A squarish uppercase font perfect for logos and short eye-catching headings. The lowercase contains some alternate letterforms - more specifically: uppercase have closed forms (I made a new A D and R), and lowercase have some open alternatives (new B E F P and T in addition to the A D and R). I noticed the two width version of the H and made similar normal and wide versions of J and L. Then I added lots of missing glyphs and all the diacritic letters, of course - and finally the family has been expanded to 7 weights AND corresponding Italics! Enjoy! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This font came to be when I was creating a cake topper mockup (see the promo images) and didn't have a thick script font that I liked for it. So I got to work writing out some fun chunky cursive letters that could top a cake! The concept of breaking bread is an old one, often meaning two parties working together. In the Breaking Bread font, I've combined that heavy connecting script with a hand-lettered sans-serif uppercase set. It works in all lowercase, all uppercase, and title case with equal ease! I've also included a number of alternates and ligatures, so you can have a truly hand-written look when double-letter words show up, plus a few extra characters and swashes to add some pizzazz to your work. It's great for crafting a mug or t-shirt, creating a logo, or making product packaging! And all of those alternates are PUA-encoded, so they're easy to access in any character map. Breaking Bread also comes with over 300 extended Latin characters for language support, including but not limited to: Catalan, Czech, Danish, Esperanto, Estonian, Finnish, French, Gaelic, German, Icelandic, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Serbian (Latin), Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh, and more!

Berryfield started as an experiment: making a font entirely out of geometric shapes. It started with a couple of circles and a couple of rectangles, and was constructed entirely from those parts, and parts made from those parts! For the uppercase, I took style inspiration from the heavy serif classics. But when it came time to create the lowercase set, I took a sharp turn and looked to fun unicase fonts, creating uppercase-height lowercase letters, in addition to uppercase alternates. When I finished Berryfield Regular, I liked it so much I made a lighter version (almost like a typewriter font), and a heavier version, to give you even more variety! Each font in the family contains over 520 characters, including over 300 extended Latin characters for language support. There are also a number of alternate letters to choose from, as well as superscript ordinals (ST, ND, RD, and TH), all of which are PUA-encoded for easy access no matter what design program you're using. Berryfield was a ton of fun to make, and I hope you have a ton of fun using it! It's smooth and easy for both print and crafting; the uppercase alone is straightforward enough for a magazine headline, but combining in the lowercase makes it quirky and fun.

The font "Lugo" is a heavy typeface designed for use in headlines and caption text. Their design has a strong visual impact, a persuasive and seductive personality throughout its organic shapes. This is a versatile and expressive font. Lugo can create an appealing atmosphere, conveying a gamut of message and emotions. It is well suited in the jobbing areas like packaging, logotypes, magazines, web pages and advertising, etc. Lugo has all the advantages of OpenType features that allow a variety of combinations: You may choose to set types in connected or unconnected ways, being used as body text or headlines for its good legibility, visual impact and accurate kerning. It has more than thousand glyphs: swashes, standard and discretional ligatures, stylistics and contextual alternates, old style numerals, word ending and tails. It has also an extended character set to support Central and Eastern European as well as Western European languages. Lugo is a city in northwestern Spain in the autonomous community of Galicia. The Celtic name Lug suggests that it may have been a sacred site. Augustus founded the Roman town of Lucus Augusti in 15-13 BCE following the pacification of this region. It is the only city in the world to be surrounded by completely intact Roman walls.

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft Bodrum Stencil is a stencil serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Stencil is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give "Bodrum Stencil" a harmonious and sensible appearance for both texts and headlines. Bodrum Stencil provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Stencil 14 Regular” forms the central point. "Bodrum Stencil" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Stencil is the perfect font for web use.

Axalp Grotesk™ is a post-Swiss-Style modernist sans serif type family characterized by the play between elegant rounded shapes and sharp angular details. It is minimal, legible, well balanced and charismatic. Its heavy weights deliver powerful yet friendly impact. Thin ones emanate elegance, fine lines and precision. The family has very versatile proportions and generous x-height allowing a successful use for user interfaces, all sorts of display and branding scenarios, as well as a paragraph text typeface. Contemporary minimalistic approach makes Axalp Grotesk an outstanding design tool for creating modern visual identities and user interfaces. A truly universal sans serif family where beautiful forms and proportion work together with careful spacing, kerning and hand-hinting. Axalp Grotesk is an attractive contemporary alternative to the classics of Swiss Design School such as Akzidenz-Grotesk, Univers and Helvetica. It is bright, crisp, modern and friendly in character, and features an alternative stylistic set for more minimalistic and neutral look, simplifying such characters as “Q”, “J”, “a” and “y”. The family has extended latin language support, as well as broad number of OpenType features, such as stylistic alternates, case sensitive forms, ligatures, contextual alternates, lining, oldstyle, tabular and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Yolk is an Eggcentric Sans Serif Typeface consisting of nine weights in both roman and italic. Essentially, this is a geometric sans typeface that has been inspired by the shape and proportions of an egg. With its bottom-heavy glyphs, Yolk has an unusual personality – it’s not too awkward to be off-putting, and it’s not too uniform to be associated with the myriad of generic geometric sans fonts that are available. Yolk has a distinctive presence in its upright form, while the italics exude a more flamboyant nature. When combined, your typographic results will be pleasing and perhaps a little quirky too. This 18-font type family achieves a good balance of personality, versatility, and usability. Small Caps are available at the click of a button, then add Stylistic Set 1 to achieve Petite Caps. The petite caps harmonise with the regular lowercase forms, so that you can create unicase-style typography too. All Latin-based languages are covered within the 1000+ glyphs of each Yolk font. Key Features: • 18 font family – 9 weights in Roman and Italic • Small Caps, Petite Caps, with Proportional, Old Style, and Small Cap figures, plus Fractions, Numerators, Denominators, Superiors, and Inferiors • Full European character set (Latin Extended) • 1,000+ glyphs per font.

Redshift is sans with 12 upright weights and 12 oblique weights. Its a soft edged, spaced out offering from Rocket Type. It supports most extended Latin languages including English, Spanish, French, Italian, German, Polish and Portuguese. The name redshift means the displacement of spectral lines toward longer wavelengths (the red end of the spectrum) in radiation from distant galaxies and celestial objects. The original concept behind the font was that I wanted to create a massive heavy sans which would give the sense of tranquility within the user not unlike watching an object float through space. Redshift was designed by Dathan Boardman during 2016. Strongly rooted in the tradition of other notable geometric sans faces however much attention was paid to create a soothing experience for reading both large and small bodies of text. Each letter was painstakingly modified for optimal readability and warmth. Redshift was designed with the intent to create the ultimate bold header font. From there I wanted create the lighter weights to be readable when set within large bodies of text. Redshift works great for body headers & text as well as for logo design. It looks great juxtaposed with any number of other Rocket Type Fonts.

You can download Bodrum Soft PDF Type Specimen here . "Bodrum Soft" is a rounded sans serif type family, designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Soft" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances helps the legibility and gives "Bodrum Soft" an harmonious and sensible appearance for both texts and headlines. Bodrum Soft provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Bodrum Soft 14 Regular” forms the central point. "Bodrum Soft" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures can be accessed with one simple touch in all graphic programs. Bodrum Soft is the perfect font for web use. I hope you enjoy using it!

Rettisha Display is a stylish serif with beautiful ligatures. Available in two styles: Normal and Expanded fonts. Designed with clean and high contrast. Add interest with adding beautiful ligatures to make your typography truly unique. Perfect for anything your creativity. To access the Opentype Ligatures you will need software that supports Opentype features in fonts and also PUA unicodes support for other software.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 8 weights, ranging from Regular to Bold in Normal and Expanded (including italics) and is ideally suited for music and nightlife and poster and billboards. FF Tsunami provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Compilation Grotesk is a variable font concept that includes 9 sort of adjustable heights inspired principally on Matterhorn Headliners 2. The "height" axis allowes the glyphs expand along the Y-axis upward from the baseline as the values increases from 700 to 1100. Due to it, the system adapts keeping the contrast and the original proportions. Don't stretch it out, just adjust it!

Wild and carefree, the MardiKrewe Family is filled with spunk and personality. MardiKrewe started as a digitization of a film typeface called MardiGras by Lettergraphics. From there, this lively typeface was fleshed out to a full character set and expanded to a family of 5 widths: Extra Narrow, Narrow, Regular, Wide, and Extra Wide to fit a variety of funktastic needs.

Spaced out and a bit nutty. This typeface revisits the futuristic atmosphere of the 50s and 60s cartoons and is complemented with an amazing, wacky and super cool series of 50 pictograms, designed by the master designer Dimitris Foussekis. This is a very popular informal typeface which was expanded recently into a ‘Pro’ version that includes Latin, Greek and Cyrillic.

Introducing, Boinger - An Expanded Typeface. This font looks great and standout for tittle, headline, logo, etc. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - uppercase & lowercase - numbers and punctuation - multilingual - alternates & ligatures - PUA encoded

Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display and Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post’s founder, Stilson Hutchins

Specimen | Graphic presentation | Customization options TT Firs Text includes 23 font styles: 11 roman, 11 italic, and 1 variable font. Each font style consists of 898 characters, counting in the characters of the expanded Latin and Cyrillic writing systems. The font has 31 OpenType features, among which are localization features for various languages, circled numerators, and stylistic alternate for the ampersand.

f-line is a special handwriting monoline font face, with one constant line from glyph to glyph and variable width. It was drawn for the designer’s thesis in 2010 and expanded until 2021 with a lot of open type features. It’s built up with three glyph sets to let the glyphs rotate automatically, and amongst other type features initial forms are available.

Mestiza Sans is the new family of the Mestiza system, the perfect complement to the serif version, reinforcing and expanding the possibilities of use and combination. It discreetly and harmoniously preserves the relics of the serifs, bringing the artisanal to the contemporary in a mix that continues to evoke elegance and strength. It's ideal for headlines, branding, and editorial projects.

Major Birch is a classic and modern font whose style never fades, a touch of stamp style can make this font look more naturally vintage. This font is perfect for logos, product labels, posters, or any design that wants a classic touch. Features: – 12 Font styles – Uppercase only ( All caps ) – Alternate characters – Regular, stamp, condensed, and expanded Version – Symbol and punctuation – Multilingual support

Stone skipping creates water ripples. This font expands by the same principle. A small, narrow base growing to the top, right, bottom and left until it reaches the shores. In this case: from the mean line to the baseline and caps height with a max. of three lines. WBP Ripples is a beautiful, friendly looking and playful display font for everyday use.

Eurotypo SII is a sibling of our Eurotypo Sans family and is composed of two Expanded weights and six Condensed styles. Each font of Eurotypo SII contain 359 glyphs and advanced typographical support with OpenType features such as ligatures, discretional ligatures and case-sensitive forms. It also contain diacritics for Central European languages. All aspect of readability and accurate kerning were carefully controlled.

This alphabet has only capital and small caps. With several alternative characters (A, R, Y) in different style groups. The capitals are even more flexible, with alternatives for Uncial inspiration. In addition to ligatures symbols and various groups of numbers. Of course we use Opentype for a expanded use in modern software for layout and graphic design. Compatible with mac and PC.

Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes cyrillic and greek characters, open type features (small caps and old style numerals), six new weights from the hairline to the extrabold and an icons set in 8 weights.

Rosamila Display is a stylish serif with beautiful ligatures. Available in two styles: Normal and Expanded fonts. Designed with clean and high contrast. Add interest with adding beautiful ligatures to make your typography truly unique. Perfect for anything your creativity. To access the Opentype Ligatures you will need software that supports Opentype features in fonts and also PUA unicodes support for other software.

The Parity concept takes the minimalist unicase alphabet and expands it in another dimension, that of the megafamily encompassing a variety of weights, optical sizes and styles (roman/italic, serif/sans, proportional/monowidth)—of benefit whether fine tuning a single, quite specific font for the task at hand, or harmoniously combining several in the hierarchy of a multi-formatted page layout.

ITC Kokoa is the work of German graphic designer Jochen Schuss. Schuss found the seeds of inspiration on a trip to Ghana and expanded and experimented with the idea on the computer. It includes an array of symbols and borders to complement its stylized letters. ITC Kokoa retains a touch of its African roots but is overall a modern, funky font.

Churchward Maori is the second of a series of eight Maori style typefaces designed by New Zealand type designer Joseph Churchward, and released by BluHead Studio, LLC. Churchward Maori infuses standard Latin glyph forms with traditional Maori decorative elements to create a wildly organic design. BluHead Studio expanded the character set to support standard Latin character sets. BluHead previously released Churchward Ta Tiki.

There’s just nothing quite like a heavyweight geometric typestyle with tiny counters, you just love it like the Bee Gees. Sackem started as a digitization of a singular film typeface called Benman Jumbo by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of playful widths and obliques: from the condensed “Slim” style to the original “Jumbo” style.

This classically elegant typeface is based on a 1912 design by Johann Vincenz Cissarz for the Ludwig & Mayer Foundry. To add a little more visual interest, alternate letterforms can be found in various positions throughout the font: consult the expanded character map. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Funny square typeface. Extended latin character set.

Funny rounded font. Extended latin character set.

Classic extended style with jumbo decorative caps.

Cubage is an extended version of Squarish.

Mailuna Pro is a family of gothic typefaces of weight and oblique stature, finding themselves on a line between modern and historical gothic styles. Originating as a revival and elaboration of a limited lettering specimen from a series of old loose spanish specimen book pages, it finds itself in the visual company of vintage transportation roll signs, wood type gig posters, financial publications, etc. What began as just Capitals, Lowercase and Numerals was expanded to a rich pro glyphset including small caps, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, a Caps to small caps feature and an expanded language glyph set. From modern letterpress back to historical adverts, book covers, headlines, or anything else you want to give a dash of vintage authenticity to, the Mailuna Pro Family is here to fill your needs. Be sure to download and take Mailuna Pro AOE - Book weight for a spin for free.

Sporty and brawly, Magnesit Dark creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. Very tall x-height, wide language support and minimalistic yet playful appearance, make it suitable on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Stencil families, so you can mix and match to achieve exactly the effect you need. Magnesit Dark works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect. Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Sporty and brawly, Magnesit creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit Stencil and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. Magnesit works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect. Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Short Films covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

Siena is a luxurious type. A modern contrasted sans serif. Over 25 years in the making, FS Siena is tailor made for high-end brands. Sumptuous, elegant and eclectic, a nonconformist typeface with classical roots. It’s been a long time coming, but with its heady mix of elegance and quirky charm, FS Siena is worth the wait.