The image of an old enamel sign advertising poultry inspired Poultry and Fish JNL, which is available in both regular and oblique versions. Horizontal cut-through lines within the Art Deco-era hand lettering adds to the uniqueness of this type design.

Basic Stencil JNL was inspired by a lettering stencil sold by Dymo around 1968 that featured a sans serif design with rounded corners and an overall square look to the characters. This bold stencil design is available in both regular and oblique versions.

The 1933 sheet music compilation entitled "Kate Smith Memories Song Book" had the singer's name hand lettered in a bold, spurred serif typeface. This lettering design became the basis for Radio Show JNL, which is available in both regular and oblique versions.

Song ASC is a Traditional Chinese family with Big 5 support. Song ASC features a serif stroke style. The Song ASC font character set supports Latin-1 and Traditional Chinese (code page 950).

Here's a Morris line; a traditional and legible font in small sizes, but almost abstract in big sizes. Named after my son Morris and it's got nothing to do with a certain musical...

Blak belongs to the type series designed by Íñigo Jerez for the defunct magazine Suite . This chubby typeface now has a second life in our collection. Use it with confidence for big statements.

Eterea is a formal font inspired in the monumental inscriptions of classic Rome, but not strictly sticking to the ancient roman typographic characteristics. Its unique look is the result of mixing diverse typographic styles, but mostly having traces from the 16th century transitional style. It bears a big difference of proportion between upper and lower case, additionally to the upper case having much more ornamental traces. Eterea has four different flavors of capitals which change very slightly in the cursive versions. In the italic versions, the lower case (actually small capitals) changes substantially its characters to make its reading more flowing and is not simply an inclined version of the letters. Eterea is a very expressive font, ideal for titles and short texts of sober and elegant appearance.

While browsing through a sourcebook on historic calligraphy and antique type I came on an interesting sample of a gothic style attributed to the legendary artist Albrecht Durer. I had previously seen fonts based on the peculiar style of lettering Durer used on prints for his signature and some captions, but this style was radically different and much more characteristic of the lettering and early printed types of the 'Northern Renaissance' which Durer was a big part of. Whether it's authentically Durer's work or not is up in the air, but it's a very nice example of early gothic type. We've called the resulting font Albrecht Durer Gothic and it's a very striking face well suited to titles and other contemporary uses where you need something heavy and eye catching.

Das Riese, a type specimen by the most productive Brazilian type foundry, Intellecta Design, is a mix of victorian and art deco influences. A beautiful display type for tiling with uppercases only. It's shadows and volumes refer to pre-modern age whereas its surface to last century 20's. This heavy sans serif strokes characters have a particular appearance, a parallel line texture that reminds Bifur, typeface created in 1929 by A. M. Cassandre. The sideways absence of volume at some leaning letters right side in addition to the patchy darkness of shadows support its handmade design. A type full of historical references designed to small titles printed in big sizes. It's impossible not to think about posters when you look at Das Riese strong face. - (source Slanted Magazine #8)

The first Grippo sketches were done in the 1980s, but only now does it see the light of day as a complete series of interchangeable, layerable fonts. The original single-font concept was simple enough: Double the stems so they become sturdy handles. But then we elected to add more playfulness and versatility to the idea. By separating the main idea’s layers and producing them as individual fonts, layerability is achieved, and endless possibilities of play and variation arise. In 2D or 3D, colourful or demure, in titling or as initials, Grippo is a great eye-catcher that emphasizes the big fun aspect of your design. Each font of the Grippo suite comes with a few built-in alternates, a glyphset of over 385 characters, and support for the majority of Latin-based languages.

Nokrios is a font specifically inspired by the sport of racing. adopts the speed and power it tries to fully reflect to make a bold statement that stands out. We designed it to be a heavy-duty, functional add-on option for big, bold titles or small add-on types. This font features two different font options and two italic options. This font is perfect for adding punch to your projects without losing readability or impact at small sizes. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Lumierre Bear is playful font family which puts a smile on your projects and will inspire you to create something fun and memorable. It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc. . Includes: – Lumierre Bear OTF – Lumierre Bear Doodles OTF Features: – Multilingual Support – PUA Encoded – Numerals and Punctuation Thank you for downloading from Ocean Stud.

Propaganda in a poodle skirt? Another gem gleaned from Schrifti Alphabeti, a book of Cyrillic alphabets published in Kiev (now Ukraine, then USSR) in 1979. Flouncy, bouncy, perky and quirky, this typeface will add sass and charm to any project it graces. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Say hello to "The Perfect Match" Font set! 4 lovingly hand-drawn fonts made to complement each other perfectly in your type designs. Perfect for quote designs, quaint logos, clever packaging, sign boards, greeting cards, merchandise designs and so much more! Also included is 2 extra 'Dingbat' fonts - packed full of cute little hand doodle extras - to really make your designs come together beautifully!

A recent walk down memory lane through old college sketchbooks revealed a collection of caricature fish doodles. Then the sketches were discovered by my son who, being a marine life enthusiast, promptly demanded that I draw more fish. Thus, a collection of 71 fish-inspired drawings and bubbly numbers was born. There is even a lemon, since no fish is really complete without one.

Minou is a French cat’s name. There are more: you could name your cat Léo, Fripouille, Orion, Orphée or Tigrou, but I kind of like Minou. Minou font is a very cute, handmade affair, that started from some doodles I had drawn. Use it for children’s book covers, pyjama party posters, toy packaging and inspirational quotes. I am sure it’ll do the job purrfectly!

Alana is a connected script that glows with casual elegance. Its inviting letterforms work well in settings such as letter-writing and menu details; even at small sizes. Alana includes over 300 alternates, including swash capitals and ornamented forms to customize titles, headlines, packaging, and wordmarks. Alana includes 62 matching ornaments: botanical fleurons, birds, and cute lil’ bugs. See what's included! This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here.

The Wonky Font family is a set of 3 handmade fonts, made using three different materials: a pencil, a thin fineliner and a bold marker. Each font includes 3 variations for each letter and number, accessible through contextual alternates, for extra realism and fun. The pencil font is a SVG font, which allows for the texture of the pencil to be captured in a more authentic way, and is complemented with an extra doodles font. Wonky Font looks good at small sizes and will also look great in all caps texts. Use Wonky Font in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. This font includes: a Wonky Pencil SVG font, with a vector alternative that preserves the texture a Wonky Thin font a Wonky Bold font a Wonky SVG Extras font, with 26 pencil doodles Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+

Just in time for your Halloween projects hopefully :) Introducing SPOOKY ZOMBIE! A font that's ready to cast a spooky spell on your designs. This eerie display font is the perfect choice for all your Halloween-related projects and crafty ideas. Plus, we've included an Outline version of the font as a little bonus. When you get Spooky Zombie, you'll also receive 26 spook-tacular Halloween doodles that perfectly complement your hair-raising projects! What's Included? Spooky Zombie Main File 26 free doodles with a Halloween theme Regular and Outline version Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Multilingual Supports: (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you, Dharmas Studio

Say it with authority and style with Boppa Delux, a big, bold display font in four weights. For use in OpenType aware applications, Boppa Delux includes small caps, alternates, case sensitive forms, and more.

A new Version of Turquoise Roman Capitals. With specials Tuscan Serifs to add more engraving feel. Turquoise Tuscan is full of ligatures and awesome alternates. Perfect for big headlines, logos, branding and wine labels.

Tonal is a fat typeface, geometrical in its peculiar way. Available in three styles, it's a unicase alphabet and offers an alternative glyph for each letter, providing flexibility to your designs. Use it big!

Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners. This design has been recreated digitally as Marketing Stencil JNL, which is available in both regular and oblique versions.

A bold, condensed slab serif face A July 9, 1935 trade paper ad for Paramount Pictures’ 1st quarter film releases sported hand lettering with chamfered slab serifs. This condensed type design is now available as Preferred Shares JNL in both regular and oblique versions.

Stockville JNL is a total rebuild of the wood type design originally found in Arvada JNL. All angular lines were straightened to give the lettering a more classic look. Bold, brash and block style, this headline typeface is available in both regular and oblique styles.

Business Lunch JNL is an extra bold hairline serif font based on Monotype’s Falstaff, which in turn was greatly influenced by Bodoni Extra Bold. Great for posters, menu headers and other forms of headlining, Business Lunch JNL is available in both regular and oblique versions.

Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions. Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.

A unique and stylized type design with Art Deco influence was found within the French publication “Modèles de lettres modernes par Georges Léculier” (“Models of Modern Letters by Léculier”). This lettering is now digitally available as Deco Wide JNL in both regular and oblique versions.

Vintage packaging [circa 1940s] for a sewing machine attachment used for making lattice-type stitching had its information hand lettered in a casual Art Deco sans serif design. This became the basis of Home Economics JNL, which is available in both regular and oblique versions.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

Slabserif Grotesk JNL was modeled from an example of a wood type design called Antique Light Face, and is available in both regular and oblique versions. The numerals (although an odd fit to the overall design) make this vintage font quite unusual and charming.

The Dec., 1936 - Jan., 1937 edition of Radio Mirror offered up a condensed, hand lettered sans serif type design that - although an Art Deco style- is also somewhat futuristic in design. This is now available as Condensed Moderne JNL in both regular and oblique versions.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcased a beautiful, semi-condensed Art Deco alphabet called “Modern Gothic”. It has been digitally redrawn and is available as Restauranteur JNL in both regular and oblique versions.

Within the pages of the Pettingill & Co. (Boston) 1901-02 specimen book is Camelot Old Style – a thin stroke spurred serif typeface with traces of Art Nouveau influence. This had been redrawn digitally as Pettiford JNL, and is available in both regular and oblique versions.

Amongst a number of items for sale in an online auction was a font of metal type featuring a thin, condensed serif font with decidedly Art Deco styling. This was the inspiration for Department Store JNL, which is available in both regular and oblique versions.

The unusual hand lettering found on the 1945 sheet music for “Chinese Song” provided not only the design inspiration but the font’s name as well. A hybrid of Asian and Art Deco influences, Chinese Song JNL is available in both regular and oblique versions.

An example from the vintage lettering book "100 Alphabets Publicitaire" ("100 Advertising Alphabets") provided the inspiration for French Lettering JNL. This stylized Victorian [or Western] type face evokes the era of fanciful lettering design from the late 1800s. Available in both regular and oblique versions.

An ad in the May 3, 1928 issue of “The Film Daily” for the movie “Drums of Love” featured extra bold, sans serif hand lettering in an Art Deco style. This is now available as Drum Rhythm JNL in both regular and oblique versions.

The cover of a 1932 edition of “Sunset magazine” (a publication for homeowners living in the west and southwest area of the United States) featured a lovely Art Deco serif alphabet that is now available as Western Suburbs JNL in both regular and oblique versions.