PT Stroganov™ was designed in 2002 by Oleg Karpinsky and licensed by ParaType. An original low-contrast typeface with irregular one-sided serifs. It has been named after Count Sergey Stroganov, the founder of the Stroganov School of Industrial Art in Moscow. For use in advertising and display typography.

A modern blackletter typeface, designed by combining an old english style & modern style. It can be used for textbook, display text, headlines, logotype, and more. Within support by multilingual glyphs (characters), & lot of punctuations to support many people around the world with their unique languange and accent. Thank you very much.

Kulacino is a modern-retro display typeface inspired by the oldtimes factory signages/ plat licenses. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. You can use Kulacinos into anything as far as your creativity carry you!

Llawysgrifen (Welsh for Handwritten) is a custom handwritten font created by Michael Kalber. It is unique from other script fonts because each character was created by hand, meaning no two characters are alike. This font is available in the Latin, Greek, and Cyrillic alphabet, with the Hebrew and some Arabic characters.

Christmas Festival. A magnificent curved monoline font with christmas theme. Use it to add vintage and mystique flavor to any design! It’s ready and perfectly fit for your logo designs, headline, music projects & social media posts, event poster, brand imagery, product packaging, quotes, merchandise, gift card, wedding invitation, etc.

Arthura is a sans serif font family with subtle reverse contrast, particularly visible in its ultra bold ‘Black’ style. Six weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. It’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc.

Flamme was designed by Alan Meeks and appeared with ITC in 1993. It is a strong brush script with each stroke doubled and has a nostalgic, retro style. The 1930s and 40s saw an increase in the production of modern script typefaces in foundries all over the world. Expanding markets and their advertisements demanded more and more new typefaces, which then also appeared in newspapers and magazines. A distinguishing characteristic of these typefaces is their informal hastiness and calligraphic roots, a combination which was to embody progress and modernity. Flamme is best used for headlines and short texts in point sizes of 14 and larger.

Jill Bell's typefaces are energetic, highly decorative, and refreshingly unpredictable. Some are friendly and childlike, while others are rough and nervous. Her latest creation is ITC Swank, a connected script whose shabby-chic" sophistication communicates a worn elegance. Bell begins the design process "with black stuff on white paper," she explains, preferring to draw letters before she digitizes them. Often the inspiration for her typefaces comes from a piece of hand-lettering. "Bruno began as a reminder to buy cat food," she says, "and ITC Swank started out as a small bit of lettering for Wurlitzer Pianos." Bell finds that working with blocks of lettering is a good start for script typefaces. "If I'm drawing a script typeface, I have to write out sentences in the letters first," she explains. "Drawing each letter separately doesn't establish the flow and spontaneity that scripts deserve." Bell's newest design is ITC Swank. It's a somewhat tattered formal script with definite links to early copperplate scripts. Though probably not for wedding invitations, Swank's elegant underpinnings are evident, with its slightly narrow proportions and a baseline that can best be called "bouncy." Graphic designers will appreciate the abundance of swash letters, making it easy to create distinctive headlines and short blocks of copy. Bell has a fondness for the "open, genuine" quality of Chinese and Japanese calligraphy. "Eastern styles incorporate the natural flow of the hand," she says. "Natural, human qualities shine through. Mistakes are accepted, not scorned as in the 'white-out' Western culture." This philosophy is evident in Bell's own designs. Whether it's ITC Clover 's carefree spirit, the slightly spooky Hollyweird, Caribbean 's< rustic charm or the weathered elegance of ITC Swank, there is a natural honesty in her work."

Luftayah is a modern display typeface, designed by Anna Seslavinskaya in 2018. The typeface was inspired by the sociological concept of the “melting pot”, by a fusion of different cultures, isolated in a geometric form. Two traditions, Kufic script and German fraktur blend into a new symbiotic form. Luftayah adapt it for use in display contexts, as headings and book blurbs, through the use of a range of unusual combined characters and ligatures.

An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author. This is a low-contrast slabserif font with open letterforms. Its shape is distinguished by one- and two-sided rounded serifs. Susan Classic is well suited for short and middle range text composing as well as for use in advertising and display typography.

Prism was mainly inspired by two things, the sketches of Rudolf Koch for Prisma and the proportions of Avant Garde by Herb Lubalin. Even when the proportions and widths stay the same from ExtraLight to Black, you get the opportunity to change the weight and get a complete new look for that typeface by changing the grayscale or color. It is a modern combination for headlines, that want to have a different look.

Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates

Wild and free as usual, but now with a touch of sharp focus presented in curled ascenders and descenders, swashy care-free caps, and very unique figures. Koziupack is the ideal choice of font for food and drink product labels, signage, magazine advertisements. It looks particularly great when accenting any work of modern illustration, or by itself brightly knocked out of a dark background. Designed by Koziupa and digitized by Ale Paul.

Attica is a slab typeface with inverted contrast that was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. We wanted to develop a wood type typeface and we designed the complete alphabet with a flat long brush and slowly we did the whole character set. Attica contains a big set of icons and dingbats. Enjoy it. More About Opentype Features: https://bit.ly/opentype-rsz

Introducing of our new product the name is Square Spray Graffiti Font, Square Spray inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Trunk is a bold and simple font published by Daily Studio. This is a decorative font design suitable for headlines, invitations, quotes, business card, posters, etc. This font includes full uppercase, lowercase, punctuation, and standard multilingual support.

Pinx Niera is a bold psychedelic typeface. Inspired by psychedelic music and visual. The typeface looks bold, clean, and unique form. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc

Introducing of our new product the name is Bomber Throw Graffiti Font, Bomber Throw inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Introducing of our new product the name is Street Lord Graffiti Font, Street Lord inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

Introducing of our new product the name is Beatney a Classy Signature Font. Beatney inspired by modern script style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Pickatoon is a fun display font that we made because we knew what people wanted. Pickatoon has the look of your favorite childhood markers. It's not just for comic books, it's for EVERYTHING. It's for your Instagram selfies, it's for school projects, it's for your business logo, it's for your coloring books—it even works great with watercolors! We put a lot of time into making Pickatoon perfect. We knew you'd need it to be thick and thin and fat and skinny, so we did our best to make sure all those variations were available in every letter. And when you're drawing, you don't just want to draw the same thing over and over again—you want to be able to change things up with some simple tools. So we made sure that Pickatoon had different ways you could vary the thickness and give your work some character. Start create with this font!! A Million Thanks www.colllabstudio.com

The Ray Johnson font was inspired by the Father of Mail Art. It's based on the block lettering style used by Ray to add the names of his correspondents to their bunny head portraits (the film How to Draw a Bunny is a superb introduction). The font includes blank bunny heads and other Ray Johnson graphics as scalable vector images, and separate bitmap images are also provided as jpegs and gifs.

We've all seen the informational markings on commercial driveways or roadways instructing us which way to turn, where to park, etc. They are usually in stencil lettering 16 inches or taller, with compressed letters that make the horizontal strokes look slightly thicker than the vertical ones. By condensing the lettering in Narrow Stencil JNL by 20 percent, the result is Driveway Stencil JNL - a digital emulation of those painted road markings.

Peridot is not just another typeface – it's a multifaceted sans serif type system crafted with passion and precision by Foundry5. Painstakingly developed through long hours and a keen focus on every minute detail, this typeface boasts a high-quality 10 weight family with matching italics in 6 widths, and the highly versatile variable format. Brimming with character, Peridot invites you to experiment with its various stylistic variants, allowing you to tailor the typographic tone to fit your creative vision perfectly. The diverse range of widths and styles in Peridot offers a dynamic typographic toolbox, ready to inspire and captivate even the most innovative designers. Peridot Latin covers over 320 languages, including Vietnamese. It includes all required localised variants, tabular numerals and currencies, fractions, clever discretionary ligatures and many more features. Peridot performs in varied environments – from branding, display, corporate use, editorial, advertising, poster, web, screen usage etc. Think of any other use case as well, and Peridot will perform. Peridot comprises 120 static fonts, family packages, and variable support. It is the gem you ought to have in your collection.

It is what it says: a classic woodtype face by the same name from Vanderburg and Wells' 1878 specimen book. What it lacks in refinement, it makes up for in exuberance. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Recently the Rogue family was designed as an accompaniment to Paralucent for Loaded, London's notorious lads-mag that had found its design being cloned by the competition and sought something unique to set it apart.

Yamatoshi is a handwritten script font inspired by Japanese calligraphy culture. Suitable to energized your design with free spirit vibe. Seems like it was written effortlessly that makes Yamatoshi stands out for its natural charm.

Aulietta is a delicate, elegant and flowing handwritten font. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

CreamPie - Handwritten Display Font by erlosDESIGN CreamPie is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Riwaya is a cool and fashionable handwritten font. It is defined by smooth curves and is perfect for fashion branding or editorial designs. Add it confidently to your projects, and you will love the results.

Balgor is an elegant and modern serif font. It is characterized by smooth curves and is perfect for fashion branding or editorial designs. Add it confidently to your projects, and you will love the results.

Bellarosse is a delicate, elegant and flowing handwritten font. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

It is still a mystery to us why Martin Wilke's 1968 Konzept design was ignored by the digital age. It certainly has the elements of attractive yet realistic handwriting, as well as a few very distinctive letters that make it very unique in its class. So here it comes digitally under another feline name from Canada Type. We named it Cougar because the top of the C gives off just that impression. Ditto the G's casual descender, and the gorgeous a and g. With casual letters like these, a handwriting font cannot get any more realistic. Cougar is ideal for handwritten notes, both long letters and friendly short sentences. It's also great for use in scrawl design, titling, or any environment where friendly and casual appearance is of importance.

AmpleSoft Pro is an extended version of AmpleSoft type family. AmpleSoft Pro Includes Extended Languages Character Set for following: Azerbaijan, Belarus, Bulgaria, Czech Republic, Kazakhstan, Latvia, Lithuania, Polish, Romania, Russia, Slovakia, Ukraine, Uzbekistan, Vietnam. AmpleSoft Pro is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewer's attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights: Thin, ExLight, Light, Regular, Medium and Bold.

Marlon Pro is a soft sans serif font family characterized by its contemporary aspect and its warm touch. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled gures, pro kerning...It comes with a complete range of gure set options – oldstyle and lining gures, each in tabular and proportional widths. It comes in 9 weights with corresponding italics and it's suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Marlon Pro Sans has true italics to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages.

A special offer by RMU Typedesign for those who like it old-style. Now finally with the possibility to create a Greek Meander frame.

Biotech is hand painted typeface with a messy, rough and strong feel, perfectly suited for any design occasions. Get inspired by its bold charm!

With its contours roughened by ink spread on porous cardboard, Shenzhen Industrial evokes packing crates, stamped documents and urban grit with high-impact urgency.

Ramshackle JNL was modeled from a 1940s lettering stencil and takes its place amongst the many vintage stencil font designs redrawn by Jeff Levine.