Milarossa Is a Serif Display Typeface That Is Elegant and Classic Yet Modern. It Comes in 2 (Two) Styles (Regular and Italic) and Is Created With Stylistic Alternatives and Ligatures. Perfect for Your Design Projects Like Logos, Branding, Advertising, Product Designs, Stationery, Magazine Designs, Book/Cover Title Designs, Photography, Art Quotes, Wedding Designs, Fashion Designs, Special Events, Labels, Product Packaging, and More. Featured with Uppercase and Lowercase, Numeral and Punctuation, Multilingual Support, and Opentype Features.

Mestiza is a type family with a living past, which combines its ancient roots with the handmade and the contemporary in a spirited mix that evokes elegance and strength. Thanks to its sharp terminals and high contrast, Mestiza acquires a unique personality. It is ideal for headlines and branding projects. Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.

Primate is a typeface family that works both as a display font for reading, casual and informal as it approaches the forms of nature, hence the name Primate. Primate's family comes in a full range of weights, from the thin Ultra Light to Heavy Black, all weights are also presented in italics and all have ornaments. Primate is a natural and fun to compose texts, giving the design work of a contemporary look.

Introducing Eyesome - Modern Font Duo Eyesome is elegant and organic typeface with multilingual support. It's a very versatile font that works great in large and small sizes. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Italic Script Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

A contemporary interpretation of the famous DIN typeface. Regular style suits for long texts, while Light and Bold variations work well in large sizes. The typeface includes 24 styles: 6 upright and 6 normal-width italics, as well as 6 Narrow and 6 Condensed styles. The typeface was designed by Vasily Biryukov and released by Paratype in 2015. The set of Condensed styles was added by Alexander Lubovenko and Isabella Chaeva in 2022.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

Journal Republica is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern appeal to blend with modern needs. His family is Regular, Italic, and Bold. Journal Republica offers many possibilities to be applied in many graphic or editorial projects. The Regular weights are suitable for short paragraph, and Bold weight are perfect for headlines, perfectly suitable for display purpose such as branding, editorial, book covers, and packaging.

ITC Bookman font was designed by Edward Benguiat, whose goal was to design a typeface that had a clear resemblance to previous Bookman faces but was different and more versatile. This typeface retains all the traits of the original and adds a large x-height and moderate stroke contrast for optimal legibility. ITC Bookman font also has italics which are true cursive forms, as opposed to oblique roman characters. Featured in: Best Fonts for Tattoos

Headlines font family was designed for optimised headline settings. The condensed letters are designed for clear and straight headlines and also allow longer words and headlines to find the space they need for a well-composed headline. Typeface Features 265 Characters 8 Styles, including Italics Western European Language Support Numbers Symbols Punctuation www.typethis.studio Thank you for checking out Headlines Font Family. If you have any questions, please send an email to hello@typethis.studio

Leonore is a strong and elegant family font display. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era, with a thick and solid style in each letter as if this font has a soul in it. Features: *Uppercase & Lowercase *Number & Symbol *Multi-language *Regular, Italic, and Outline Happy Creating! ArimaType@gmail.com #1266576

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while conservative enough for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

Milica is a display font, inspired on action movies and urban Military culture, designed with straight verticals but slanted horizontals with no curves and sharped hard strokes, in 5 sizes, ExtraLight, Light, regular, Bold & ExtraBlack, plus italic version to each weight. Recommended for use in poster, Movies, video games, TV, Animation, letterhead, magazines titles, POP & Graphic culture, young stuff, hip-hop topics, urban, big sizes prints, Volumetric 3D shapes, labels, etc. Powered by OTF technology.

Amecane is a mecane. (Mecanes are slab Fonts) inspired by old style typography introduced in the early nineteenth century. Amecane is a slab serif font - designed by Loïc Choquet. The Amecane font family consists of 16 fonts, 2 widths and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, packaging, etc. The font contains 348 glyphs with a wide range of flexibility for Latin language support for every typographical needs.

Bietka is a high quality squarish display font - geometric, modernist and playful at the same time. It supports multiple languages, as well as open type features, alternate styles, lining, old style, proportional and tabular figures, fractions, ordinals, subscript and superscript, arrows, symbols and special characters. It was designed for all kinds of display uses - great for posters, headlines, banners, logos and short paragraphs of text. Bietka comes in two styles - regular and italic.

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

Rail grandeur precision & leverage Rail type family is a tough conveyance mechanism for large and lengthy information packages. It offers great reading comfort and avoids unnecessary friction. The precise construction of this slab serif signals greater legibility and capacity. Rail is designed to provide reading enjoyment. It’s suitable for complex typography projects like magazines and annual reports. The typeface’s x-height is approximately 68% of its capitals. The italics are constructed at a 11° angle.

A geometric typeface that follows the grid but understands the rule to go off-grid. The design is sharp, square and engineered yet has plenty of craftsmanship in each character to give it a more human and friendly touch. Oyko is best suited to immersive interfaces, including mobile apps, video games, virtual reality and the web. Details include five purposeful weights with italics, over 500 characters, five variations of numerals, stylistic zeros, and OpenType features.

Moisette is a serif typeface inspired by the classic and the modern. Developed in 7 weights with its complementary italics, Moisette offers many possibilities to be applied in many graphic, editorial, or branding projects, for short paragraph or display purposes. Moisette has high-contrast stem ratio to give it an elegant touch and luxurious appeal, and its high x-height makes sentences more legibility. It supports Latin and Cyrillic character set (incld. Bulgarian & Serbian Cyrillic).

Kanzaki is a display typeface sculpted with special curves inspired by old typography combined with semi-reversed contrast. A semi-serif font that has a classic and elegant feel, yet warm and friendly. To beautify your creations, Kanzaki is equipped with various opentype features such as disrectionary ligatures, alternates, swashes and stylistic sets. Available in 5 weights: Thin, Light, Regular, Medium, Bold and its matching italics. Perfect for branding, packaging, logotypes, labels and posters.

Gravita is a typeface family that conveys security and respect by combining the solidity of its classic proportions with the strict precision of its modern profile drawing. Ideal for modern corporate communication where you need customers to perceive confidence and transparency. It has 9 weight variables, 2 predefined sets (GEO and HUM) with their respective italics. Its design is inspired by the geometric precision of modernist imprint typefaces reinterpreted under a 21st century humanist sensitivity

Welcome to the Jet Age! LIETZ Rathoga jumps right out of the covers of vintage Space-Hero comics and onto your flickering cathode ray tube monitor. Fight the evil Zombies of the Stratosphere with sharp serifs! Race the Rocketmen with narrow stroke widths and fast italics! Loaded with Ligatures for more firepower! Team up with Rathoga's brothers and sisters from the LIETZ font family and you will triumph over the hordes of evil! Power on!

Introducing Abhartach, funky reverse-contrast display typeface. A perfect mix from both classic and modern typography. Packed with lots of alternate characters and ligatures (and faux-italic style too!), lets you explore more letter variations that will level up your designing projects. Check out the entire preview images to get the inspiration & hints of how powerful slash beautiful this typeface is. Hope you enjoy this typeface as much as we created it for you! Cheers!

Fondamento and Fondamento Italic are calligraphic lettering styles based on the traditional Foundational Hand, a basic teaching style created by Edward Johnston in the early 20th century. The letterforms are clear and cleanly legible, basic and formal. Opentype features include: - Stylistic Alternates for a collection of alternate Small Caps - Full set of Inferiors and Superiors for limitless fractions - Lining and Proportional figure sets, several discretionary ligatures/alternates as well as a collection of ligatures.

Giane serif is a serif font family with old style as body text and modern contemporary as display, it's a very harmonious blend, this makes Giane very easy to read and beautiful. Giane Text is created and inspired by old style fonts with a modifications to newer and fresher serif shapes. Giane complet family comes with 16 fonts, 7 different weights, oblique and true italic including display and body text. _Thank you

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

Knightsbridge is a robust, bold italic, which Alan Meeks designed in 1975. This typeface appears to be a wholly new interpretation of the alphabet, free from specific typographical/historical references. This courageous assertiveness extends into the very design of the letterforms, making them feel secure and assured on the page. Knightsbridge is the perfect typeface for newsletter and magazine headlines, and it may be used for various advertising typesetting purposes as well.

NovaHispane typeface is a serif typeface with a clear, serious, elegant, old and modern touch at the same time. This typeface is perfectly suitable to be used in books, magazines or any printed media that requires showing a set of traditional or modern styles. Its four weights Light, Regular, Bold, and Heavy make a well-marked visual game for highlighting words from text; in addition to having the italic forms for each weight.

MIRUMIR is a variable display grotesk typeface which has latin, cyrillic and hebrew scripts. It comes in 16 weights and its matching italics It contains 451 characters. Designed with powerful opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate, newspaper, display, magazines as well as for editorial design.

The letterforms of this face represent a "subtraction" of two different faces by weight, style, and shape -- one from another. The shapes of TM Miniature Italic are subtracted from FreeSet Bold with subsequent deconstruction. Though the spots may look amorphous they create images of both external and internal. At the same time none of them is explicit. The alphabet is lower case only. Designed by Boris Popov and licensed by ParaType in 2002 .

This rugged rascal is based on at old ATF “original” design called “Hearst” (although Frederic Goudy claimed it was a pirated version of one of his designs). Its commanding, rough-hewn character makes it suitable for headlines, but its large x-height makes it practical for subheads as well. Available in roman and italic versions. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Modulair is a dot matrix based font with nice typographic features. Various figures, complete punctuation and small caps in three weights makes the Modulair a very usable font for subtile typographic solutions or headlines. Since autumn 2023, the Modular has been expanded with italics in three weights. The first sketches were made in 1979 on my father's Olivetti typewriter. Forty years later I used these sketches as the basis for the Modular.

Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates

Quida Rough is a textured display family with three styles; Regular, Italic and Script. The personality of the design comes the rough, worn outlines and concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly. Quida Rough Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.

Spektra is a multi-script type family that combines 5 scripts: Latin, Cyrillic, Arabic, Greek and Hebrew. It is a variable font - ranging from backslant to italic axis. Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra combines different locations, cultures and ideas as statements around the world and celebrates the differences among them. Awards • Modern Cyrillic 2021

🏆 Selected for Tipos Latinos 7 with a Certificate of Excellence. With semi-rounded terminals, Graviola is soft and friendly. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones are suited for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &).

Presenting JHC Audemars, an impeccably crafted condensed serif font exuding a resolute and refined character. Distinguished by its unique inverted letter shapes, this font embraces an avant-garde aesthetic. Boasting a comprehensive range of weights from Thin to Black, along with an elegant italic style, JHC Audemars ensures versatile application in various design contexts. Ideal for sophisticated branding and editorial endeavors, this font effortlessly merges strength with sophistication, delivering a commanding and memorable typographic presence.

Dexa Round is the round cornered version of the Dexa Pro superfamily. It has 18 fonts with thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It supports all the Latin languages as well as the Cyrillic ones. OpenType features: small caps, caps to small caps, alternates, old style figures, tabular lining, old style tabular lining, language localizations, ligatures, superscript, subscript, numerators, denominators, fractions, historical forms.

Impressed by the quality of the Aachen typeface that was originally designed for Letraset in 1969 and extended to include Aachen Medium in 1977, Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family. Derived from the serif-accented Egyptienne fonts dating to the early 20th century, Aachen has serifs that are very solid but considerably shorter than those of its precursor. The incorporated geometrical elements, such as right angles and straight lines, provide the slender letters of Aachen with a slightly technological, stencil-like quality. Despite this, the effect of Aachen is by no means static; its dynamism means that this typeface, originally designed for use in headlines, has come to be used with particular frequency in sport- and fitness-related contexts. Jim Wasco, for many years a type designer at Monotype Imaging, recognized the potential of Aachen and decided to extend the typeface to create an entire typeface family. He appropriated the existing Aachen Bold in unchanged form and first created the less heavy cuts, Thin and Regular. Wasco admits that he found designing the forms for Thin a particular challenge. It took him several attempts before he was able to achieve consistency within the glyphs for Thin and, at the same time, retain sufficient affinity with the original Aachen Bold. But he finally managed to adapt the short serifs and the condensed and slightly geometrical quality of the letters to the needs of Thin. The weights Light, Book, Medium and Semibold were generated by means of interpolation. Supplemented by Extralight and Extrabold, the new Neue Aachen can now boast a total of nine different weights. Wasco initially relied on his predilection for genuine cursives in his designs for the Italic cuts. But it became apparent with these first trial runs that the soft curves of cursives did not suit Aachen and led to the loss of too much of its original character. Wasco thus decided to compromise by using both inclined and cursive letters. Neue Aachen Italic is somewhat narrower than its upright counterparts; the lower case 'a' has a closed form while the 'f' has been given a descender, but the letters have otherwise not been given additional adornments. The range of glyphs available for Neue Aachen has been significantly extended, so that the typeface can now be used to set texts not only in Western but also Central European languages. Wasco has also added a double-counter lowercase 'g' while relying on the availability of alternative letters in the format sets for the enhancement of the legibility of Neue Aachen when used to set texts. The seven new weights and completely new Italic variants have enormously increased the potential applications of Aachen and the range of creative options for the designer. While the Bold weights have proved their worth as display fonts, the new Book and Regular cuts are ideal for setting text. And the subtlety of Ultra Light will provide your projects with a quite unique flair. The new possibilities and opportunities in terms of design and applications that Neue Aachen offers you are not restricted to print production; you can also create internet pages thanks to its availability as a web font.

PunkRocker is a bold condensed sans-serif with three versions and plenty of attitude. PunkRocker is awesome for creating strong tight square text boxes that scream for attention: it’s ideal for movie posters, single covers, as a supertool for fast graphic design. PunkRocker has three versions: Regular which is “clean”, Rough which has the worn-out appearance of a punk-poster or a gig poster that has been outside too long, and Stamp which has rugged outlines and print texture inside characters. Textured versions of PunkRocker have double characters for every standard character: Contextual Alternates will automatically replace any double letter with alternate that has different texture to avoid repetition and keep the appearance more authentic. You can also access these alternates by turning on Stylistic Alternates or via glyph palette. PunkRocker is PUA encoded so you can access extra glyphs in most graphic design softwares.