Quebra Ex Cn (Extra Condensed) is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

Introducing Going Clap, the font that's all about bold and nostalgic vibes! This chunky slab serif typeface is your secret weapon for making text pop with artistic and vintage flair. With 8 unique font families, including Condensed, Normal, Semi Expanded, Expanded, and their cool shadow versions, you'll find the perfect style for any project. But that's not all! When you choose Going Clap, you'll also get a fantastic bonus—56 retro mascot illustrations for that extra touch of character and nostalgia. What's included? Going Clap Main File Has 8 fonts: Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Thank you, Dharmas Studio

ReneFont is strong, heavy design which looks quite technical. Originally planned as a caps-only, Breil changed his mind and also drew the lower case alphabet.

Mol is a slightly condensed feminine serif font recommended for use as a display typeface. It features hairline serifs, strong vertical stress and heavy ball terminals.

A heavy one. For major impact use it only in caps, however typing randomly upper and lower case has interesting results too. Play with it please.

Scam is a discordantly eccentric geometric display face with exaggerated, alternating forms. Letters variate in extremes between bold and blacked-out and strictly linear, creating unpredictably unique letter pairings. Stylistically, Scam pushes the boundaries of type-as-image while retaining an acute legibility and refinement, greatly contrasting its aberrant nature. Features include: -Precision kerning -Expanded ligature set (89 unique ligatures, plus alternates) -Alternate characters (D, H, O, P, Q, R, 0, 6, 9, 8, _) -Alternate ligatures -Slashed zero -Full set of numerators/denominators -Automatic fraction feature (supports any fraction combination) -Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

New Kakuji is designed from the Kakuji style of characters originating during the Edo period of Japan. New Kakuji has expanded the historical character set to include the surnames from the ancient Chinese text: Hundred Family Surnames, as well as the most common surnames in Japan, in addition to many other historically and culturally significant words, going well beyond the scope of characters that were used in the Edo period. No other font has expanded the character set of the Kakuji Style to the same extent as New Kakuji. A Latin alphabet expansion inspired by the old Kakuji style has also been included for western audiences and designers. New Kakuji contains over 500 Chinese/Japanese characters along with over 200 additional Latin characters or symbols. The solid and blocky style of New Kakuji is ideal for seal designs or other branding designs and should be used at larger point sizes.

Cheeks is a Heavy sans serif Display font. Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Cheeks font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Cheeks font. Cheers, Maulana Creative

This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the "American Type Founders" was acquired. It's a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.

The typeface was designed after seeing a photocopy of some News Gothic text where the ink had faded on the bottom of each character. As character recognition is generally based on the top half of a character, readability was never compromised. Rather like Antique Olive the characters have a top heavy look when viewed straight on, however, as most type is read at an angle with the top further away than the bottom this top heavy look is diminished.

Anker is a super-wide and heavy typeface. At the same time, it has a very large contrast between vertical and horizontal stems. This gives it a certain defiant and aggressive character. The name Anker means anchor in German. That is something very heavy in weight and at the same time has sharp and thin elements in the design. This is reflected in the Anker. Suitable for super large titles, short words, logos or typographic compositions.

Noir is a sans serif font family of 12 fonts with contemporary aesthetics heavily influenced by early 20th century geometric typefaces. While having its geometric structure it carries organic personality with touch of warmth injected to each form. Noir font family ranges from light and elegant weights perfect for small text, to extremely heavy and masculine weights suited for large display sizes. Noir has a rich arsenal of Open Type features for highly professional use and extended Latin, Cyrillic and Greek language support. Noir is delivered as Std and Pro version. Cyrillic and Greek are available in Pro package only.

LÜKA HandWritten Multilingual Font, is an elegant display font. Needless to say that the font supports a full set of Greek characters, Cyrillics, and an extended Latin character set with diacritics. In fact, it’s a unique font that has a great variety of applications with multilingual support. A thin, elegant yet crafty looking typeface. Of course, the wide range of language support of the font makes it ideal for international food packaging. In addition, you can use it on organic packaging design, for crafts and wedding invitations and social media content. Also, the font has four weights: thin, normal, bold and heavy.

The long-awaited Rust Bundle addition to our Panton type family has arrived, featuring the headliner Panton Rust and its trusted partner Panton Script Rust. Start your engines and get ready for 72 fonts, grouped into five weights ranging from SemiBold to Heavy, and including multiple Base combinations with different Shadows and Grunge Textures. All of the above is also a part of the accompanying Panton Rust Script, whose natural flow is further emphasized with specifically adjusted Contextual Alternates. The list of OpenType features wouldn’t be complete without localizations, figures, fractions, superiors and inferiors, numerators and denominators, as well as tabular numerals for Panton Rust. The Rust Bundle includes Extended Latin and Cyrillic coverage, providing support for more than 130 languages. This handcrafted package was created to bring about authentic and original vintage type, making it especially suitable for any design that speaks of craftsmanship, a sublime human touch, and a mature signature with undeniable flavor. In Rust we trust! Features: • Textures, Shadows and Inline versions of the fonts which can be combined for a multicolor effects • 72 styles in total, including 42 fonts for Panton Rust and 30 fonts for Panton Script Rust; • 5 weights from SemiBold to Heavy; • Extended Latin and Cyrillic coverage with support for more than 130 languages; • A broad set of contextual alternates and ligatures for Panton Script Rust

Blogh is fat and quirky display font. Its heavy weight and sturdy letterforms with characterized by extreme artificial inktrap, make it uniquely perfect for headlines and titles.

Tadaam is a slab serif typeface with 5 font styles from light to heavy. It has ligatures and alternative symbols for each of 52 basic latin letters.

A heavy black display face with lots of retro 'cool'. Modernist to the extreme MB SIXTYTHREE oozes 'mod' culture. Great for magazines & headlines, logotypes, posters, album artwork.

Malberg is condensed sans serif family. Consist of 9 styles from thin to heavy with matching obliques. Fit for display and short text for various design purposes.

Pillow Puff JNL is a cottony-soft, fluffy, lighter-than-air display font for novelty applications. Use it for advertising fabrics, bath tissue, baby items or anything that conveys something soft and gentle.

Honey Bee is sweet. It’s loopy, playful, and hand drawn with a lively set of double letter ligatures. Use it for baby announcements, party invitations, greeting cards, children’s books, packaging, or anything creative.

P22 Mayflower is a classical Roman font taken from a Bible of 1610, the edition likely carried to America by the pilgrims on the Mayflower. Good for period reproductions, with its companion italic.

Vocal is a sans serif type family designed by Ani Dimitrova. The family has 28 weights, ranging from Hairline to Heavy with matching Italics and Small Caps. In addition, you get a nice alternate version of the Heavy weight with extra thin accents. Which is a pure joy for setting titles. Vocal comes with extended coverage of the Latin, Greek and Cyrillic Script. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The stems are a little tapered to the middle and the corners are cutted, which makes them a little rounded in small sizes. That gives the font an organic, warm and friendly touch. Vocal is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. Vocal suits also ideal for book and editorial design.

A very heavy yet elegant small serif font, powerful but very legible. Great for punching up your ads. Can be used in numerous ways from magazines to paperbacks.

A punchy heavy sans suitable for headlines that require impact with character. The inline imparts a celebratory tone reminiscent of sport jerseys, car marques or ice-cream parlors.

This font based on and inspired by stencil signage in construction site. As you can see, heavy and rugged glyph is very eye-grabbing for headline and titling.

SK Leshiy is an authentic monumental font inspired by ancient Slavic legends and fairy tales. This font combines geometric and natural forms, each of its symbols creates a unique image of a fabulous creature that hides in the forest thicket. The SK Leshiy font has a basic and alternative character sets that allow you to expand the font's capabilities and its decorative functions. The font supports a multilingual set and an extended table of Cyrillic and Latin characters.

The source of inspiration for MFC Petworth Monogram is a specimen from the 1917 "Strong's Book of Designs". This popular lettering style has been incorporated into numerous film type foundries of the past, but lacked digital permanence. We've expanded the original All Capitals glyphset to include smallcaps to make monograms, and have added numerals and basic punctuation for extended basic typesetting. Download and view the MFC Petworth Monogram Guidebook if you would like to learn a little more.

Wooden Stake? Check. Holy Water? Check. Gideon's Bible? Check. Crucifix? Check. One PC or Mac copy of the Los Vampiros font from the pages of Cliffhanger's CRIMSON? Check. Slayers shouldn't leave home without one.

A very glitzy Blitz! I always wanted to design a typeface that was top heavy, but I never knew how not to make it look like Antique Olive, until recently -- I had an idea. My new family is very readable despite it beeing top heavy, thin on the low end and thick on the upper end. The font gets a special shine because of this effect. And it stays readable despite its special design. Your designer of surprising typefaces, Gert Wiescher

Blank Lemon is my heavy stroke handmade serif font. Yes, it is heavy and it's loud and is very noisy when it comes to making your headlines visible and the reason for this is that the shapes of the font is based on classic serif fonts. Blank Lemon comes with 7 different versions of each letter, and these automatically cycle as you type. Also there are fancy swashes of a, k, n, q and r - and of course multilingual support! Enjoy!

First cut by Lanston Monotype, the Goudy Modern font family was based on designs used by French engravers during the eighteenth century. Although called a modern it possesses a number of old style characteristics. Capitals are much shorter than the ascenders, serifs are fully bracketed and round shapes have a slight stress. The overall weight of Monotype Goudy Modern is on the heavy side, giving good emphasis in display sizes but it is not too heavy for use in text.

DOCK11 is a heavy headline typeface with an elegant look.  This typeface will work well for headings, short paragraphs, magazines, web, posters, logos and any type of graphic design.

Revue is a display face originally designed for Letraset. The heavy sans serif letterforms of this font are ideal for use in signage, on posters and in advertising display.