Linotype Mateo is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Jürgen Ellenberger included three styles in his font, roman, bold and outline. The characters of Mateo consist exclusively of lines, giving the font an extremely angular look. However, Mateo retains a certain handwritten style somewhat reminiscent of the graffiti left on wooden grade school desks by previous classes. The bold and outline styles have emphasized stroke contrasts but keep the angular, consciously irregular look. The roman style is best for smaller texts and the bold and outlines styles for headlines.

The Parisii was a small Gallic people settled in the current Paris region, which gave its name to the city of Paris. According to Caesar (53 BC.), their main town (oppidum) was Lutetia (Paris). Parisii was born of inspiration to be leafing through some old magazines on the terrace of a cafe in the beautiful city that is Paris. Parisi is like the city: casual, youth, romantic, free spirited and, at the same time, sophisticated, elegant and classic. The Parisi family font is a lovely and casual handlettering script, which is based on gestual calligraphy. Parisi has a slight bounce and intentional irregularity giving your words a wonderful flow. Fat and thin stroke in this font impresses the harmony. Parisi consists of 3 subfamilies: Regular, Italic and Condensed. This font includes Parisi font has OpenType features such as Stylistics and Contextual alternates, swashes, Standard and Discretional Ligatures, stylistic sets and ornaments that allow you to mix and match pairs of letters to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. This OpenType features may only be accessible via OpenType-aware applications, a Central European language support. Parisi looks lovely on wedding invitations, greeting cards, logos, business-cards and is perfect for using in ink or watercolour based designs, fashion, magazines, food packaging and menus, book covers and more!

Introducing Bubbble Gum - sans serif typeface - 9 fonts Bubbble Gum is modern, rounded typeface with 9 fonts, regular, italic and multilingual support. It's a very versatile font that works great in large and small sizes. Bubbble Gum is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, Lowercase numeral, punctuation & Symbol Hairline Light Regular Bold Black Italic ( Hairline, light, regular, black ) Ligature glyphs Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures. Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness. We have added also, a font of ornaments, extras and catchwords in the family. Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

An elegant yet down-to-earth script based on the pen lettering of the writer, Christopher Stocks.

Leona is a handwritten script, that has been tweaked here and there to make it more smooth.

Madang Lovers is a lovely script font with a cute feel. Get inspired by its nostalgic charm!

Clarista is a stunning script that will turn any design project into an authentic piece of art.

One of the most elegant script styles found. This beautifully formal font is perfect for high society.

Flavour is an elegant brush script headline typeface. It is ideal for food packaging and product branding.

Golden Love is a modern, compact script with short ascenders and descenders but nevertheless very good readability.

Crayon-style script handwriting. Can also work as a colored pencil or chalk handwriting. Perfect for teachers!

Introducing, A NEW POWERFUL BOLD FONTS WITH ALTERNATES, Point Panther! Point Panther is a headline font with super bold style that contains up to 6 Alternates each characters! You can make a unique branding with this fonts. this powerful bold fonts also included italic and outline style! This fonts suitable to use for poster, branding, merchandise, and any street art style! Also support multilingual. What will you get: Point Panther Regular (Regular, Italic ) Point Panther Bold (Bold, Bold Italic) Point Panther Outline Regular (Regular, Italic ) Point Panther Outline Bold (Bold, Bold Italic) How to access the alternates! If you use PS/AI you can see the tutorial in this : https://helpx.adobe.com/illustrator/using/special-characters.html You can use the PUA for software design that not support Opentype. For another questions, please send a mail to saridezra@gmail.com. Thank You!

This is a unique approach to calligraphy if you're looking for deep and sharp style. Skylligraphy Regular.

Brutal is a not stencil calligraphic typeface designed in light, regular and bold. language: all latin glyphs

Gimbal Egyptian is a richly-featured font family providing many style options across a broad range of languages. It is twinned with Gimbal Grotesque, a sans-serif family with an identical range of weights and features. Originally conceived as a small webfont family, the letterforms have been revitalised to put a spring in their step and the family has been extended to create a versatile multi-script text face equally at home on the printed page. Carefully crafted at all weights, Gimbal also lends itself to headlines and display applications such as posters, exhibitions and signage while resolving well on-screen for general document creation and web-based applications. The letters are spaced for best readability on-screen and in the usual printed body text ranges but are tolerant of tracking adjustment to suit other uses. The styles are divided by width into four families (Compressed, Condensed, Normal, Extended), each family possessing six weights plus corresponding italics. Within each family, the 'regular' and 'bold' weights are style-linked, and all upright forms have an italic counterpart. The full opentype character set includes latin, greek and cyrillic scripts with appropriate local variants (also as stylistic sets) for Turkish, Polish and Romanian (latin) and Russian, Bulgarian and Serbian (cyrillic). All fonts contain small capitals for all scripts, superscript for latin and commonly used greek together with the usual numeral style, size and positioning options. The default numerals are 'proportional lining'. Other opentype features include case-sensitive marks, fractions, and some discretionary ligatures. A set of circled numerals and circled latin capitals is included, along with an unusual feature that composes 2-character country codes.

AS Palmer Script & Sans This pair was inspired by the spirit of the past, when manual labor was common, and technology was just beginning to develop. It was crafted by hand specially for traditional typography lovers and anyone who want to add natural handmade feeling in brand identity. It comes with Regular and Aged versions that expands its posibilities in use. Opentype features Script font has 151 stylistic alternates and 3 variations of end-swashes with about 10 lengths of each style. Stylistic Alternates. The easiest way to get alternate character is to add number for example 2, 3 or 4 after any Uppercase. Each of them has from two up to five alternates. This combination works with activated Standard Ligatures option in Opentype panel (Photoshop / Illustrator). End-swashes. AS Palmer Script has 3 variants of end-swashes and about 10 lengths of each style. It works like Stylistic Alternates with activated Standard Ligatures in Opentype panel. Just add special combination at the end of the word, to get needed swash element and its length. Underscore, double underscore or slash is swash style. Number is length. For example: _3, __5, /6. Just try, it's easy. AS Palmer Sans - different Double letters. This feature work automatically with activated Contextual Alternates in Opentype panel. Note, that this features are not available in Miscrosof Word. Palmer is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. I've designed some examples, so you can see how it can be used. Multilingual support (Western European characters). English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.

Gimbal Grotesque is a richly-featured font family providing many style options across a broad range of languages. It is twinned with Gimbal Egyptian, a slab-serif family with an identical range of weights and features. Originally conceived as a small webfont family, the letterforms have been revitalised to put a spring in their step and the family has been extended to create a versatile multi-script text face equally at home on the printed page. Carefully crafted at all weights, Gimbal also lends itself to headlines and display applications such as posters, exhibitions and signage while resolving well on-screen for general document creation and web-based applications. The letters are spaced for best readability on-screen and in the usual printed body text ranges but are tolerant of tracking adjustment to suit other uses. The styles are divided by width into four families (Compressed, Condensed, Normal, Extended), each family possessing six weights plus corresponding italics. Within each family, the 'regular' and 'bold' weights are style-linked, and all upright forms have an italic counterpart. The full opentype character set includes latin, greek and cyrillic scripts with appropriate local variants (also as stylistic sets) for Turkish, Polish and Romanian (latin) and Russian, Bulgarian and Serbian (cyrillic). All fonts contain small capitals for all scripts, superscript for latin and commonly used greek together with the usual numeral style, size and positioning options. The default numerals are 'proportional lining'. Other opentype features include case-sensitive marks, fractions, and some discretionary ligatures. A set of circled numerals and circled latin capitals is included, along with an unusual feature that composes 2-character country codes.

This is the rounded, softer version of Canada Type's popular Press Gothic. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Press Gothic, Soft Press comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

Say hello to Grande Sans—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Grande Sans when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headlines. The development of Grande Sans started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Grande Sans is specifically introduced here as a black weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Grande Sans—check out Alex Kaczun’s Decrypt fonts as well as all of Type Innovations fonts here.

This family was created inspired from the first font carved and cast in France, for the Sorbonne University’s printing workshop (Paris). The characters were drawn by Jean Heynlin, rector of the university - inspired from Pannartz’s - and in all probability was carved by Adolf Rusch. It has only one style, in one size (about 14 Didots points). We have added the U, J, W and Y, some accented characters and others not in use in the original, but the standard and historical ligatures and the numerous Latins abbreviations are these of the original font. The font is proposed in two choices : Basic Latin, MacTT & TTF, free for a private use, and “Pro”, TTF/OTF, available for standard basic Latin plus Central Europe, Baltic, Turkish, Croatian, Romanian, Celtic.

Introducing Bilgres, a hippie-themed font that combines strong and gentle shapes with rounded edges, giving it a unique and playful style. This bold and wide font is perfect for creating eye-catching designs that stand out, whether you're designing posters, album covers, logos, or social media graphics. With extensive multilingual character support, including Latin Pro, Bilgres is versatile and adaptable to all your design needs. If you're looking to create designs that are both hippie and modern, Bilgres is the font for you. Its distinct and playful style will elevate your designs to the next level, making them pop and catch the eye. Don't wait to try out Bilgres – purchase now and start creating stunning, hippie and groovy designs that will leave a lasting impression.

This is the rounded, softer version of Canada Type's popular Wagner Grotesk. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Wagner Grotesk, Wagner Round comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

Meet Greenleaf, a display family that blends elegant art deco details, extensive linguistic support, and technically innovative features to create a bold impression that’s ideal for branding, signage, packaging, invitations, and so much more. Greenleaf’s “Pro” fonts support over three hundred sixty languages to reach the broadest possible audience. Meanwhile, its decorative companions expand the family’s expressive potential. They effortlessly create banners, chains, frames, and patterns — and include chromatic fonts which can be set in two colors without layers or special design software. Download the user guide to see Greenleaf’s many features and discover how the fonts actively help you take advantage of all they have to offer. Enjoy! Greenleaf is a trademark of Charles Gibbons / Oddsorts and may be registered in certain jurisdictions.

Axion is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion is a futuristic, techno-looking and dynamic typeface with elements of machined-like parts containing sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The font is also available with true-drawn slant italics. Other design style variations include small capitals with old style figures. The large Pro font character set supports most Central European and many Eastern European languages.

Ekeras V2 Inline is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Ekeras is a futuristic, techno-looking and dynamic typeface with an appearance of machined-like parts with sharp and rounded edges. The large Pro font character set supports most Central European and many Eastern European languages.

'Euclid. A New Type,' originally designed in the 1930s by modern American designer Alvin Lustig (1915-1955), has been revived as 'Lustig Elements' through a collaboration of designers Craig Welsh and Elaine Lustig Cohen. Only twelve letterforms from the original font design had been retained in archive material in the many decades since its initial development. Lustig Elements combines four simple, geometric shapes aligned to an underlying grid with letterform designs that hold true to the spirit of the original font. Lustig Elements initially came to life in 2015 as wood type cut at Hamilton Wood Type & Printing Museum. The digital version expands on the basic character set with a pro expanded latin character set, small caps and even an Inline variation.

Originally released in 1987, Charter incorporates three important features: compact set width to give economical copyfit; generous x-height to give readability at small point sizes; and sturdy open letterforms to give reliable reproduction at both typesetter and laser printer resolutions. The design brings a clarity and freshness to everyday documents, such as newsletters, textbooks, directories and technical manuals, where the reader’s concentration must not be interrupted by unfamiliar letterforms but where typographic dullness can itself impair comprehension. The Italic has cursive letterforms - so is instantly distinguishable, while being readable enough in its own right for continuous text. The Charter BT Pro Pack features 6 fonts: roman, italic, bold, bold italic, black, and black italic. The fonts include characters originally developed for expert sets, such as ligatures, ornaments, old style figures, small caps, and superiors. The Pro Pack fonts support Western, Central European, and Eastern European languages. OpenType fonts are a cross-platform font format. The same OpenType font can be installed on Mac OS X, Windows, Linux, and Unix systems. Mac OS X and Windows 2000, XP, and Vista have built-in support for OpenType. OpenType fonts also work on Linux, Unix, and earlier versions of Windows, where they are recognized as TrueType fonts. OpenType includes many more features than the standard TrueType and PostScript formats, including the ability to install the same font on different platforms, crucial for document portability. OpenType fonts boost productivity because graphic designers and business professionals do not have to wrestle with many different fonts. With OpenType, customers have larger character sets to work with and fewer font files to deal with.

Croissant Lover is a stylish and delicate brush script font. It has a clean, bold and smooth vibe and it will be a hit for any design that you want to add it to. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to develop. Croissant Lover Font comes in two variants - Reguler Brush and Block. The file you will get is: • Works on PC & Mac • Simple installation • Encoded PUA Character - Can be accessed completely without additional design software. Enjoy!

Apotheosis is a chic, clean handwritten font with modern flows. Includes automatic ligatures, stylistic alternates and a beautiful big ending "s" that gives statement to the words. It also includes a small uppercase sans to make the perfect combination. A beautiful font great for branding, labeling, packaging, etc. Opentype Features This font contains opentype features and must be used in a program that supports opentype like Adobe to access the alternates in the Glyphs panel. Includes: Apotheosis: A clean modern script font. Apotheosis Sans: A modern uppercase sans serif perfect for pairing and great for descriptions, taglines, etc. Language support

As a late work the “Meier Kapitalis” forms an arch within the typographic creations of the Swiss type designer Hans Meier who died in 2014. The first sketches of this typeface can be found in the teaching manual “The Development of Script and Type” (German: “Die Schriftentwicklung”; French “Le développement des caractères”) which was published in 1994, however, under the title “Roman Lapidary, 1st Century”. The booklet was first published by the Syntax Press, Cham, Switzerland and contains an introduction by Max Caflisch in which he writes: „The present work, „The Development of Script and Type“ is a concise, authoritative textbook, concentrating on the essentials in a wide survey from ancient Greek inscriptions to the printer’s typefaces of the present day. His (Meier’s) 72 varieties of letterforms enable the student or general reader to understand the history of script and type, while more than 60 of his own calligraphic specimens provide excellent models for all who practice this art.“ Unfortunately, the “Meier Kapitalis” is one of the few typeface families in this publication which has been digitized. It was to be the last type project fully realized by Meier. In cooperation with Elsner+Flake, the typeface family was developed and expanded and now contains the four cuts: Roman, Medium, Demi Bold and Bold with either a complement of characters for 78 Latin-based languages (EL=EuropaPlus) or in West-Layout.