JoeHand was one of the first scripts by JOEBOB graphics. A complete character set with numbers and most (but not all) special signs.

Give your designs an authentic handcrafted feel. Sunfort Signature Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative

Give your designs an authentic handcrafted feel. Buttersoy Beautiful Handwritten Script Font is perfectly suited to stationery, logos and much more. Maulana Creative

Schoko is a brush script headline typeface. It is elegant and still clear and self-confident. Ideal for food packaging and product branding.

Use your imagination. Butter Bold Brush Script is a fun universal font that will work with almost anything you want it to do!

Give your designs an authentic handcrafted feel. Thefrost Modern Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative

It is the athenian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

Julio is designed in the best tradition of English scripts. It comes in very handy if you want to have an elegant touch.

“Vacation Monogram” is a script font combined with a monogram. This monogram is decorated with forms of tourism and traveling around the world.

Jess is an authentic stylish script font. This handwritten beauty is suitable for high-end, sophisticated branding or for simple, memorable Instagram quotes.

Drawn by Tony Stan, ITC Garamond was first released in 1975 in Book and Ultra weights only. These were intended as display faces to complement existing text designs from other foundries. (In fact, many of ITC’s interpretations of traditional typefaces began as display counterparts for existing text designs.) These first weights of ITC Garamond became so popular, however, that ITC released the Light and Bold weights and a suite of condensed faces in 1977. Now, the complete ITC Garamond family features sixteen members: four weights of roman and italic in normal width and four weights of roman and italic in companion condensed versions. The family resemblance is there, but ITC Garamond’s unique provenance gives it an unmistakable, one-of-a-kind appeal.

Tall, thin and elegant, Marian Churchland’s fonts are very much like her.. and now available from those awfully nice chaps at Comicraft to allow you to pretend that you are too! Marian Churchland was born in Canada in 1982, and was raised on a strict diet of fine literature and epic fantasy video games. She has a BA in Interdisciplinary Studies (English Literature and Visual Arts) from the University of British Columbia, and has been doing professional illustration work, including book covers and magazine articles, since she was 17. Last year, she became the first woman to solo-illustrate a CONAN story, and this year she’s illustrating three issues of ELEPHANTMEN for Image Comics. See the families related to Marian Churchland: Marian Churchland Journal.

This was a creative experiment. Writing for a long period of time prior to starting erased any inhibitions that prohibited forming natural, authentic letters and by adding more duration the hands became sore and weak. Allowing minimal control, and a more eccentric outcome. It was a real slog, but totally worth it. Skribblugh is a wobbly, aesthetically pleasing, and obviously handwritten typeface full of character and versatility. Within a modern design; It adds a human’s touch, a final note, a signature. And within a playful, colorful one it helps exaggerate the atmosphere, bringing playfulness and warmth to the center of the stage. With four choices for every uppercase and lowercase letter, there are plenty of opportunities to make designs look personal and relatable!

In 1932, the great American type designer, Morris Fuller Benton was busy directing the creative departments of ATF and designing type. Big on his plate during that period was the development of the Bank Gothic® family among other typefaces like Raleigh Gothic. Bank Gothic and Raleigh Gothic share some very similar design traits. The most obvious difference being the ultra condensed style of Raleigh Gothic. Although the Bank Gothic family was released with a condensed, Raleigh Gothic could have originally been planned as an ultra condensed Bank Gothic but for reasons we can only speculate, the Ultra Condensed Bank became its own design. So, If you like Bank Gothic, you may also like Raleigh Gothic. Separated at birth? Fun to speculate.

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola. I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning… Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

Linda - a typeface not only for girls! Linda, a graphic design trainee, started this font as an experiment. It should become a professional typographic project. Linda is like Linda: youthful, feminine, and easygoing. Dear Linda,we are quite happy now you are finished. We enjoyed an exciting period of time with you, and we learned a lot of new things through you. With every new step, we became more convinced of you. Your aesthetics, your easiness, and your wonderful Teenie-charakter are so beautiful and charming. Copy text or headlines: your flow is absolutely fantastic and versatility is your strength. We really look forward to seeing more of you, maybe on posters or book titles, for example. Just carry on.

Some time ago, I found myself in a clinic with my wife: at the time she was 20 weeks pregnant and had to do an ultrasound. To pass the time, I leafed through some (ladies') magazines which were lying around. Most of them tackled big issues like which shoes to wear and what type of foundation to plaster on, but one glossy featured a photo shoot. The photographer had found an old building with a beautiful art deco tile mural and had placed his skinny model in front of it. Fortunately for me, the mural featured a lot of text in a beautiful frilly style. I re-created the font I saw and it became "Jubileum" - which just means Jubilee in Dutch.

Gudrun Zapf von Hesse designed the first sketches of Alcuin in 1986. The namesake of this typeface was an advisor of Charlemagne and was responsible for the writing reform of the Carolingian era. Alcuin was born in 735 in England, became an abbot in Tours and died there in 804. It was the idea of Zapf von Hesse to develop a modern text type based on the forms of the Carolingian minuscule. To create a text type that is excellent for a wide variety of applications, typical handwritten elements had to be discarded while still retaining the flow and character of handwriting. Alcuin with its strong calligraphic expression may be used in books, magazines, and also in the area of printed office communication.

Worn and torn, dry and cracked, resistant to wind and rain... the skin of the elephant is a thing of dry beauty and ancient wisdom... During the gold rush, the phrase “Seeing the elephant” became synonymous with the high cost of each prospector’s dreams and hopes --- not only the prospect of wealth beyond the dreams of avarice in California but also the possibilities of encountering misfortune on the journey. Like the circus elephant, gold was an exotic sight, and seeking it was an unequalled experience, the adventure of a lifetime. Now we've created a font much like the skin of an Elephant and Adventure, Excitement and Really Wild Things are available in the pages of the comic book of the same name, Elephantmen.

Alfarn is based on capital letters that Bauhaus student Alfred Arndt (1898?1976) drew for a poster in 1923, designed to advertise a bakery in Jena, Thuringia. The poster is an example for what we call today ?Bauhaus features?: yellow circle, red square, black bars and an indication of geometric lettering that became so popular in the following years. C�line Hurka carefully analysed Arndt?s lettering and derived two weights in different widths: wide and condensed. She took on the characteristic bars and transformed them into an underlined weight of its own. Hurka also drew perfectly balanced small caps, which make up for a missing lower case. Alfarn captures the spirit of 1920s Bauhaus-influenced posters ? a timeless style quite suitable for contemporary designs.

LECO 1976 is a headline display typeface in OpenType format. The title at the 1976 bottle of Lečo became an inspiration for creating this font. Besides the regular weight of the font, the font is drawn in light and bold font styles too, while each of these typefaces consists of a special alternative of an embedded diacritic. The font contains several specific styles as Stencil, Pixel, Tride, Shadow which combinations offer interesting possibilities for the typesetting. The metrics and kerning of every glyph of the font (except several glyphs in Bold) are identical. All the signs share the same character and size of the capital letters. This font is best used on strong posters or as a headline display typeface.

Attention Space Rangers -- the Race into Space is on again! Science Fiction long ago became Science Fact and scientists are looking Beyond Earth, Beyond the Moon to Mars, Infinity -- and BEYOND! Comicraft’s Ace Rocket Scientist and Secret Weapon, John “Buzz” Roshell has spent years in our Underground Laboratory developing Accelerated Font Technology for the Space Age in which we live. SPACE RACE has curved contours and a sleek fuselage that will ensure our Rangers will be the FIRST WOMEN (and MEN) on planets in this Solar System and those of other stars! Now available for less than the cost of powdered astronaut ice cream. Space Race has been expanded into Hyperspace Race, a forty-weight family with a variable font.

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation led me to the study of the font Hass Unica, a so called improvement to Helvetica. In order not to replicate and become a clone of Unica I redrew all the characters from scratch improving optical appearance, developing subtle corrections and reshaping individual letterforms. The result is a remixed neo-grotesque font that has strong general optical balance with great rhythm under close tracking. Details include 10 weights, an extended European character set, true italic, manually edited kerning and Euro symbol.

Once I had a young, very eager and interested designer in my employ. We got into talking about where our letterforms come from and the habits in perception we are used to. He did not quite believe me. So I said, let's try to design a typeface where everything is just the opposite of what we are used to. We really had a hard time, our habits crept up on us all the time. But after a couple of weeks we finally finished this typeface and wanted to call it crazytype, but my young apprentice ­ who did most of the manual labor ­ said Contype sounded crazier. So it became Contype and it's really crazy, with a small asian touch to it. Yours very crazy Gert Wiescher

Otherslide Handwritten Script Font is a beautiful and stylish handwritten font. It looks stunning on a variety of designs that need a natural touch.

So Love is a cute and adorable handwritten script font. It’s perfect for branding, logos, wedding invitations, diaries, cups, mugs, greeting cards, and more.

Coastland is a pretty handwritten script font. It’s simple and friendly style makes this font incredibly versatile, fitting a wide variety of creative ideas.

JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...

Ashby is a Spencerian based handwritten script, with elegant capital letters. Written with a flexible nib, which results in some beautiful line width variation.

Barokah Ramadhan is script font inspired by arabic alphabet / calligraphy,come with alternate and multilingual features.This font very suitable for your arabic stylish design.

Moonlight In Tokyo is an authentic signature script font. This handwritten beauty is suitable from high-end sophisticated branding to simple memorable Instagram quotes.

Purify Signature is a modern and simple handwritten script font. Contemporary and fashionable, this font will look great for a wide variety of projects.

Jack Smith is a signature script font with a natural handwritten feel. This font is a good choice for branding and logotype design projects.

Ontime is a modern handwritten script font! This font is perfect for shirt designs, websites, branding, quotes, children's designs, blogs, logos, invitations and more!

Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.

Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.

Navigate is an elegant hand made with brush script and is perfect for wedding card designs, logotype, website headers, fashion design and much more.

Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

Quadrica is a stylish, retro script font. Its unique letterforms make this font perfect for logos, social media posts, packaging, magazine covers, and more.

Introducing Bloena casual handwritten script. Great for magazine layouts, crafting, branding, posters, websites, social media, greeting cards, invitations, mugs, frames, and so much more.