Eckhardt Speedletter JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The font was inspired by hand lettering on a reproduction of a 1950s rock and roll show poster.

On October 15, 2006 we became proud parents of three babies. To commemorate (and help pay for diapers) I decided to release this baby-themed dingbat set. All proceeds for the next few years goes to pay for lots and lots of diapers.

Eckhardt Poster Display JNL continues Jeff Levine's series of lettering popularized by sign painters. Named in honor of Albert Eckhardt, Jr. - a good friend of Jeff's and a talented sign writer, this font is a traditional block style that's perfect for posters or headlines.

This was a patented design, so we know who designed it and when. August Will was a type cutter who sold his work to a number of foundries. We worked over this design to open up the space between the strokes to accompdate smaller sizes.

These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are used to provide exciting initialling complements. A unique style with subtle historical and religious overtones.

The Augsburger Family is a product of the Art Nouveau period in Germany and Austria, reflecting the darker, heavier Jugendstil approach typical of the Secession movement in these two countries. Originally released by H. Berthold AG of Berlin and Bauer & Co. of Stuttgart in 1902, Augsburger has been attributed to the designer Peter Schnorr. This current version represents a year-long revision of the Augsburger Family. All three fonts have been updated to eliminate duel encoding, harmonize metrics, and review all glyphs. In addition, the following features have been included in the individual fonts: Augsburger Schrift: a total of 249 glyphs have been added, for a total of 467 and an increase of 114%. New are Tabular Numbers, Small Caps, a variety of Ligatures and the refinement of all accents. Augsburger Initials: complete redesign of upper case, inclusion of upper case from Schrift instead of lower case, plus inclusion of small caps and a selection of appropriate ligature. Augsburger Ornamente: includes some additional glyphs. Augsburger may be purchased as a complete family or as individual fonts. Each font package includes both TTF and OTF versions to allow you to select what is most useful to you.

Pretty Queen is a beautiful brush signature font. Made for any professional project branding. Every letter has a unique and beautiful touch. Made from our talented designer. Love swash will make your design more beautiful. Features: 52 Stylistic set Ligatures Uppercase Alternates Multilingual Support PUA encoded

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Bellfort Draw family is a hand-drawn version of the Bellfort family. It features 5 different sub-families: Regular, Rough, Hollow, Dark, Script. Each of these sub-families contains up to three font weights. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. When not using the Contextual Alternates feature, you can still pick the alternates in the Glyphs palette or use the alternates available from the keyboard upper and lower case. Bellfort Draw Script is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Cold Brew is a swift brush script family of three weights and a set of extras. Cold Brew is based on hand drawn letters polished with care to retain the vivid appearance of ink brush. Cold Brew is equipped with OpenType features to give you tools for custom-looking design: turn on Stylistic Alternates or Swash in any OpenType savvy program for flashier letters or manually select from even more Alternates from Glyph Palette. Cold Brew Extras is a set of brush strokes and swashes designed to support the font. You can for example easily create custom letters by combining the swash shapes from Extras with the letters. Combine Extras with uppercase letters or use them as underline or just plain extra strokes to emphasise your words.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Leonard is a bold brush script with strong character. Leonard has low contrast, smooth letterforms and high x-height. It’s great for single words or longer text passages; use it in logos or headlines, in packaging, posters, illustrations or product design. Leonard is packed with OpenType features. It has Contextual Alternates and Standard Ligatures that help to maintain the flow and keep the letters from colliding. These features are automatically on. In addition it has Discretionary Ligatures, Swash, Stylistic and Titling Alternates that you can access from OpenType controls for more custom look, and you can check the Glyphs palette for even more alternates from the total 534 glyphs. All characters shown in the posters can be found inside the font.

Kowalski2 is a decorative, serif, hand-drawn font. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. The inspiration came from the beautiful font Desire designed by Charles Borges de Oliveira. Kowalski2 Pro is the most complete style, it contains all the alternates and ligatures. To get the alternate glyph just add "+“, ”=" or "*" before the letter in any OpenType savvy application or manually select the characters from Glyph Palette. Kowalski2 Basic has the basic character set with 345 glyphs and no alternates. Kowalski2 A, Kowalski2 B and Kowalski2 C have less glyphs than the Pro one, they only contain some selected alternates and ligatures. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Appetite Pro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full Western Latin, Cyrillic (Russian, Belarusian, Ukrainian) and basic Greek support. The Appetite Pro font family is specially designed for food identity and packaging design projects. In addition to standard letter cases, Appetite Pro also includes dingbats set. Due to the 10 weights font palette, you can solve a wide variety of professional problems without spending money on extra fonts for titles, subtitles, and main text. Try and buy!

Shirataki is a soft pen script with clear round letter shapes and large display capitals. Shirataki has really low contrast -it’s almost monolinear. Shirataki is a clear and friendly display script ideal for logo, signature, packaging, poster or headline purposes. Shirataki uses Contextual Alternates to keep the connections smooth and it has Swash alternates for every standard letter. There’s even more alternates in glyph palette. There’s also a set of swash endings coded in Titling Alternates and set in lowercase letters. In addition there’s a selection of strokes set in uppercase A-H. Shirataki is PUA encoded so you can access extras in most graphic design softwares even without OpenType support. In case you were wondering Shirataki are Japanese yam noodles. Enjoy!

Hippie Mods is a font that takes you back to the psychedelic era of the 1960s and 70s. This fun and retro typeface is a true embodiment of the free-spirited movement, peace and love, capturing the essence of the countercultural revolution in its design. It is the perfect choice for projects that demand a touch of nostalgia and strong individuality. The font's flowing curves, hand-drawn feel, and vintage details evoke the spirit of a bygone era. With a natural color palette and versatile design, Hippie Mods are the perfect choice for adding a touch of nostalgia and whimsy to your creative projects. This typeface will also make your projects radiate the strong spirit of the Hippie era, whether you are creating art, posters, or branding.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Meet Coastly, a handwritten font that makes you think about vacation, summer, holidays, friends and family. It’s a calm and relaxing font that works great headlines, posters, product design, quotes, branding, marketing materials and more. This font supports latin alphabet with its accents and glyphs. It also covers the most used punctuation marks and glyphs. Coastly is your friendly go to font. We made it thinking of the Amalfi Coast in Italy and its lemons, explaining its name and colour palette. Thinking of limoncello, lemonade from fresh squeezed lemons, granita, ice cream, beach and ferry trips. But we’ve also associated Coastly with your yearly holidays as: Christmas, Thanksgiving, Easter, New Years Eve, Mothers Day and so on. It’s a celebration of life and what its delights.

Powder Script is a showy brush style script family of three weights -regular, bold and black plus matching Ornament and Pattern set. Powder Script is packed with almost 800 glyphs per weight and is full of features. To activate alternate characters click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select from even more characters from the Glyph Palette. Inside each weight is a set of block capitals that you can activate by turning on Small Caps. You can use Small Caps to create evenly lined text blocks to support your design. Engage Powder Ornaments and Powder Patterns to complete your designs while using Powder Script. For the best price purchase the complete Powder Script Family.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Rufo — condensed geometric sans serif with the closed forms. Contains 12 fonts. 6 regular and 6 italic. From thin to black. A rich palette gives full freedom for creativity and bright decisions. Extensive area of use. The versatility of the sans serif typeface covers various aspects of graphic design. Web, printed materials, clothing, logos, posters, labels and much more. Rufo is pragmatic typeface. Can save space and will accommodate a large amount of information in a limited space. The font was designed so that condensed letters remains readable even in small sizes. Opentype: alternate numbers, oldstyle numbers, arrows, fractions and automatic fractions, case sensitive forms, superscript and subscript, numerators and denominators. Support: cyrillic, cyrillic extended, latin, latin extended (Western European, Central European, South-East).

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Van den Velde Script Pro is the definitive edition of the original Van den Velde Script, by Intellecta Design, a free interpretation of the work of the famous master penman Jan van den Velde, to be found in the “Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe. ” (Haarlen, 1605). This font has evocative ancient ligature forms from the XVII Century Dutch master penman Jan van den Velde. Your indescritible writing-book was important not only with regard to the specific period it represents, but also in relationship to the entire history of calligraphy as an art: Van den Velde is rightly credited with having introduced and perfected a new trend in Dutch calligraphy. Our font, Van den Velde Script, merges modern necessities or better legibility without loosing the taste of his archaic origins. This enhanced OpenType version is a complete solution for producing documents and artworks whith an evocative and voluptuous style of calligraphic script: Van den Velde Script PRO has - more glyphs than the original Van den Velde Script. We created hundred of new glyphs, deactivated old non-representative glyphs and redesign the remaining library of original glyphs. Van den Velde Pro is more functional, soft and beauty than the original. - to keep the powerful of this unusual kind of script we make a tour-de-force kerning work: 771 glyphs in this font was adjusted in 5400 kerning pairs handly. - hundreds of contextual alternates combinations, some of them with three or more letters, - historical ornaments and fleurons in the typical style (and motifs) from the XVII century at the Lower Countryes accessed with the glyph palette using the Ornaments feature); - an extensive set of ligatures (100s of contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; .... and, much better, Van den Velde Scriopt PRO is plus cheap than the original font !!! In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. Because of its high number of alternate letters and combinations (over 700 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. Van den Velde Script PRO has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

RoyHand RP is a new OpenType font family release by BluHead Studio, LLC from the wonderfully talented English designer and illustrator Roy Preston. RoyHand, as the name would suggest, is based upon the handwriting of Roy himself. The family has three weights and is suitable for many everyday uses.

ITC Leawood was begun by designer Les Usherwood and finished by his talented staff at Typsettra in Toronto, Canada, after his untimely death. A similar calligraphic series to ITC Usherwood, following alternative options, the typeface features small, well-defined serifs which aid legibility and allow for close spacing.

Introducing the Big Alphabet Tracing Font – a font designed to help kids learn the alphabet in a fun way. The font looks friendly and playful, making learning feel like a game. It is perfect for teachers, parents, and anyone who wants to make learning the alphabet exciting and interactive.

Eckhardt Fancy JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The design was inspired by a vintage alphabet found within a collection of decorative display alphabets from the type collection of the late Dan X. Solo.

Tertre is a display/short text typeface with a wide range of applications from signage or posters to menus and pricelists; branding, packaging or publishing. It is named after Place du Tertre, a square located at the top of Montmartre—a hill overlooking Paris, made famous by the artists of the 19th and 20th Century. Like in Galette, the letters have no overhangs and the stroke thickness of capitals and lower case letters is identical, making hinting or anti-aliasing more uniform at any point size and zoom combination.

Introducing Rostave Font. Rostave Font is created from our talented font designer. The design of typeface will make your project more powerful and inspiring. This font will suitable for any project that needs futuristic touch. Features : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for visiting and purchasing my font!

Introducing Crusselia Font. Crusselia font is a elegant handwritten font. Create from our talented font designer. This font will suitable for any project, like branding, print template, logo, quotes and etc. Features : Accents (Multilingual characters) PUA encoded Alternates Numerals and Punctuation (OpenType Standard) Full Support Thanks for visiting and purchasing my font!

Rostin is a modern monospaced typeface with half-open forms of characters. Contains 8 fonts. 4 regular and 4 true italic. Weights from ultralight to bold. Including modern and futuristic stylistic alternates. The typeface was designed to read well in small sizes (from 15px) and be bright in large sizes. With these characteristics and a wide palette of weights Rostin has a huge potential area for usage. Ideally suited for musical covers, posters, logos, street wear, movie titles, packaging, editorial, web and applications - here he will always be gorgeous. With a wide variety of alternate characters you can make your design bright, memorable and modern. Opentype features: old-style figures, fractions, stylistic alternates, superscript and subscript.Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 75+ languages)

Acantis is a strong script font with a vintage look inspired by the lettering designs of the 1980s but updated for today's projects. Acantis is the perfect mix of elegance and informality. Open Type features include a full complement of international characters, standard and contextual alternatives, swashes, stylistic sets, standard and discretionary ligatures. All of this makes the text lively and animated, without the monotony of obviously repeating letterforms. Also, we've included some ornaments designed to support the font, some were specially designed to be combined with the letters for a "more calligraphic" effect (access them via the glyphs palette). Acantis can be the choice to create titles, logos and posters for branding and packaging purposes, invitations, greeting cards, magazine and book covers, children's supplies, fashion, and wherever you want!

Introducing Paduka Script, Modern Smooth Calligraphy. 471+ glyphs included, with swashes alternative characters, suitable for any design needs, modern design, branding, stationery design, blog design, modern advertising design, invitation, wedding, special events, any lettering needs and more, for commercial use or personal use. Paduka Script is available for any printing needs, desktop, print on demand, video design, blog header image, or designing a commercial product for reselling. For Adobe Photoshop / Illustrator CC user, Swashes / Stylistic Alternates can be used directly. If you are a non-glyph panel software user, You can use the alternative letters by Install OTF font files. To activate the alternates click on Swash, and Stylistic Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Then Change the font to Paduka Script.

Firing Imaginations and lively connected script family of three weights, ornament and banner sets and separate caps and small caps designed to support the script. Frost is influenced by the hand lettering and sign painting of the 1950s and 1960s with more polished appearance to better suit contemporary design trends. Frost is equipped with loads of automatic ligatures to make the text better flowing and has minimum three alternatives to every basic letter: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType Savvy program or manually choose from even more alternate characters from the Glyph Palette. Frost is an effective and easy to use font family for creating ambitious headlines, logos & posters with a custom-made feeling. For the absolutely best price purchase the complete family!

Doubletwo Studios - XXII AwesomeScript – the brush lettering font. Lettering is quite popular these days. And one thing is for sure… you are nothing without cool lettering. Here is one possibility to easily get a cool brush lettering result without calligraphic skills or any knowledge of using a brush. XXII AwesomeScript, that’s more than 1k wonderfully designed letters, ligatures and alternates which may bring a cool and individual handwritten look to your creation. This font is designed to easily create logos, headlines and text phrases within a blink of an eye. Just open your glyphs-palette* and simply chose, from up to 13 different alternates per glyph, the one that fits best for your needs. *For further information visit the Behance-Projectsite or download the pdf in the gallery.

Graham Cracker is a fun, cartoony and child-like font that can't help but fill you with happiness! The font was inspired by hand-drawn lettering on an old 1960s movie poster, and contains over 175 interlocking ligatures that add a hand-lettered feel. Stylistic substitutions like this are where the OpenType technology really shines, allowing computer fonts to more closely mimic the variations of hand drawn lettering. The ligatures can be found under the Discretionary Ligatures OT feature, or applied from the glyph palette. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

The DIN Next™ Stencil suite of designs is DIN with an attitude. It’s even more industrial strength than the original. DIN Next Stencil’s seven roman weights are perfect for projects that require a mechanized, military, or commercial vibe. If you’re looking to create commanding display typography, be it in advertising, apparel, packaging, posters, signage, wayfinding – or crash dummy name tags, DIN Next Stencil can be the perfect typographic enhancement. Based on Akira Kobayshi’s DIN Next with stenciling by Sabina Chipară, the wide range of weights and large complement of diacritical and international characters – including those for Cyrillic and Greek – further expand the design’s capabilities. The DIN Next Stencil fonts are powerful tools in their own right – and provide a distinctive supplement to the DIN Next typographic palette.