ITC Flora is the work of Dutch designer Gerard Unger, and is named for his daughter. He started by doing calligraphy experiments with felt-tip and ballpoint pens, and developed these drawings into a formalized script typeface. Swiss typographer Max Caflisch advised the Dr.-Ing Rudolf Hell GmbH technology firm to add a new round-nibbed script face to their Digiset type library, and in 1984, Flora was released by Hell. Unger used a chancery cursive skeleton in this design, which imparts grace and movement. Flora was also intentionally designed to be simple and sturdy, and with its minimal variation in thick/thin stroke ratio, it worked well on the early digital typesetting machines. In 1989, the International Typeface Corporation released the font. ITC Flora continues to work well on current printers and typesetters, and it has an enduring popularity for uses that range from short text passages to display headlines.

Want to transport your audience to a world of gorgeous, elegant, versatile, yet modern? Looking for a font that makes your projects to spark happiness? Then, you go to the right path. Introducing Billion Miracles- A Monoline Signature Font A modern and stylish handcrafted signature font that’ll make your audience swoon and enhance your projects. Every stroke and curve was created to capture the essence of modernity and style. This gorgeous and stylish font can be used for a host of different content needs and projects. Ideal for social media posts and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Billion Miracle includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Stylistic Sets Multilingual Support (84 languages) PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Herculanum is a part of the 1990 program “Type before Gutenberg”, which included the work of twelve contemporary font designers and represented styles from across the ages. Herculanum is a work of Swiss typeface designer Adrian Frutiger. It takes its name from the city of Herculaneum, an ancient Roman resort town destroyed by volcanic pyroclastic flows from Mt Vesuvius in 79 AD (the same eruption that destroyed the nearby city of Pompeii). Herculaneum's ruins are located today in the commune of Ercolano, Campania, Italy. Ancient Roman writings of the 1st century influenced the font's design. Herculanum is distinguished by its broad characters with narrow strokes and its willful character.

Kröwn is a ruthless display font family. It is presented in three styles that can be used stacked to create beveling and dimensional effects. Kröwn’s most distinctive feature is the absence of counter shapes, or at least its minimum impact. All counter shapes width is the same as the separation between characters, this creates a blocky, strong and hardcore rhythm. Use it with precaution to build strong titling, powerful logotypes or short letterings. With Kröwn, the less is more, the bigger the better. Its visual style draws inspiration from sword and sorcery fantasy genre and historical periods as the middle age.

Modesta Sans is a Neo Grotesque sans serif typefamily of seven weights plus matching italics. Inspired by Didone serif fonts and the first Sans serif types from the late 19th century and early 20th century, It reduces many of the eccentricities in order to make them more suitable to modern tastes. Every weight has more than 220 characters and includes uppercase, lowercase, numbers, special characters and a powerful opentype features. Perfectly suited for graphic design, headlines, advertisements, and any display use. It could easily work for editorial design, corporate, web, signage and many other uses in print and digital media.

Harttiney is a chic handwritten script, every single letter has been carefully crafted to make your design looks great. it’s is a modern script style that has a beautiful beginning & ending swashes added with additional bottom swashes to easily customize your own design, this font is perfect for any purpose, such as logo design, branding design, packaging design, posters, fashion design, wedding design, wedding invitations, watermarks, and more! Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

The inspiration for Jeeves came from Leslie Carbarga's wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit. The font is loaded with a plethora of extra glyphs, ligature characters and OpenType features.

Suti is a non-connected sign painters casual script with upper and lower cases. Suti was originally designed in 2010 but it was completely re-drawn in 2016. Casual lettering is a style sign painters use. Every sign painter has more or less their own style to make these letters. The casual alphabets are painted with speed and they don’t need to line perfectly but letters are still clean and easy to read. Suti has smooth and round forms. Friendly and casual looks. It is suitable for logos, titles, package design or where ever you need a fun and sympathetic display font.

So many designers hate Comic Sans. They think people who don't know design are overusing this funny little friendly font, which is nearly every time out of place. Some years ago, type designer Hannes von Döhren created a free alternative to Comic Sans. The difference: It has serifs and a much cooler look. The big success of the HVD Comic Serif pushed Von Döhren to create a Pro Version with an eastern, central and Western European language support. “The HVD Comic Serif should spread all over and make the world a little bit better.” says Hannes.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Object is a geometric sans serif especially designed for contemporary typography and comes with 8 weights from ultralight to black plus handslanted obliques. A large x-height not only creates space for smaller sizes, but also lends Object an open and generous character for print and screen. Many OpenType features including 642 ligatures, contextuel alternates, inits and stylistic set built into all cuts. The font contains 1.118 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Object is a contemporary geometric typeface, special for logotypes, brands, magazines and corporate design.

Bionik is a squarish serif, especially designed for contemporary typography on print and screen. The super ellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With light rounded corners Bionik provides a soft and friendly atmosphere. The font contains 6 weights from ExtraLight to ExtraBold plus true italics. 944 glyphs include 218 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language support for every typographical needs. Bionik is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Handwritten brush fonts are very enjoyable to enjoy and look different on every stroke. Especially if you apply it to suitable media such as merchandise, accessories, advertisements, social media posts, packaging or it could be for the main appearance of your video. Well, what are you waiting for a brush! See some of the previews above for reference. Features: -Uppercase -Numeral -Alternate -Multilingual Note: Use a program that supports the Opentype feature and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Inkscape.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Quador is a squarish serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With rounded serifs Quador provides a soft and friendly atmosphere. The font contains 6 weights from light to ultrabold plus true italics. 1.115 glyphs include 187 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language and cyrillic support for every typographical needs. Quador is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

In Fehlian I blended features of my earlier Arthur and Lindau releases. Fehlian is a sturdy yet sophisticated Art Deco style Roman semi-serif. It is an excellent choice for titlings, headlines, labels, shopfronts and any other display usage which needs to be typographically furnished with something special. Moreover, besides the plain Fehlian font you have the option of yet another two wonderfully decorated versions which lend even more beauty to your designs. Note that Fehlian is a capitals-only product. It has no lowercase but the uppercase is completed for multilingual usage and supports every Euro-Latin language.

Say goodbye to boring typography and hello to the lively energy that Night Market brings to every design endeavor. From posters promoting events at local night markets to bold signage capturing the spirit of bustling marketplaces, this font is here to infuse your creations with personality and flair with its cool rough textures. Add a dose of playfulness and creativity to your designs with Night Market - because who says business can't be fun? Night Market features : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Uppercase Thank You.

'Brokken’ is the Dutch word for ‘chunks’. They are the hearty specialty of the house, prepared by the ship’s cook Donald DBXL Beekman. Nice'n'greasy and monospaced, you'll always find a decent way to cram the letters in. Brokken is straightforward, straight-lined with beveled corners, and all caps. For the ones who have to watch their weight, or who simple don’t like their fonts to be too fatty, DBXL designed a diet version called Brokken Light. With their big contrast, both weights combine very well and are great for making ultra-compact ribbon headlines or stacking vertically.

When it comes to effective communication in the world of high-technology, every detail matters. Your message needs to be clear, concise, and precise. That’s why you need Zosma, the purpose-driven typeface designed to mirror the sleek lines of today’s hi-tech hardware. With Zosma, your designs will have the perfect balance of form and function. The stark precision of this typeface will convey your message with clarity and power, whether it’s on a product label or in a user manual. Zosma comes in three weights and italics, giving you the flexibility to create a variety of designs that perfectly match your brand’s aesthetic. Plus, with its techno letterforms and industrial style, Zosma is the perfect choice for any company looking to showcase its cutting-edge design prowess. So if you’re ready to take your designs to the next level, get Zosma today and start creating with confidence. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

This expressive, upright script was inspired by 1940s penmanship. Its OpenType programming will enhance your typography via features such as automatic ligatures and contextual alternates. Also included is a Stylistic Alternate for lowercase letter “g”.

Remish is a bold serif with high contrast, making it a versatile and elegant typeface. With a touch of vintage vibes, it will add a sleek and bold look for headlines, invitations, advertising and more.

With the display typeface Joogert, you can create stunning headlines that will grab attention with ease. The Joogert has everything you need to add creativity and personality to your design while being easy to read.

Grambly is a bold sans serif and unique display typeface with a combination of elegant and bold style that will make it stand out. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, print, etc.

Based on a typeface named "Titania" from a 1930s specimen book from the Fundición Richard Gans in Madrid, this exquisite design will add a touch of elegance and nostalgic charm to any project it graces.

Freich is a mighty bold typeface with a vintage vibe and rebellious feeling. Perfect choice for posters with super hero or propaganda themes. Its sharp and strong letter forms will make any statements more powerful.

The collection of letterpress cuts included in Printers Helpers JNL offers a generous helping of billing and accounting helpers along with the usual assortment of pointing hands, stylized arrows, cartoon embellishments and other miscellaneous images.

The famous French poet and novelist Victor Hugo (1802-1885) used several handwriting styles, sometimes almost illegible. His manuscripts designated to be published was written using a script style, to be legible clearly. We have used script style manuscripts from the final part of his life (from 1859 to 1881) to reconstruct this present font, as one exemple of the Victor Hugo's hands. It is a "Pro" font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. The numerous alternates and ligatures allow the font to look as close as possible to a real hand. Using an OTF software, the features allow to vary automatically, almost every character of a word without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.

Way Kambas – Modern Calligraphy Fonts Hello, I’m Way Kambas. I’m a modern calligraphy font with thin strokes and beautiful movements. Way Kambas is natural, stylish, and a perfect combination of traditional calligraphy and modern design. Combining thin strokes with beautiful movement, this font is built to bring any design project to life. You can use me for every design project as well (especially for wedding invitations, quote, greeting cards, and any romantic/love project). Way Kambas features: A full set of upper & lowercase characters Numbers & punctuation Ligatures Lowercase beginning swashes Lowercase ending swashes Some lowercase alternates PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Absolute is a handwritten font which feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Provide Ligatures and alternates with special character make the design letters looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirt and much more. Font Features : Regular Version Character set A-Z in Uppercase and Lowercase Ligatures in lowercase and special Aternates option Numerals and Punctuation Accented Characters Multiple Languange Supported Recomended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. If you have any questions, just send me a message and I'm glad to help.

Shapely is designed with elements of classical calligraphy expressed in a very modern idiom. It embodies the Scholtz signature - casual, extravagant, bold design with an underlying attention to detail and legibility. Numerous ligatures emphasize immediacy and the handwritten quality of the finished product creates a feeling of variety, spontaneity and flexibility. The font abounds with extravagant flourishes, however, with almost every character, plainer alternatives are available through OpenType technology. This frees the user to put an individual stamp on his use of the font. There are a total of 70 ligatures and alternate characters that use OpenType technology to expand the flexibility and power of Shapely. The font contains all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters used in European languages.

The Nekluch font is the perfect reflection of the classic elegance that designers desire. With a charming Vintage Display style, this font brings an invaluable retro feel to every project. This is the perfect solution to create a classic look and a strong, nostalgic visual branding design. What makes Nekluch truly special is its variety of features. There is a complete family that includes regular, shadow, slant, blur, outline, and shadow slant, allowing you to express your creativity with a variety of typographic styles. Also, don't miss the ligatures and alternates that add a unique feel to each letter. Multilingual support ensures that you can reach a global audience. So, if you are looking for a font that not only looks beautiful but is also easy to use, Nekluch is a wise choice.

Organetto is a typeface, inspired by the lettering found on Art Deco posters, whose design embraces latest digital font technology. This versatile font contains multiple widths which make it an ideal solution to fit every design need. In addition to its functional geometric style and different widths, Organetto also includes alternate characters that provide even more design options. All these features make the font a great choice for graphic designers and art directors, logos, wordmarks, short text, etc. Organetto is a sans-serif typeface with modern proportions and straight-edge terminals. It comes in 7 weights, ranging from Hair to Ultrabold, and 7 widths (from Ultra Condensed to Expanded) and contains a set of 397 characters that support 180 different languages. Organetto also includes OpenType features- 3 sets of alternates, catchwords and titling.

The Core Sans G Family is a part of the Core Sans Series, such as Core Sans N SC, Core Sans N, Core Sans NR, and Core Sans M. Core Sans G is constructed of straight, circular or square shapes. These geometric shapes are inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). Every stem is a rectangle or a straight line and every letter, lowercase or uppercase, seems to be in perfect geometric form and even weighted. The small x-height makes readability clean and clear. Core Sans G can be used equally well in headings or in body copy. The Core Sans G Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black), 3 for rounded (Medium, Bold, Extra Bold) with matching Italics. It also includes 4 effects fonts (Outline, Neon, Shadow, Dimensional), Alternate Characters (a,g,t) and a bunch of ligatures. The Core Sans G provides a wide range of character sets to support (Cyrillic, Central and Eastern European characters) and advanced typographical support with features such as proportional Figures, tabular Figures, numerators, denominators, superscript, scientific Inferiors, subscript, fractions, standard ligatures, discretionary ligatures and stylistic alternates. Core Sans G is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Kadigan: (noun) A placeholder word. A kadigan can be used to substitute for any other noun: persons (John Doe, Acme Company), places (Anytown, 123 Main Street) or things (whatchamacallit, thingamajig). Just like kadigans can be used in nearly any situation, the members of the Kadigan font family can be used in nearly any design! These sans-serif beauties are clear and easy to use, but they also have a little bit of wiggle in their strokes and weights, for a fun hand-lettered look! The three members of the family: - Kadigan Light: An all-purpose lightweight stroke, with sharp corners. - Kadigan: A nice mid-weight stroke, with slightly rounded corners. - Kadigan Heavy: A thick, chonky stroke with pillowy rounded corners. And each member of the family is packed with features, including: - All of the basic stuff you expect from every font; - 340+ extended Latin characters; - Cyrillic character set; - Greek character set; - Those character sets? Support over 110 languages! - 52 double-letter ligatures for variety (That's right, EVERY letter. I'm looking at you, savvy revved trekkers!); - A full set of small caps (including Cyrillic & Greek); - And more! (Seriously, it was hard to stop.) So whether your work is in English, Español, български, ελληνικά, Türkçe, or over a hundred other languages, this cute and fun sans-serif may be just what you've been looking for!

The world may seem cartoonish to you, pilgrim, but the funnies ain't really that funny. The Flintstones are so last century. The Hulks are in, and they're here to stay. Piedra is the rocky, fear-inducing face of galvanized triceps and überchiseled jawlines. Be intimidated, be very intimidated. You don't believe it? Just push the stylistic alternates button and see it disregard the laws and spit pebbles on the sidewalk. Then run to the hills if you want to live.

Visible is a dynamic typeface family designed by CFCG @andinistas. Visible Script has narrow horizontal spacing between lowercase, while Visible Script 2 has generous and wide horizontal spacing. Mixing both styles you will achieve italic designs loaded with speed and strength to communicate aggressiveness, nervous and sanguine temperament. Visible Caps contains capital letters derived from the font's writing, but drawn aggressively and slanted 15 degrees to the right. This type of visual characteristic is typical of very fast and nervous writing that is performed with emotion without sacrificing harmony. a monolineal and condensed version is the Visible caps 2, allowing for significant horizontal space saving economies. Used Visible Caps 1 and 2, become much more than just an expressive and functional artistic tool. In short, by combining their expressive writing or Visible Caps & Script lettering styles, they make words and phrases appear to be written with a brush and ink-filled calligraphic strokes and with eye-catching qualities, their design is the perfect choice for distinctive headlines and brand identities. for music, movies, video games and more. A special thanks to the Venezuelan artist for his impressive illustrations @franciscomarin_artistaplastico ENJOY more than 1100 glyphs: + Visible Script: 398 glyphs + Visible Script2: 221 glyphs + Visible Caps: 222 glyphs + Visible Caps2: 298 glyphs

Carbona is our attempt to imagine the future through typography. The perspective of the future is, perhaps, the greatest force of action humans have. Knowing that there will be a tomorrow is the stimulus we depend on to decide how we are going to act today. This idea is also one of the best fuels for creativity. That's why we thought of Carbona as a typeface in sync with everything that appears on our technological future. From the countless births of new digital currencies to the sending of ultra complex algorithms at 5G speed, the future of any habit, choice or task that we will perform will transit through some super computer located somewhere very far away – who knows even on another planet. The family is designed to deal with the situations of the digital world, today and what is yet to come. It is optimized for programming, contains cryptocurrency symbols, advanced features for use in interfaces, and much more.