone created in 2018. I needed the compact but not monospaced font with oversized caps. And here it is) Extended latin set Friendly glyphs design Stylistic alternates + ligatures 6 weights + italics

In the 1943 Three Stooges comedy short “Higher than a Kite”, Curly reaches into a box with the label “hand grenades” painted on its side and pulls out one of the devices. The bold, squared stencil hand lettering on that prop inspired Stencil Label JNL, which is available in both regular and oblique versions.

Madani is a geometric sans serif consisting of 9 weights ranging from Thin to Black and matching Oblique. With a touch of character choice, adding tails to some glyphs on the stylistic set 1 and pointing joined at some of the tapered characters in the stylistic set 2, suitable for display and body text font.

In the 1889 Franklin Type Foundry specimen book is a type face called “Armenian”. With lighter weight horizontal slab serifs than more traditional Western fonts, it could be pictured as being used as copy on wanted posters or town notices. This is now available as TV Western JNL in both regular and oblique versions.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” was a popular book of inspiration for sign painters, graphic artists and designers from the 1920s through the 1960s. Many digital revivals of Welo’s hand lettered typography have been made available. Formal Notice JNL is one such revival, and is available in both regular and oblique versions.

A condensed, light face spurred serif alphabet was shown on an antique catalog page from Spon & Chamberlain Publishers as “French”. The catalog likely sold tools and dies to stonecutters for making inscriptions in marble, granite and so forth. This elegant design is available digitally as Nouveau Thin JNL in both regular and oblique versions.

French Stencil Moderne JNL is modeled from an alphabet found in the 1930s publication "100 Alphabets Publicitaires" by M. Moullet, and is available in both regular and oblique versions. Strongly resembling the stencil motif of Futura Black, this French stencil alphabet has enough variations to give it a unique design flavor all its own.

An old ad for Cointreau Triple Sec Liquor featured a bolder variant of the lettering style found in a set of vintage tin stencils that were the model for French Stencil JNL. This is now available as Belle Epoque Stencil JNL, in both regular and oblique versions. “Belle Epoque” means “beautiful era” in French.

A type foundry example showcasing some letters from a narrow slab serif wood type design served as the inspiration for Wood Serif Poster JNL. This condensed typeface is available in both regular and oblique versions, and digitally recreates the kind of lettering found on flyers, broadsides and newspaper headlines of the mid-to-late 1800s.

A poster for the publication “The Quartier Latin – A Magazine Devoted to the Arts” featured the magazine’s name in a light Art Nouveau serif style. The Quartier Latin was published between 1896 and 1899 by the American Art Association of Paris. This is now available as Nouveau Meadow JNL in both regular and oblique versions.

A 1938 issue of the Spanish language movie fan magazine Cine-Mundial (Movie World) had an article entitled "Lo Que Visten Las Estrellas" ("What Stars Wear"). The headline of the article was hand lettered in a lovely Art Deco monoline sans serif, which is now available as Wardrobe JNL in both regular and oblique versions.

Inside the book “New Zanerian Alphabets” (1900) by C.P. Zaner is a set of thin monoline letters and numbers along with many chamfered characters offered as alternates to the main design. This simple, but effective type style has been redrawn digitally and is now available as Apprentice Signwriter JNL in both regular and oblique versions.

A ìthick and thinî Art Deco sans lettering design was found within the pages of the May, 1936 issue of Modern Screen magazine. This condensed typeface has rounded terminals, similar to that made by a round nib lettering pen. This is now available as Deco Film Ad JNL in both regular and oblique versions.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcases the many interesting lettering designs Welo hand lettered for his book. One such example is an extra-bold serif typeface which is now available as Law Office JNL, which is available in both regular and oblique versions. --------------

Kailey font is a hand lettered, voluptuous typeface that is very special to the Great Lakes Lettering team. This oblique font is inspired by Molly Jacques’ “signature” lettering style, using bold brush strokes, fluid flourishes, and distinctive characters. Kailey has a distinct feminine feel that takes on a bold attitude to match her curves.

A 1940s ad flier for the Los Angeles restaurant “Lucca Paris Inn” had its name hand lettered at the top of the page in a condensed Art Deco slab serif with some stylized characters. Given a more uniform look, the end result became Dining Out JNL and is available in both regular and oblique versions.

The 1939 French publication “Modèles de lettres modernes par Georges Léculier” ( “Models of Modern Letters by Léculier”) presented some unique and stylized type designs with Art Deco influence. One such example is an abstract modular alphabet constructed of rectangles and circles. This is now available as Modular Deco JNL, in both regular and oblique versions.

Another example of 1930s French Art Deco lettering from the 1934 publication L'Art du Tracé Rationnel de la Lettre (which roughly translates to “The Rational Path Art of the Letter”) resulted in the digital typeface French Slab Serif JNL. This bold and slightly eccentric slab serif design is available in both regular and oblique versions.

Sans serif characters re-drawn from old newspaper headlines (and used in the design for Late Breaking News JNL) were given a slab serif treatment in order to create a condensed type face with both grotesk and block influences. The end result is Tabloid News JNL, which is available in both regular and oblique versions.

One of the examples in the 1916 publication “Baker’s Showcard Book” [an early 20th Century instructional book on sign lettering] was simply called “Plain Poster”. Somewhat Art Nouveau in style, but with many ‘nonconforming’ character shapes and widths, this novelty design is available digitally as Free Form Showcard JNL in both regular and oblique versions.

Overton JNL is based on some of the preliminary letter designs by Rudolf Wolf which evolved into his 1929 type design Memphis and is available in both regular and oblique versions. Memphis was the design model for the later typeface family Stymie and Overton JNL was named after Overton Park; located in Memphis, Tennessee.

Hand lettering from the 1958 movie poster for “Vertigo” (designed by Saul Bass) was the inspiration for the digital font Sinister Undertones JNL, which is available in both regular and oblique versions. The quirkiness of this irregular, squared-edge sans – despite its simplicity – perfectly captured the mood and drama of Alfred Hitchcock’s film production.

The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions. A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.

Miqdad font is inspired by Arabic letters which have bold characters. It is perfect for use as logos, quotes, and various other designs with Islamic or Arabic themes. Equipped with multilingual. Font files include: This font includes 2 styles, regular & oblique. It is very profitable to buy the Miqdad font. Get it Now ! Thanks.

A 1930s WPA (Works Progress Administration) poster advertising an exhibit of New Jersey area posters had its main lettering rendered in a very condensed hand lettered interpretation of the ever-popular Futura Black Art Deco style. This has now been re-drawn and digitized as Art Event JNL, in both regular and oblique versions.

An online photo gallery showcased a number of vintage and unique signs around Europe – mostly from Germany. One particular sign (“1818-Hoofdkant Spaarbank-1921”) was formed in metal and with stencil letters of a distinctive 1970s feel. This served as the model for Euro Stencil JNL, which is available in both regular and oblique versions.

Bold and squared with rounded corners, the hand lettering found within the November, 1936 issue of Radio Mirror magazine really stands out. This stylized sans serif design, when used in poster displays or headline lettering, is attention-getting and drives the point home. Radio Actor JNL, is available in both regular and oblique versions.

Philson Block is a family with upright and oblique versions. The structure of each character is based on a square divided into simple fractions. Each letter has at least one variation, with angled corners, increased widths, or altered shapes. This font is recommended for display lettering, headlines, and blocks of type that mask images.

An image found online of the first [1923] “Oreo Sandwich” package provided a type inspiration from the pen-lettered block sans with rounded corners used for the product's name. Prior to 1923, the cookies were sold in boxes or tins. The result is Packaged Cookies JNL, which is available in both regular and oblique versions.

A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering. With the addition of angular spurs, some of the characters become semi-serif in nature. This type style is now available as Travel Plans JNL, in both regular and oblique versions.

Bapalopa is inspired by classic graffiti "blockbuster" letter forms. These letters are made to look as big and as wide as possible. Bapalopa's linework is kept very loose & relaxed, mostly smooth with some distressed edges. Viewed up-close, there is lots of texture from the individual pen strokes which gives Bapalopa it's cool freehand drawn look. Use "Bapalopa" and "Bapalopa Pa" together to create eye catching designs. To make it extra fun, a handful of the largely useless alternates, (like that dumb "currency" symbol) were replaced with big blocky hearts, stars, and arrows. Check it out! Bapalopa is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Lalo Grotesk is made up of five weights, their slant versions and a two axis (weight and slant) Variable font. Lalo Grotesk is a grotesque typeface with characterful lowercase letters that are highly legible in large body texts, while the uppercase letters are wider to give a sense of speed in big size headlines. Its shapes are super readable, making the font ideal for use in web and editorial projects. It also have a big range of standard ligatures and icons. Lalo Grotesk font family will keep expanding and improving. Users will continue to receive free updates with technical and aesthetic improvements. Any suggestion will be welcome, don’t hesitate to contact us!

Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. Customize weight and contrast to the smallest value to your needs with a variable version of Mak. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.

Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design. Its unique look is well suited for corporate identity, its precise drawing for branding and poster design, the fresh look for advertising and the clear appearance for sign posting. But also editorial design benefits from Ribera. It expresses a modern look in headlines and stays highly legible in small sizes. As part of the URW++ SelecType collection, Ribera meets very high quality standards. The character set includes various OpenType features and a broad language support.

Bastray is a font with a modern script look and energetic. With extra attention to quick strokes and sharp details, is ready and perfectly fit for your logo designs, music projects & social media posts, event poster, brand imagery, product packaging, handwritten quotes, merchandise, etc. Suitable for use in title design such as clothing, invitations, tittle books, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more. you can already choose the style you want to use for your design.

Estebak is a textured brush font, a contemporary approach to design, looking natural thanks to an irregular baseline. Suitable for use in title design such as invitations, books tittles, apparel, stationery design, quotes, branding, logos, greeting cards, t-shirts, packaging design, posters and more. Estebak includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures. If you need help or have any questions, please let me know. I'm happy to help. Thanks & Happy Designing!

MT Crisiant is a new, minimalistic, elegant, and professional font. This font is suitable for making, titles, taglines, logos, and products to be printed. MT Crisiant is a sans serif typeface that is a blend of geometric and humanist. Make it more interesting and dynamic. MT Crisiant is designed for display and body text. Maximizes thickness while maintaining balance in each shape. This makes it perfect for all kinds of creative projects. The MT Crisiant comes with 18 weights and tilts to match.