Monotype Hei3 PRC is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness

Introducing Silfer Queen Script vintage calligraphy font. Silfer Queen Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

AVOISTE LAVERTA is a display font with a brush texture. Modern in nature suitable for social media design and branding. This font is allcaps font. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Three Candy Font is Sans Serif and modern font combined with a sweet touch and beautifully curved each letter. using a touch of soft curves so that it is pleasing to the eye. Three Candy Font Spirit is great for: Wedding invitations, fashion magazines, logos, signatures, and suitable for watermark photography.

Jingle Binder is a Modern Handwritten Bold Font. Jingle Binder is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Jingle Binder also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Calligrapher Rustic Black is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on modern Rustic calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Calligrapher Rustic Black contains all the Latin glyphs.

Rosegar Modern sans serif typeface with beautiful alternete, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Magioline Modern serif Font typeface with beautiful alternate, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Neima is high contrast serif font features a mixed modern-classic design. Neima support multilingual languages, numbers, punctuation and alternative-ligatures. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Neima for any graphics that require a sleek look with a elegant flair.

Blammingst is a clean script font modern casual and smooth moonlike stroke font includes opentype features Ligatures and Alternate lowercase. It support multilingual more than 100+ language. This font is suitable for logo design, Movie Titles , Books Titles and any awesome project you create. Make stunning work with Blammingst. Cheers, MaulanaCreative

Minimal is a distinguished sans serif display family with minimalistic modern edges, designed by Khalid Al-Mazrouei and published by Kmaz. Minimal packs a complete set of uppercase and lowercase letters, numbers and punctuation and comes in 3 weights (Thin, Regular, and Bold). Perfect for headlines, magazines, and much more.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

Display Series is a modern and stylish elegant serif font that will add a touch of luxury to your project style. The Display Series is perfect for branding, editorial, monograms, wedding invitations, titles and more. Featuring OpenType and PUA encoded which means you can access all glyphs and swashes easily!

Talaga Lakes Font Talaga Lakes is a casual script font. Its modern charm makes it appear wonderfully, readable, and, ultimately, incredibly versatile. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Thank you for the purchase. Happy creating design :)

Perfect Moment Modern serif Font typeface with beautiful alternate, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Finest Butter is a modern script font. Made for any professional project branding. It is the best for logos, branding and of quotes. Every letter has a unique and beautiful touch. Features: Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Meave is high contrast serif font features a mixed modern-classic design. Meave support multilingual languages, numbers, punctuation and alternative-ligatures. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Meave for any graphics that require a sleek look with a elegant flair.

Introducing new typeface. Caniago- A modern, luxury, fashionable display serif font. Embargo perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. it is allcap with symbol and multilingual support Two style, Caniago Italic Caniago Regular Features Two style/ Numbers & Punctuation / Extensive Language Support/ligature/Alternate

Massimo is a semi-serif geometric type family. For as long as I can remember, I've admired the visual style of New York – its architecture, fashion, design, and typography. After spending two weeks in Manhattan this summer, I wanted to prepare a sharp and modern typeface in Big Apple style.

Waston is a beautiful and inspiring set of classical typography glyphs based on a minimal and simplistic approach to elegance Waston is a classic serif font made for headlines, titles, and is well-suited for advertising, fashion mood board, branding, logotypes, packaging, titles, editorial design and modern and social media.

Insigne Display A bold, modern and fun display font that lives up to its name. The way you can uniquely combine the different parts of this font makes it a lot of fun to use! Perfect for all purposes. , Suitable for magazine design, logo design, headlines, posters, packaging, cards etc. Enjoy!

Aguero Serif – Clean & Elegant Serif Font is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of Aguero Serif – Clean & Elegant Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature.

ALCHEMIA is a modern sans serif font with mystical motives. The font is created in classic proportions and decorated with celestial and boho decor. ALCHEMIA is represented by sans serif lowercase and ornate uppercase. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism.

The inspiration behind the design of the Verger typeface family comes from the classic Golden Type, which was originally crafted by William Morris. Although Verger is inspired by this classic typeface, it has several modern, expressive and distinctive styles of its own, especially in the design of its italic versions.

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

Mayence is the French name of Mainz, German city where Johannes Gutenberg was born. It's a manuscript font inspired in the author's calligraphy, with an angular structure, marked by a certain impulsiveness. Besides being a continuous-line font, Mayence explores some deviations and imperfections in the calligraphy practice, as accumulations of paint and anomalies in the thickness variation, characteristics which gives it more naturality. Its main difference is the set of over 430 ligatures (Premium version), based on the research and selection of important character sequences, rather frequent in several languages. For this, a study was done about the diphthongs, triphthongs and di-tri-tetra-pentagraphs more common in languages such as English, Spanish, French, German, Italian, Portuguese, Dutch, Hungarian, Croatian, among others. Ligatures with up to 2 characters are enabled by default and with more than 2 characters are enabled by the Discretionary Ligatures option. Mayence also contains several ligatures based on common words in English and Spanish, exclusive ligatures with numbers and another standard, discretionary, historic and Unicode ligatures. It has 9 different ampersands (&), which can be chosen by the user according to the application context. When you enable the Titling Alternates (in OpenType-savvy programs), these 9 ampersand styles are converted to their forms of seal, with different purposes of use. To enrich your graphic applications, Mayence brings the Ornaments Version, for construction of impressive lines, borders, textures and the geometric shapes that you want, according to your creativity! To see the features available in each version, open or download the User Guide pdf, in the Gallery section. All text fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish, as well as Western European languages and additional Celtic characters.

DESCRIPTION With Skill I wanted to create something wild. Something that splashed the letters with life. To do this, I knew I'd have to break the barrier between analog and digital, so I took my best brush and started to play. Throughout the years as a type-designer I've met and become fan of many calligraphers. My belief that only a good calligrapher can make good typography (1) has become even stronger. I'm now absolutely sure that only practice improves the skill, especially in this field. So, with this in mind, I started a font which was a challenge for me because sometimes the gap between paper and screen can be gigantic. Skill is another of my attemps (2) to capture the spirit of the pointed brush, its expressiveness, the passions and fears of the artist. This font is about freedom. Freedom everywhere. Movement, velocity, passion. To achieve this, many alternates and ligatures per glyph were designed. Use it on magazines, posters, book covers, music albums, t-shirts, skates, tattoos. NOTES (1) This is mostly referred to script fonts, though text fonts made by designers with a deep calligraphic background have at least to me, an extra charm. (2) See my fonts Live and Indie. TIPS Thanks to Open-Type, the font gives the user the chance to play and get many wonderful results: In example, using the font with “discretionary ligatures” activated will give more life to the written word. Some letters will jump of the base, while others will ligate or not with the following (typical of gestural calligraphy). Adobe Illustrator is recommended. STYLES Skill is the most complete style. It has all the alternates and ligatures that can be seen in the posters and more! Skill Standard is a variant with no decorative glyphs. It has the basic alphabet and some ligatures for better legibility.

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

"Saint Petersburg" fonts were created to look as close to a natural handwritten script as possible by including over 20 ligatures. With built-in OpenType features, this script comes to life as if you are writing it yourself. It's highly recommended to use it in OpenType capable software - there are plenty out there nowadays as technology catches up with design. Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with Opentype capabilities - even the most basic ones such as Apple’s TextEdit, Pages, Keynote, iBooks Author, etc. Even Word has found ways to incorporate it. Your download will receive 4 font files, designed to work as perfect companions or simply as strong standalone typefaces. WHAT'S INCLUDED : 1. Saint Petersburg • A clean, free-flowing script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Saint Petersburg Alt • This is a second version of Saint Petersburg Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. 3. Saint Petersburg Slant • The Slant Version of the point 1. 4. Saint Petersburg Slant Alt • The Slant Version of the point 2. I surveyed mostly common letter combinations and made 20 Discretionary ligatures with following letter combos: aa bb ee ff ll ss tt at et it ot sl st rt ut att ett itt ott utt (in Saint Petersburg & Slant Version) aa bb ee ff ll ss tt at et it ot sl st rt ut att ett itt ott utt (in Saint Petersburg Alt & Slant Version) By using these ligatures, you can give realistic handlettered style, escaping font "pattern" effect.

To Rafaella, a menina dos cachos. We, designers, have grown accustomed to seeing that lowercase letters—not only in calligraphy but also in typography (1)—may be very playful and decorative. Almost every part of them can become a potential swash, ligature or decorative accolade (2) if the designer has some expertise regarding this matter. However, since we are living in an era that elevates the status of handcrafts, lettering has gained a lot of ground in different kinds of mediums, and with it there’s a sort of overuse of capitals. This may be due to the reason that lettering pieces need a high impact to convey their messages and many times why big capitals are the only solution. With this in mind, I started Rafaella: A font consisting entirely of capitals which go from unadorned to very decorative. Rafaella has ductus and forms vaguely based on the 1970s Bookman-like styled fonts. The presence and behaviour of serifs and ball terminals in this style were the perfect excuse to make really attractive aternates which the user can choose from the glyphs panel. The result is a font full of life. Able to be both very playful and formal due to its roman style which can be combined with (and between) a wide range of other styles of expressive scripts or geometric fonts with nice results (3). Also try Rafaella Shade Solo combined with Rafaella or Rafaella Bold for a layer effect to emphasize any given word or phrase. NOTES (1) See my fonts Erotica from 2013 or Dream from 2014. (2) Accolades is a wonderful word that refers to the ornaments made around the words in the spencerian style of calligraphy (3) Combinations often seen in different pieces of lettering were usually a contrast of style is wanted.

Dedicated to the XXII summer Olympic Games. I was inspired by the icons of these games when creating font Olymp80. This is an excerpt from the official report of the Moscow Olympics: "Sports pictographs, as we know, are pictographic drawings symbolising sports. They serve as points of reference and help overcome language barrier. Over the past few years, they have been integrated into the decoration of Olympic cities, and have been depicted in Olympic posters, commemorative medals, postage stamps, tickets, souvenirs, etc. On the OCOG-80’s request, graduates from several art colleges took up the design of the pictographs of the insignia as the theme of their dissertations. With the help of the research institute of industrial aesthetics, the Organising Committee chose the work submitted by Nikolai Belkov, Mukhina Art School graduate from Leningrad. The State Committee for Inventions and Discoveries under the USSR Council of Ministers recognised the new design as a production pattern. Though highly stylised, the new signs are easily comprehensible. They are smoother in outline because they are constructed at an angle of 30-60 (previously the angle was 45-90). Another merit of the new system is that the designs can be adapted for use in four representations: direct (solid, black against a white background), reverse (solid, white against a black background), contour (black contour against a white background), and reverse-contour (white contour against a black background), and permit several colour and shade and size variations." All text and pictures you may see on 1980 Moscow, Volume 2, Part 2, Page 420. Monospaced font for names, logotypes, titles, headers, topics etc. Font includes only uppercase letters with two alternative designs for each letter.

Mutable is as flamboyant and changeable as its name suggests. These characterful fonts were designed specifically for display purposes. It’s an exuberant type family that’s jam-packed with alternates and bestowed with a loud personality. This typeface is defined by its barbed serifs and elegantly curved terminals, or “foxtails” as they are sometimes known. An extremely large x-height amplifies the friendliness and buoyancy of the lowercase glyphs. These qualities give Mutable a unique aesthetic that will undoubtedly give your logotypes, headlines, and titles a distinctive appeal. Mutable has a strong Art Nouveau influence and was mainly inspired by Ed Benguiat’s Tiffany and the mysterious Pretorian typeface accredited to P.M. Shanks and Sons of London. Special OpenType features include 523 alternates that will make each word resonate beautifully when used in titling and branding situations. With so many alternates available, you may find it difficult to stop playing and settle on a selection... but that’s a good thing, right? Small Caps are also included (along with their matching diacritics and alternates) – these are designed to harmonise with regular lowercase forms making unicase-style typography a cinch. Mutable has a total glyph count of over 2,400 characters. There are 9 weights across 2 widths, ranging from a delicate and wispy Narrow Thin to a chunky and imposing Ultra. And... it’s variable! This allows you to select any width or weight in between, making Mutable even more... erm... mutable! This type family has an extensive character set that covers all Latin European languages. Finally, you can test drive Mutable immediately as the Regular weight is offered as a free download. Key features: 9 Weights 2 Widths Variable Small Caps 500+ Alternates Old Style Figures European Language Support (Latin) 2400+ Glyphs per font

NEW UPDATE Ver 2.0 Now is support font Variable with 2 axes (Weigh + Italic) + Adding selected Emoji Fracktif typeface is a modern Grotesk, Reveals a strong constructivist identity with classic type character proportions. Inspired by the historical German classic Grotesk designed by Genzsch & Heyse in 1874. Fracktif develops with simplicity in mind and refers to radical shapes by combining with calligraphic contrast logic there are many distinctive letters with clear modernist roots and a strongly contemporary finish, They were solid designs, suitable for advertisements, titles, and posters. Fracktif typeface family consists of 7 weight plus matching italics, Designed with powerful OpenType features such as alternate characters, Standard ligatures, discretionary ligature, case-sensitive forms, fractions, super- and subscript Language Support: anguages Support: Afrikaans, Albanian, Arapaho, Alsatian, Aragonese, Aromanian, Arrernte, Asturian, Asu, Aymara, Basque, Belarusian (lacinka), Bislama, Bemba-lang., Bena, Bokmål, Bosnian, Breton, Catalan, Cebuano, Chamorro, Cheyenne, Cimbrian, Corsican, Chichewa (nyanja), Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, French (creole), Frisian, Fijian, Friulian, Galician, German, Genoese, Gilbertese, Greenlandic, Gusii-lang., Hungarian, Haitian (creole), Hawaiian, Hiligaynon, Hmong, Hopi, Icelandic, Italian, Ibanag, Iloko (ilokano), Indonesian, Interglossa (glosa), Interlingua, Irish (gaelic), Istro-romanian, Jerriais, Kashubian, Kurdish (kurmanji), Latinbasic, Latvian, Lithuanian, Ladin, Lojban, Lombard, Low (saxon), Luxembourgeois, Malagasy, Makonde, Maltese, Malay (latinized), Manx, Māori, Megleno (romanian), Mohawk, Morisyen, Norwegian, Nahuatl, Norfolk (pitcairnese), Northern (sotho), North-Ndebele-lang., Occitan, Oromo, Pare, Polish, Portuguese, Pangasinan, Papiamento, Piedmontese, Potawatomi, Quechua, Romanian, Rhaeto-romance, Romansh, Rombo, Rotokas, Rukiga, Rundi, Rwa, Rwandan, Sami (lule), Samoan, Serbian, Slovak, Slovenian, Spanish, Sardinian, Scots (gaelic), Sena, Seychelles (creole), Shona, Sicilian, Somali, Soga, Southern (ndebele), Southern (sotho), Swahili, Swati (swazi), Turkish, Tagalog (filipino), Taita, Tahitian, Tausug, Teso, Tetum, Tok (pisin), Tongan, Tswana, Turkmen (latinized), Tuvaluan, Ubasic, Uyghur (latinized), Volapuk, Veps, Votic (latinized), Vunjo, Walliser German, Walloon, Warlpiri, Xhosa, Yapese, Zulu.

Harri Text is more than an extension of Harri. It shares its origin, a certain flavour and a great deal of its idiosyncrasies, but while Harri is an uppercase-only typeface intended for display uses, Harri Text is conceived as a text type family, including a new extra-light weight, italics, small caps and other additions that make it suitable for editorial purposes. As its predecessor Harri Text addresses several concerns regarding the dualism neutrality vs. idiosyncrasy, or in other words, how local features meet global design in the context of a modern society (as is the case in the Basque Country in recent times). The origin of Harri Text —vernacular Basque lettering for the most part— is full of idiosyncrasies and peculiarities that, while giving them its special character, may hinder readability in some cases. The default set in Harri Text tones its essence down a little bit. It is still present, although less obstrusive. Stylistic sets 1, 2 and 3 are a chance to recover gradually this essence modifying some characters —specially the characteristic design of letter A– for those who seek a more local flavour. Stylistic set 4, on the other hand, does the opposite job, this is, removes asymmetrical serifs and other small details in order to create a more neutral atmosphere. Any traces to its origin are this way diluted resulting in a crisp and clean incise variant. Stylistic set 6 is available in the italic styles. It provides a more fluid and cursive flavour to some letters in case a calligraphic mood is desired. Harri Text comes with 1054 glyphs in its character set (1078 in the italics) with support for more than 220 languages.

About Ardena: Ardena is a modern sans-serif typeface family. While neutral and clear at first glance, it can be characterized as both pleasant and confident due to its open, rounded forms and vertical terminals. It can be used in both a restrained and expressive way. The thinner and thicker weights are particularly suitable for strong headlines, while the middle weights can be used for typographic challenges and body text. Completed with an extensive character collection, it becomes a real workhorse. A versatile allrounder that is up to all challenges – for Corporate Identity, Editorial, Branding, Orientation and Guidance systems and much more. Variable Font The Variable Font contains 2 axes: weight and oblique – all in just one file. Features: With over 1064 characters, it covers over 200 Latin-based languages. It has an extended set of currency symbols and a whole range of Open Type Features. There are alternative characters as stylistic sets, small caps, automatic fractions – just to name a few. Arrows and numbers: In particular, the extensive range of arrows and numbers should be highlighted, which are perfectly suited for use in orientation and guidance systems. Thanks to Open Type Features and an easy system, the various designs of arrows and numbers can also be simply "written" without first having to select them in a glyph palette. The principle is easily explained: If a number is placed in round or square brackets, it will automatically be displayed in an outlined circle or square. If you add a period to the number, it is displayed in a full circle or square. The same principle also applies to the arrows. The arrows themselves are combinations of greater/less symbols with the various slashes or hyphens. Get the static version of the Ardena family here: https://www.myfonts.com/fonts/julien-fincker/ardena/

“Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.

Akira Rosty is a very unique handwriting, the shape is modern but pleasing to the eye and the style is very natural. This modern calligraphy font includes a modern Love font which can be varied with the Normal font, This font is designed to have the potential to take your every creative idea to the highest level! These designs are used for branding, web and editorial design, print, crafts, quotes, It's great for logos, wedding invitations, romantic cards, labels, packaging, name spelling and more. Akira Rosty includes OpenType style alternatives, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative,you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Akira Rosty is coded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Introducing "Different Cultures," a font that effortlessly embodies the latest design trends. This modern serif display font transcends conventional styles, offering a perfect fusion of bold and thin strokes that create a visually stunning balance. Immerse your designs in the contemporary allure of "Different Cultures," where every curve and detail is meticulously crafted for maximum impact. Explore the font's diverse array of alternates and ligatures, providing you with a stylish toolkit to customize and enhance your typographic creations. "Different Cultures" is more than just a font; it's a visual journey that seamlessly blends modernity with timeless elegance. Elevate your projects with the unique and captivating aesthetics of "Different Cultures," setting a new standard for stylish and versatile modern serif display fonts in today's design landscape. Here's what you get: Regular & Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Introducing “Avilusia”, a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. With its unique character and versatile design, “Avilusia” is poised to make a bold statement in a variety of design projects. The design concept behind “Avilusia” revolves around merging the timeless charm of semi-gothic typography with contemporary design sensibilities. The goal was to create a typeface that reflects the rich historical roots of gothic letterforms while infusing it with a fresh and modern edge. “Avilusia” aims to be a versatile tool that empowers designers to explore new creative territories while honoring the legacy of classic typography. While “Avilusia” draws inspiration from the semi-gothic tradition, it is not based on any specific historical design. Instead, it pays homage to the stylistic traits of semi-gothic typefaces while embracing the demands of contemporary aesthetics. This approach results in a typeface that is both captivating and adaptable, suitable for a wide range of design applications. “Avilusia” is a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. Its distinctive design, versatile nature, and extensive character set make it an excellent choice for creating visually engaging designs. Whether you're working on branding, editorial layouts, or display graphics, “Avilusia”'s unconventional elegance will leave a lasting impression on your projects.

Want to transport your audience to a world of wonder with your branding? Want your headings to spark happiness and engagement? Introducing Burnt Rose - A Modern Calligraphy Font. A modern and elegant handcrafted calligraphy font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. Every stroke and curve was created to capture the essence of elegance and style. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Burnt Rose includes Ligature & Stylistic Sets as well as Multilingual Support to make your branding globally acceptable. Get ready to engage and captivate your audience with Burnt Rose. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.