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  1. VTCBadHangover - Unknown license
  2. VTCBadPlating - Unknown license
  3. VTCBadDrip - Unknown license
  4. VTC Boseephus - Unknown license
  5. VTC Seeindubbledointriple - Unknown license
  6. VTCBadLuck - Unknown license
  7. LazyMeow - Personal use only
  8. SteveHandwriting - Unknown license
  9. Casino - Unknown license
  10. Knockout - Unknown license
  11. ZirkleOne - Unknown license
  12. CoolHandLuke ttext - Unknown license
  13. Wave - Unknown license
  14. Mama - Unknown license
  15. Cross Worded by Funk King, $5.00
    Each glyph is fashioned as a cross word puzzle.
  16. Ravensara Antiqua Stencil by NaumType, $19.00
    Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.
  17. Felt - Unknown license
  18. Salter - Unknown license
  19. Goudy Mediaeval - Personal use only
  20. Rudelsberg - Unknown license
  21. Zaleski - Unknown license
  22. Baldur - Personal use only
  23. Kramer - Unknown license
  24. Brrrrr - Unknown license
  25. Tintoretto - Personal use only
  26. Morpheus - Unknown license
  27. Showboat - Unknown license
  28. Airlock - Unknown license
  29. Abagail - Unknown license
  30. Woodplank - Unknown license
  31. KaratMedium - Unknown license
  32. Xmas - Unknown license
  33. Lemiesz - Unknown license
  34. Dinner - Unknown license
  35. Lilith - Unknown license
  36. Best Part by Just Font You, $20.00
    Best Part, an elegant yet casual fancy script typeface inspired by the casual fashion lookbook and classy feminine stuff nowadays. Perfectly fit for branding, logo, wedding things, greeting cards, fashion, lookbook, marketing promotion, anytime you want to look fancy elegant but still casual.
  37. Delvey Modern Serif Font by BeckMcCormick, $16.00
    Delvey is best for: – logos + branding, especially cosmetics, fashion, & clothing brands – website design + website accents – think travel blogs, fashion blogs, & more – clean print design, like magazines + flyers – header elements that need a clean, modern look – quote graphics for social media – chic graphic tees
  38. Suifak by Letterena Studios, $10.00
    Suifak is a modern and classic serif typeface that has its own unique style and fashionable look. This typeface is perfect for an elegant and luxurious logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.
  39. Brock Restar by Letterena Studios, $10.00
    Brock Restar is a modern and classic display typeface that has its own unique style and fashionable look. This typeface is perfect for an elegant and luxurious logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.
  40. Alverata PanEuropean by TypeTogether, $119.00
    Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. Unger’s Alverata is an extensive type family, with versions for both formal and informal applications, and with Greek and Cyrillic relatives. Alverata consists of three different fonts: Alverata, Alverata Irregular and Alverata Informal, that vary in form and width, but maintain the same spirit. The Irregular version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.  For the development of the Greek letterforms, Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens), and with Tom Grace on the Cyrillic letterforms.
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