Introducing The Brushentica - Handbrush Script is a brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why The Brushentica has charming, authentic and relaxed characteristic,has 2 styles of regular, slant, and swash with a more natural look to your text with a more natural look to your text. The Brushentica is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Since I designed Mommie you can see a lot of script typefaces with big contrast for big sizes. With Narziss I created a roman interpretation with the very expressive Swirls version. Glenda is again an italic script like Mommie. In the Regular the characters join and it looks like a neatly written sprencerian handwriting. But like Narziss it has got a Swirls version too. Every glyph and swirl is carefully designed to work in every connection. Use Glenda at only very large sizes.

Somewhere Delicate Script Somewhere is a delicate handwritten font with multilingual support. It is perfect for branding, wedding invitations, menu design, YouTube covers and many more Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks & multilingual support Test it out below to see how it could look for your next project! Includes: Regular Script Multilingual languages support Uppercase and lowercase Numbers and punctuation Check out my blog: https://www.instagram.com/superdizigner https://pinterest.com/dmitriychirkov7

Silver is a clean and elegant connected script. Silver is packed with more than 1000 glyphs. Click on Swash, Stylistic or Titling Alternates or manually choose from Glyph Palette from even more alternate characters. Keep on Standard Ligatures for maximum smoothness. Silver is best used on creating elegant headlines, logos & posters for packaging and branding purposes. Silver family has Regular and Black script fonts and an ornament set that is designed to support the typeface. For the best price purchase the whole family.

Kreatives is a script display font, with high contrast regular stroke, super slanted and fun character. It has Opentype features ligatures of character, To give you an extra creative work. Kreatives script display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Kreatives font. Cheers, MaulanaCreative

Rajjah Familia - Blackletter font family Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. Blackletter is currently widely used in modern creative design trends ranging from tattoo lettering, calligraphy, clothing brands, music, sports, labels and much more. Rajjah Familia looks gothic but easy to read, neat and beautiful. Comes with light, regular, medium and bold version. Rajjah is the right choice for your next projects!

Introducing Antomades font is a modern and elegant handwritten font with varying thickness and a charming gesture. This font was created to look as close to a natural handwritten script. Perfect for any awesome projects that need hand writing taste. Comes with regular and italic. With built in Opentype features, this script comes to life as if you were writing it yourself. Don't hesitate if you have any questions. Thanks for checking out this font. I hope you enjoy it! AminMario

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Say hello to Joules et Jacques! A stylish modern font duo consisting of a natural handwritten script and a refined, elegant serif font. Perfect for making bold stylish statments - or adding a touch of class to your designs. The script has a multitude of natural looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. The Serif includes two weights - regular and bold - and built-in OpenType kerning features for a professional touch.

JellyCloud / Font with Swashes JellyCloud is a chic script with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and much more. Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks, ligatures Test it out below to see how it could look for your next project! Includes: Regular Script Latin languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Introducing Lethbridge a luxury handwritten font with a personal touch. Lethbridge script is ideal for a variety of projects that require a handwritten touch, such as branding and logo designs, wedding invitations and stationery, social media posts and advertisements. Lethbridge Script (Regular, Caps, and Tails) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü … OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

The Peacher perfectly represents crafted stuff of vintage script. This project was inspired by beautiful old labels. The product includes 4 styles (regular, rounded, rough and textured). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, quotes and more custom design. Peacher includes : 4 style typefaces (regular, rounded, rough and textured) Uppercase, lowercase, numeral, punctuation and symbol 7 sets of alternates and swashes 25 ligatures Multilingual PUA Encoded Thank you for your support and choosing us.

Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font. There are also two companion styles, Lindisfarne Nova Incised and Lindisfarne Runes.

Introducing Holland Treasure, a hybrid font that merges script and sans serif styles. With two variations, Holland Treasure Display and Holland Treasure Regular, this font set is designed for both display and text purposes. Experience the modern luxury of Holland Treasure as it adds elegance and sophistication to your designs.

Connectica, as the name itself refers, is joined monolinear script family. Comes in two weights, Light and Regular. Due to specific design, we added fake Swash OpenType feature for initial capital characters, where letters like E, F, U, V, W, Y lack joining line on the left side of the characters.

Nurhayati Font is a new modern script calligraphy font with an irregular baseline. Trendy and feminine style. Nurhayati Font Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates, ligatures and multiple language support

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Philip Bouwsma’s offbeat mind, always working in mysterious ways, brings us one of the unlikeliest syntheses of historical influences in a perfectly fluid, organic, and highly expressive connected script. Tupelo takes its inspirational roots from the handwritings of two of the most influential men in world history: Elvis Presley and Abraham Lincoln. It took a little research and analysis on Bouwsma’s part to reveal that The King’s and Honest Abe’s methods of writing shared a common ancestor: a writing system they had both learned as youths during their early school years. While Tupelo’s lowercase maintains the slant, color, texture, and flourish of Elvis’s handwriting, its uppercase is the embodiment of Lincoln’s well-versed originality. This is the closest a typeface has ever come, in its timeliness and historic relevance, to making a statement about these modern days' fusion of politics and popular culture. Tupelo comes in two main fonts, plus a set of beginning lowercase, a set of ending lowercase, and plenty of alternates and extras. The non-Pro set consists of five fonts, while Tupelo Pro combines the lot in a single font of over 840 characters, which includes programming for push-button swash caps, stylistic alternates, oldstyle figures, beginning and ending letters. Elvis and Abe would be proud!

The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics. Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel's devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

A "tunesmith" is one so nicknamed because the person or persons craft (compose) a song from scratch. When the area of Broadway known as Tin Pan Alley was in its heyday, every music publisher's office would have sounds emanating from the various cubicles of men and women trying for the next big hit. Sheet music was the main source of songwriter's royalties during those days, and to please the general public with a song destined to be a popular piece was a lofty goal. It's then only fitting that the lettering inspired by a 1920s-era piece of sheet music for a song called "Jerry" would be named Tunesmith JNL.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

Canterbury is a late Medieval Gothic font with a rough edge. This blackletter face is available with four different types of Capital initial letters or combined into one Opentype Pro font with all variations plus historic ligatures, alternates and even a few ornaments.

An adaptation of the font Neuland, designed by Rudolph Koch in 1923. The freeware (TrueType) version has a limited character set. The Pro Set (Postscript) version has a complete character set (Adobe Standard for PC; Macintosh Standard for Mac), and extensive kerning.

Dogjaw uses the OpenType ligature feature to automatically substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Dogjaw Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

This formal calligraphic face is light, and delicate with beautiful lines and curves. The Pro version adds extra elegance with alternate caps and beginning and ending swashes. Explora has over 600 glyphs and features international languages including the entire Cherokee Nation character set.

Coldsmith uses the OpenType ligature feature to substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Coldsmith Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

A tasty jambalaya of two different weights of wood type, Thunderhouse has alternates for every capital and lowercase letter, consecutive characters are controlled with the OpenType Ligature feature. Thunderhouse Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Huffer is a chunky and irregular sans-serif font (with a few serifs) that simulates the look of letters crudely cut out of paper. The basic letters were originally inspired by an early 1970s instructional filmstrip dealing with the dangers of glue sniffing. Further inspiration came from other sources of 1960s display lettering. The lower case is almost as tall as the upper case allowing for a mix and match between cases to achieve a more lively display effect. Huffer Pro includes ligatures as well as Cyrillic and Central European character sets with a total of over 500 glyphs.

Bettiya is a new modern script font with an irregular base line. It's trendy and feminine. Bettiya Script looks clean and beautiful in a variety of designs such as in invitations, thank you cards, quotes, greeting cards, T-shirt designs, product labels, branding, logos, business cards, and more. Bettiya includes several lowercase alternatives and has multi-lingual support.

Wardshus Calligraphy is a unique blend of medieval gothic style and modern script, creating a distinctive and eye-catching blackletter font. The heavy, hand-drawn design brings an air of the Middle Ages to your projects, making it perfect for logos, posters, rock or hip-hop music album covers, and other display purposes that require a cool and striking touch. The beautiful cursive elements add a touch of elegance to the font, while the bold strokes and intricate details give it a strong presence. Wardshus Calligraphy is a testament to the rich artistic history of the past, reimagined for contemporary design projects. Use # after any letter to make a crown. Example: Que#en Use underscore _ anywhere to make a swash. Example: Kingdom_Heroes Use multiple underscores to make underlines of different lengths. Example: Knig___hters The Wardshus Calligraphy font family includes nine high-quality styles to suit various design needs: Regular: A well-balanced, classic blackletter script style. Regular Upright: Adds a more controlled, vertical look to the regular style. Regular Italic: Combines the balance of regular with a touch of expressiveness. Bold: A stronger, more assertive version of the script for impactful designs. Bold Upright: Merges the boldness of the bold style with the structure of upright. Bold Italic: A dynamic fusion of the bold style and the energy of italic. Black: The heaviest, most powerful iteration of the blackletter script. Black Upright: Combines the weight of the black style with the upright structure. Black Italic: Adds expressiveness and flair to the intense black style. Built with advanced OpenType functionality, Wardshus Calligraphy ensures top-notch quality and provides you with full control and customizability. It includes stylistic and contextual alternates, ligatures, and other features to make your designs truly unique. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Todorra Pellito is a cute font with a matching script and regular and will makes this font suitable for your any project design. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Moneta™ Sans is an elegant transitional sans-serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 2 styles and 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on May 2020.