Jatheedo is a typeface created with original handwriting that may anesthetize your eyes and give a wonderful and beautiful impression. This font is highly versatile in its use. Because of its strong character, this font is attractive when used alone, but it is also stunning when paired with sans or sans serif letters. So, what are you waiting for? Enjoy and give your project a unique appearance. This typeface was created with a natural touch of handwriting that has been developed to generate parts and compositions that meet your requirements. As a result, this typeface is ideal for crafts, children’s writing, adventure posters, food banner titles, wedding invitations, and logos for product packaging.

Hi everyone, how are you today? We hope you are good. And don’t forget to stay safe. Today we release a crafted display font again, it's called Hertical. Hope you are enjoy the design of font. Hertical come with two typefaces, serif and sans serif. Every typeface contains four styles (regular, smooth, rough and texture). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, quotes and more custom design. Hertical includes : 2 typefaces (serif and sans serif) 4 style typefaces (regular, smooth, rough and texture) All-caps, numeral, symbol and punctuation 2 sets alternates on serif font Multilingual PUA Encoded Thank you for your support and choosing us.

Famous is a Modern Feminine Beauty Font A new Sans serif that we created special for branding needs, with extra ligature in unique shape add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Feminine font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Feminine sans serif font ready with: Any options to get creative variations (combination of Alternate and Ligatures) Preview as a inspirations that you can do with Feminine font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Introducing, North Valley - A cute display font duo. This font has two styles, sans and script. Both fonts are paired perfectly to used for casual and playful theme design. This font also perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Sans and Script uppercase and lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Fellbaum Grotesk is a condensed typeface with both grotesque and cursive/humanist attributes. Fellbaum Grotesk Regular presents a clean, “grotesk” exterior, while the Italic version features faint slab-style flourishes. These characteristics, combined with a subtle stroke contrast and slightly extended x-height make for a distinct, and artisanal appearance. The family was inspired by the condensed & sterile, yet quirky, sans serifs found on a lot of vintage apothecary labels & municipal street signage. Both styles in the family are modest enough to work as secondary fonts, but also sport enough character to work as a primary sans face for wordmarks, logos, headers, etc. Fellbaum Grotesk Features: • 14 Fonts, 7 Weights, 2 Styles • OpenType Support • Adobe CE Language Support • Dingbats

The geometry of Paul Renner’s sans letterforms was tempered by optical correction to follow earlier typeface proportions, with capitals close to old-style forms, yet still retaining the spirit of the New Typography. His early experimental characters were included as alternatives in the sans which was to become the Futura released by Bauer in 1927–30. Unusually, old style figures also appeared in his early versions but they too were soon discarded. Foundry Architype Renner as a new four weight family has been developed from the original Renner Regular and Bold, created by The Foundry for the first Architype Collections in the early 1990s. This new family features the old style figures and the experimental elements.

Experience the charm of Bluebird Melody, an exquisite font duo that combines a script and sans serif with a delightful handwriting style. The script font exudes elegance and grace, while the sans serif font adds a touch of modernity. This versatile duo is perfect for various applications, such as branding, logos, packaging, invitations, and more, where a blend of organic and handwritten aesthetics is desired to create a warm and personal touch. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

GP Metro® is a faithful version of the Dwiggins 1930 urban classic: Metrolight, Metromedium, and Metroblack. In 1929, English type designer, William Addison Dwiggins, (WAD) was commissioned by the Merganthaler Type Foundry to design a warmer, more humanistic, and less mechanical sans to effectively compete with Futura, a highly-popular geometric sans designed by Paul Renner in 1927 and first released by Meganthaler's arch-rival, the Bauer Type Foundry in Germany. FontHaus has licensed from GroupType updated files with additional styles including 2 rough versions and a soft together with the classic Regular styles and weights. These new styles will offer designers a wider range of options to design with these amazing classics.

Clauques Family includes four fonts and, in addition, a very useful extra elements. 
Clauques Script and Clauques Script Light are elegant and youthful fonts with many stylistic variations, swashes and ligatures. Clauques Sans and Clauques Sans Light add a little seriousness. Both are designed to be combined but they also work great on their own. Clauques Ornaments has a lot of beautiful ornaments that work very well with the two styles of fonts. With all this, Clauques Family Font will allow you to create elegant works. 
 This family font is the great choice for any project from logos, magazines and book covers, children’s material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but we did want to make our contribution and have a fine geometric face to offer. dT Jakob was born out of Erbar, by Jakob Erbar, one of the very first geometric sans, released in metal around 1926. Our goal was to make a versatile typeface, that handles display and text typography beautifully. To achieve that we designed a complete range of weights, matching italics and lots of OpenType Features. Hope you enjoy it :D

Beletrio was made as companion to Beletria, it has many shapes in common. We already have plenty of sans-serif fonts with classical proportions in the Stormtype library, such as John Sans, Sebastian or Andulka, but Beletrio is certainly the most peaceful of the bunch – it shares not only the feel of its serif originator, but its soft curves provide lovely visual caress as well. The smooth endings are not visible at first, they are balanced for easy reading as they solve some critical relations such as "rv, ry, rt", but in larger sizes you'll fully enjoy the picturesque details. It handles the smallest point sizes as well as large billboards, fashion magazines and philosophic tractates.

The Gleams serif playful display is unique, this font and is equipped with multilingual to be able to handle most typographic applications ranging. will be perfect and look luxurious for many projects such as fashion, magazines, logos, branding, photography, invitations, quotes, blog headings, posters, advertisements, postcards, etc. The Gleams serif playful include ligatures, capital letters and lowercase alternate letters. You need a program that supports OpenType features like Adobe Illustrator, Adobe Photoshop CC, Adobe Indesign and Corel Draw. and you can also access alternative flying machines via Font Book (Mac users) or Windows Character Map (Windows users). For sans style please check at https://www.myfonts.com/fonts/alandya-typefoundry/gleams-sans-display Happy Designing . . .

Introducing Berringer A Vintage Type Family Berringer is a vintage sans serif family including Textured, Rough & Clean versions as well as Oblique versions of each. Click on the "View All Glyphs Below" image to see every glyph included in each font file. Berringer includes western european characters. Berringer is a versatile sans serif typeface that gives a vintage aesthetic. With it's unique & distinct characteristics it sets itself apart, while also maintaining a strong timeless appeal overall. Rough & Textured versions allow Berringer to be a complete set without the need for 3rd party effects to create a printed look, eliminating a step in the process of finalising your piece. Thank you for checking this out! Jeremy

Raginy is a sans serif in a stencil style. Made by paying attention to the distinctive elements of each letter, then eliminating the secondary parts and only highlighting the main elements of the letter so that it looks minimalist and elegant. Raginy has sweet characteristics, simple, luxurious, and classy so it is very suitable for displays, logos, logotypes, branding, titles, short quotes, and so on. This sans-stencil font is also equipped with alternates characters to sweeten your design, and also complete with unique ligatures. Add a touch of beauty to your designs with Raginy! What you will get: Uppercase Lowercase Numbers & punctuation Stylistic alternates Ligatures Accented characters Thank you for your visit and support. Ramz.

Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular and accented characters for Central European languages. The Kamerik 105 family comprises of six weights, and is closely related to Kamerik 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kamerik 105, where they are two-storey in Kamerik 205.

Cosmopolitan is a monoline font family with script and sans versions that both work great together or alone. It comes with five weights and “printed” versions. For extra swashes, swirls and pictograms there is Cosmopolitan Extras. Cosmopolitan Script is packed with OpenType alternates: turn on Swash, Stylistic or Titling Alternates in any OpenType savvy program or find even more alternates from the Glyph Palette. Cosmopolitan Sans has different Swash Alternates for both upper and lowercase characters. Cosmopolitan Family gives an elegant look for any project from print to digital. 
For the very best price purchase the whole family! Cosmopolitan Family is inspired by two other great monoline font families: Selfie and Beloved.

Art Galleria is a Modern Display Sans Serif A new Modern Display Sans serif that we created special for branding needs, with extra ligature in unique shape add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more unique and modern. And specially for Art Galleria font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Art Galleria Modern Display font ready with: Any options to get creative variations (combination of Alternate and Ligatures) Preview as a inspirations that you can do with Art Galleria font Ready with All Uppercase characters Wish you enjoy our font. :)

Loew is a geometric sans serif font influenced by the methods of the early industrial designers. Pure mechanical shapes are carefully adjusted to give the characters the right form, function and usability. These subtle human touches combined with the technical detail provide great readability at both large and small point sizes. Loew is a versatile sans serif font with simple and honest geometry aimed at a wide range of modern applications. Details include over 800 characters with alternative lowercase a, e and g. Seven variations of numerals, true small caps with accents, manually edited kerning and Opentype features. For additional non-latin language support in Cyrillic, Greek and Arabic, visit Loew Next and Loew Next Arabic.

Rotulo is a contrasted sans family which combines the Thick & Thin signpainter's style and some 70s feeling in a huge font family with 90 styles. A visit to an exhibition of Spanish movie posters by Jano was the beginning of Rótulo (Spanish for Sign) project. Classic thick & thin signpainter style was featured in many letterings of those posters, as it was a very common style in 60s and 70s Spanish design. Unfortunately, today very few Contrasted Sans are seen, something that was quite common years ago has fallen into disuse in favor of Helvetic monotony. Rótulo recapture all that personality, with an extense range of weights and widths to be used in striking headlines and short texts.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

Minimal Nahidha is a minimalist sans serif typeface with a casual and trendy outlook. Minimal Nahidha was built to balance the geometric qualities of a san-serif typeface with all the benefits of traditional serif fonts, like readability and personality. Minimal Nahidha comes in Regular and Slant version, each with its own unique set of characters & it has ligatures and stylistic alternates that make it easy to customize your designs. The fonts works best as display typefaces or as beautiful headline fonts, but can also be used in other ways to create stunning designs. Features : - Minimal Nahidha Family Font - Ligatures - Stylistic Alternates - Multilingual, US Roman, Latin 1 Support Hope you enjoy with our font! Attype Studio

Introducing our new Lincoln Road Font Collection. Deco, but not too Deco. A Lincoln Road is a family of 9 fonts including 2 weights of Deco and 6 weights of a coordinating Sans and an Elements font that contains the frames and elements you see used in the previews. Each Deco weight has a corresponding Sans weight. Lincoln Road was inspired by art Deco styles, but is a modern interpretation - in other words - not too deco. It works for modern projects that need a hint of a decorative look and can also be used for a more vintage vibe. Check out the previews to see some of the ways you can use this family.

Elido (Odile in reverse) is the sans counterpart to the Odile type. Together they form a sans/serif superfamily with a wide range of variations for editorial use. Elido follows Odile’s proportions and matches the weight and typographic color of its serif twin. Elido is a sans with classical proportions. A slight geometric hint and open counters convey an airy feel. Elido’s family structure and relations within echo the conceptual approach of Odile. The arched stroke low off the stem reveals a script characteristic most pronounced in the Elido Upright Italic. This particular interpretation is gradually diminished in the Italic and becomes even less emphasized in the Regular. Six balanced weights, from an elegant Light to a pronounced Black, are in tune with three display solutions and a set of beautiful Ornaments. These variants allow for a diverse and multifaceted typography for the discerning type user. Sans serif initials amount to a rare finding. The charming monolinear Elido Initials come in two flavors, elaborate and rational, designed to hold their own in editorial and headline sizes. This type design boasts an extensive character set, many OpenType features including roman and italic Small Caps, five sets of numerals, beautiful ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant glyph “s” for the Upright Italic. These distinct qualities with its versatile and sincere traits make Elido an excellent choice for text and display use.

The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG’s DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype’s Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text.

Tomato is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare. This typeface is an obvious child of funk, the audio-visual revolution that swept America and put an end to the art nouveau period we now associate with the hippy era. Funk is of course little more than jazz with a chorus and an emphatic beat. Nevertheless, it became the definition of cool in the 1970s, thanks to blaxploitation movies with excellent soundtracks like Shaft and Superfly. Funk began as a commercial audio experience, then later expanded its signature to cover everything, from design to fashion to the later birth of disco, which is really a further simplification of funk. Funk had very strong and unique typographical elements, particularly a kind of titling with an essentially western, wooden core that suddenly changed and flared in unexpected areas until a very individual brand was achieved. Everything that can be tacked on to the alphabet was used towards that individuality. Things like curls, swirls, swashes, ligatures were always plentiful in funk, sometimes giving the titling a specific gender, sometimes bulging, sometimes speeding, sometimes fading in the distance, sometimes doing nothing but crazily aligning with other design elements, but the result was always a fascinating creature that seemed to invariably want to dance and have fun. Tomato was built in exactly that spirit. The original film type certainly had enough swashes and curls to be an unmistakable funk font in itself, but our further expansion of it cements it and makes it the definite font for the genre. With as many as 12 different possibilities for some letters, the designer's choices for a titling set in Tomato are virtually limitless. The Postscript and True Type versions of Tomato come in five fonts, including two fonts for alternates, one font for ligatures, and one font for swashes. These are split into two affordable packages. The entire family package is also available at an even more affordable price, and includes complimentary Cyrillic, Greek, Turkish, and Central European versions of Tomato. A Tomato Pro OpenType version is also available. It is a single font that includes over 650 characters, glued together with extensive programming for convenience of use in OpenType-friendly applications, where you can watch the letters morph and dance as you push the buttons and change the options of your OT palette. Now you know which font will come to mind when someone says the word "funky".

Here I am, once again digging up 60-year sign lettering and trying to reconcile it with the typography of my own time. The truth is I've had this particular Alf Becker alphabet in my sights for a few years now. But in the typical way chaos shuffles the days, Buffet Script and Whomp won the battle for my attentions way back when, then Storefront beat the odds by a nose a couple of years ago. Nevertheless, revisiting Alf Becker’s work is always a breath of fresh air for me, not to mention the ego boost I get from confirming that I can still hack my way through the challenges, which is something I think people ask themselves about more often as they get older. You can never tell what may influence your work, or in this case remind you to dig it out of dust drawers and finally mould it into one of your own experiences. On my recent visits to the States and Canada, I noticed that quite a few high-end steak houses try their best to recreate an urban American 1930s atmosphere. This is quite evident in their menus, wall art, lighting, music, and so on. The ambience says your money is well spent here, because your food was originally choice-cut by a butcher who wears a suit, cooked by a chef who may be your neighbour 20 minutes from downtown, and delivered by a waitress who can do the Charleston when the lights dim and who just wouldn't mind laughing with you over drinks at the bar later. So Steak is just that, a face for menus and wall art in those places that see themselves in the kind of jazzy, noirish world where one-liners rule and exclamation points are part of a foreign language. As is usual with my lettering-inspired faces, there is very little left of the original Alf Becker alphabet. Of course, the challenges present in bringing typographic functionality to what is essentially pure hand lettering gives the spirit of the original art a hell of a rollercoaster ride. But I think that spirit survived the adventure, and may in fact be even somewhat magnified here. This font is over 850 glyphs. It’s loaded with ligatures, swashes, ending forms, alternates, ascender and descender variations, and extended Latin language support. Steak comes in 3 versions. According to your taste you can choose Barbecue, Braised or Smoked. It’s up to you!

Introducing Stolen Love - Stylish serif typeface + Swashes and Ornaments Stolen Love is stylish and creative typeface loaded with 6 different fonts, alternate and ligature glyphs, 52 swashes in 3 different sizes, 26 ornaments to make you typography truly unique! Language Support : Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Light, Regular, Bold, Extra Bold, Black and Rough Versions 52 swashes in three sizes ( small, medium, big ) 26 ornaments Character maps for swashes and ornaments BGR support - special fonts with Bulgarian alphabet ligature glyphs alternates Multilingual support - 95 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing VSOP - Elegant typeface. 70 font styles included VSOP is elegant and timeless typeface loaded with 70 font styles (narrowest, narrower, narrow, regular, wide) 87 languages support, alternate and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs alternates Narrowest - regular, italic with 7 weights Narrower - regular, italic with 7 weights Narrow - regular, italic with 7 weights Regular - regular, italic with 7 weights Wide - regular, italic and styled with 7 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Say Hello to Swily Bright. Trendy, classy & modern style serif font for your fancy projects. Elegant, fashion and classic style on Swily Bright font will be great for any branding project. With 2 style Regular and Italic, alternates and ligatures will help you to create unique letters

Bride Style, A sweet beautiful delicate script font. Inspired from the wedding modern calligraphy style but presented in a fashion editorial way. Perfectly fit for branding, logo, wedding things, greeting cards, fashion, lookbook, moodboard, presentation, imagine the luxury, beautiful, stylish, and casual in the same time.

Blambot's Adversary BB family is a robust sans with a hint of retro-futurism. It was initially created for use in Blambot founder, Nate Piekos's pesonal title block for design projects. It's therefor very clean and extremely legible. The set includes regular, italic, bold, and bold italic.

Makalu is a funny flower font inspired by the lovely drawings of the famous illustrator Zdeněk Miler (best known for his small mole). His flowers are at the same time cartoony and realistic. Enjoy this choice of 27 original and distinctive illustrations while creating your designs.

Gulim™ features plain strokes similar to sans serif designs, and works well for on-screen display such as user interfaces. This Gulim font file is 5.2 MB in size. Gulim is a trademark of Microsoft Corporation. Gulim Character Set: Latin 1, Korean code page 949

Mixage font is the work of Italian designer Aldo Novarese, who cleverly combined the character shapes and proportions like those of Syntax and Antique Olive with the grace and warmth of a calligraphic typeface. Mixage font is a good alternative to more traditional sans serif designs.

Headline Bold is a sans serif face in the nineteenth century English Grotesque tradition. The Headline Bold font is based on types from the Stephenson Blake type foundry called Grotesque no. 9. A bold and compact font, its name gives a strong indication of its primary use.

Wood Condensed Grotesk JNL is a more condensed version of the type style found in Wood Type Grotesk JNL. The font was a popular sans used for large posters or broadsheets as well as newspaper titles where more copy needed to be fit into limited space.